scholarly journals Język w procesie kształtowania nowych regionów w Polsce

2021 ◽  
Vol 21 ◽  
Author(s):  
Mirosława Sagan-Bielawa
Keyword(s):  
Regional Identity ◽  
State Reform ◽  
Creation Process ◽  
The Creation

Language in the Creation Process of the New Regions of PolandThe article concerns the influence of state reform on the evolution of regional identity. The aim of the article is to describe the role of language in these changes. In 1999, sixteen large regions (voivodeships) were established; it is significant that the contemporary names of these voivodeships refer to historical choronyms. The boundaries between administrative divisions and traditional ethnographic regions are indistinct due to the use of variant names like Małopolska, Podkarpacie, Pomorze Zachodnie instead of the formal names województwo małopolskie, podkarpackie, zachodniopomorskie etc., as well as the creation of new names of inhabitants (e.g. Zachodniopomorzanie, Małopolanie, Ślązacy, Lubuszanie) and nomina-abstracta (e.g. “małopolskość”, “podkarpackość”). The meaning of the Polish word region (‘area’, ‘territory’, also ‘private homeland’) became synonymous with województwo (‘voivodeship’, ‘province’). Furthermore, the blurred distinction between geographical and administrative names gives rise to the misconception that dialectal differentiation in Poland is related to the boundaries of voivodeships. Język w procesie kształtowania nowych regionów w PolsceArtykuł dotyczy ewolucji tożsamości regionalnej, jaka dokonała się w wyniku administracyjnej regionalizacji sprzed 20 lat. Celem artykułu jest pokazanie roli języka w tych zmianach. Nazwy 16 województw utworzonych w Polsce w 1999 roku nawiązują do historycznych nazw geograficznych, a same terminy województwo i region traktowane są jako synonimy. Użycie nazw typu Małopolska, Podkarpacie, Pomorze Zachodnie jako wariantywnych nazw województw (zamiast określeń województwo: małopolskie, podkarpackie, zachodniopomorskie itp.), tworzenie nowych nazw mieszkańców (np. Zachodniopomorzanie, Małopolanie, Ślązacy, Lubuszanie), a także abstrakcyjnych nazw cech (np. „małopolskość”, „podkarpackość”) powodują, że zaciera się różnica między podziałem administracyjnym a tradycyjnymi regionami. Mieszanie się nazewnictwa administracyjnego i geograficznego sprzyja również powstawaniu przekonania o istnieniu podziałów gwarowych i dialektalnych odpowiadających granicom województw.

scholarly journals An Agreement to Disagree: The ASEAN Human Rights Declaration and the Absence of Regional Identity in Southeast Asia

2014 ◽  
Vol 33 (3) ◽  
pp. 107-129 ◽  
Author(s):  
Mathew Davies
Keyword(s):  
Human Rights ◽  
Southeast Asia ◽  
Member State ◽  
Regional Identity ◽  
Member States ◽  
The Future ◽  
The Creation ◽  
Institutional Origins

ASEAN's engagement with human rights culminated in the creation of the ASEAN Human Rights Declaration in 2012. The Declaration is fascinating in three ways: Its institutional origins are surprising, it was agreed upon by states with very different positions on the role of human rights domestically, and it both contains commitments far in advance of some members and is at the same time dangerously regressive. The three leading frameworks that currently interrogate the Declaration fail to provide convincing insights into all three of those dimensions. To correct these shortcomings, this article applies the notion of an “incompletely theorized agreement” to the study of the Declaration, arguing that member states understand the Declaration in very different ways and agreed to it for similarly diverse reasons. Further, I argue that the Declaration neither articulates a shared regional identity relating to respect for human rights, nor can it be understood as marking an early point towards the creation of this identity. Instead, the current diversity of regional opinions on human rights and democracy is perceived as legitimate and will endure. The article concludes by considering whether this denudes the Declaration of value, arguing that its importance will vary: The more progressive the member state, the more important the Declaration will be in the future.

scholarly journals IMPLEMENTASI MODEL CREATIVE DANCE PADA PEMBELAJARAN SENI TARI MAHASISWA PGSD UNIVERSITAS SARJANAWIYATA TAMANSISWA

2019 ◽  
Vol 3 (2) ◽  
pp. 357
Author(s):  
Dyan Indah Purnama Sari ◽  
Poppy Indriyanti
Keyword(s):  
Descriptive Analysis ◽  
Teaching Model ◽  
Analysis Method ◽  
Creation Process ◽  
Creative Dance ◽  
Know How ◽  
Creative Idea ◽  
Art Teaching ◽  
The Creation

This article studied the creative dance model implementation in dance teaching for PGSD students, this article is formulated so that (1) PGSD Universitas Sarjanawiyata Tamansiswa students know how to create children dance, (2) PGSD Universitas Sarjanawiyata Tamansiswa students can create children dance by using creative dance model, (3) in the creation process, PGSD Universitas Sarjanawiyata Tamansiswa students can develop their creative idea, (4) PGSD students become active, creative, and innovative students in the process of creating children dances. Additionally, this article also aims at analyzing the role of creative dance model in the creation of children dance in Dancing Art teaching. The creative dance model is often referred to as creation model. The approach used in this research is qualitative research which applied a descriptive analysis method aimed at describing, summarizing various conditions, various situations, or various social reality phenomena in the community. The data collection was conducted by means of observation, interview, and documentation. The product of this research would be a teaching model that can be used as a guide or manual in the process of construction and exploration of children dance to be used by PGSD students, especially PGSD Universitas Sarjanawiyata Tamansiswa students.

scholarly journals Konstruowanie historii regionu. Przeszłość i pamięć na lamach olsztyńskiej „Borussii"

2011 ◽  
Vol 55 (4) ◽  
pp. 263-273
Author(s):  
Jakub Knyżewski
Keyword(s):  
Civil Society ◽  
Regional Identity ◽  
The Past ◽  
The North ◽  
Culture History ◽  
The Creation ◽  
East Prussia

The article elaborates on the accomplishments of those centered round a magazine “Borussia. Culture. History. Literature” which, while following a constructivist vision of history, seeks an answer to a question about a role of the heritage of East Prussia and Germany in contemporary Poland. Thus, a challenge has been taken to not only examine the region’s past, but also to examine the creation of contemporary civil society which is aware of what was the past of the land on which they live. Elements of multicultural image of East Prussia emerging from “Borussia” articles, create a metaphoric “Atlantis of the North” — idealized multicultural land, dominated by the spirit of tolerance. Such an image, together with the idea of “open regionalism” comprises a preferred image of contemporary regional identity.

scholarly journals Choreography and sounding wearables

Scene ◽  
2014 ◽  
Vol 2 (1) ◽  
pp. 197-220 ◽  
Author(s):  
Michèle Danjoux
Keyword(s):  
Real Time ◽  
The Body ◽  
Significant Part ◽  
The Sun ◽  
Creation Process ◽  
New Methods ◽  
The Creation ◽  
The Impact ◽  
A Performance

This article explores the role of ‘sounding costumes’ and body-worn technologies for choreographic composition, with real-time interactional elements (such as microphones, speakers, sensors) potentially integrated into movement and expressive behaviour. Sounding garments explore the interactions between dancer/performer, the costume and the environment in the generation and manipulation of sonic textures. Briefly discussing historical precedents of integrated composition, the article will mainly refer to sounding prototypes in DAP-Lab’s latest production, For the time being [Victory over the Sun] (2012–2014), for which I designed the wearables, highlighting new methods for building sensual wearable electro-acoustic costumes to create kinaesonic choreographies. The article analyses the multi-perspectival potentials of such conceptual garments/wearable artefacts to play a significant part in the creation process of a performance, focusing on how wearable design can influence and shape movement vocabularies through the impact of its physical material presence on the body, distinctive design aesthetics and sound-generating capabilities. Choreographically, garments and body-worn technologies act as amplifying instruments as well as sculptural constraints or conversely enablers of new movement and ways of sounding/listening that affect different kinetic and acoustic awareness (both in the performers and in the audience).

scholarly journals PERANAN R. A. A. WIRANATAKUSUMAH V DALAM PENYEBARAN TEMBANG SUNDA CIANJURAN

Panggung ◽  
2012 ◽  
Vol 22 (3) ◽  
Author(s):  
Mohamad Yusuf Wiradiredja
Keyword(s):  
Social Science ◽  
20Th Century ◽  
Historical Research ◽  
Theory Of Change ◽  
Creation Process ◽  
Historical Method ◽  
The Creation

The main problems studied in this article is how the creation process of the art of cianjuran music and how far the role of R. A. A. Wiranatakusumah V in spreading the art of cianjuran music in Priangan in the 20th century. To get the answers to those problems, the historical research has been done with the method of research which consists of four phases: heuristik, criticism, interpretation, and historiography. The application of historical method is then ellaborated with social science theories, among of those is the theory of change and continuity of K. J. Veeger.The result of the research indicates that the art of cianjuran music was born as a creativity result of Cianjur aristocratics adopting from some vocal arts among Sundanese society such as: poetry, degung, and kawih. In its growth, the art of cianjuran adapts with the change of epoch so that its existence can be kept well. In this case, R. A. A. Wiranatakusumah V had an important role in spreading the art of cianjuran music in Priangan. Keywords: Cianjuran Music, R. A. A. Wiranatakusumah V 

scholarly journals Od tekstu do kontekstu. O praktyce upodmiotowiania w przestrzeniach twórczości naukowej – prolegomena

2020 ◽  
Author(s):  
Marcin Kafar ◽  
Sławomir Pasikowski
Keyword(s):  
Information Processing ◽  
Spatial Information ◽  
Scientific Creativity ◽  
Disciplinary Differences ◽  
Scientific Texts ◽  
Creation Process ◽  
The Creation ◽  
Spatial Information Processing

The article presents the practice of subjectivizing scientific creativity by referring to the role of intuition in the creation process, introspective reports and comments on spatial information processing. One of the main emphases is placed on the interaction between the author’s sense of subjectivity with the idea generated and developed by him, as well as on how the reader senses this interaction. These findings became the basis for adopting assumptions about individual and disciplinary differences in strategy and the intensity of the subjectivization of scientific texts by creators and recipients. The article was prepared in a performative and dialogical formula.

The role of affect in feelings of obligation

2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish
Keyword(s):  
Positive Emotions ◽  
The Creation ◽  
Sense Of Obligation

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.

They think they find themselves: radical violence and narcissistic-identity suffering

2019 ◽  
Vol 1 (1) ◽  
pp. 21-31 ◽  
Author(s):  
Louis Brunet
Keyword(s):  
Lone Wolf ◽  
The Creation ◽  
Ideal Ego ◽  
Group Regression ◽  
The Ideal

This article proposes a model of individual violent radicalisation leading to acts of terrorism. After reviewing the role of group regression and the creation of group psychic apparatus, the article will examine how violent radicalisation, by the reversal of the importance of the superego and the ideal ego, serves to compensate the narcissistic identity suffering by “lone wolf” terrorists.

The Moving Cause of Artefacts: the role of techne in metaphysical explanation

2019 ◽  
Vol 1 (1) ◽  
pp. 64-83
Author(s):  
Margaret Cameron
Keyword(s):  
Alternative Theory ◽  
Metaphysical Explanation ◽  
Efficient Cause ◽  
The Creation

The essence of artefacts is typically taken to be their function: they are defined in terms of the goals or aims of the artisans that make them. In this paper, an alternative theory is proposed that emphasizes, via a reconstruction of Aristotle's various comments about the nature of artefacts, the role of the moving, or efficient, cause of artefacts. This account shifts the emphasis to the role played by the investment of expertise into the creation (and subsequent being) of artefacts. It turns out that expertise is prior in being and prior in explanation to the function of artefacts, and thus plays the most fundamental role in the explanation of the ontology of artefacts.

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