scholarly journals Geosocial Formations and the Anthropocene

2017 ◽  
Vol 34 (2-3) ◽  
pp. 3-23 ◽  
Author(s):  
Nigel Clark ◽  
Kathryn Yusoff

For at least two centuries most social thought has taken the earth to be the stable platform upon which dynamic social processes play out. Both climate change and the Anthropocene thesis – with their enfolding of dramatic geologic change into the space-time of social life – are now provoking social thinkers into closer engagement with earth science. After revisiting the decisive influence of the late 18th-century notion of geological formations on the idea of social formations, this introductory article turns to more recent and more explicit attempts to open up the categories of social thought to a deeper understanding of earth processes. This includes attempts to consider how social and political agency is both constrained and made possible by the forces of the earth itself. It also involves efforts to think beyond existing dependencies of social worlds upon particular geological strata and to imagine alternative ‘geosocial’ futures.

2021 ◽  
Vol 15 (1) ◽  
pp. 58-65
Author(s):  
László Sütő ◽  
Szabolcs Balogh ◽  
József Tibor Novák ◽  
Erika Homoki ◽  
Péter Rózsa

This paper introduce a historical geographical study on the process of land cover transformation in the Bükk Region, which can be regarded as a two-faced area concerning its anthropogenic disturbance. Based on historic mapping that began as early as the late 18th century, a database was produced, and the data was interpreted in the context of economic and social processes that took place in the area. Results could be presented in maps using the so-called Anthropogenic Disturbance Index (ADI). These maps demonstrate the peculiar land use pattern in the Bükk Region, namely co-habitation of the significantly transformed margins and the natural or quasi-natural central part. Between them, there are linear areas of intermediate disturbance. These areas, however, due to the foundation and activity of the Bükk National Park and modification of their economic value after the change of the political system, have not increased during the last several decades; rather a re-naturalization of the landscape is aimed.


Author(s):  
Kamaluddin Kamaluddin ◽  
Zainal Eafli

"Bula Malino" (Quiet Moon) is a literary work found in Buton society and packaged in the form of poem. The manuscript is written in Wolio Language (Butonese main native language) using an Arabic-Wolio script modification, commonly called "buri Wolio" (Wolio writing). This article is yielded to report findings of a qualitative study which analyzes the humanity messages revealed in the poem using a content analysis and structuralism genetic approach. This approach follows some gradual procedures such as examining intrinsic elements of poem, reviewing social life of author, and giving a reflection to history and social background of Buton society. The findings show that the poem reveals messages and values for humanity in terms of sobriety or calm mind/heart and soul clarity for being prepared for death. The poem also contains advice addressed to readers. It was noted that the author of the poem was born in the late 18th century AD. At the age of 40, he was inaugurated the 29th sultan of Buton. At this century, Buton social condition was more than enthusiastic in learning science. This was marked by the establishment of a school named "Zaawiah".


Author(s):  
Kamaluddin Kamaluddin ◽  
Zainal Eafli

"Bula Malino" (Quiet Moon) is a literary work found in Buton society and packaged in the form of poem. The manuscript is written in Wolio Language (Butonese main native language) using an Arabic-Wolio script modification, commonly called "buri Wolio" (Wolio writing). This article is yielded to report findings of a qualitative study which analyzes the humanity messages revealed in the poem using a content analysis and structuralism genetic approach. This approach follows some gradual procedures such as examining intrinsic elements of poem, reviewing social life of author, and giving a reflection to history and social background of Buton society. The findings show that the poem reveals messages and values for humanity in terms of sobriety or calm mind/heart and soul clarity for being prepared for death. The poem also contains advice addressed to readers. It was noted that the author of the poem was born in the late 18th century AD. At the age of 40, he was inaugurated the 29th sultan of Buton. At this century, Buton social condition was more than enthusiastic in learning science. This was marked by the establishment of a school named "Zaawiah".


Author(s):  
M. McNEIL

Erasmus Darwin was the focus and embodiment of provincial England in his day. Renowned as a physician, he spent much of his life at Lichfield. He instigated the founding of the Lichfield Botanic Society, which provided the first English translation of the works of Linnaeus, and established a botanic garden; the Lunar Society of Birmingham; the Derby Philosophical Society; and two provincial libraries. A list of Darwin's correspondents and associates reads like a "who's who" of eighteenth century science, industry, medicine and philosophy. His poetry was also well received by his contemporaries and he expounded the evolutionary principles of life. Darwin can be seen as an English equivalent of Lamarck, being a philosopher of nature and human society. His ideas have been linked to a multitude of movements, including the nosological movement in Western medicine, nineteenth century utilitarianism, Romanticism in both Britain and Germany, and associationist psychology. The relationships between various aspects of Darwin's interests and the organizational principles of his writings were examined. His poetical form and medical theory were not peripheral to his study of nature but intrinsically linked in providing his contemporaries with a panorama of nature. A richer, more integrated comprehension of Erasmus Darwin as one of the most significant and representative personalities of his era was presented.


2017 ◽  
Vol 15 (2) ◽  
pp. 175-185
Author(s):  
Edyta Sokalska

The reception of common law in the United States was stimulated by a very popular and influential treatise Commentaries on the Laws of England by Sir William Blackstone, published in the late 18th century. The work of Blackstone strengthened the continued reception of the common law from the American colonies into the constituent states. Because of the large measure of sovereignty of the states, common law had not exactly developed in the same way in every state. Despite the fact that a single common law was originally exported from England to America, a great variety of factors had led to the development of different common law rules in different states. Albert W. Alschuler from University of Chicago Law School is one of the contemporary American professors of law. The part of his works can be assumed as academic historical-legal narrations, especially those concerning Blackstone: Rediscovering Blackstone and Sir William Blackstone and the Shaping of American Law. Alschuler argues that Blackstone’s Commentaries inspired the evolution of American and British law. He introduces not only the profile of William Blackstone, but also examines to which extent the concepts of Blackstone have become the basis for the development of the American legal thought.


2019 ◽  
Vol 63 (2) ◽  
pp. 187-204
Author(s):  
Carolin Rocks

"Praktiken zur Autonomie Zu Moritz’ Über die bildende Nachahmung des Schönen Karl Philipp Moritz’ Über die bildende Nachahmung des Schönen (1788) gilt als der autonomieästhetischeProgrammtext in der zweiten Hälfte des 18. Jahrhunderts. DerAufsatz stellt diese ästhetikgeschichtliche Klassifikation nicht in Frage, zeigt aber,dass die im Kern unbestreitbar kunstmetaphysische Argumentation über ethischePraktiken begründet wird. Diese Praktiken nehmen in der Arbeit an der Autonomieeinen so entscheidenden Stellenwert ein, dass sich eine heteronomieästhetischeGrundierung der Moritz’schen Kunsttheorie aufweisen lässt. Diese tritt hervor,wenn man den Fokus darauf richtet, wie Ethik und Ästhetik zueinander insVerhältnis gesetzt werden: Moritz verpflichtet die autonome Kunst nicht einfachauf moralische Normen oder soziale Funktionen, modelliert aber den genialenKünstler als Praktiker, als ›Hand-Werker‹, dessen künstlerische Produktivität immerschon einem ›guten Leben‹ zuarbeitet. Der Aufsatz demonstriert, wie Moritz ineinem eigenwilligen Begriffsspiel mit dem Schönen und dem Guten ›Nachahmung‹neu entwirft als auf Moralität zusteuernde ästhetische Praxis. Diese praxeologischeGrundlage der Argumentation wirft zusätzlich ein neues Licht auf Moritz’ Rezeptionneuplatonistischer Philosopheme. Karl Philipp Moritz’s »Über die bildende Nachahmung des Schönen« (1788) is regarded asone of the key texts of autonomous aesthetics from the late 18th century. This article doesnot challenge this classification. Instead, it argues that Moritz’s metaphysics of art is foundedupon ethical practices. These practices are so essential to his conception, that one can show thatit is also based on heteronomous aesthetics. This aspect of his argument emerges from how herelates ethics to aesthetics. Moritz does not simply reduce autonomous art to moral norms orsocial functions. Instead he portrays the ingenious artist as an artisan (›Hand-Werker‹) whoseaesthetic productivity serves a ›good life‹. This article therefore demonstrates how Moritz playswith the concepts of the beauty and the good in order to remodel mimesis as an aesthetic practicethat significantly contributes to morality. Finally, by emphasising this praxeological foundationof Moritz’s argument, one can also reconsider his reception of Neo-Platonism "


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