Cut-Out Calligraphy from the Fifteenth and Sixteenth Centuries: Discussion of Its Origins and Significance and Observations on the Techniques and Tools Used
2021 ◽
Vol 2
(1-2)
◽
pp. 3-31
Abstract Through the study of the materiality of three works from collections in Doha, Paris and Amsterdam, this paper intends to fill a gap in the knowledge of découpage calligraphy in Iran and shed light on its production processes. First, the origins and the context of the art will be explored through ancient and modern sources, followed by an examination of the tools used and the techniques of production, and finally an insight into the purpose or la raison d’être of the découpage technique will be presented.
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2014 ◽
Vol 47
(02)
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pp. 468-476
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2019 ◽
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2020 ◽
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