Hidden meanings: the mocambo in Recife

1999 ◽  
Vol 38 (2) ◽  
pp. 297-327 ◽  
Author(s):  
José Tavares Correia de Lira

In colonial Brazil, the Quimbundo word mocambo referred to free African settlements, commonly known as quilombos. Since the early 20th century, though, while the original sense remained confined to a purely historical and linguistic context, sanitary and social representations of urban growth vested the term with a totally different meaning. Henceforth it started to appear, not only to experts and political authorities but to ordinary people in general, as a regional equivalent of “slums”. In an old colonial city of the Nordeste like Recife, where, after the abolition of slavery, mocambos used to connote decay, the modern sense of the word helped to legitimate technical discourses on city planning and the whole idea of a housing policy. Symbol of poverty and backwardness, however, the world of mocambos, from the 1920s on, also appealed to local sensibilities in search of elements of cultural identity. As one of the most characteristic features of vernacular architecture in Brazil, the mocambo became, for a regionalist perspective, the object of anthropological, sociological and artistic imagination. This article tries to examine these contemporary, conflicting acceptations of the word in order to understand how the city came to see and to name itself over the first half of the century.

Geography ◽  
2019 ◽  
Author(s):  
María García-Hernández ◽  
Manuel de la Calle-Vaquero

The concept of urban heritage has two meanings. First, urban heritage can refer to the list of heritage elements located in urban areas: archaeological vestiges, historical buildings, vernacular architecture, historical gardens, social practices, rituals, and festive events, among others. Second, urban heritage can refer to the city as heritage, a special type of cultural property that is mainly associated with neighborhoods, urban centers, and historic cities. This article focuses on the second meaning. The focus is placed on the heritage values of the urban space, which are overall values resulting from the integration of different components. The use of the term urban heritage has become popular during the last decades. However, it is closely linked to conservation and restoration proposals of historic centers in European cities since the mid-20th century. From Europe, urban conservation extends to other parts of the world, driven by organizations such as UNESCO that establishes a special category of cultural properties named “groups of buildings” in the World Heritage Convention in 1972, generally associated with towns. Since the beginning of the 21st century, UNESCO is promoting an extended approach to urban heritage that goes beyond the built environment and integrates social, economic, and functional dimensions. The Recommendation on Historic Urban Landscape of 2011 provides a more global vision and gives special prominence to the communities that inhabit historic towns or historic centers. This approach also implies a disciplinary opening, with an increasing number of inputs coming from social sciences. In this sense, this article basically includes some recent works on urban heritage that allow to establish the present state of the issue. Historical trajectory of the concept is described until reaching the current approximations in terms of the historical urban landscape. A set of contributions that deal with its components are presented, from the location conditions to the social representations and their meanings. References to the main vectors that threaten the preservation of their values and also to the mechanisms to make heritage a vector of sustainable development are included. Special attention is paid to the management of heritage sectors of the city. This urban management must balance the safeguard as heritage properties and the maintenance of adequate levels of quality of life for the communities that live there. Due to the important tourist dimension of these spaces, reflecting on the positive and negative effects of an increasing influx of visitors is very important nowadays. Finally global preservation strategies, in case of the World Heritage List, are contrasted with specific situations of very different geographical areas (Europe, Latin America, China, Middle East, etc.).


2020 ◽  
Vol 7 (2) ◽  
pp. 119-125
Author(s):  
Upama Sen

Dubai is a living example of how people play an important role in moulding the shape of a city. It started off as a small settlement in the deserts of the Middle East along a natural creek. The old city is a testament of how the natural growth led to the birth to the vernacular architecture of the region to combat its extreme climate. From a group of fishing villages, Dubai went on to become a hub for global business. It has eventually weaved itself from its people, their culture, traditions, social norms, etc. Its architecture of has undergone dynamic transformation with amazing innovation over the recent decades. Dubai has paced faster than any other city on earth and grew into eminence over a few decades. Built on the Arabian deserts with scarce resources like water, food, building materials, etc, Dubai is now one of the greatest cities in the world. With global warming being a major concern, the world is moving towards a holistic approach of sustainable living. The city has always exhibited its feat of excellence, and is now aimed at becoming the most sustainable city. This paper is an effort to study the architectural styles of the past, their sustainability and how it has evolved though these years. The study is a summary of the vernacular architecture processes that allowed its occupants a comfortable indoor environment in the hot desert conditions.


Author(s):  
Rodrigo Balestra ◽  
Amilton Arruda ◽  
Pablo Bezerra ◽  
Isabela Moroni

As the Industrial Revolution took place and steam driven machines emerged in the 18th century, the Industrial Age began and cities became the core of industrial and populational growth. That phenomena occurred as the job opportunities and quality of life increasingly developed away from the countryside, with the arrival of electricity and inventions such as the light bulb, thanks to important people like Sir Joseph Swan and Thomas Edison. The city, therefore, can be looked in two different ways: the urban space, occupied with tangible elements, and the social environment, filled with urban practices and cohabitation. An essential matter in many disciplines, the city is a recurrent topic for researchers who seek to understand this phenomenon of human activities. The history behind the rise of the cities show tell us about the creation of urban spaces and its manifestations, functions, transformations and the complexity inherent to the various typologies in cities all over the world. The city is a scenario full of overlapping messages that characterize the accessibility and urban communication. This is defined by Nojima (1999) as the result of the interaction between social representations and the scenario where they occur. It is through the interpretation of these messages that are manifested in the urban design accessible from cities (streets, buildings, gardens, squares, furnitures), that the individual defines the elements that identify their city. This paper discovery the concepts of city and their accessibility relationships with urban practices - design of urban activity - that directly influence the implementation of urban furniture and, above all, the importance given to them by the population, with regard to its true functions (adequacy, accessibility, ergonomics, identity and others) of their uses and appropriations. It is important for the study also understand the urban furniture relation with the project of cities - is to complement the public space or the way how interferes the urban landscape. It is need to understand how society is shown in front of herself and the world itself that surrounds and what are the affective devices that make city living when connected - through the use - therefore, this is the powerfull forces of individuals and community , space practices created by the tactics of the population to allow theirs ambiance, wellness, safety and comfort, sensations often perceived by the set of elements that constitute the urban furniture of cities.DOI: http://dx.doi.org/10.4995/IFDP.2016.3291


1994 ◽  
Vol 10 ◽  
pp. 57-74 ◽  
Author(s):  
Asu Aksoy ◽  
Kevin Robins

In the context of economic globalisation and the new international order taking shape after the collapse of the Soviet Union, Istanbul is assuming a new and strategic prominence in the world. What kind of city is Istanbul likely to become in its next phase of existence? What can we say of the urban culture and of the sense of urbanity that are now developing there? There are those who maintain that the new Istanbul is again becoming a cosmopolitan city, a cultural mosaic. What strike us most forcefully are the forces that are working to inhibit and undermine any such ideal. First, we consider the contemporary transformation in urban form, and then we shall go on to explore the changing cultural identity of the city.


2020 ◽  
Vol 5 (3) ◽  
Author(s):  
Sukmo Pinuji ◽  
Wahyuni Wahyuni

The concept of Smart City (SC) has been popular recently, and has been adopted by many cities in the world with various implementation and development. As the world most population now concentrates on urban area, a sustainable city planning and management become important. As the population keeps growing,pressure and tension on a city arise: space for living, waste management, traffic congestion, sufficient clean water resources, and other issues. Beginning in around 2009, the concept of SC was designed to solve problems related to city growth in a sustainable manner. By using technology, Internet of Things (IoT), and community participation, SC aims to make the city a livable place for its inhabitants, putting people as the center of interest and in quality of life in sustainable manners as ultimate goal. This paper aimed to deliver a study on the trend of SC adopted by two cities: Amsterdam and Jakarta. The study was conducted through literature review. The data were analyzed to compare the concept of SC in each city from different parameters, focusing on the developmentprocess, technological adoption, political and institutional arrangement and implementation. The results show that each city has specif ic strategy to implement SC, based on their economic, social, environment and demographic characteristics. It is also important to underline that the main concept of SC is to attract related stakeholders in taking charge of their roles for the success of SC. Furthermore, both cities has a sharing vision in putting environment as the main framework of the development of SC.


Author(s):  
Haruhiko Goto

Dr Goto, an architect and town planner with an MSc in Architecture and a Ph. D in City Planning from Waseda University, Japan, formerly Vice-Dean of the Graduate School, is now Professor of Urban Design at the same university. He is also a Principal of Kankyo to Zokei Inc., Architecture and Urban Design, Tokyo, and a member of the World Society for Ekistics (WSE). The text that follows is a slightly edited and revised version of a paper presented at the WSE Symposion "Defining Success of the City in the 21st Century," Berlin, 24-28 October, 2001.


Author(s):  
A. G. Tokarev

The paper is devoted to Stalingrad Tractor Plant, one of the main plants of the Soviet industrialization. The spatial planning pattern of the plant, its settlements, industrial architecture, public and residential buildings are considered herein. Notably, that one of the largest tractor plants in the world was put into operation within the shortest time. Its construction gave a start to the urban development in the north which embodied the advanced ideas in the city planning and architecture of that time. Leading foreign and Russian experts were involved in design and construction works. It is shown that design solutions of residential areas (Upper and Lower) combine both the traditional and innovative principles of the city-planning in the 1920–30s, including the tractor plant and its settlements. It is concluded that whereas residential buildings the early 1930s are characterized by rationality, simplicity, public buildings are expressive and diverse, and represent consistent design principles. The attribution of other objects is also clarified in this paper.


2000 ◽  
Vol 28 ◽  
pp. 158-180
Author(s):  
Thomas G. Winner

Among the national scientific groups, it was the Prague Linguistic Circle that had the most decisive affinity to the work of the Moscow-Tartu school. This paper examines the work of one of the most tireless contemporary Czech interpreters of the Lutman school, Vladimir Macura (1945-1999), whose work on Czech literary and historical texts are outstanding examples of the reverberation of Lotmanian semiotics of culture in the Czech Republic. This is particularly the case in Macura's reevaluations of the texts of the Czech National Revival of the late eighteenth and early nineteenth centuries, especially in two books, Znamení zrodu (Signs of Birth) (1995) and Český sen (The Czech Dream) (1998). In these works Macura looked at this critical period in Czech national history as a multi-layered semiotic text in both the verbal and visual spheres. The present paper is an attempt at an exploration of Macura's treatment in this manner of the following: the Czech language, the city of Prague, the question of Czech national self-identification in general and as part of a larger category, the world of the Slavs. An important aspect of this project is an examination of Macura's exploration of the value functions of symbolic animals and plants in Czech Revival culture, and its relation to the axiology of Czech (Slavic) cultural identity. The paper is dedicated to Macura's memory.


CORAK ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 151-160
Author(s):  
Eko Darmanto

The monument is an identity that undoubtedly provides an informative understanding of a region, not only is the memorial memorial, Jepara is a small town with a vast cultural culture among the most prominent cultures is carving. Carving in Jepara gradually began to erode with the flow of industrialization so as to provide a discourse to the government of Jepara district to formulate policies so that carving remains the identity of society as the largest cultural culture of society. The research was conducted in Jepara Regency in collaboration with the City Planning Department of Jepara Regency. Research using black box method with focus of research on visual masterpiece and philosophy of Jepara city monument. The results of the research are (1). Criteria and concept of a monument that has a local cultural identity, (2). The work of designing a monument with an element of carving identity as part of the most prominent cultural culture. Keywords: Identity, monument, traditional carving Monumen merupakan sebuah identitas yang tak pelak memberikan pemahaman informatif  terhadap sebuah wilayah, tidak hanya itu monumen bersifat memorial, Jepara merupakan kota kecil dengan kultur budaya yang luas diantara budaya yang paling menonjol adalah ukir. Ukir di jepara lambat laun mulai tergerus dengan arus industrialisasi sehingga memberikan wacana terhadap pemerintah kabupaten jepara untuk merumuskan kebijakan supaya ukir tetap menjadi identitas masyarakat sebagai bagian terbesar kultur budaya masyarakatnya. Penelitian dilakukan di Kabupaten Jepara dengan berkerja sama dengan Dinas Tata Kota Kbupaten Jepara. Penelitian menggunakan metode black box dengan fokus penelitian terhadap karya visual dan filosofi monumen kota jepara. Hasil penelitian berupa (1). Kriteria dan konsep monumen yang memiliki identitas  budaya lokal, (2). Karya perancangan monumen dengan unsur identitas ukir sebagai bagian kulturasi budaya yang paling menonjol. Kata kunci: Identitas, monumen, ukir tradisi


2019 ◽  
Vol 91 ◽  
pp. 05026 ◽  
Author(s):  
Dmitry Radushinsky ◽  
Thi Nhan Nguyen ◽  
Van Loc Nguyen ◽  
Marina Gubankova ◽  
Doan Thi Mai Huong ◽  
...  

The paper discusses the main stages of development and the fundamental structure of modern green roofs, the advantages and limitations of creating green roofs, features of creating green roofs in Vietnam and other countries of the Asia-Pacific Region, features of the concept of “exploited roofing” in Russia. The authors assessed the degree of greening of roofs in the center (city) of a number of major megacities of the world in 2015-2018, the level of greening of roofs in St. Petersburg, qualitative research and classification of projects for creating green roofs for various purposes and scale. The following key parameters were established, which determined the differences in the implementation of various types of projects for creating green roofs for various purposes and scale (area): the main categories of users / visitors, the main features of various types of projects, their environmental and innovative characteristics, the range of budget values and deadlines for completed projects. The branded names of the implemented roof gardening projects in St. Petersburg are given.


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