Infrastructures for media ‘extension’: licensing trade expos and the production of media distribution

2021 ◽  
pp. 016344372110370
Author(s):  
Dario Lolli

This article focuses on licensing – the practise of brand ‘extension’ – to investigate global media distribution as it contingently emerges from the infrastructural spaces of professional trade events. Licensing expos are not only aesthetic, legal and financial compounds that ‘produce’ media distribution by coordinating the exchange of economic assets and the provision of adaptations, ancillary goods and ‘scripted experiences’ for global blockbuster films and media franchises. They are also sites where diffuse forms of power circulate within and against the bodies of their attendees through assemblages of data, objects, architectures and repeatable technical standards. Through multi-sited participant observation at these affective infrastructures, the paper argues that the production of media distribution is inseparable from the production of subjectivities – of the professionals that make these events as well as the active audiences whose behaviours they aim at envisioning, preempting and shaping.

Author(s):  
Margo Buchanan-Oliver ◽  
Hope Jensen Schau ◽  
Alexander Schau

Global media brand Twilight and its fan-created brand extension, Fifty Shades, speak to female consumers who enter into fantastic and corporeal relationships with their market manifestations (books, films, soundtracks, merchandising, and consumption communities). Twilight's narrative encompasses the psychological power and socio-cultural allure of the ‘monstrous' vampire myth, enabling a spectrum of relational positions from devoted fans to addictive, compulsive, and transgressive behaviors. Fifty Shades as an iterative narrative embeds the plot and characters of Twilight into the ‘monstrous' context of the BDSM underworld. This chapter unpacks consumers' relational positions to Twilight and Fifty Shades of Grey. The authors discuss tensions and paradoxes which underpin female consumption of these powerful brands. The chapter demonstrates disturbing dimensions of consumer-brand relationships which impact not only the imaginative lives but the physical lives of fans.


Author(s):  
Leonardo Cardoso

This chapter focuses on several attempts to mobilize sound-politics via a range of techniques, devices, and national and international standards. I consider how experts have managed to stabilize two central actors: ears and norms. In the early twentieth century, experts generated the “average normal ear,” which I call Ear 1.0, the first actor. The second actor is the sound level meter, the Ear 2.0, a black box responsible for emulating Ear 1.0 and conveying reliable quantified information. As other authors have already traced the fascinating history of the stabilization of Ears 1.0 and 2.0 in the early twentieth century, I simply summarize some of these debates. The second section focuses on the Brazilian Technical Standards Association (ABNT). In the 2010s, experts faced the daunting task of revising two technical standards for assessing environmental noise. As I show, drawing on participant observation, interviews, and minutes of meetings between 2011 and 2017, this task was difficult because these revisions involved the input of groups with different interests and different understandings of what a technical standard should do.


2015 ◽  
Vol 21 (2) ◽  
pp. 173
Author(s):  
Nasya Bahfen ◽  
Alexandra Wake

This reflective article describes and analyses the use of Facebook and Twitter over a five-year timeframe by two journalism academics in Australia, whose industry and research expertise are in the Asia-Pacific. The use of social media has made possible for journalism educators an active electronic space in which to conduct discourse on development, publication, networking and career opportunities with students and alumni. This discourse and the educators, students or alumni who engage in it reflect the nature of the global media industry as inherently network-based (in contrast to employment approaches found in other industries such as graduate programmes in commerce, law or engineering). Because it operates using electronic communication, such discourse also reflects the industry which journalism graduates seek to enter as not being geographically confined to one city or state within Australia—instead, reflecting a rapid rate of movement between cities and states, or between countries, or between urban and rural locations. Using active participant observation, the researchers argue that social media can be used to develop and retain links with their students and alumni, by making use of the social connectedness that is coming to characterise communication. The researchers were early adopters of Facebook and Twitter communication with students. The article argues that social media has been beneficial in the conduct of these activities while exploring the use of social networking in relation to the politics of ‘friending’ or ‘following’ and ‘being followed’ by students.


2021 ◽  
pp. 136787792110246
Author(s):  
Laura-Zoë Humphreys

In the 2010s, new forms of hand-to-hand digital media piracy displaced state control over media distribution in Cuba and facilitated the influx of global media, including K-Pop, just as Cuban socialism came under renewed pressure through economic reform. In this context, this article contends, Cuban youth turned to K-pop to reimagine the self, sociality, and Cuba’s place in the world. Drawing on ethnographic fieldwork, this article shows how K-pop appealed to fans by fostering fantasies of becoming enterprising individuals through neoliberal solidarity. These aspirations were reinforced by the industry’s pursuit of immediation, that is, its use of digital media to produce intimate and immediate connections that denied the mediations on which they depended. Ultimately, this article demonstrates how desires for and anxieties about immediacy motivate K-pop fandom and its geo-political imaginaries and how a global capitalist culture industry can appeal to fans by offering relief from the neoliberal capitalism it reproduces.


Author(s):  
Marie M'Balla-Ndi

While the Kanaks’ (local indigenous population of New Caledonia) pro-independence protests against the French settlers and, more broadly, the French Republic, have been extensively documented in the global media and academic literature, another protest - more subtle and diffused, but deeply embedded - is taking place in New Caledonia.New Caledonia is a South Pacific archipelago colonised by the French in 1853 and set to decide whether to remain in the French Republic or become independent in a referendum between 2014 and 2019.This paper suggests that there is a polarisation in the New Caledonian media sphere, which deeply affects journalistic practices with tendencies to resist Western impositions, standards and dominance (for Kanak journalists and their leaders), while metropolitan journalists (who have settled in New Caledonia from France) tend to often reject customs or indigenous rules shaping general and media communication within local communities. Both tendencies also have a significant impact on which material the journalists will be able to collect for their news organisations, as well as an impact on the relationships these journalists will maintain (or not) with local communities and personalities.This paper examines some aspects of Pacific knowledge (including traditions, values, beliefs and protocols) and explores the nuances of a complex socio-political ‘liquid modern’ context in order to present examples of how developments inherent from tradition, colonisation and decolonisation aspirations, affect the work of local journalists (both metropolitan journalists, and Kanak journalists). Drawing on data collected during periods of archival research, participant observation and interviews conducted at both the metropolitan daily newspaper, Les Nouvelles Calédoniennes, and the pro-independence radio station, Radio Djiido, this paper demonstrates how local journalists problematically navigate, and often contest, diverse socio-cultural values, practices and principles inherent from different times and places/spaces creating a deep division in the New Caledonian media sphere. It is suggested in this paper that Kanak values are often strongly contested by many metropolitan journalists, who often refuse to give any consideration to cultural factors, while, on the other hand, Kanak journalists will often tend to reject some of the principles of Western (or modern) journalism, adjusting these values and/or standards for specific or strategic reasons, such as preserving ‘la coutume'. This paper will also argue that deploying an approach that engages with the concept of liquid modernity, takes into account re-emerging oceanic epistemologies, and that provides a thicker explanation of observed media practices, proves useful for studying journalism in New Caledonia, where culture appears to deeply affect journalism practice on a daily basis.


Author(s):  
Eva Cheuk Yin Li

This chapter explores the entanglement between queer desires and struggles with normativities in fandoms through the case study of Denise Ho (a.k.a. HOCC) in Hong Kong. HOCC is one of the few celebrities in the Chinese-language entertainment industry to have come out as a lesbian. Data is drawn from participant observation and semi-structured interviews with 29 fans between 2009 and 2014. By analyzing the interplay between Hong Kong sexual cultures, fans’ everyday lives, and fans’ interactions with global media, it is found that fans struggled with negotiating HOCC’s gender and sexuality and their own before HOCC’s coming-out, leading to the paradoxical celebration and self-policing of queer reading at the same time. HOCC’s coming out in 2012 has significantly reshaped her queer fandom. It is observed that fans have turned their attention to the negotiation of HOCC’s “proper” lesbian embodiment as the “correct” representation of the LGBT/tongzhi movement. By revealing the complex relations between heteronormativity and homonormativity, this chapter concludes that HOCC fans in Hong Kong, who are situated within macrostructural and micropolitical forces, desire to be queer by transgressing normal and paradoxically desire to be normal by tactically negotiating the limits of queer.


2015 ◽  
Vol 5 (2) ◽  
pp. 107-120 ◽  
Author(s):  
Antonio Williams ◽  
Isabell Rhenwrick ◽  
Kwame J. A. Agyemang ◽  
Alexandria Pantaleoni

Purpose – The purpose of this paper is to arrive at a better understanding of the experiences of the women who comprise a distinct National Football League (NFL) women’s only fan club. Design/methodology/approach – A semi-structured focus group interview was conducted and analyzed using margin coding for a NFL fan club. The focus group data were triangulated with secondary sources such as participant observation, field notes, and documents (e.g. web site and written documents from fan club). Findings – The data analysis revealed the following eight themes: philanthropy, team affiliation, events, social media, brand elements, fan identity, apparel, perks. Research limitations/implications – The paper examines the experiences of women fan club members, which could potentially provide the franchise with insights on how to enhance the member experience. While the present study represents only one case, the researchers believe there are key factors to call attention to for NFL marketers considering a brand extension aimed at women. Practical implications – The results provide marketers with useful information to enhance the experience of current women only fan club brand extension and potential future women only fan club brand extensions. Given the increase in NFL fandom among this segment of the population, it will be crucial for NFL marketers to increase their efforts to leverage their respective sport team brands with female fans. Originality/value – The paper is the first to explore the experiences of women fan club members in professional sports.


2016 ◽  
Vol 21 (6) ◽  
pp. 5-11
Author(s):  
E. Randolph Soo Hoo ◽  
Stephen L. Demeter

Abstract Referring agents may ask independent medical evaluators if the examinee can return to work in either a normal or a restricted capacity; similarly, employers may ask external parties to conduct this type of assessment before a hire or after an injury. Functional capacity evaluations (FCEs) are used to measure agility and strength, but they have limitations and use technical jargon or concepts that can be confusing. This article clarifies key terms and concepts related to FCEs. The basic approach to a job analysis is to collect information about the job using a variety of methods, analyze the data, and summarize the data to determine specific factors required for the job. No single, optimal job analysis or validation method is applicable to every work situation or company, but the Equal Employment Opportunity Commission offers technical standards for each type of validity study. FCEs are a systematic method of measuring an individual's ability to perform various activities, and results are matched to descriptions of specific work-related tasks. Results of physical abilities/agilities tests are reported as “matching” or “not matching” job demands or “pass” or “fail” meeting job criteria. Individuals who fail an employment physical agility test often challenge the results on the basis that the test was poorly conducted, that the test protocol was not reflective of the job, or that levels for successful completion were inappropriate.


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