A Proposal to Augment the Plausibility of William Lane Craig’s Deductive Moral Argument

2020 ◽  
Vol 85 (4) ◽  
pp. 405-420
Author(s):  
Zachary Breitenbach

The plausibility—though not the soundness—of William Lane Craig’s deductive moral argument for God’s existence has been insightfully challenged by David Baggett, who prefers to formulate the argument abductively. This paper proposes a way of couching and defending Craig’s argument so as to avoid the potholes Baggett identifies and preserve the value of the deductive form of the argument. Central to this proposal is justifying key criteria that any adequate ontological foundation for objective moral values and duties must possess, highlighting key insights in the history of moral apologetics that support these criteria. Defending the argument in this way both avoids the sting of Baggett’s critiques and offers what amounts to a cumulative case of ontologically focused moral arguments.

2020 ◽  
pp. 1-18
Author(s):  
Maria Botero ◽  
Donna Desforges

Abstract One requirement for the formation of an Institutional Animal Care and Use Committee (IACUC) is that they include a community member who embodies the values of the general population. This study’s aim is to investigate whether community members use moral arguments when deliberating a case of nonhuman animals used in experimentation. To this end, we tested the responses of community members in a situation similar to those confronting members of IACUC. The participants’ evaluation of the protocol was consistent with the mandates of IACUC. We also found that overall no moral argument played a significant role in their evaluation of a protocol. Only arguments based on loyalty to the human species played a moderate role in the evaluation of using animals in experimental research, in a way similar to using some moral arguments regarding the importance of human welfare to justify the use of animals in experimental research.


Author(s):  
Zulpadli Zulpadli

This paper briefly and through theoretical studies will discuss simply the problems formulated, the impact of globalization on Character education in Indonesia, as well as the paradigm of PKN learning and Character education challenges for the younger generation. It is on the ground by the declining awareness and moral values, as well as to increase the values of the characters seen in the young generations. Civic education in Indonesia has been running throughout the history of Indonesian independence, and has gone through various stages and arms, it certainly demands greater hard work of teachers to be able to increase the values of Pancasila and love of the homeland, and practice the character values which is based on the noble values of Indonesian culture into Indonesian youth.


KIRYOKU ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 283-300
Author(s):  
Sri Sudarsih

The purpose of this study is to explore traditional moral values in Japanese society that are able to survive and be implemented in everyday life in the modern era. In addition, it is able to shape the distinctive character of the Japanese, including the role of women who contribute to maintaining traditional moral values. This research is a qualitative research field of philosophy with the object of formal values and the material object is the development of women's position in Japanese society. The results achieved in the study: Japanese women played an important role in the history of the struggle until Japan achieved prosperity and glory until now. This is based on the reason that Japanese women are able to maintain and preserve traditional moral values that still exist through early education in the family environment. These values can shape the character of children from an early age in the family. A family with character brings logical consequences to the life of a community with character so that it affects the culture as a whole.


Kebudayaan ◽  
2019 ◽  
Vol 13 (1) ◽  
pp. 77-89
Author(s):  
Fatkur Rohman Nur Awalin

AbstractWayang art performance that develops in Java is a traditional performing art that is able to survive and adapt to all aspects of its changes. The issue of this research is to know, how does the history of development and change of wayang function in society? The development of wayang art performance is influenced by social conditions, which affect the change of function of wayang art performance. The objective of the research is to explain the history of development and change of wayang function in society.This study uses descriptive method, with the support of literature review and observation on wayang performance. The results show that the history of wayang development is conceptually a combination of several cultural elements that enter in Indonesia (Java), namely Indian culture with Hindu-Buddhism and Islam with sufism. Indicator of changes in wayang function in the community is the change of pakeliran wayang as an industry tomeet the entertainment market. Changes in ritual function can be seen from the waning of guidance or moral values in wayang, so its has only entertainment or spectacle functions and as a popular performances.AbstrakSeni pertunjukan wayang yang tumbuh dan berkembang di Jawa merupakan kesenian tradisonal yang mampu bertahan dan menyesuaikan dengan perkembangan zaman dengan segala aspek perubahan-perubahannya. Masalah dalam penelitian ini adalah mengkaji mengenai bagaimana sejarah perkembangan dan perubahan fungsi wayang dalam masyarakat? Perkembangan seni pertunjukan wayang dipengaruhi oleh kondisi sosial, yang berpengaruh terhadap perubahan fungsi seni pertunjukan wayang.Tujuannya adalah menjelaskan sejarah perkembangan dan perubahan fungsi wayang dalam masyarakat. Penelitian ini menggunakan metode deskriptif, dengan dukungan kajian pustaka dan pengamatan (observasi) terhadap pergelaran wayang. Hasil penelitian menunjukkan bahwa sejarah perkembangan wayang secara konseptual merupakan perpaduan dari beberapa unsur kebudayaan yang masuk di Indonesia (Jawa), yakni kebudayaan India dengan Agama Hindu-Buddha dan Islam dengan tasawufnya. Indikator perubahan fungsi wayang dalam masyarakat adalah perubahan pakeliran dalam wayang sebagai industri untuk memenuhi pasar hiburan. Perubahan fungsi ritual dapat dilihat dari memudarnya nilai-nilai tuntunan atau moral dalam wayang, sehingga wayang hanya mempunyai fungsi hiburan atau tontonan dan sebagai pertunjukan populer.


2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.


2021 ◽  
pp. 17-25
Author(s):  
Mohammad Hashim Kamali

In addition to a concise review of the meaning and definition of shariah, the chapter introduces the sources of shariah, including the two main types of revealed and rational sources and their subdivisions. The history of shariah (“the way to the watering place,” or “the path to correct guidance, salvation, and relief”) is occupied with scholastic developments and the embodiment of what became known as fiqh, which consists mainly of the practical rules of Islamic law that regulate the daily lives of Muslims. Shariah is a broad concept that is not confined to legal rules but comprises the totality of guidance that God Most High has revealed to humankind, pertaining to the dogma of Islam, its moral values, and its practical legal rules.


2019 ◽  
pp. 198-209
Author(s):  
David Baggett ◽  
Jerry L. Walls

A. C. Ewing worked on moral goodness; Austin Farrer focused on the value and dignity of persons; George Mavrodes underscored the odd nature of binding moral duties in a naturalistic world. Robert Adams did work in theistic ethics that produced innovative variants of the moral argument; his wife, Marilyn Adams, demonstrated how God’s incommensurable goodness can address versions of the problem of evil. Linda Zagzebski identified three ways we need moral confidence. C. Stephen Evans defended divine command theory and a natural signs approach to apologetics. John Hare did landmark work on moral arguments. William Lane Craig used the moral argument to powerful effect in books and debates. C. Stephen Layman used the overriding reason thesis and conditional thesis in his variant of the argument. Scott Smith, Mark Linville, Angus Menuge, and Angus Ritchie have offered brilliant epistemic moral arguments. Paul Copan has used history to augment the moral argument.


2019 ◽  
pp. 1-7
Author(s):  
David Baggett ◽  
Jerry L. Walls

The richness of the history of the moral argument is a well-kept secret. Numerous luminaries from its history devoted their best intellectual energies to its exploration. Several of them gave Gifford lectures on the topic. From before Kant until the present day, the story of the moral argument has been unfolding. Its adherents have had much to say about morality, its disparate features, and their evidential potential. This book will chronicle this long and fertile history. We trust the story will serve as inspiration for a new generation to recapture some of the vision and passion shared by these luminaries in the field who had learned to live long and well with these arguments, making them part of the air they breathed, and in so doing breathing new life back into them.


1995 ◽  
Vol 5 (3) ◽  
pp. 577-601 ◽  
Author(s):  
Jon M. Shepard ◽  
Jon Shepard ◽  
James C. Wimbush ◽  
Carroll U. Stephens

Abstract:This article uses concepts from sociology, history, and philosophy to explore the shifting relationship between moral values and business in the Western world. We examine the historical roots and intellectual underpinnings of two major business-society paradigms in ideal-type terms. In pre-industrial Western society, we argue that business activity was linked to society’s values of morality (the moral unity paradigm)—for good or for ill. With the rise of industrialism, we contend that business was freed from moral constraints by the alleged “invisible hand” of efficient markets (the amoral theory of business). Armed with this understanding of the intellectual history of the moral unity and amoral business-society paradigms, we suggest that some variant of the moral unity paradigm may be recurring in post-industrial society.


2019 ◽  
Vol 17 (4) ◽  
pp. 1133-1161
Author(s):  
STUART MIDDLETON

This article traces a history of the literary critic and theorist Raymond Williams’s idea of the “structure of feeling”, the formation of which is situated within debates about the place of artistic and moral values in democratic politics during the 1940s and 1950s. It demonstrates that the “structure of feeling” was intended to circumvent an equation of collective normative legislation with totalitarianism in the early cultural Cold War, by conceiving the definition of values as a process upon which all individuals in a society were always, necessarily, engaged. In articulating this quasi-democratic account of the production of artistic and moral standards, Williams also sought to escape the various theories of “minority culture” that dominated literary and cultural criticism in mid-century Britain. However, his concept of the “structure of feeling” required him to maintain a privileged role for artistic and intellectual arbiters, which constrained his vision of a properly democratic culture. In conclusion, the article argues that the problem of “democratic values” that Williams addressed in his work of the 1950s was a major factor in the marginalization or exclusion of moral criticism from political argument in Britain after 1945, and suggests that this passage of intellectual history may therefore be of considerable importance to contemporary debates about the lineages and reform of, in a broad sense, neoliberal political economy.


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