scholarly journals Performing “home” in the sharing economies of tourism: the Airbnb experience in Sofia, Bulgaria

2018 ◽  
Vol 196 (1) ◽  
pp. 24-42 ◽  
Author(s):  
Maartje Roelofsen
Keyword(s):  
Analytical Framework ◽  
Performance Theory ◽  
The Political ◽  
Ethnographic Approach ◽  
The Everyday ◽  
Critical Understanding ◽  
A Site

This article explores how “home” is performed in the emerging sharing economies of tourism, drawing on the example of Airbnb in Sofia, Bulgaria. Based on an (auto)ethnographic approach, this article analyses the sometimes contested ways in which both hosts and guests engage in the everyday embodied practices of home-making. In doing so, it challenges Airbnb’s essentialized idea of home as a site of belonging, “authenticity” or “localness”. It also shows how the political and historical specificities, as well as the materialities of people’s homes significantly shape the ways in which ordinary practices of homemaking play out and consequently affect feelings of (un)homeliness as part of the Airbnb experience. By using performance theory as an analytical framework, this article seeks to contribute to a critical understanding of the contemporary geographies of home in relation to the global sharing economies of tourism, one that is attuned to openness, interrelatedness, and a constant mode of becoming.

scholarly journals Compulsory Mine Work: The Single-Party Regime and the Zonguldak Coalfield as a Site of Contention, 1940–1947

2009 ◽  
Vol 54 (S17) ◽  
pp. 115-142 ◽  
Author(s):  
NurŞen Gürboğa
Keyword(s):  
World War Ii ◽  
Working Conditions ◽  
Political Elite ◽  
The Political ◽  
World War ◽  
Ruling Elite ◽  
The Everyday ◽  
State Domination ◽  
A Site ◽  
Governmental Strategy

SummaryThis study examines the forms of state domination over mine labour and the struggles of coalminers at the Zonguldak coalfield during World War II. It is focused on the everyday experiences of compulsory workers as reflected in petitions by those workers and the surveillance materials of the single-party regime at the time. Its aim is to reveal how, under an authoritarian regime, compulsory workers created a political agency. The compulsory labour system was one of the most coercive devices with which the state controlled mine labour between 1940 and 1947, but the compulsory workers negotiated with the political elite for their living and working conditions, and did so within a political sphere which had been devised by the ruling elite as a governmental strategy for managing and shaping the population. By subverting the political discourse of the ruling elite, the miners contributed not just to the development of workers’ rights, but also helped reveal the merits of a democratic society.

The Political and Aesthetic Power of the Everyday in Beckett's Happy Days

2019 ◽  
Vol 28 (1) ◽  
pp. 52-66
Author(s):  
Julie Bates
Keyword(s):  
Second World War ◽  
First Century ◽  
Environmental Crisis ◽  
The Political ◽  
Algerian War ◽  
Material Resources ◽  
The Social ◽  
The Everyday ◽  
The Last Man ◽  
Second World

Happy Days is contemporaneous with a number of seminal contributions to the concept of the everyday in postwar France. This essay suggests that the increasingly constrained verbal and physical routines performed by its protagonist Winnie constitute a portrait of the everyday, and goes on to trace the affinities between Beckett's portrait and several formulations of the concept, with particular emphasis on the pronounced gendering of the everyday in many of these theories. The essay suggests the aerial bombings of the Second World War and methods of torture during the Algerian War as potential influences for Beckett's play, and draws a comparison with Marlen Haushofer's 1963 novel The Wall, which reimagines the Romantic myth of The Last Man as The Last Woman. It is significant, however, that the cataclysmic event that precedes the events of Happy Days remains unnamed. This lack of specificity, I suggest, is constitutive of the menace of the play, and has ensured that the political as well as aesthetic power of Happy Days has not dated. Indeed, the everyday of its sentinel figure posted in a blighted landscape continues to articulate the fears of audiences, for whom the play may resonate today as a staging of twenty-first century anxiety about environmental crisis. The essay concludes that in Happy Days we encounter an isolated female protagonist who contrives from scant material resources and habitual bodily rhythms a shelter within a hostile environment, who generates, in other words, an everyday despite the shattering of the social and temporal framework that conventionally underpin its formation. Beckett's play in this way demonstrates the political as well as aesthetic power of the everyday in a time of crisis.

The Contributions of the political economy approach: An analysis of Socio-economic development in Indonesia

2020 ◽  
Author(s):  
Falih Suaedi ◽  
Muhmmad Saud
Keyword(s):  
Political Economy ◽  
Economic Development ◽  
Southeast Asia ◽  
Comparative Politics ◽  
Analytical Framework ◽  
The Political ◽  
Developmental Studies ◽  
Socio Economic Development ◽  
Relationship Of ◽  
Political Economy Approach

This article explores in what ways political economy as an analytical framework for developmental studies has contributed to scholarships on Indonesian’s contemporary discourse of development. In doing so, it reviews important scholarly works on Indonesian political and economic development since the 1980s. The argument is that given sharp critiques directed at its conceptual and empirical utility for understanding changes taking place in modern Indonesian polity and society, the political economy approach continues to be a significant tool of research specifically in broader context of comparative politics applied to Indonesia and other countries in Southeast Asia. The focus of this exploration, however, has shifted from the formation of Indonesian bourgeoisie to the reconstitution of bourgeois oligarchy consisting of the alliance between the politico-bureaucratic elite and business families. With this in mind, the parallel relationship of capitalist establishment and the development of the state power in Indonesia is explainable.<br>

Doing Fieldwork in the Andamans

2017 ◽  
Author(s):  
Philipp Zehmisch
Keyword(s):  
Everyday Life ◽  
Academic Discourse ◽  
Andaman Islands ◽  
Paradigm Shifts ◽  
Political Space ◽  
Anthropological Theory ◽  
Local Perception ◽  
The Everyday ◽  
A Site

Chapter 2 contextualizes the Andaman Islands as a fieldwork location. It has two major objectives: First, it serves to introduce the reader to the Andamans as a geographical, ecological, and political space and as a site of imagination. This representation of the islands concentrates on the interplay of discourses and policies which have shaped their global, national, and local perception as well as the everyday life of the Andaman population. Second, the chapter underlines the conflation of anthropological theory, fieldwork, and biographical transformations. It demonstrates how recent theoretical trends and paradigm shifts in global and academic discourse have become enmeshed with the author’s experiences in and perceptions of the field. Elaborating on these intricate personal and professional ‘spectacles’ of the fieldworker, the author thus contextualizes the subjective conditions inherent in the production of ethnography as a type of literature.

Mafalda: Middle Class, Everyday Life, and Politics in Argentina, 1964-1973

2014 ◽  
Vol 94 (1) ◽  
pp. 35-75 ◽  
Author(s):  
Isabella Cosse
Keyword(s):  
Middle Class ◽  
Social Identities ◽  
Political Polarization ◽  
The Political ◽  
Comic Strip ◽  
State Terrorism ◽  
The Everyday ◽  
History Of ◽  
Social Modernization ◽  
Methodological Approaches

Abstract In this article I reconstruct the history of Mafalda, the famous comic strip by the Argentine cartoonist Quino that was read, discussed, and viewed as an emblematic representation of Argentina’s middle class. With the aim of contributing to discussions on the interpretation of the middle class in Argentina and Latin America, I examine the emergence, circulation, and sociopolitical significance of the comic from its first strips in 1964 until Quino stopped producing new installments in 1973, making use of two conceptual and methodological approaches: a perspective situated at the intersection of the everyday and the political, as well as a consideration of humor as a way of exploring social identities. I argue first that Mafalda’s ironic and conceptual humor worked with the contradictions of the middle class as it faced social modernization, cultural and political radicalization, and a weakening democracy. Second, I suggest that the strip contributed to a representation of a heterogeneous middle class marked by ideological differences but nonetheless conceived as one. Third, I claim that such a representation lost its relevance with the political polarization and violence of the 1970s, as portraying a middle class—or a society—united despite differences was no longer feasible in that context. To illustrate this, the article closes by noting that, shortly after Mafalda was discontinued, state terrorism would brutally demonstrate just how little space there was in Argentina for the young, antiestablishment generation depicted in the strip.

Goods and States: The Political Logic of State-Socialist Material Culture

2009 ◽  
Vol 51 (2) ◽  
pp. 426-459 ◽  
Author(s):  
Krisztina Fehérváry
Keyword(s):  
Material Culture ◽  
Democratic Governance ◽  
Soviet Bloc ◽  
The Political ◽  
State Socialism ◽  
Iron Curtain ◽  
The Everyday ◽  
Widespread Phenomenon ◽  
The City ◽  
State Socialist

In the two decades since the fall of state socialism, the widespread phenomenon ofnostalgiein the former Soviet satellites has made clear that the everyday life of state socialism, contrary to stereotype, was experienced and is remembered in color. Nonetheless, popular accounts continue to depict the Soviet bloc as gray and colorless. As Paul Manning (2007) has argued, color becomes a powerful tool for legitimating not only capitalism, but democratic governance as well. An American journalist, for example, recently reflected on her own experience in the region over a number of decades:It's hard to communicate how colorless and shockingly gray it was behind the Iron Curtain … the only color was the red of Communist banners. Stores had nothing to sell. There wasn't enough food… . Lines formed whenever something, anything, was for sale. The fatigue of daily life was all over their faces. Now… fur-clad women confidently stride across the winter ice in stiletto heels. Stores have sales… upscale cafés cater to cosmopolitan clients, and magazine stands, once so strictly controlled, rival those in the West. … Life before was so drab. Now the city seems loaded with possibilities (Freeman 2008).

The Political Implications of Urban Displacement: Notes from Two Fieldwork Research Projects in Casablanca

2021 ◽  
Vol 19 (1) ◽  
pp. 7-36
Author(s):  
Laura Guarino ◽  
Stefano Portelli
Keyword(s):  
Low Income ◽  
Public Institutions ◽  
Political Agenda ◽  
The Political ◽  
Public Authorities ◽  
Political Implications ◽  
The Everyday ◽  
Social Pact ◽  
Local Residents ◽  
Resettlement Programs

Abstract Resettlement programs have always been in the political agenda of public institutions and administrators of Casablanca since its growth during the French Protectorate. Today real estate and private multinational capital sneak into local and national powers, pushing public authorities to clear land for new urban development through demolition and resettlement of local residents. The dwellers of areas such as the old town centre (medina) and the slums (karyan) increasingly react to displacement by challenging this urban agenda frontally with their bodies and words, but often also deploying what James Scott calls “weapons of the weak”, i.e. implicit acts of resistance and symbolic dissent. Reversing Asef Bayat’s statement, we consider residents of these stigmatized neighbourhoods “revolutionaries without a revolution”, partisans of an intimate cause of their own, that aims at having a home and surviving in a hostile city. Our reflections are the product of two separate fieldwork researches: one with the inhabitants of informal neighbourhoods, another with residents and former residents of the old medina. The two cases show how resettlement affects the sense of belonging and of cohesion of low-income classes by uprooting the founding element of the everyday life: the house. The uncertainty about the possibility to keep their own home deeply conditions the implicit social pact with the monarchy apparatus, and may represent one of the conditions that are undermining the allegiance to the monarchy itself.

The Exceptionality of Jordan and its Democracy in King Hussein’s Last Speech From the Throne

2015 ◽  
Vol 7 (2) ◽  
pp. 17
Author(s):  
Ahmad El-Sharif
Keyword(s):  
Political Parties ◽  
Political Institutions ◽  
Analytical Framework ◽  
The State ◽  
Political Life ◽  
The Political ◽  
Sociocultural Context ◽  
Parliamentary Elections ◽  
Critical Metaphor Analysis ◽  
Political Structures

The Late King Hussein’s last Speech from the Throne in 1997 was given amidst public outcry over the outcomes of the parliamentary elections which resulted the triumph tribal figures with regional affiliations after the boycott of most political parties. This brought to public debate the questions of maintain the long-established balance between the several socio-political structures in the political life in Jordan. While the speech can be perceived as a reflection of King Hussein’s vision about ‘Jordanian democracy’, it can also be interpreted as an elaborate scheme to construct the conventional understanding of the exceptionality of Jordan and its socio-political institutions; including democracy. This article discusses the representation of ‘Jordanian democracy’, the state, and the socio-political structures in Jordan as reflected in the Late King’s last speech from the throne (1997). The analytical framework follows a critical metaphor analysis perspective in which all instances of metaphors used to epitomise these issues are primarily acknowledged from there sociocultural context. Herein, the article focuses on revealing the aspect of metaphorical language by which the Late King Hussein legitimizes and, hence, constructs, the prevailing ideology pf the ‘exceptionality’ of Jordan.

scholarly journals Feminist everyday political economy: Space, time, and violence

2018 ◽  
Vol 45 (2) ◽  
pp. 201-220 ◽  
Author(s):  
Juanita Elias ◽  
Shirin M. Rai
Keyword(s):  
Political Economy ◽  
Everyday Life ◽  
Social Relations ◽  
Social Reproduction ◽  
International Political Economy ◽  
Space Time ◽  
Political Struggle ◽  
The Everyday ◽  
Power And Agency ◽  
A Site

AbstractIt goes without saying that feminist International Political Economy (IPE) is concerned in one way or another with the everyday – conceptualised as both a site of political struggle and a site within which social relations are (re)produced and governed. Given the longstanding grounding of feminist research in everyday gendered experiences, many would ask: Why do we need an explicit feminist theorisation of the everyday? After all, notions of everyday life and everyday political struggle infuse feminist analysis. This article seeks to interrogate the concept of the everyday – questioning prevalent understandings of the everyday and asking whether there is analytical and conceptual utility to be gained in articulating a specifically feminist understanding of it. We argue that a feminist political economy of the everyday can be developed in ways that push theorisations of social reproduction in new directions. We suggest that one way to do this is through the recognition that social reproductionisthe everyday alongside a three-part theorisation of space, time, and violence (STV). It is an approach that we feel can play an important role in keeping IPE honest – that is, one that recognises how important gendered structures of everyday power and agency are to the conduct of everyday life within global capitalism.

scholarly journals VIRTUAL TOUR ENVIRONMENT OF CUBA’S NATIONAL SCHOOL OF ART

2017 ◽  
Vol XLII-2/W5 ◽  
pp. 547-551 ◽  
Author(s):  
R. K. Napolitano ◽  
I. P. Douglas ◽  
M. E. Garlock ◽  
B. Glisic
Keyword(s):  
The Political ◽  
Political Climate ◽  
Virtual Tour ◽  
Heritage Sites ◽  
National School ◽  
Imaging Camera ◽  
Pertinent Information ◽  
Information Image ◽  
A Site ◽  
Art Schools

Innovative technologies have enabled new opportunities for collecting, analyzing, and sharing information about cultural heritage sites. Through a combination of two of these technologies, spherical imaging and virtual tour environment, we preliminarily documented one of Cuba’s National Schools of Art, the National Ballet School.The Ballet School is one of the five National Art Schools built in Havana, Cuba after the revolution. Due to changes in the political climate, construction was halted on the schools before completion. The Ballet School in particular was partially completed but never used for the intended purpose. Over the years, the surrounding vegetation and environment have started to overtake the buildings; damages such as missing bricks, corroded rebar, and broken tie bars can be seen. We created a virtual tour through the Ballet School which highlights key satellite classrooms and the main domed performance spaces. Scenes of the virtual tour were captured utilizing the Ricoh Theta S spherical imaging camera and processed with Kolor Panotour virtual environment software. Different forms of data can be included in this environment in order to provide a user with pertinent information. Image galleries, hyperlinks to websites, videos, PDFs, and links to databases can be embedded within the scene and interacted with by a user. By including this information within the virtual tour, a user can better understand how the site was constructed as well as the existing types of damage. The results of this work are recommendations for how a site can be preliminarily documented and information can be initially organized and shared.

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