scholarly journals The Interim Index of Industrial Production. Studies in Official Statistics, No. 1

1949 ◽  
Vol 6 (3) ◽  
pp. 195-195
Author(s):  
M. G.
2013 ◽  
pp. 59-83 ◽  
Author(s):  
S. Smirnov

The trajectory of the industrial output of the Russian empire/the USSR/ the Russian Federation for more than 150 years has been carefully investigated through official statistics as well as dozens of alternative estimates made by Russian and foreign experts. Alternative estimates are compared with official data and the usefulness and credibility of the latter are determined. Official figures for Russian industrial production for 1941—1945 as well as the time-series for1887—1926 as constructed by V. Varzar have been retrieved from the archives and are being introduced here for the first time.


Baltic Region ◽  
2020 ◽  
Vol 12 (3) ◽  
pp. 40-54
Author(s):  
G. M. Fedorov

An exclave position makes the economic security problems of the Kaliningrad region more complex as compared with other Russian territories. Deteriorating relations between Russia and the West compound the situation. This has been especially so since 2014 when economic sanctions were imposed against Russia, and the country retaliated. Global geopolitical instability adds to the conundrum. This study aims to assess the economic security of the Kaliningrad region. Its objectives include defining the concept of regional economic security and measuring its level in the Russian Baltic exclave. Possible ways to improve the economic security of the region are considered as well. Official statistics on the dynamics of industrial production and GRP and 28 other socio-economic indicators are used to assess the level of economic security. The region performs well on nine indicators and much worse on 19. Proposals for economic restructuring aimed at more intensive exploitation of regional natural and labour resources are examined along with the region’s prospects as part of the Great Eurasia (Bolshaya Eurasia) project and as an ‘international development corridor’.


2014 ◽  
Vol 53 (1) ◽  
pp. 60-63
Author(s):  
Natalia Antonova

This document shows the evolution of calculation of the industrial production index in Ukraine. Since theSoviet Union collapsed, in order to adapt Ukraine's industrial statistics to the conditions of a market economy andinternational standards, especially of the EU and the UN, a series of notable improvements were implemented in themethodology for the calculation of the industrial production index. Ultimately, according to the methodology for theindustrial production index calculation introduced in 2009, which is currently implemented in Ukraine, the index isconstructed by methods used in statistical practice in the majority of countries all over the world and the European statisticalservice (the so-called method of permanent set of goods). The article also describes the features of the construction of theindex of industrial production in Ukraine in accordance with this methodology.


2013 ◽  
pp. 138-153 ◽  
Author(s):  
S. Smirnov

Calculation of the aggregated "consensus" industrial production index has made it possible to date cyclical turning points and to measure the depth and length of the main industrial recessions in Russian Empire/USSR/Russia for the last century and a half. The most important causes of all these recessions are described. The cyclical volatility of Soviet/Russian industry is compared to that of American one.


2015 ◽  
Vol 1 (1) ◽  
pp. 64-88
Author(s):  
Quinlan Miller

This article reconstructs queer popular culture as a way of exploring media production studies as a trans history project. It argues that queer and trans insights into gender are indispensible to feminist media studies. The article looks at The Ugliest Girl in Town series (ABC, 1968–69), a satire amplifying a purported real-life fad in flat chests, short haircuts, and mod wigs, to restore texture to the everyday landscape of popular entertainment. Approaching camp as a genderqueer practice, the article presents the program as one of many indications of simultaneously queer and trans representation in the new media moment of the late 1960s. Behind-the-scenes visions of excavated archival research inform an analysis of the series as a feminist text over and against its trans misogyny, which evaluates and ranks women based on their looks, bodies, and appearance while excessively sexualizing and even more stringently appraising, policing, and punishing trans women, women perceived to be trans, and oppositional forms of femininity. The program captures both the means of gender regulation and detachment from it, the experience of gender embodiment, and the promise of presenting and being perceived as many genders. Ugly is an awful word in the way it is usually wielded, but it can be reclaimed. Examining this rarely cited and often misconstrued Screen Gems series helps to demonstrate a more equitable distribution of creative credit for queer trans content across the television industry and the subcultures it commodified in the 1960s.


2020 ◽  
Vol 6 (4) ◽  
pp. 42-67
Author(s):  
Stephanie Brown

This article draws on ethnographic interviews conducted between May 2016 and May 2017 with stand-up comics in Chicago and Urbana-Champaign, Illinois, all of whom described the experience of being marked as, or associated with, women within the historically masculine comedic space. Drawing on feminist comedy studies, production studies, and fan studies, the article explores the cultural logics of comedic authenticity and their material effects on embodied performances of marked comics in local live comedy. It argues that marked bodies are rarely able to achieve the ideal performance of “authenticity.” While stand-up comedy is often theorized optimistically as a fruitful site from which to subvert assumptions about identity, gendered or otherwise, comics paradoxically feel pressure to conform to appropriate gender expression on stage in order to be legible to audiences and other comics historically influenced by masculine comedic taste.


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