An identity as Pākehā

2018 ◽  
Vol 14 (1) ◽  
pp. 73-80 ◽  
Author(s):  
Huhana Forsyth
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Identity ◽  
Sense Of Belonging ◽  
Cultural Context ◽  
Identity Transformation ◽  
Definition Of

In recent decades, along with an increasing recognition of the unique place of Te iwi Māori in New Zealand society has come a search for a sense of belonging as a European New Zealander. This has opened the discourse for re-examination of the term Pākehā, and what that means in relation to Māori and to a national identity. The findings of several recent studies indicate that in the current socio-cultural context what it means to claim an identity as Pākehā is being redefined by individuals who engage extensively with Te Ao Māori. Based on the results of a study carried out by the author in 2013, this article examines the theoretical underpinnings of cultural identity transformation in relation to the experiences of individuals who have engaged extensively with Te Ao Māori, and discusses the implications of their definition of what it means to be Pākehā.

scholarly journals Formovanie kultúrnej a etnickej identity Maoriov prostredníctvom príslušnosti ku gangu

2021 ◽  
Vol 2021 (1) ◽  
pp. 61-84
Author(s):  
Lucia Bistárová ◽  
Keyword(s):  
New Zealand ◽  
Identity Development ◽  
Cultural Identity ◽  
Rural Areas ◽  
Sense Of Belonging ◽  
Cultural Engagement ◽  
Ethnic And Cultural Identity ◽  
Cultural Identity Development ◽  
The Impact

Though often called a “heaven on Earth” New Zealand suffers from a serious problem with gangs. Ethnic gangs have dominated the New Zealand gang scene since the 70s when many Maoris left traditional rural areas and migrated in search of work to the cities but ended up in poverty because of lack of skills and poorly-paid jobs. Maori urbanization and the dual pressures of acculturation and discrimination resulted in a breakdown of the traditional Maori social structures and alienated many from their culture. Maoris who have been unable to maintain their ethnic and cultural identity through their genealogical ties and involvement in Maori culture attempt to find it elsewhere. For many of those that have lost contact with their cultural and ethnic links gangs have replaced families and community and provides individuals with a sense of belonging and safety. The aim of this article is to demonstrate the role of gangs in Maori ethnic and cultural identity development. This paper demonstrates the impact of gang environment on individual identity development and provides evidence that cultural engagement initiatives can enhance Maori identities, which in turn could increase psychological and socio-economic wellbeing.

scholarly journals Second-hand poetics: Dynamic shifts from home to monument

2021 ◽  
Author(s):  
◽  
Tina Williams
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Architectural History ◽  
Historical Identity ◽  
The Stability ◽  
Definition Of ◽  
Natural Architecture ◽  
Developed World ◽  
The Antarctic ◽  
The Relationship

<p>This thesis began with an Antarctic story. There is something sublime about the adventures of Scott and Shackleton; their ability to entertain the emotive sensation of place, despite a physical detachment. Tales of exploration arrest moments of suspense, drama and inspiration and yet they are surrounded by the fact that Antarctica is a barren, isolated expanse. The opportunity of these particular constructs, which operate between intimacy and departure, to serve the creation of a special experience, it exists beyond the replication of these narratives; they might suggest how New Zealand national identity might be framed.  The natural architecture of the frozen continent is grand. Its timelessness rivals the foundations that the rest of the developed world is built on. Yet simultaneously its stories create a rapport which personalises identity and allows memory to be mobilised. New Zealand built history has only recently emerged but representationally the identity of the nation is monumental, especially in relation to Antarctic. This thesis asks how the relationship between NZ and Antarctica might be physically manifested through architecture, in order to deepen the stability of NZ historical identity.  The project is situated on the Lyttelton harbour where New Zealand and Antarctica have historically converged. At this location the vicarious nature of the Antarctic story is exploited so that the sense of place might exist even though, physically and temporally, it is not attached to the Antarctic. This is realised through a set of imagined dwellings on Dampier Bay, which are contained within the definition of ‘Home’.  The programme of this research acts to acknowledge this duality and formalises it as the ‘monument’ and the ‘home’. The primary understanding of programme will however be domestic, as it is the point at which our most intimate memories are created. The realisation of the monument will be introduced through the act of designing itself.  Architecture is used as a tool to negotiate the exchange of personality between the two places and ideas, with the poetics of representation providing a framework for investigation. Because the method is derived from such poetics, my own subjective will is asserted onto these interpretations. The process has therefore become non-quantifiable, it relies instead on a level of intuition.  The Antarctic story resonates with the moments we find identity in, they have the potential to complement New Zealand’s Architectural history where it is wanting of poetic agency.</p>

scholarly journals Meaning in Landscape Architecture: Negotiating Identity in a Landscape of Local and National Significance

2021 ◽  
Author(s):  
◽  
Marita Hunt
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Context ◽  
Design Methodology ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Urban Site ◽  
Urban Landscapes ◽  
Architectural Form ◽  
Aotearoa New Zealand

<p>This thesis develops a landscape architectural approach to the design of meaning in locally and nationally significant spaces. It begins with an emerging contemporary trend: nationally significant sites that are ignored and reduced in importance by the changing, fluid urban landscapes that surround them. Adelaide Road, in Wellington, the capital of New Zealand, is the site of Government House, the National War Memorial and the Basin reserve. These three nationally significant colonial icons suffer from lack of connection to their urban context, and thus this site is used as design case study. The thesis first develops a position on the expression of meaning through architectural form, particularly the meaning of national identity in capital cities. The expression of meaning in architecture is hindered by problems to do with the cultural context the sites are found within. Cultural shifts quickly move on from original designed meaning, leaving only culturally ingrained meaning. For nationally significant sites to remain relevant they need to become used, active parts of the urban landscape, so that layers of meaning and identity can accumulate within them. To situate the thesis in the context of Aotearoa-New Zealand, cultural traditions to do with sense of belonging to the landscape are used to establish a base set of values on which to base a design methodology. Landscape, particularly the natural landscape, has become a cliché expression of New Zealand national identity, to the detriment of urban landscapes. The design methodology uses landscape architecture theory to draw together Māori and Pākehā landscape values and apply them to the complex problems of an urban site. The design outcome frames the re-connection of Government House, the War Memorial and the Basin Reserve to the urban landscape within the cultural context of Aotearoa-New Zealand.</p>

scholarly journals A Busca pela formação de uma identidade nacional brasileira

2020 ◽  
Vol 2 (2) ◽  
pp. 07-24
Author(s):  
Rodrigo Regert ◽  
Reginaldo Joaquim Mineiro ◽  
Joel Haroldo Baade ◽  
Franciele Mariani Pasqual
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Public And Private ◽  
The Public ◽  
Modern Times ◽  
Brazilian Society ◽  
The Social ◽  
Definition Of ◽  
The Individual ◽  
The Right

In modern times, clarity about the definition of cultural identity that precedes national identity is increasingly sought, so the analysis of the work of Juridical Anthropology by Jose Manuel de Sacadura Rocha (2010) can help in this sense, through the understanding of what is defined about a Brazilian national identity. This is due to the conceptional understanding of the individual himself, and the analysis mentioned above occurs in the final part of the work from chapter 16. The demand for a definition of Brazilian national identity leads to an absence of belonging. In this way it is necessary to understand what the pejorative conception exists in the Brazilian society in which the citizen is inserted. In view of this, the aim of this article is to find grounds for the lack of recognition of "Being" within Brazilian society, starting from a differentiation between the public and private. The same is a descriptive bibliographical research. It is concluded that in Brazil the idea of the duty-to-be is predominant in relation to the idea of the duty of the being, being that the norm itself directs what should be. In this segment the right is imposed on the fragility of the social balance, the disobedience is born as a disguise to take from the man the spasm of servitude and subservience, seeking what really matters for "Being".

scholarly journals Second-hand poetics: Dynamic shifts from home to monument

2021 ◽  
Author(s):  
◽  
Tina Williams
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Architectural History ◽  
Historical Identity ◽  
The Stability ◽  
Definition Of ◽  
Natural Architecture ◽  
Developed World ◽  
The Antarctic ◽  
The Relationship

<p>This thesis began with an Antarctic story. There is something sublime about the adventures of Scott and Shackleton; their ability to entertain the emotive sensation of place, despite a physical detachment. Tales of exploration arrest moments of suspense, drama and inspiration and yet they are surrounded by the fact that Antarctica is a barren, isolated expanse. The opportunity of these particular constructs, which operate between intimacy and departure, to serve the creation of a special experience, it exists beyond the replication of these narratives; they might suggest how New Zealand national identity might be framed.  The natural architecture of the frozen continent is grand. Its timelessness rivals the foundations that the rest of the developed world is built on. Yet simultaneously its stories create a rapport which personalises identity and allows memory to be mobilised. New Zealand built history has only recently emerged but representationally the identity of the nation is monumental, especially in relation to Antarctic. This thesis asks how the relationship between NZ and Antarctica might be physically manifested through architecture, in order to deepen the stability of NZ historical identity.  The project is situated on the Lyttelton harbour where New Zealand and Antarctica have historically converged. At this location the vicarious nature of the Antarctic story is exploited so that the sense of place might exist even though, physically and temporally, it is not attached to the Antarctic. This is realised through a set of imagined dwellings on Dampier Bay, which are contained within the definition of ‘Home’.  The programme of this research acts to acknowledge this duality and formalises it as the ‘monument’ and the ‘home’. The primary understanding of programme will however be domestic, as it is the point at which our most intimate memories are created. The realisation of the monument will be introduced through the act of designing itself.  Architecture is used as a tool to negotiate the exchange of personality between the two places and ideas, with the poetics of representation providing a framework for investigation. Because the method is derived from such poetics, my own subjective will is asserted onto these interpretations. The process has therefore become non-quantifiable, it relies instead on a level of intuition.  The Antarctic story resonates with the moments we find identity in, they have the potential to complement New Zealand’s Architectural history where it is wanting of poetic agency.</p>

scholarly journals Experiencing Cultural Institutions as National Artefacts: Exploring the use of Black in  New Zealand Museum Architecture to Convey National Identity

2021 ◽  
Author(s):  
◽  
Hannah Pierce
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Identity ◽  
City Council ◽  
Cultural Institutions ◽  
Museum Architecture ◽  
Museum Design ◽  
Design Case Study ◽  
National Significance ◽  
Spatial Investigation

<p>The demand in New Zealand for cultural institutions to promote artefacts of national significance was identified by the Wellington City Council as part of an initiative to further acknowledge cultural identities within the capital. This thesis investigates opportunities for New Zealand’s cultural institutions, particularly its museums, to be experienced themselves as national artefacts, promoting national identity not just through the display of New Zealand’s national collections, but also through the identity and experience of the architecture that contains those collections. This research aims to develop a museum that integrates the theories of new museology and narrative based design as an experiential understanding of national collections with sociologist Dr Prudence Stone’s theory regarding the significance of black to New Zealand. Stone’s theory highlights the significance of black through four central themes - creation, death transgression and race. Each of these themes will therefore be applied to New Zealand artists Ralph Hotere, Bill Culbert and Colin McCahon to test how black as an expression of cultural identity within New Zealand can be applied to New Zealand architecture. These three New Zealand artists were selected as they all relate to Stone’s analysis of the significance of black to New Zealand, analysing how black has been applied to express a national identity within New Zealand. Black as an expression of cultural identity within New Zealand was chosen to develop as research highlighted the significant number of artefacts representing black as an expression of cultural identity within the archives of the National Museum of New Zealand, Te Papa Tongarewa. This design case study proposes a museum within the alleyway Farmers Lane, Wellington. This site provides a spatial investigation from darkness up to the light while further thematically creating constraints to extend the outcome of the design. The museum therefore creates a vertical gallery that spatially explores themes from artists Ralph Hotere, Bill Culbert and Colin McCahon, three distinct New Zealand artists who symbolically employ black to convey a national identity. The design is therefore divided into three datums, each representing a distinct characteristic of the thematic understanding of black within New Zealand as identified by each of the three artists. Overall this research suggests the architectural experience of a discrete collection of acclaimed national artists working within a common national theme can be exhibited so that there is no longer the need for an anonymous, context free white walled approach within museum design. Instead the architectural experience has the opportunity to become one of the exhibitions of black’s symbolic national identity.</p>

scholarly journals Meaning in Landscape Architecture: Negotiating Identity in a Landscape of Local and National Significance

2021 ◽  
Author(s):  
◽  
Marita Hunt
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Context ◽  
Design Methodology ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Urban Site ◽  
Urban Landscapes ◽  
Architectural Form ◽  
Aotearoa New Zealand

<p>This thesis develops a landscape architectural approach to the design of meaning in locally and nationally significant spaces. It begins with an emerging contemporary trend: nationally significant sites that are ignored and reduced in importance by the changing, fluid urban landscapes that surround them. Adelaide Road, in Wellington, the capital of New Zealand, is the site of Government House, the National War Memorial and the Basin reserve. These three nationally significant colonial icons suffer from lack of connection to their urban context, and thus this site is used as design case study. The thesis first develops a position on the expression of meaning through architectural form, particularly the meaning of national identity in capital cities. The expression of meaning in architecture is hindered by problems to do with the cultural context the sites are found within. Cultural shifts quickly move on from original designed meaning, leaving only culturally ingrained meaning. For nationally significant sites to remain relevant they need to become used, active parts of the urban landscape, so that layers of meaning and identity can accumulate within them. To situate the thesis in the context of Aotearoa-New Zealand, cultural traditions to do with sense of belonging to the landscape are used to establish a base set of values on which to base a design methodology. Landscape, particularly the natural landscape, has become a cliché expression of New Zealand national identity, to the detriment of urban landscapes. The design methodology uses landscape architecture theory to draw together Māori and Pākehā landscape values and apply them to the complex problems of an urban site. The design outcome frames the re-connection of Government House, the War Memorial and the Basin Reserve to the urban landscape within the cultural context of Aotearoa-New Zealand.</p>

scholarly journals Experiencing Cultural Institutions as National Artefacts: Exploring the use of Black in  New Zealand Museum Architecture to Convey National Identity

2021 ◽  
Author(s):  
◽  
Hannah Pierce
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Identity ◽  
City Council ◽  
Cultural Institutions ◽  
Museum Architecture ◽  
Museum Design ◽  
Design Case Study ◽  
National Significance ◽  
Spatial Investigation

<p>The demand in New Zealand for cultural institutions to promote artefacts of national significance was identified by the Wellington City Council as part of an initiative to further acknowledge cultural identities within the capital. This thesis investigates opportunities for New Zealand’s cultural institutions, particularly its museums, to be experienced themselves as national artefacts, promoting national identity not just through the display of New Zealand’s national collections, but also through the identity and experience of the architecture that contains those collections. This research aims to develop a museum that integrates the theories of new museology and narrative based design as an experiential understanding of national collections with sociologist Dr Prudence Stone’s theory regarding the significance of black to New Zealand. Stone’s theory highlights the significance of black through four central themes - creation, death transgression and race. Each of these themes will therefore be applied to New Zealand artists Ralph Hotere, Bill Culbert and Colin McCahon to test how black as an expression of cultural identity within New Zealand can be applied to New Zealand architecture. These three New Zealand artists were selected as they all relate to Stone’s analysis of the significance of black to New Zealand, analysing how black has been applied to express a national identity within New Zealand. Black as an expression of cultural identity within New Zealand was chosen to develop as research highlighted the significant number of artefacts representing black as an expression of cultural identity within the archives of the National Museum of New Zealand, Te Papa Tongarewa. This design case study proposes a museum within the alleyway Farmers Lane, Wellington. This site provides a spatial investigation from darkness up to the light while further thematically creating constraints to extend the outcome of the design. The museum therefore creates a vertical gallery that spatially explores themes from artists Ralph Hotere, Bill Culbert and Colin McCahon, three distinct New Zealand artists who symbolically employ black to convey a national identity. The design is therefore divided into three datums, each representing a distinct characteristic of the thematic understanding of black within New Zealand as identified by each of the three artists. Overall this research suggests the architectural experience of a discrete collection of acclaimed national artists working within a common national theme can be exhibited so that there is no longer the need for an anonymous, context free white walled approach within museum design. Instead the architectural experience has the opportunity to become one of the exhibitions of black’s symbolic national identity.</p>

Conclusion

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Identity Formation ◽  
Essential Role ◽  
Coming Of Age ◽  
Financial Returns ◽  
Self Recognition ◽  
International Audience ◽  
National Identity Formation

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.

Macedonia Faculties’ Students - “Chrisi Avgi” (Right Party) Followers’ Critique on the Greek Educational Policy

2014 ◽  
Vol 2013 (1) ◽  
pp. 3-14 ◽  
Author(s):  
Kalerante Evagelia
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Educational Policy ◽  
Educational System ◽  
Political Party ◽  
Moral Values ◽  
Political Issues ◽  
The Past ◽  
Research Findings ◽  
History Books

AbstractThe present paper is involved with the Pedagogical faculties’ students’ critique on the current educational system as it has been altered after 1981. The research was carried out utilizing both quantitative and qualitative tools. Students-voters participated in the interviews whereas active voters were difficult to be located to meet the research requirements. The dynamics of the specific political party is based on a popular profile in terms of standpoints related to economic, social and political issues. The research findings depict the students’ strong wish for a change of the curricula and a turn towards History and Religion as well as an elevation of the Greek historic events, as the History books that have been written and taught at schools over the past years contributed to the downgrading of the Greek national and cultural identity. There is also a students’ strong belief that globalization and the immigrants’ presence in Greece have functioned in a negative way against the Greek ideal. Therefore, an overall change of the educational content could open the path towards the reconstruction of the moral values and the Greek national identity.

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