scholarly journals Biblical Inspirations in Nikifor’s Paintings

2019 ◽  
Vol 26 (3) ◽  
pp. 31-46
Author(s):  
Krzysztof Wałczyk
Keyword(s):  
Real World ◽  
The Self ◽  
Creative Activity ◽  
The Real ◽  
Ideal World ◽  
The World ◽  
Biblical Anthropology ◽  
Divine Order ◽  
The Ideal

Nikifor Krynicki (Epifaniusz Drowniak, 1895-1968) was one of the most popular non-academic Polish painters worldwide. To show the biblical inspiration in his creative output I chose two categories from various thematic aspects: self-portraits and landscapes with a church. There are plenty of Nikifor’s paintings showing him as a teacher, as a celebrating priest, as a bishop, or even as Christ. A pop­ular way to explain this idea of self-portraits is a psychological one: as a form of auto-therapy. This analysis is aims to show a deeper expla­nation for the biblical anthropology. Nikifor’s self-portraits as a priest celebrating the liturgy are a symbol of creative activity understood as a divine re-creation of the world. Such activity needs divine inspira­tion. Here are two paintings to recall: Potrójny autoportret (The triple self-portrait) and Autoportret w trzech postaciach (Self-portrait in three persons). The proper way to understand the self-identification with Christ needs a reference to biblical anthropology. To achieve our re­al-self we need to identify with Christ, whose death and resurrection bring about our whole humanity. The key impression we may have by showing Nikifor’s landscapes with a church is harmony. The painter used plenty of warm colors. Many of the critics are of the opinion that Nikifor created an imaginary, ideal world in his landscapes, the world he wanted to be there and not the real world. The thesis of this article is that Nikifor created not only the ideal world, but he also showed the source of the harmony – the divine order.

Democratic Ideals in a Non-Ideal World

2020 ◽  
pp. 175-194
Author(s):  
Mary F. Scudder
Keyword(s):  
Political Behavior ◽  
Real World ◽  
Critical Value ◽  
Ideal Theory ◽  
The Real ◽  
Ideal World ◽  
Democratic Ideals ◽  
The Ideal

The book concludes with a discussion of the real-world implications of pursuing a politics of listening. Does the expectation to fairly consider the inputs of others apply equally to members of a minority or marginalized group as it does to the relatively powerful and privileged members of society? Chapter 7 explains how to pursue the ideal of uptake and a politics of listening while remaining sensitive to the non-ideal conditions of the present. The chapter draws on political behavior research to show that people are capable of meeting the demands of citizenship laid out in this book. Nonetheless, this chapter also defends the practical value of the ideal of uptake, even when our efforts to attain it fall short. Discussing what to do when listening and uptake are consistently denied or beyond our reach, the chapter concludes by considering the critical value of ideal theory in a non-ideal world.

scholarly journals Del Toboso al Barrio de las Letras: recreaciones de Dulcinea en María Velasco y Carolina África

2020 ◽  
pp. 17-42
Author(s):  
Isabel Castells Molina ◽  
Keyword(s):  
Real World ◽  
Interdisciplinary Approach ◽  
The Real ◽  
Ideal World ◽  
Modern Novel ◽  
The Ideal

This paper aims to explore how two contemporary playwrights, Carolina África and María Velasco, address Dulcinea’s character in a collective project called A siete pasos del Quijote. For this purpose, we will analyze their respective contributions, paying special attention to the modern way in which Africa and Velasco deal with one of the most important subjects in the Cervantes’s novel: the real world and the ideal world opposition through the duality between Aldonza and Dulcinea. From an interdisciplinary approach, which includes other artistic languages such as cinema and music, we also intend to establish a creative dialogue between the two playwrights and the inventor of the modern novel as well as other authors. At the same time, we will try to show some connections between the pieces studied in this paper and the rest of both playwrights’ works

Comparison of the self-expanding Evolut-PRO transcatheter aortic valve to its predecessor Evolut-R in the real world multicenter ATLAS registry

2020 ◽  
Vol 310 ◽  
pp. 120-125
Author(s):  
Konstantinos Kalogeras ◽  
Neil Ruparelia ◽  
Tito Kabir ◽  
Richard Jabbour ◽  
Toru Naganuma ◽  
...  
Keyword(s):  
Aortic Valve ◽  
Real World ◽  
The Self ◽  
The Real ◽  
Transcatheter Aortic Valve

scholarly journals The Reality of Moral Imperatives in Liberal Religion

2013 ◽  
Vol 28 (2) ◽  
pp. 297-335
Author(s):  
Howard Lesnick
Keyword(s):  
Ideal World ◽  
Liberal Religion ◽  
The World ◽  
Moral Universe ◽  
Child Subject ◽  
Good And Evil ◽  
The Ideal

God has made man with the instinctive love of justice in him,which gradually gets developed in the world …. I do not pretendto understand the moral universe; the arc is a long one, my eyereaches but little ways; I cannot calculate the curve and completethe figure by the experience of sight; I can divine it by conscience.And from what I see I am sure it bends towards justice.Theodore Parker (1853)A strange mystery it is that Nature, omnipotent but blind, in therevolutions of her … hurryings through the abysses of space, hasbrought forth at last a child, subject still to her power, but giftedwith sight, with knowledge of good and evil, with the capacity ofjudging all the works of his unthinking mother. [Gradually, asmorality grows bolder, the claim of the ideal world begins to befelt, [giving rise to the claim] that, in some hidden manner, theworld of fact is really harmonious with the world of ideals. Thusman creates God, all-powerful and all-good, the mystic unity ofwhat is and what should be.

Between Real and Ideal: Documenting Media Art

Leonardo ◽  
2008 ◽  
Vol 41 (4) ◽  
pp. 418-419 ◽  
Author(s):  
Caitlin Jones ◽  
Lizzie Muller
Keyword(s):  
Data Structure ◽  
Real World ◽  
Media Art ◽  
New Approach ◽  
The Real ◽  
Key Features ◽  
The Ideal

This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, conceptual existence of the work, and its actual manifestation through different iterations and exhibitions in the real world. The paper describes how the approach was developed collaboratively during the production of a documentary collection for the artwork Giver of Names, by David Rokeby. It outlines the key features of the approach including artist's interview, audience interviews and data structure.

Multiple original spellings, living authors and the Code: The case of Malachius raniansis Mawlood, Hammamurad & Abdulla, 2017 (Coleoptera: Melyridae)

Zootaxa ◽  
2021 ◽  
Vol 4927 (2) ◽  
pp. 297-300
Author(s):  
ISIDOR S. PLONSKI
Keyword(s):  
Real World ◽  
Zoological Nomenclature ◽  
International Code ◽  
Present Communication ◽  
The Real ◽  
The World

The present communication is primarily nomenclaturial–classical taxonomy is only touched in a side note on a diagnosis. It uses technical terminology coined by Alain Dubois, who is interested in the study of the concepts and theory of biological nomenclature (i.e. the “objective connection between the real world of populations of organisms and the world of language” (Dubois & Ohler 1997)), and who discusses the current ‘International Code for Zoological Nomenclature’ [hereafter just called ‘the Code’] in great detail. The terms are explained where necessary–but see also the glossaries in Dubois et al. (2019) and the works by A. Dubois cited below. 

scholarly journals ‘THE RULE OF THREE’ IN THE GROWTH STORIES – GANGBAIK LEE’S DRAMA “LIKE LOOKING AT THE FLOWER IN THE MIDWINTER”

2016 ◽  
Vol 1 ◽  
pp. 11-22
Author(s):  
Mansu KIM
Keyword(s):  
Fairy Tale ◽  
The Self ◽  
The Real ◽  
Final Destination ◽  
The Third ◽  
The Core ◽  
Rule Of Three ◽  
The Poor ◽  
The World

This paper focused on the structure of the growth stories, especially in surveying Gangbaek Lee’s (이강백) drama “Like Looking at the Flower in the Mid-winter (동지섣달 꽃 본 듯이)”. It is structured by ‘rule of the three’. In this text, three sons go to seek their mother, they experience the tests three times. Third son wins the game because he succeeds to find his true and alternative mother. It is similar to the story of English fairy tale “Three Little Pigs”.  In Freudian terms, the characters of the both texts are superego, ego and id. The core of the growth story is that third son (id) wins the first son (superego) and the second son (ego) by using his own energy (meaningful labor). In Levi Strauss’ terms, the contrast between the third and the others can be schemed the contrast between culture and nature. Lee’s drama presents the third son as the real hero who overcomes two elder brothers. The first is so conservative (oversleep), the second is so selfish (overeat). Two brothers were too political or too ideal to become a true, humanistic and warm-minded adult. In his view, ‘drama’ related to the third son is the most humanistic and warm-minded action in the world. These both stories are based on the plot ‘rags to riches’ which contains the success of the poor and powerless. In other words, the poor and weak child can grow to the true hero, and reach the final destination, according to the Gustav Jung’s expression, ‘the Self as a Whole’.

scholarly journals The Ethics of Regulation

2010 ◽  
Vol 3 (2) ◽  
pp. 1-8
Author(s):  
David Antoni ◽  
Freddy Leal
Keyword(s):  
Real World ◽  
Regulatory Environment ◽  
Trade Off ◽  
The Real ◽  
Ideal World ◽  
Effi Ciency ◽  
Self Interest ◽  
Main Factors ◽  
Regulatory Intervention

Regulations are often imposed in order to correct any failures in the market, whether the failure is a result of the functioning of a market or the behaviour of a government. However, every regulatory intervention br ings up a question: How ethical is the regulation? Even if a regulatory intervention could achieve more effici ency or more equity, it may not mean that it is ethi cal. The concept of ethics is ne cessarily subjective, it is based on the morals and standards of a society. Yet even though a society may be concerned about ethics, the issues of equity and altrui sm matter as does the way in which firms produce and seek to rationally an d efficiently maximize profit. Defining ethics is a difficul t issue, and defining ethical regu lation is even more difficult. Any form of regulation is a tool for interv ention used to balanc e the trade-off between efficiency and equity to create harmony between a market or economy and the society it functions within. In an ideal world, any go vernment intervention implemented would be for the greater benefit of all. However, this does not always happen in the vicissitudes of the real world when governments regulate an d intervene in markets, which are, in turn, based on the principle of rational self-interest and efficiency. In this paper we discuss the role of society in market regu lation. The discussion will focus on the importance of society on ethics and therefore on what constitutes ethical regulations. In fact we argue that equity, effi ciency or even failures are not the main factors to consider when regulating. It is society that defines ethics and how society understands ethics influences the regulatory environment

The Modern Tradition

2017 ◽  
Author(s):  
Melissa Anne-Marie Curley
Keyword(s):  
Real World ◽  
Church And State ◽  
Nation State ◽  
Pure Land ◽  
Complementary Relationship ◽  
The Real ◽  
Pastoral Letter ◽  
Private Matter ◽  
Modern Nation State ◽  
The Ideal

Abbot Kōnyo’s pastoral letter of 1871 codifies an understanding of the Pure Land as a transcendent realm, attainable only after death, and of faith as a private matter of the heart. This understanding is valuable as a way of negotiating a place for Shinshū in the regime of the modern nation-state. Early Meiji thinkers like Shimaji Mokurai rely on this understanding of religion as internal in arguing for the separation of church and state. Shinshū reformer Kiyozawa Manshi pushes this focus on interiority to its limit, destabilizing the complementary relationship between the Buddhist law and the imperial law that his predecessors sought to secure. During the Taishō, Kiyozawa’s disciple Kaneko Daiei attempts to rearticulate the connection between the ideal Pure Land and the real world, while the Honganji-ha thinker Nonomura Naotarō argues that it is time for the Pure Land tradition to set aside the myth of the Western Paradise.

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