Press and Communications An Annotated Bibliography of Journalism Subjects in American Magazines November, December 1949; January 1950

1950 ◽  
Vol 27 (1) ◽  
pp. 95-102 ◽  
Author(s):  
William F. Swindler

The passing of the New York Sun was the biggest journalistic event of the past quarter. After more than a century of varied and distinguished activities, the paper was sold out to the Scripps-Howard interests amid charges and countercharges that labor and management were to blame for its demise. In any case, it was generally agreed that its passing was probably the most striking development in New York journalism since the sale of the World, also to Scripps-Howard, almost two decades before … Meantime various new mechanical developments were watched with the hope that they might lessen the economic strain on metropolitan publishing; another newsprint mill opened in the South, and in New England a “phototypesetter” was the latest technological idea being studied by publishers.—W. F. S.

2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.


Author(s):  
Peter A. Kopp

Hops, the cone of a climbing plant by the same name, are a key ingredient in beer. Brewers use hops to impart flavors and aroma in their malted concoctions, and they value the ingredient’s preservative properties. This chapter explains the global origins and botanical characteristics of the common hop, Humulus lupulus l., used in brewing. It then describes how brewing, and hop agriculture along with it, spread from Europe to temperate regions across the world. Hop growing reached North America along with the early English colonies and fared quite well. By 1800, New York and New England emerged as producers for the global economy.


Author(s):  
Nancy Reynolds

George Balanchine (Georgii Melitonovich Balanchivadze), arguably the greatest ballet choreographer of the twentieth century, was at once both modernist and traditionalist. Unlike many radical innovators, in charting new ground he did not reject the past. Virtually all of his major works make reference, even if obliquely, to the classical ballet technique in which he was trained. Although born in Russia and active in Europe in the early part of his career, it was in America that he made his greatest impact, directing the New York City Ballet, which he co-founded with Lincoln Kirstein, from its inception in 1948 until his death in 1983. During this time, the company grew from modest beginnings to become one of the most important ballet troupes in the world. Balanchine is credited with creating a particularly American style of classical dance, one that is characterized by speed, precision, energy, daring, and a rough grace more associated with athletes than with sylphs. His more than 400 dance works include Apollo (1928), Serenade (1934), Concerto Barocco (1941), Le Palais de cristal (later renamed Symphony in C) (1948), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981).


Author(s):  
Melissa J. Homestead

This chapter describes Edith Lewis’s family history, childhood, and education as a background to her first meeting with Willa Cather in Lincoln, Nebraska, in 1903. Because of Lewis’s deeply rooted New England family history, her Nebraska childhood, her elite eastern college education, and her plans to move to New York to pursue literary work, Cather found powerfully concentrated in Lewis two geographically located versions of the past she valued: the Nebraska of her own childhood, adolescence, and young adulthood, and a New England–centered literary culture she encountered through reading. Cather also glimpsed in Lewis the future to which she herself aspired, the glittering promise of literary New York.


1980 ◽  
Vol 49 (1) ◽  
pp. 35-46
Author(s):  
Milton J Coalter

Unlike the religious dominance of Puritans in New England and Anglicans in the South, the mid-Atlantic colonies of eighteenth-century America were covered with an assortment of northern European churches and sects. By the 1740s, an overflow of New England Puritans shared New York with an earlier immigrant population of Reformed Dutch and French Huguenots. In the Raritan valley of New Jersey, Scotch-Irish Presbyterians lived alongside enclaves of more Dutch, and coexisted with English Quakers, Swedish and German Lutherans, and a variety of sectarians along the lower Delaware River and in the city of Philadelphia. On the upper Delaware were further German settlements while along the western frontiers of Penn's colony additional Scotch-Irish Calvinists were to be found.


2007 ◽  
Vol 7 (3) ◽  
pp. 1850115
Author(s):  
Raul Moncarz

South Florida is an area where entrepreneurship is very much alive. South Florida is a new frontier; a hundred-year-old region than is constantly changing, growing and evolving as it carves out new niches through the mobility of its local and foreign entrepreneurs. The entrepreneurship manifested locally has opened new frontiers for the region and, as a consequence, for frontiers all over the world. Entrepreneurship opportunities challenge South Floridians to sink or swim in the turbulent waters of international trade and finance.The main objective in this article is to explore the contribution of entrepreneurship and other variables to the economy of South Florida. Although entrepreneurship has played in the past and continues to have at present, a very important role in the area's economy, its future position is far from being assured.


Author(s):  
Aurora Wallace

This chapter investigates the turn toward modernism embodied by the bold Art Deco structure erected by the Daily News in 1930, a new form to house the new form of the tabloid. As New York grew to be the largest city in the world in 1925, the emergence of tabloids and radio changed the media landscape once again. Taking their cues from the enhanced corporate image that the Singer, Woolworth, and Chrysler Buildings had brought to their companies, newspapers advertised with yet taller corporate architecture. The buildings looked not to the past but toward the future, as was befitting a new cosmopolitanism. These forward-looking designs branded the media according to the emerging principles of public relations, iconography, and advertising.


Sign in / Sign up

Export Citation Format

Share Document