The Poetics of Place and Space in Michael David Kyazze’s Zimbabwe-Set Novel Rustlings of the Mulberry Tree (2014)

Matatu ◽  
2016 ◽  
Vol 48 (1) ◽  
pp. 205-220
Author(s):  
Danson Sylvester Kahyana

The essay explores the centrality of place and space in the Ugandan Michael David Kyazze’s Zimbabwe-set Rustlings of the Mulberry Tree (2014), a novel which details the fight against pederasty of some Pentecostal Church pastors. One of the issues examined is why this novel, which is a fictionalized account of real-life events that happened in Uganda, is set in Zimbabwe. I argue that if we look at Zimbabwe not just as a geographical reality—i.e. as a country located in southern Africa—but also as a socio-political reality, then Kyazze’s choice of this country as the setting for his book becomes a discursive strategy to carry across his message to his Ugandan reading public through the refraction of another place that closely resembles Uganda. In other words, through the abuse of office that happens in the fictional Zimbabwe that the author creates, the Ugandan reader is invited to compare and contrast this far-away place with home. Also explored are the ways by which the novel can be read as a battle over the control of space between the accused pastors and government forces as represented by the police.

2016 ◽  
Vol 4 (2) ◽  
pp. 181
Author(s):  
Omowumi Bode Steve Ekundayo ◽  
Abiola Olubunmi Akinbobola

This essay discusses Achebe’s delineation of characters, events and use of language in Anthills of the Savannah (AS) as symbolic and prophetic syntagmas which later manifested in some real life personalities and socio-political phenomena in Africa and Nigeria, the setting of the novel. The primary source of data is Anthills of the Savannah. Secondary source and the internet were also consulted for the theoretical background and literature review. Grammatical structures and literary features were extracted and analyzed to show their associative and symbolic links with real life events which occurred after 1987, the year AS was published. The symbolic and prophetic syntagmas identified and their manifestations are presented with annotations in tables. The essay established that Achebe uses syntagmas of utterances, events, settings and characters to symbolize and foreshadow imminent events in the novel and socio-political occurrences in Nigeria and Africa, a feat which stands him out as a novelist with great prophetic insight and clairvoyance.Keywords: Achebe, AS, syntagma, prophetic, symbolic. character


Author(s):  
Matthew Lewis

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.


2013 ◽  
Vol 95 (9) ◽  
pp. 292-295 ◽  
Author(s):  
Daniel Brown

Many authors have published theories regarding the learning of practical (surgical) skills. Table 1 contains a useful summary of these theories. Simulation has been defined by Allery et al as 'a structured activity designed to reflect reality, real life and real situations',1 and good simulation has been defined by Gorman et al as 'represent [ing] simplified reality, free from the need to include every possible detail'.2 when discussing simulation in education, issenberg, et al stated: 'Simulations are not identical to real-life events. Instead simulations place trainees into lifelike situations that provide immediate feedback about questions, decisions and actions.'3


Author(s):  
Siti Hafsah

Azab dan Sengsara is an Indonesian novel written by Merari Siregar (1921), one of the famous roman novelists in Indonesia in Balai Pustaka era. The novel is a material object of the present study. The study aims at revealing oppression, violence, exploitation of woman and all varieties of injustice to woman, revealing social symptoms ideological forms containing in the novel as a manifestation of a company condition in old era. This research uses a qualitative method and approaches of literary feminist and literary sociology as its support. This research succeeds in answering the problems of woman life, as manifestation of real life which reflects kinds of woman’s life in society of Indonesian, for example: marriage, custom, violence, etc. for the hero “Mariamin” (a woman). She is the manifestation of the authority life, besides talking on oppression of woman images of its community lives. The author succeeded offering solutions with various contradictions, conflicts, handling down the novel as manifestation in real life.


2011 ◽  
Vol 39 (111) ◽  
pp. 7-26
Author(s):  
Jonas Kjærgård Laursen

POLITICS OF APPEARANCE. ON REALITY MODELLING IN JOSEPH CONRAD’S NOSTROMOArtistically Nostromo is arguably the most ambitious of Joseph Conrad’s novels. It is also without a doubt the most explicitly political in that it openly engages with the question of how capitalism, imperialism, and revolution affect the human consciousness. There is however no agreement as to how this political problem is to be understood or, more precisely, what kind of understanding of the interrelationship between politics and literature is necessary when engaging this artwork. As a necessary supplement to both a 60’s Marxist reading and readings from the 70’s and 80’s dealing with ideological criticism, this article suggests a reading focusing on how the text creates a model of society by reconfiguring certain real life elements. By developing a specific artistic idiom Nostromo attempts to show the very limited view of the whole of society caused by, in the wording of the novel, the material interests of imperial capitalism. Under the inspiration of both Jurij Lotman and Jacques Rancière the analysis presented here is able to address some key political insights that appear as a consequence of the novelistic form when understood as a relatively autonomous model of society. And that is what is meant by the expression politics of appearance: the politics of literature is to be analysed as something generated by the specific gestalt of the text, as something that comes into sight with – and only with – the text.


2019 ◽  
Author(s):  
Donna L Coffman ◽  
Xizhen Cai ◽  
Runze Li ◽  
Noelle R Leonard

BACKGROUND Ambulatory assessment of electrodermal activity (EDA) is an emerging technique for capturing individuals’ autonomic responses to real-life events. There is currently little guidance available for processing and analyzing such data in an ambulatory setting. OBJECTIVE This study aimed to describe and implement several methods for preprocessing and constructing features for use in modeling ambulatory EDA data, particularly for measuring stress. METHODS We used data from a study examining the effects of stressful tasks on EDA of adolescent mothers (AMs). A biosensor band recorded EDA 4 times per second and was worn during an approximately 2-hour assessment that included a 10-min mother-child videotaped interaction. The initial processing included filtering noise and motion artifacts. RESULTS We constructed the features of the EDA data, including the number of peaks and their amplitude as well as EDA reactivity, quantified as the rate at which AMs returned to baseline EDA following an EDA peak. Although the pattern of EDA varied substantially across individuals, various features of EDA may be computed for all individuals enabling within- and between-individual analyses and comparisons. CONCLUSIONS The algorithms we developed can be used to construct features for dry-electrode ambulatory EDA, which can be used by other researchers to study stress and anxiety.


Author(s):  
Simon Glew ◽  
Elizabeth M Ford ◽  
Helen Elizabeth Smith

Introduction and Objectives The accuracy of conclusions based on Electronic Healthcare Record (EHR) research is highly dependent on the correct selection of descriptors (codes) by users. We aimed to evaluate the feasibility and acceptability of filmed vignette monologues as a resource-light method of assessing and comparing how different EHR users record the same clinical scenario. Methods Six short monologues of actors portraying patients presenting allergic conditions to their General Practitioners were filmed head-on then electronically distributed for the study; no researcher was present during data collection. The method was assessed by participant uptake, reported ease of completion by participants, compliance with instructions, the receipt of interpretable data by researchers, and participant perceptions of vignette quality, realism and information content. Results 22 participants completed the study, reporting only minor difficulties. 132 screen prints were returned electronically, enabling analysis of codes, free text and EHR features. Participants assigned a quality rating of 7.7/10 (range 2-10) to the vignettes and rated the extent to which vignettes reflected real-life (86-100%). Between 1 and 2 hours were required to complete the task. Full compliance with instructions varied between participants but was largely successful. Conclusions Filmed monologues are a reproducible, standardized method which require few resources, yet allow clear assessment of clinicians’ and EHRs systems’ impact on documentation. The novel nature of this method necessitates clear instructions so participants can fully complete the study without face to face researcher oversight.


Author(s):  
Oles Fedoruk

The paper analyzes different sources of anthroponyms in the original and final texts of P. Kulish’s novel “Chorna Rada: Khronika 1663 Roku” (“The Black Council: A Chronicle of the Year 1663”). Three types of sources have been identified: the historical prototypes, names and surnames of Kulish’s friends, and archival (documentary) records. In addition, numerous notes in the early editions of the Russian novel contain references to the works of various people (M. Markevych, D. Bantysh-Kamenskyi, V. Kokhovskyi, etc.). The last group of anthroponyms stands outside of the plot, and the paper does not focus on it. The historical and autobiographical sources of anthroponyms are generally known. Among the first are prototypes of two hetmans — Yakym Somko and Ivan Briukhovetskyi, military secretary M. Vukhaievych, regimental osaul M. Hvyntovka. The second group comprises the occasional characters Hordii Kostomara (a historian M. Kostomarov), Ivan Yusko (a teacher I. Yuskevych-Kraskovskyi), Hulak (M. Hulak, the founder of The Brotherhood of Saints Cyril and Methodius), Bilozerets (Kulish’s brother-in-law V. Bilozerskyi), Petro Serdiuk (Kulish’s close friend Petro Serdiukov), Oleksa Senchylo (teacher Oleksa Senchylo-Stefanovskyi). In the novel, Kulish drew the love line as a projection of his relationship with Oleksandra Bilozerska and her mother Motrona. The characters of Petro Shramenko, Lesia Cherevanivna and her mother Melaniia have an autobiographical basis. Accordingly, Lesia’s name was also taken from real life. The third group of sources supplying the anthroponyms is archival records. The paper analуzes Kulish’s extracts from the roster of Cossack regiments of the Hetmanate (1741). This source wasn’t used previously. It contains the anthroponyms Vasyl Nevolnyk (‘Slave’), Puhach, Petro Serdiuk, Taranukha, Chepurnyi, Cherevan, Tur, Shramko and Shramchenko, Shkoda, which the author used in various editions of the novel.


2018 ◽  
pp. 61-72
Author(s):  
Karl Emil Rosenbæk

Oil as a misfitting relation. A new-material analysis of the black gold’s sticky character in Inferno (2014)The article examines Ida Marie Hede’s novel Inferno (2014) through the lens of new materialism’s theoretical interest in matter and materiality. By focussing on the actions of oil in the novel the article shows how seemingly ‘dead’ and finite non-human objects express liveliness. Oil influences, affects, creates, and disrupts, in a word acts, on its surroundings. And due to the global-political relations oil is entangled in, oil seems particularly inclined to produce a certain effect – a disabling misfit between ecosystems. Therefore, although the article pivots around Inferno, it also tries to connect this idea of non-humane liveliness to the socio-political reality of climate change. Perhaps the realisation of a global “planetan misfit” is a necessary first step towards an ontological reconceptualization: A move from substances to relations as the ontological base. Philosopher Rosi Braidotti proposes the term process-ontology. This article uses that concept as a guiding principle when it reads Inferno. What does oil do and what is done to oil – in and outside the novel?


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