scholarly journals Disidentified national subjects and failed Europeans in Nuno Cardoso’s Portuguese Shakespeares

2018 ◽  
Vol 96 (1) ◽  
pp. 89-101
Author(s):  
Francesca Rayner
Keyword(s):  
National Identity ◽  
Richard Ii ◽  
Measure For Measure ◽  
The Relationship ◽  
National Stereotypes

In the context of a proposed multi-speed neo-Europe where the wealthier nations are allowed to accumulate more wealth and the less wealthy nations such as Portugal are left to fend for themselves, this article looks at the staging of national stereotypes in Portuguese director Nuno Cardoso’s Shakespeare trilogy ( Richard II in 2007, Measure for Measure in 2012 and Coriolanus in 2014). Each of these performances examined the relationship between those who govern and those who are governed, using strategies of disidentification with stereotypes of the nation and national identity.

scholarly journals Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 71
Author(s):  
Marianna Charitonidou
Keyword(s):  
National Identity ◽  
Urban Studies ◽  
Italian Cinema ◽  
Main Argument ◽  
Narrative Strategies ◽  
National Narratives ◽  
The Status ◽  
And Gender ◽  
Post War ◽  
The Relationship

The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level. The main argument of the article is that the way gender and migrant roles were conceived in the Italian Neorealist and New Migrant Cinema was based on the intention to challenge certain stereotypes characterizing the understanding of national identity and ‘otherness’. The article presents how the roles of borgatari and women function as devices of reconceptualization of Italy’s identity, providing a fertile terrain for problematizing the relationship between migration studies, urban studies and gender studies. Special attention is paid to how migrants are related to the reconceptualization of Italy’s national narrations. The Neorealist model is understood here as a precursor of the narrative strategies that one encounters in numerous films belonging to the New Migrant cinema in Italy. The article also explores how certain aspects of more contemporary studies of migrant cinema in Italy could illuminate our understanding of Neorealist cinema and its relation to national narratives. To connect gender representation and migrant roles in Italian cinema, the article focuses on the analysis of the status of certain roles of women, paying particular attention to Anna Magnagi’s roles.

Palestinian Refugees between the City and the Camp

2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah
Keyword(s):  
National Identity ◽  
Daily Life ◽  
National Belonging ◽  
Palestinian Refugees ◽  
Social Distinction ◽  
Urban Refugees ◽  
Old City ◽  
Refugee Experience ◽  
The Relationship ◽  
The City

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.

State contestations in constructions of 1Malaysia

2017 ◽  
Vol 41 (1) ◽  
pp. 46-65
Author(s):  
Mary Varghese ◽  
Kamila Ghazali
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
Prime Minister ◽  
Status Quo ◽  
The Public ◽  
Malaysian Population ◽  
Body Of Knowledge ◽  
The Status ◽  
The Public Sphere ◽  
The Relationship

Abstract This article seeks to contribute to the existing body of knowledge about the relationship between political discourse and national identity. 1Malaysia, introduced in 2009 by Malaysia’s then newly appointed 6th Prime Minister Najib Razak, was greeted with expectation and concern by various segments of the Malaysian population. For some, it signalled a new inclusiveness that was to change the discourse on belonging. For others, it raised concerns about changes to the status quo of ethnic issues. Given the varying responses of society to the concept of 1Malaysia, an examination of different texts through the critical paradigm of CDA provide useful insights into how the public sphere has attempted to construct this notion. Therefore, this paper critically examines the Prime Minister’s early speeches as well as relevant chapters of the socioeconomic agenda, the 10th Malaysia Plan, to identify the referential and predicational strategies employed in characterising 1Malaysia. The findings suggest a notion of unity that appears to address varying issues.

scholarly journals El otro lado de la modernidad boliviana. "Vuelve Sebastiana" y la reconfiguración de las coordenadas espacio temporales para pensar la Nación

2018 ◽  
Vol 23 ◽  
pp. 46-66
Author(s):  
Jaime Omar Salinas Zabalaga
Keyword(s):  
National Identity ◽  
20Th Century ◽  
Nation Building ◽  
Indigenous Communities ◽  
Cultural Transformation ◽  
National Imaginary ◽  
Central Argument ◽  
Temporal And Spatial ◽  
Building Project ◽  
The Relationship

This article discusses the film Vuelve Sebastiana (1953) by Jorge Ruiz, focusing on its ideological and aesthetic aspects. The analysis establishes connections between the idea of “nation” in the context of cultural transformation prompted by the economic and social policies of the National Revolution of 1952 and the way the Chipaya community is represented. The central argument is that "Vuelve Sebastiana" can be read not only in relation to the new national identity but as an expression of a new national imaginary regarding the indigenous communities of the Altiplano. The author proposes that "Vuelve Sebastiana" represents the nation through the temporal and spatial cartographies of a modern nation-building project, making visible some of its tensions and contradictions and allowing us to explore the imaginary that has redefined the relationship between the State and the indigenous communities of the Altiplano throughout the  second half of the 20th century.

Testing the national identity argument

2013 ◽  
Vol 6 (2) ◽  
pp. 237-259 ◽  
Author(s):  
David Miller ◽  
Sundas Ali
Keyword(s):  
Social Justice ◽  
National Identity ◽  
The United States ◽  
Relative Strength ◽  
National Identities ◽  
Four Dimensions ◽  
The United Kingdom ◽  
Key Factor ◽  
National Attachment ◽  
The Relationship

The national identity argument holds that a shared national identity is necessary to motivate citizens in democratic societies to pursue a number of goals, especially social justice. We review the empirical evidence for and against this claim, looking particularly at how national identities have been measured. We distinguish between studies that aim to compare the relative strength of identities cross-nationally and those that look at individual differences within one nation. We separate four dimensions of national identity: national attachment, national pride, critical vs. uncritical patriotism, and civic vs. cultural conceptions of identity. These are only weakly correlated with each other, and impact differently on support for social justice and the welfare state. Using case studies from the United States, Canada, and the United Kingdom, we suggest that the relationship between national identity and social justice varies between societies, and that a key factor is finding an appropriate balance between the strength of such identities and their inclusiveness.

scholarly journals MIGRATION, WAR, AND THE MAKING OF A TRANSNATIONAL LEBANESE SHIʿI COMMUNITY IN SENEGAL

2010 ◽  
Vol 42 (2) ◽  
pp. 269-290 ◽  
Author(s):  
Mara A. Leichtman
Keyword(s):  
National Identity ◽  
Public Opinion ◽  
Turning Point ◽  
West African ◽  
Local Responses ◽  
Religious Rituals ◽  
Political Ties ◽  
First Time ◽  
The Relationship

The July 2006 Lebanon war was an important turning point for West African Lebanese. For the first time since their formation as a community, the Lebanese in Senegal organized a demonstration in Dakar displaying solidarity with Lebanon. This protest illuminates the dynamics between global forces and local responses. Hizbullah's effectiveness in winning the international public opinion of both Sunni and Shiʿi Muslims in the war against Israel led to a surge in Lebanese diaspora identification, even among communities who had not been similarly affected by previous Lebanese wars. By analyzing the role of a Lebanese shaykh in bringing religious rituals and a Lebanese national identity to the community in Senegal, this article explores how members of the community maintain political ties to Lebanon even when they have never visited the “homeland” and sheds new light on the relationship among religion, migration, and (trans)nationalism.

The Influence of the Process of Changing National Identity on the Aggravation of Relations Between the Church and the State in Montenegro

2020 ◽  
pp. 264-268
Author(s):  
Николай Сапсай
Keyword(s):  
National Identity ◽  
The State ◽  
Complete Picture ◽  
Orthodox Church ◽  
State Of Affairs ◽  
The Relationship ◽  
The Church

В данном обзоре будет представлен труд, в котором анализируется развитие тенденции черногорских властей к сепаратизму совместно с формированием своей идентичности и церкви. В книге особенно прослеживается радикализация позиции черногорских властей по отношению к сербской идентичности и культуре, в том числе и канонической Сербской Православной Церкви. Также читатeли получат более полную картину о событиях, которые способствовали усложнению взаимоотношений между Церковью и государством в Черногории. Книга будет полезна всем тем, кто интересуется новейшей историей и положением дел в Черногории. This review will present a book that analyzes the development of the Montenegrin authorities’ tendency towards separatism together with the formation of their own identity and church. The book especially traces the radicalization of the position of the Montenegrin authorities in relation to Serbian identity and culture, including the canonical Serbian Orthodox Church. Also, the readers will receive a more complete picture of the events that contributed to the complication of the relationship between the Church and the state in Montenegro. The book will be useful to all those who are interested in the latest history and the state of affairs in Montenegro.

The Physics and Metaphysics of Metaphor

2020 ◽  
pp. 29-41
Author(s):  
Gillian Knoll
Keyword(s):  
Cognitive Linguistics ◽  
Measure For Measure ◽  
George Lakoff ◽  
Mark Johnson ◽  
The Relationship ◽  
Metaphorical Structures

This section argues that Lyly’s and Shakespeare’s characters process and experience eros through the primary metaphor of motion. These introductory pages explore the philosophical and conceptual underpinnings of this metaphor through the example of Shakespeare’s Angelo in Measure for Measure. Drawing from the work of cognitive linguistics George Lakoff, Mark Johnson, and Zoltan Kövecses, this section explores the broad metaphorical structures that shape Angelo’s erotic experience as both a passion and an action. Things happen within Angelo well before he ‘acts out’ his sexual pursuit of the novitiate Isabella. The remainder of this section investigates the relationship between erotic potentiality and actuality, or entelechy, in Aristotle’s Physics and Metaphysics. In Aristotle’s writings, as in Shakespeare’s play, the boundary between potency and actuality is fluid rather than fixed. As a result, Angelo’s metaphors dramatize the capacity of erotic potentiality to create drama. For him, as for so many of Lyly’s and Shakespeare’s characters, desire is itself a frenzied action.

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