Woman as Vulnerable Self: The Trope of Maternity in Levinas's Otherwise Than Being

Hypatia ◽  
2012 ◽  
Vol 27 (2) ◽  
pp. 348-365 ◽  
Author(s):  
Jennifer Rosato

Much due criticism has been directed at Levinas's images of the feminine and “the Woman” in Time and the Other and Totality and Infinity, but less attention has been paid to the metaphor of maternity and the maternal body that Levinas employs in Otherwise Than Being. This metaphor should be of interest, however, because here we find an instance in which Levinas uses a female image without in any way seeming to exclude women from full ethical selfhood.In the first three sections of this paper I explain how maternity functions in Otherwise Than Being. I argue that maternity is used as (1) an image of the vulnerability or passive sensibility that characterizes the relation with the Other, as well as (2) a metaphor for Levinas's account of ethical responsibility as substitution. In the final section of the paper, I defend the claim that Levinas's maternal metaphors are not disparaging to real, empirical women. I also discuss a remaining worry that feminists may have about the metaphor: namely, that it characterizes pregnancy and motherhood in ways that challenge some pro‐choice assumptions.

Hypatia ◽  
2006 ◽  
Vol 21 (1) ◽  
pp. 119-136 ◽  
Author(s):  
Lisa Guenther

Emmanuel Levinas compares ethical responsibility to a maternal body who bears the Other in the same without assimilation. In explicating this trope, he refers to a biblical passage in which Moses is like a “wet nurse” bearing Others whom he has “neither conceived nor given birth to” (Num. 11:12). A close reading of this passage raises questions about ethics, maternity, and sexual difference, for both the concept of ethical substitution and the material practice of mothering.


Author(s):  
Cynthia Coe

This chapter analyzes Levinas’s references to the feminine and the maternal through their connection to his treatment of time. Totality and Infinity provides a progressive narrative in which subjects are confronted with their responsibility to the other, and the feminine plays an instrumental role within that narrative. By contrast, Otherwise than Being discusses maternity in an anti-teleological, non-linear register. The maternal body is not the precursor to the ethical relation but an experience of ethical exposure, and one that confounds chronological representation. The concept of the maternal in Levinas’s later work thus more radically challenges the ideal of the “virile” subject, in ways that are congruent with feminist critiques, despite the fact that Levinas himself does not develop those possibilities.


1952 ◽  
Vol 98 (411) ◽  
pp. 330-333 ◽  
Author(s):  
Joan FitzHerbert

In a paper published in the Journal of Mental Science for July, 1950, I suggested that head-banging originated in the infant's desire to reproduce the thrust of the mother's apex-beat against his head while he was being nursed on her left arm, either as a means of self-comfort or in retaliation for what he had felt to be an attack or as both combined. In the present paper I propose to analyse this infantile experience further, and to trace to some of its component elements certain other peculiarities of childish behaviour.I shall begin by considering the case of a bottle-fed baby, that is to say, one who at every feed is held in his mother's left arm with his right temple against her left breast (and I shall suppose that the mother is not herself a case of dextrocardia.) In addition to the teat in his mouth and the milk being swallowed, such an infant feels the thrust of the mother's apex as a series of taps against his head which tend to impart to the latter a rolling side-to-side movement, he hears her heart-beat as a rhythmic lub-dup, he feels the rise and fall of her chest in respiration as a slower to and fro rocking of his whole body, and he hears the sighing rustle of her breathing beneath his ear. The sound and thrust of the heart-beat are of course louder and stronger at the limit of the mother's expirations, and indeed the tap of the apex may be felt only then. In other words, the suckling hears two separate series of interwoven unsynchronized rhythmic sounds continuing throughout the whole of his feeding times. In addition to all this, he feels the warmth of the maternal body, the steady clasp of the mother's arm, he smells the milk and the woman's body odour (sweaty, or scented by her soap and talcum powder), and lastly, he feels (and may smell) her breath as an intermittent warm breeze on his face and in his hair. The mother seldom speaks while she is feeding her baby, and the room is often quiet, mother and child being alone together. A breast-fed baby also feels smooth warm skin under his fingers, but he has the mother's heart against his head, during only half his feeding times.The other occasions on which a woman commonly holds a child firmly against her breast are, of course, when she is trying to comfort a crying baby, or to restrain a struggling toddler from escaping to some forbidden activity. Here the child is angry and the mother herself often either anxious or angry or both, so that her heartbeat is greatly increased in force, and the furious infant feels it as a series of aggressive blows on his head, each of which is accompanied by a bumping noise.


1992 ◽  
Vol 03 (03) ◽  
pp. 583-603 ◽  
Author(s):  
AKHLESH LAKHTAKIA

Algorithms based on the method of moments (MOM) and the coupled dipole method (CDM) are commonly used to solve electromagnetic scattering problems. In this paper, the strong and the weak forms of both numerical techniques are derived for bianisotropic scatterers. The two techniques are shown to be fully equivalent to each other, thereby defusing claims of superiority often made for the charms of one technique over the other. In the final section, reductions of the algorithms for isotropic dielectric scatterers are explicitly given.


1991 ◽  
Vol 137 ◽  
pp. 45-50 ◽  
Author(s):  
John Williamson

A number of economists, including the author, were critical of the central rate that was chosen when sterling entered the ERM in October 1990, on the ground that it overvalued the pound. Specifically, the central rate against the other ERM currencies implied a higher value for the pound than that yielded by calculations of ‘fundamental equilibrium exchange rates’ (FEERs).The present paper aims to explain the concept of the FEER, introduced by the author in Williamson (1983), and argues that it provides the right criterion for assessing whether a currency is correctly valued. It also sketches the evidence for believing the pound's ERM central rate to be above the FEER. A final section considers the policy implications of the finding that sterling is overvalued.


Philosophy ◽  
2003 ◽  
Vol 78 (3) ◽  
pp. 337-354 ◽  
Author(s):  
A. W. Moore

The author begins with an outline of Bernard William's moral philosophy, within which he locates William's notorious doctrine that reflection can destroy ethical knowledge. He then gives a partial defence of this doctrine, exploiting an analogy between ethical judgements and tensed judgements. The basic idea is that what the passage of time does for the latter, reflection can do for the former: namely, prevent the re-adoption of an abandoned point of view (an ethical point of view in the one case, a temporal point of view in the other). In the final section the author says a little about how reflection might do this.


2006 ◽  
Vol 3 (1-2) ◽  
pp. 233-244
Author(s):  
Werner Delanoy

In my article; dialogue is suggested as a basic direction for Anglistics. Such a perspective results from a normative notion of dialogue based on a set of particular criteria. In general terms; a case is made for (self)-critical and respectful confrontation with other viewpoints within and beyond Anglistics to further develop existing positions and to create new forms of co-operation. While in the first two sections this concept is introduced and applied to the discipline of Anglistics; the final section is focussed on an area of major conflict in contemporary ELT debates. In fact; a dialogic approach will be suggested for dealing with two opposite tendencies; one aiming for standardization and the other for a humanistic form of education.


De Medio Aevo ◽  
2020 ◽  
Vol 14 ◽  
pp. 99-115
Author(s):  
Laurence Moulinier Brogi

Thanks to an unprecedented experience, that of confinement on a global scale due to a pandemic, this article offers a reflection on the confinement of only a part of humanity, women, at a given time, the 12th century, as a modest contribution to the history of gender relations in the Middle Ages. Different women, in fact, underwent or on the contrary sought at that time isolation and seclusion: in all cases, their loneliness was linked to men, who inspired them to withdraw as a solution to escape marriage and sexuality, or required to get rid of their unwanted company. We therefore wonder here what are the faces and common points of the various forms of relegation that were going on, what resistance women could oppose, but also what were its limits: some of them chose the solitude as a pledge of peace and security but could they really be left alone? Could the recluses really provide for themselves? Were the imprisoned wives not kept in touch with the outside world, especially the male? At the end of this study, absolute solitude in the feminine seems more an ideal than a reality because even in the most austere cells, women could hardly do without men completely. On the other hand, confinement largely protected them physically, leaving in many cases other types of love than carnal one to flourish


2018 ◽  
Vol 166 ◽  
pp. 99-107
Author(s):  
Shino Maeda

Image of maternal love in Grigory Chukhray’s The QuagmireMemories of the Great Patriotic War contributed to the making of a national identity in Soviet Russia, and clear gender roles are evident in Soviet propaganda war art. The image of male soldiers demonstrates the obligation to defend the fatherland against the outside enemy. On the other hand, there are images of a mother cheering for her son or a mother lamenting over a fallen soldier. It is clear that the female image belongs to the reproductive function of motherhood. The establishment presents an ideal and urges the public to internalize it by themselves. Grigory Chukhray’s film The Quagmire’s 1977 mother, however, hides her young son, who was conscripted to the front. The  film casts doubt on the Soviet war myth and asks “Why do mothers have to be reconciled to lose their sons in order to defend the fatherland?” That’s why the military purged the film from the screen. Obraz miłości macierzyńskiej w filmie Grigorija Czuchraja TrzęsawiskoWspomnienia i obrazy Wielkiej Wojny Ojczyźnianej odegrały ważną rolę w kształtowaniu tożsamości obywateli Rosji Radzieckiej. W sowieckiej propagandzie wojennej wyraźnie widać hierarchię genderową. Wizerunek żołnierza mężczyzny odnosi się do obowiązku obrony ojczyzny przed zewnętrznym wrogiem. Natomiast wizerunek matki wiwatującej na cześć zwycięstwa syna lub rodzicielki lamentującej nad poległym żołnierzem kojarzony jest z macierzyństwem. Film Grigorija Czuchraja Trzęsawisko Трясина opowiada historię matki ukrywającej powołanego do wojska i wezwanego na front syna. Film, który wkrótce po premierze wycofano z  dystrybucji, stawia pytania dotyczące funkcjonowania radzieckich mitów wojennych oraz sytuacji kobiet, które nie chcą się pogodzić ze śmiercią swych synów broniących ojczyzny.


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