The Monk

2016 ◽  
Author(s):  
Matthew Lewis
Keyword(s):  
French Revolution ◽  
English Literature ◽  
Young Girl ◽  
The Novel ◽  
Reading Public ◽  
Ghost Stories ◽  
Gothic Fiction ◽  
Black Magic ◽  
Insight Into ◽  
Profound Insight

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.

The Novel Wars of 1790–1804

2018 ◽  
Author(s):  
Jon Mee
Keyword(s):  
French Revolution ◽  
The Novel ◽  
Reading Public ◽  
English Novel ◽  
British System ◽  
Constitutional Monarchy ◽  
The French Revolution ◽  
The Revolution

This chapter explores the novel in the period 1790–1804. The French Revolution profoundly shaped the English novel in the 1790s. Originally, the Revolution was welcomed by sections of the reading public, many of whom regarded it as bringing France into line with the liberty under law perceived as the British system of constitutional monarchy. Opinion began to change significantly after Edmund Burke's attack on the Revolution in Reflections on the Revolution in France (1790). Accounts of the novels written in the decade after Burke's assault on the Revolution are now routinely organized around the two poles of ‘Jacobin’ and ‘Anti-Jacobin’ fiction. Certainly, the novel in this decade did find itself shaped by the ‘war of ideas’, but—like the pamphlet war itself—it was neither conducted as a straightforward exchange of fire between two distinct ideological camps, nor was it untouched by developments in the novel as a form.

scholarly journals An Intersectional Feminist Reading of Bapsi Sidhwa's Water

2021 ◽  
pp. 43-55
Keyword(s):  
Social Issues ◽  
English Literature ◽  
Literary Work ◽  
Cultural Norms ◽  
The Novel ◽  
Power Structures ◽  
Bapsi Sidhwa ◽  
Award Winning ◽  
Fiction Writers ◽  
Insight Into

Intersectionality has been recognized and widely taken by interdisciplinary fields that include Cultural studies, American studies, and Media studies to demonstrate a range of social issues. It focuses on the experiences of people in a different social and political context. The intersectional framework confronts significant social division axes that include race, class, gender, and disability that function together and influence each other. These social axes operate the power structures of a particular society that can cause inequality and discrimination. In literary studies, women's representation is no more confined to European and American academic writings. Within the feminist framework, the South Asian fiction writers also demonstrate a feminist approach in their works. Pakistani authors have indicated religion's exploitation as one of the central intersectional tropes in their literary work. Bapsi Sidhwa is one of the prominent feminist voices from Pakistan in diasporic English Literature. One of her novels, Water (2006), is based on Deepa Mehta's award-winning film, explores the life of the marginal and subaltern Hindu widows in India. The novel provides an insight into the intersectional nature of the Indian Hindu widows in a patriarchal society of a subcontinent where different power domains hold and impose dominant hierarchies. The paper's objective is to highlight the intersection of religion, gender, caste and politics against the backdrop of the Indian anti-colonial movement. It shows how power relations can manipulate cultural norms and use religion as a powerful tool to establish its hegemonic control over these marginalized widows who suffer as silent victims.

scholarly journals Gothic beetle: a comment on one of Pushkin’s allusions

2020 ◽  
pp. 66-79
Author(s):  
V. V. Maroshi ◽  
Keyword(s):  
English Literature ◽  
The Novel ◽  
Gothic Novel ◽  
Gothic Fiction ◽  
Gothic Novels ◽  
Literary Allusion ◽  
Eugene Onegin ◽  
A Chain ◽  
A Minor ◽  
Minor Character

The paper deals with the beetle as a minor character of the seventh chapter of the novel “Eugene Onegin” and a literary allusion. It is syntactically and rhythmically highlighted in the text of the stanza. V. V. Nabokov was the first to try to set the origin of the character from English literature. The closest meaning of the allusion was a reference to V. A. Zhukovsky, with his surname associated with the beetle by its etymology and the appearance of a “buzzing beetle” in his translation of T. Gray’s “Elegy Written in a Country Churchyard.” The landscape of the 15th stanza of the novel is represented within the genres of elegy, pastoral, and ballad. We expand the field of Pushkin’s allusion to the Gothic novels of A. Radcliffe and Gothic fiction in general. Mentioning the beetle launches a chain of reminiscences from Gothic novels during Tatiana’s walk and her visit to Onegin’s empty “castle.” The quotations from Shakespeare and Collins in Radcliffe’s novels are of great significance. Shakespeare’s beetle, a Hecate’s messenger, is involved in creating an atmosphere of night fears and mystery surrounding the scene in Onegin’s castle. A collection of Radcliffe’s novels in Pushkin’s library suggests the poet was somewhat familiar with the paratext of the novel “The Romance of the Forest”. Moreover, the beetle as a parody character for a ballad and a Gothic novel appeared in the unfinished poem “Vasily Khrabrov” by the poet’s uncle, V. L. Pushkin.

“What Freedom?”

2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard
Keyword(s):  
South America ◽  
French Revolution ◽  
The Political ◽  
The Novel ◽  
Free Condition ◽  
Narrative Design ◽  
Economic Liberalism ◽  
History Of ◽  
Ways Of Thinking ◽  
John Owen

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.

The Castle of Otranto

2014 ◽  
Author(s):  
Horace Walpole
Keyword(s):  
Middle Ages ◽  
Literary Genre ◽  
The Novel ◽  
Gothic Fiction ◽  
English Novel ◽  
Game Changer ◽  
The Way ◽  
The Grotesque

‘Look, my lord! See heaven itself declares against your impious intentions’ The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride–to–be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that terrified the novel's first readers. In this new edition Nick Groom examines the reasons for its extraordinary impact and the Gothic culture from which it sprang. The Castle of Otranto was a game-changer, and Walpole the writer who paved the way for modern horror exponents.

Stanlake Samkange’s Insufferable Zimbabwe: Distanciating Trauma from the Novel to Philosophy

2021 ◽  
Vol 8 (2) ◽  
pp. 158-176
Author(s):  
Jeanne-Marie Jackson
Keyword(s):  
Trauma Theory ◽  
The Novel ◽  
African Context ◽  
Independence Era ◽  
The Relationship ◽  
Fresh Insight ◽  
Insight Into

This article theorizes the Zimbabwean writer Stanlake Samkange’s turn from the novel to philosophy as an effort to circumvent the representational pressure exerted by African cultural traumatization. In breaking with the novel form to coauthor a philosophical treatise called Hunhuism or Ubuntuism in the same year as Zimbabwe achieves independence (1980), Samkange advances a comportment-based, deontological alternative to the psychic or subjective model of personhood that anchors trauma theory. Revisiting the progression from his most achieved novel, The Mourned One, to Hunhuism or Ubuntuism thus offers fresh insight into the range of options available to independence-era writers for representing the relationship between African individuality and collectivity. At the same time, it suggests a complementary and overlooked relationship between novelistic and philosophical forms in an African context.

scholarly journals Crystal Structure of the Streptomyces coelicolor Sortase E1 Transpeptidase Provides Insight into the Binding Mode of the Novel Class E Sorting Signal

PLoS ONE ◽  
2016 ◽  
Vol 11 (12) ◽  
pp. e0167763 ◽  
Author(s):  
Michele D. Kattke ◽  
Albert H. Chan ◽  
Andrew Duong ◽  
Danielle L. Sexton ◽  
Michael R. Sawaya ◽  
...  
Keyword(s):  
Crystal Structure ◽  
Streptomyces Coelicolor ◽  
Binding Mode ◽  
The Novel ◽  
Sorting Signal ◽  
Insight Into ◽  
Class E

Formation, translocation and resolution of Holliday junctions during homologous genetic recombination

1995 ◽  
Vol 347 (1319) ◽  
pp. 21-25 ◽  
Keyword(s):  
Molecular Mechanisms ◽  
Genetic Recombination ◽  
Holliday Junctions ◽  
The Novel ◽  
E Coli ◽  
The Past ◽  
Endonucleolytic Cleavage ◽  
Insight Into ◽  
Made In

Over the past three or four years, great strides have been made in our understanding of the proteins involved in recombination and the mechanisms by which recombinant molecules are formed. This review summarizes our current understanding of the process by focusing on recent studies of proteins involved in the later steps of recombination in bacteria. In particular, biochemical investigation of the in vitro properties of the E. coli RuvA, RuvB and RuvC proteins have provided our first insight into the novel molecular mechanisms by which Holliday junctions are moved along DNA and then resolved by endonucleolytic cleavage.

scholarly journals Gastric Collision Tumors: An Insight into Their Origin and Clinical Significance

2015 ◽  
Vol 2015 ◽  
pp. 1-8 ◽  
Author(s):  
Adamantios Michalinos ◽  
Anastasia Constantinidou ◽  
Michael Kontos
Keyword(s):  
English Literature ◽  
Squamous Cell Carcinomas ◽  
Satisfactory Explanation ◽  
Stromal Tumors ◽  
Gastric Adenocarcinomas ◽  
Collision Tumors ◽  
Dismal Prognosis ◽  
Distinct Cell ◽  
Detailed Assessment ◽  
Insight Into

Collision tumors are rare neoplasms displaying two distinct cell populations developing in juxtaposition to one another without areas of intermingling. They are rare entities with only 63 cases described in English literature. Tumors encountered are gastric adenocarcinomas colliding with lymphomas, gastrointestinal stromal tumors, squamous cell carcinomas, and neuroendocrine tumors. Their cell origin is obsolete by the time of diagnosis. Different tumorigenesis theories have been suggested to explain their behavior, yet none has managed to provide satisfactory explanation for all cases. Clinically they are indistinguishable from the dominant tumor. Lack of data does not allow detailed assessment of their behavior yet they seem aggressive neoplasms with dismal prognosis. The majority of cases have been diagnosed postoperatively during histologic examination of specimens. There are no guidelines or concrete evidence to support best way of adjuvant or other types of treatment. However, these rare neoplasms might help in unlocking secrets of cancer behavior including tumorigenesis, differentiation, and adhesion and thus clinicians should be aware of their existence.

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