scholarly journals Se eu fosse você: liminal spaces of gender and sexuality

2021 ◽  
Vol 48 (55) ◽  
pp. 36-54
Author(s):  
Roberta Gregoli
Keyword(s):  
Popular Culture ◽  
Gender And Sexuality ◽  
The Body ◽  
Gender Performativity ◽  
Double Standards ◽  
Liminal Spaces ◽  
Close Analysis

The body swap comedy is a privileged genre for investigating norms related to gender and sexuality in popular culture. This article explores these norms through the close analysis of the film Se eu fosse você (Daniel Filho, 2006), using Mikhail Bakhtin’s thesis on the carnivalesque and Judith Butler’s theory of gender performativity. Despite the film’s overall strong conservative framework, it is argued that just as revealing as what the film tries to regulate is what it exposes: double standards, failures in the heteronormative matrix, and disruptive sex acts and gendered behavior.

The Art of Hearing

2018 ◽  
Author(s):  
Rosamund Oates
Keyword(s):  
Popular Culture ◽  
Close Analysis

This chapter examines the importance of preaching in godly culture, showing how sermons were popular, accessible, and affecting. This helps to explain the appeal of Puritanism. The chapter shows how sermon culture existed in different forms, exploring different listening practices and also demonstrates that printed sermons existed alongside, not instead of, the experience of attending sermons. A newly discovered sermon notebook charts Matthew’s preaching from Oxford to Durham and York, showing how he prepared and revised his sermons. Close analysis of his texts and annotations in his books, indicates how he used his library to prepare his sermons, as well as drawing on popular culture to make his sermons widely accessible and appealing.

The Resurrection Body

2019 ◽  
pp. 660-674
Author(s):  
Taylor G. Petrey
Keyword(s):  
Radical Change ◽  
Gender And Sexuality ◽  
The Body ◽  
Synoptic Gospels ◽  
Feminist Scholarship ◽  
Approaches To Studying ◽  
Early Christian

This chapter surveys the relevant ancient Christian and Jewish texts on the resurrection that discuss gender and sexuality and the scholarship about these topics. It provides particular emphasis on the Jesus of the Synoptic Gospels, Paul, and the early Christian reception of their ideas in the second through fourth centuries. The saying of Jesus that those who are resurrected shall be “as angels” is central to early Christian theologies of the body and sexuality. Paul’s discussion of the nature of the resurrected body and the importance of the parts also informs how early Christians developed these ideas. The tension in early Christian writing about the resurrection was between those who emphasized continuity between the mortal and resurrected self, and those who emphasized a radical change between the two. Further, the chapter provides an overview to major scholarly methods and approaches to studying the resurrection, including feminist scholarship.

Situating embodied instruction – proxemics and body knowledge

2021 ◽  
Vol 7 (s4) ◽  
Author(s):  
Darren James Reed
Keyword(s):  
The Body ◽  
Public Display ◽  
Intimate Contact ◽  
Dance Class ◽  
Performance Training ◽  
Playing Field ◽  
Close Analysis ◽  
Spoken Interaction ◽  
Different Levels ◽  
Body Knowledge

Abstract In various ways the movement and experience of the body is instructed by others. This may be in the dance class or on the playing field. In these interactions, one person claims knowledge of the other’s body and rights to instruct how that body functions, moves, and feels. By undertaking a close analysis of embodied and spoken interaction within performance training sessions from a multimodal conversation analytic perspective, this paper will identify one kind of broad sequential trajectory – from intimate contact to public display - that shows how an instructor claims rights over the internal workings of another’s body by traversing different levels of proximity and sensorial modalities.

scholarly journals Caring for affective subjects produced in intimate healthcare examinations

2021 ◽  
pp. 136345932110200
Author(s):  
Jenny Gleisner ◽  
Ericka Johnson
Keyword(s):  
Medical Students ◽  
Gender And Sexuality ◽  
The Body ◽  
Digital Rectal Exam ◽  
Discursive Analysis ◽  
Work Spaces ◽  
Pelvic Exam ◽  
Care Practices

This article is about the feelings – affect – induced by the digital rectal exam of the prostate and the gynaecological bimanual pelvic exam, and the care doctors are or are not instructed to give. The exams are both invasive, intimate exams located at a part of the body often charged with norms and emotions related to gender and sexuality. By using the concept affective subject, we analyse how these examinations are taught to medical students, bringing attention to how bodies and affect are cared for as patients are observed and touched. Our findings show both the role care practices play in generating and handling affect in the students’ learning and the importance of the affect that the exam is (or is not) imagined to produce in the patient. Ours is a material-discursive analysis that includes the material affordances of the patient and doctor bodies in the affective work spaces observed.

Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic

2021 ◽  
Vol 53 (1) ◽  
pp. 5-22
Author(s):  
Dotun Ayobade
Keyword(s):  
Popular Culture ◽  
Mass Media ◽  
Popular Music ◽  
Body Politic ◽  
The Body ◽  
African Music

AbstractPopular dances encapsulate the aliveness of Africa's young. Radiating an Africanist aesthetic of the cool, these moves enflesh popular music, saturating mass media platforms and everyday spaces with imageries of joyful transcendence. This essay understands scriptive dance fads as textual and choreographic calls for public embodiment. I explore how three Nigerian musicians, and their dances, have wielded scriptive prompts to elicit specific moved responses from dispersed, heterogenous, and transnational publics. Dance fads of this kind productively complicate musicological approaches that insist on divorcing contemporary African music cultures from the dancing bodies that they often conjure. Taken together, these movements enlist popular culture as a domain marked by telling contestations over musical ownership and embodied citizenship.

scholarly journals Turkey’s queer times: an introduction

2021 ◽  
pp. 1-14
Author(s):  
Cenk Özbay ◽  
Kerem Öktem
Keyword(s):  
Knowledge Production ◽  
Gender And Sexuality ◽  
The Body ◽  
Sexual Rights ◽  
Public Attention ◽  
State Institutions ◽  
Sexual Identities ◽  
Queer Culture ◽  
Muslim Majority ◽  
And Gender

Today Turkey is one of the few Muslim-majority countries in which same-sex sexual acts, counternormative sexual identities, and expressions of gender nonconformism are not illegal, yet are heavily constrained and controlled by state institutions, police forces, and public prosecutors. For more than a decade Turkey has been experiencing a “queer turn”—an unprecedented push in the visibility and empowerment of queerness, the proliferation of sexual rights organizations and forms of sociabilities, and the dissemination of elements of queer culture—that has engendered both scholarly and public attention for sexual dissidents and gender non-conforming individuals and their lifeworlds, while it has also created new spaces and venues for their self-organization and mobilization. At the point of knowledge production and writing, this visibility and the possible avenues of empowerment that it might provide have been in jeopardy: not only do they appear far from challenging the dominant norms of the body, gender, and sexuality, but queerness, in all its dimensions, has become a preferred target for Islamist politics, conservative revanchism, and populist politicians.

The Inherent Link between Gender and Sexuality: A Queer View to the Portrayal of Women in Herland, Things Fall Apart, Bombay Brides, and The Winner Stands Alone

2021 ◽  
Vol 4 (1) ◽  
pp. 13-22
Author(s):  
Suparna Roy
Keyword(s):  
Women Characters ◽  
Judith Butler ◽  
Gender And Sexuality ◽  
The Body ◽  
Subject Position ◽  
Symbolic Order ◽  
Helene Cixous ◽  
Cultural Perspectives ◽  
Things Fall Apart ◽  
Gender Trouble

Stevie Jackson and Jackie Jones regarded in her article- Contemporary Feminist Theory that “The concepts of gender and sexuality as a highly ambiguous term, as a point of reference” (Jackson, 131, ch-10). Gender and Sexuality are two most complexly designed, culturally constructed and ambiguously interrelated terms used within the spectrum of Feminism that considers “sex” as an operative term to theorize its deconstructive cultural perspectives. Helene Cixous notes in Laugh of Medusa that men and women enter the symbolic order in a different way and the subject position open to either sex is different. Cixious’s understanding that the centre of the symbolic order is ‘phallus’ and everybody surrounding it stands in the periphery makes women (without intersectionality) as the victim of this phallocentric society. One needs to stop thinking Gender as inherently linked to one’s sex and that it is natural. To say, nothing is natural. The body is just a word (as Judith Butler said in her book Gender Trouble [1990]) that is strategically used under artificial rules for the convenience of ‘power’ to operate. It has been a “norm” to connect one’s sexuality with their Gender and establish that as “naturally built”. The dichotomy of ‘penis/vagina’ over years has linked itself to make/female understanding of bodies. Therefore my main argument in this paper is to draw few instances from some literary works which over time reflected how the gender- female/women characters are made to couple up with a male/man presenting the inherent, coherent compulsory relation between one’s gender and sexuality obliterating any possibility of ‘queer’ relationships, includes- Charlotte Perkins Gilman’s Herland (1915), Bombay Brides (2018) by Esther David, Paulo Coelho’s Winner Stands Alone (2008) and Chinua Achebe’s Things Fall apart (1958).

scholarly journals ADOLESCÊNCIA, SUBJETIVIDADE E QUESTÕES DE GÊNERO NO TEATRO DE MARK RAVENHILL

2019 ◽  
Vol 19 (2) ◽  
pp. 30-39
Author(s):  
Fabiano Fleury Souza Campos
Keyword(s):  
Structural Analysis ◽  
Judith Butler ◽  
Gender And Sexuality ◽  
The Body ◽  
And Gender

A partir da análise estrutural, focada, sobretudo, nos personagens da peça Shopping and Fucking (1996), escrita pelo dramaturgo britânico Mark Ravenhill, evidenciamos uma relação incomum entre os elementos formadores desse trabalho teatral e as discussões sobre subjetividade, gênero e sexualidade voltadas para os adolescentes, nos dias atuais. Os contornos dos personagens dessa peça desestabilizam certas noções pré-concebidas sobre a individualidade e a corporeidade, por exemplo. Para a nossa análise, apoiamo-nos sobre os apontamentos de teóricos dedicados tanto ao teatro, como Pierre Sarrazac e Elinor Fuchs, quanto à sociologia e política, como Judith Butler. A peça por meio do discurso agressivo e a violência direcionadas ao corpo dos personagens é capaz de abalar as certezas e a moralidade previamente determinadas de seus espectadores.YOUTH, SUBJECTIVITY AND GENDER IN MARK RAVENHILL’S THEATER Abstract: from the structural analysis, focused mainly on the characters of the play Shopping and Fucking (1996), written by British playwright Mark Ravenhill, our study shows an unusual relationship between the elements of theatre and the contemporary discussions about subjectivity, gender, and sexuality among adolescents presented in this play. The contours of the characters destabilize certain preconceived notions to individuality and embodiment, for example. Our analysis are supported, for instance, by theater theories developed by Pierre Sarrazac and Elinor Fuchs, and sociology concepts implemented by Judith Butler.  Through aggressive discourse and violence directed to the body of the characters, the play is able to shake the certainties and moralities previously found in Ravenhill’s viewers.Keywords: Ravenhill. Contemporary British Theater. Adolescence. Subjectivity. Gender. 

scholarly journals The Queer Glow up of Hero-Sword Legacies in She-Ra, Korra, and Sailor Moon

2021 ◽  
Vol 5 (1) ◽  
pp. 248-261
Author(s):  
Diana Burgos
Keyword(s):  
Social Networks ◽  
Social Network ◽  
Nuclear Weapons ◽  
Gender And Sexuality ◽  
Collective Unconscious ◽  
Liminal Spaces ◽  
Self Actualization ◽  
Industrial Complexes ◽  
Communal Space ◽  
Ethical Systems

Abstract The narratives within Sailor Moon Crystal, The Legend of Korra, and She-Ra and the Princesses of Power enlist gender fluid and queer protagonists to spearhead rebellions against the heteronormative domains of colonizers, imperialists, zealots, and hypercapitalistic military–industrial complexes. Magic is commodified by each villain; used to crown their exaggerated conquistador reputations and power their nuclear weapons. To defeat them and the toxic sociopolitical narratives and power paradigms they have spawned, Sailor Moon, Korra, Adora, and others must confront how these ideologies have stunted their power, corrupted their ethical systems, and distorted their understanding of their identities. By achieving self-actualization/self-acceptance and collaborating with their allies to do the same, they co-create new endings for themselves and reclaim a broader spectrum of gender and sexuality. Within the liminal moments of these reflective identity battles, protagonists and their allies enter a magical communal space, a social network for a Jungian collective unconscious. Here, they exchange their evolving powers, ideologies, and emotionally charged memories (her stories) and collaborate to liberate their communities. These champions, ambassadors of their (our) collective unconscious, urge us to commune within the liminal spaces of our social networks to self-actualize and collectively unearth a neohuman identity and system of governance.

scholarly journals Apples and Pears: Symbolism and Influence in Daphne du Maurier’s ‘The Apple Tree’ and Katherine Mansfield’s ‘Bliss’

2016 ◽  
Author(s):  
Setara Pracha
Keyword(s):  
Apple Tree ◽  
Mental States ◽  
Katherine Mansfield ◽  
Organic Unity ◽  
Liminal Spaces ◽  
Close Analysis ◽  
Daphne Du Maurier ◽  
The Way

This essay offers a parallel reading of two stories, ‘Bliss’ by Katherine Mansfield and ‘The Apple Tree’ by Daphne du Maurier, revealing a hitherto unexamined yet fruitful area of research. Dramatic irony, organic unity and liminal spaces are identified and discussed in terms of how these are used to represent subconscious and conscious perceptions of reality. The plots incorporate symbols from well-known myths to suggest extreme mental states in narratives that invite the reader to occupy psychological spaces of delusion and fantasy. Material from previously unpublished letters reveals the extent to which Mansfield influenced du Maurier’s writing and this close analysis demonstrates how examining these writers in tandem provides a valuable mean of accessing their work in a new way. Du Maurier’s critical reputation is current undergoing a process of revision which echoes the way in which Mansfield has come to be increasingly regarded as one of the ‘high priestesses’ of modernism.

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