scholarly journals Being Carried Away. Fink and Winnicott on the Locus of Playing

2021 ◽  
Vol 52 (2) ◽  
pp. 193-217
Author(s):  
Joona Taipale

Abstract The article investigates the question of the experiential location of the area of play, comparing the accounts of Eugen Fink and Donald Winnicott. It argues that while Fink builds on the phenomenological distinction between subjective phantasy and external perception, and accordingly introduces the area of play as a hybrid realm, a peculiar combination of the two, Winnicott considers the area of play as something that underlies and developmentally precedes the experiential differentiation between phantasy and external reality. While from Fink’s viewpoint Winnicott’s model neglects a central phenomenological distinction, from Winnicott’s viewpoint Fink’s account, in turn, appears adultomorphic. Elaborating on these viewpoints in detail, the article ends up considering the conditions on which the seemingly contradictory accounts of playing could be reconciled. This at once opens a new way to assess the compatibility between phenomenology and psychoanalysis.

2019 ◽  
Vol 36 (1) ◽  
pp. 3-29
Author(s):  
Giacomo Benedetti

The action noun adhimukti derives from the verb adhi-muc, not attested in Classical Sanskrit but in P?li. It is regularly used in the passive, with the original meaning ‘to be fastened to’, and then ‘to adhere’. This meaning is not used in a concrete sense, but in a metaphorical one, referred to mind and mental objects, so that adhimukti can be used to express inclination, faith in a doctrine, and also intentional and stable representation of an image or an idea in meditative practice, sometimes with the effect of transformation of external reality. The common feature appears to be adherence or the fixing of the mind on its object.


2021 ◽  
pp. 51-67
Author(s):  
Łukasz Kiepuszewski

Self-portraits are specific kinds of pictures where the subject’s experience is closely combined with the act of painting. Such works constitute a mixture of internal iconic power with external reality, e.g. the artist’s body, his thought, and theory, etc. This applies in particular to self-portraits painted by the members of the Paris Committee since the idiomatic nature of painting was the primary quality on which they based the language and poetics of their art. This paper analyses selected self-portraits by Józef Czapski (1896–1993), Zygmunt Waliszewski (1897–1936), Piotr Potworowski (1898–1964), Artur Nacht-Samborski (1898– 1974), and Jan Cybis (1897–1972). The focus on the strategy of incorporating physiognomy into the matter of painting stems from the fact that on this particular level the intensification of the relationship between the author’s image and his painterly gesture gains the strongest self-reflective potential. This allows for a reading of self-portraits as developing the artist’s reflections about art and himself, included in theoretical writings and intimate journals. Analyses presented in this paper can, therefore, be defined as an attempt to recreate rhetoric of the painterly trace on the basis of choices particular for given work. In this optic, crucial are these aspects of painting that manifest a form of the author’s subjective investment in artistic activity: from emphasising the distance through which the painting presents itself as a code offered to the viewer to decipher (as in Nacht-Samborski’s work) through to declarations to blur the boundary between the artist and the work, which results in an almost organic communion of the body and the matter of painting (Cybis).


Semiotica ◽  
2018 ◽  
Vol 2018 (221) ◽  
pp. 29-52
Author(s):  
Dan Nesher

AbstractCharles S. Peirce attempted to develop his semiotic theory of cognitive signs interpretation, which are originated in our basic perceptual operations that quasi-prove the truth of perceptual judgment representing reality. The essential problem was to explain how, by a cognitive interpretation of the sequence of perceptual signs, we can represent external physical reality and reflectively represent our cognitive mind’s operations of signs. With his phaneroscopy introspection, Peirce shows how, without going outside our cognitions, we can represent external reality. Hence Peirce can avoid the Berkeleyian, Humean, and Kantian phenomenologies, as well as the modern analytic philosophy and hermeneutic phenomenology. Peirce showed that with the trio of semiotic interpretation – abductive logic of discovery of hypotheses, deductive logic of necessary inference, and inductive logic of evaluation – we can reach a complete proof of the true representation of reality. This semiotic logic of reasoning is the epistemic logic representing human confrontation in reality, with which we can achieve knowledge and conduct our behavior. However, Peirce did not complete his realistic revolution to eliminate previously accepted nominalistic and idealistic epistemologies of formal logic and pure mathematics. Here, I inquire why Peirce did not complete his historical realist epistemological revolution and following that inquiry I attempt to reconstruct it.


Pravaha ◽  
2020 ◽  
Vol 26 (1) ◽  
pp. 119-123
Author(s):  
Lekha Nath Dhakal

This article attempts to explore the use of fantasy in literature and how it has attained the position of a literary category in the twentieth century. This work also concerns how as the form literature, it functions between wonderful and imitative to combine the elements of both. The article reveals that wonderful represents supernatural atmospheres and events. The story-telling is unrealistic which represents impossibility as it creates a wonderland. In the imitative or the realistic mode, the narrative imitates external reality. In it, the characters and situations are ordinary and real. Fantasy in literature does not escape the reality. It occurs in an interdependent relation to the real. In other words, the fantastic cannot exist independently of the real world that limits it. The use of fantastic mode in literature interrupts the conventional artistic representation and reproduction of perceivable reality. It embodies the reality and transgresses the standards of literary forming. It normally includes a variety of fictional works which use the supernatural and actually natural as well. The developers of fantasy fiction are fairy tales, science fiction about future wars and future world. A major instinct of fantastic fiction is the violence threatened by capitalist violation of personality that is spreading universally.


2006 ◽  
Vol 134 (7-8) ◽  
pp. 320-324
Author(s):  
Boris Jojic

The transference analysis takes the central position of the work in psychoanalytic psychotherapy. The work in extratransference sphere and experience in practical work with extratransference interventions are not often reported in expert literature. Extratransference sphere includes less transferring relation to the psychotherapist, transference on the other objects, or may refer to the external reality rather than the psychic reality or fantasy. In our illustration, we gave emphasis to extratransference interventions. Application of genetic interpretation and reconstruction were demonstrated as well, which can restore and establish connections between past and present, in order to understand influences of the past and current reality, and helping us to resolve infantile conflicts. Interpretation of extratransference situations is an important part of the analytical work and it is the essential category of interpretation. Analytic understanding should include transference and extratransference spheres, fantasy and reality, past and present. Working with neurotic patterns and character resistance needs an optimal choice of intervention in a given moment of analytic process. Extratransference interventions are the essential category of intervention, irreplaceable for their effectiveness in analytic process.


2021 ◽  
Vol 23 ◽  
pp. 421-440
Author(s):  
Enrique Javier Vercher García

El presente artículo plantea la existencia y analiza la categoría de humanicidad, entendida como el modo en que las lenguas naturales clasifican y expresan la realidad externa en dos grandes ámbitos: el ámbito humano (aquel que el hablante entiende como perteneciente a la sociedad humana, a la esfera de la vida, costumbres, rituales, civilización y cultura específicamente propios del ser humano) y el ámbito natural (la esfera de todo aquello ajeno a la comunidad humana, de lo que está fuera del área de influencia de la civilización humana, es decir, los fenómenos naturales, flora y fauna en su estado salvaje no “domesticado” o no “civilizado”). El campo-semántico funcional de la humanicidadsería el conjunto de recursos de los diferentes niveles lingüísticos (fonético-fonológico, morfológico, sintáctico y léxico) de una lengua dada para configurar los referentes de la realidad y clasificarlos en función de su categoría de humanicidad(ámbito humano vs. ámbito natural). La humanicidad, por tanto, no debe ser confundida con fenómenos bien conocidos como los de animacidad lingüísticao la distinción morfosintáctica entre humano/no humano. This article proposes the existence and analyses the category of humanicity, understood as the way in which natural languages classify and express external reality in two large fields: the human sphere (which the speaker understands as belonging to human society, the area of life, customs, rituals, civilization and culture specific to human beings) and the natural sphere (the sphere of everything outwith the human community, outwith the area of influence of human civilization; that is, natural phenomena, flora and fauna in their wild, “undomesticated” or “uncivilised” state). The functional-semantic field of humanicitywould be the set of resources of the different linguistic levels (phonetic-phonological, morphological, syntactic and lexical) of a given language for configuring the reference points of reality and classifying them based on their category of humanicity(human sphere vs natural sphere). Humanicity, must therefore not be confused with well-known phenomena such as linguistic animacyor the morphosyntactic distinction between human/non-human.


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