scholarly journals Second-hand poetics: Dynamic shifts from home to monument

2021 ◽  
Author(s):  
◽  
Tina Williams
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Architectural History ◽  
Historical Identity ◽  
The Stability ◽  
Definition Of ◽  
Natural Architecture ◽  
Developed World ◽  
The Antarctic ◽  
The Relationship

<p>This thesis began with an Antarctic story. There is something sublime about the adventures of Scott and Shackleton; their ability to entertain the emotive sensation of place, despite a physical detachment. Tales of exploration arrest moments of suspense, drama and inspiration and yet they are surrounded by the fact that Antarctica is a barren, isolated expanse. The opportunity of these particular constructs, which operate between intimacy and departure, to serve the creation of a special experience, it exists beyond the replication of these narratives; they might suggest how New Zealand national identity might be framed.  The natural architecture of the frozen continent is grand. Its timelessness rivals the foundations that the rest of the developed world is built on. Yet simultaneously its stories create a rapport which personalises identity and allows memory to be mobilised. New Zealand built history has only recently emerged but representationally the identity of the nation is monumental, especially in relation to Antarctic. This thesis asks how the relationship between NZ and Antarctica might be physically manifested through architecture, in order to deepen the stability of NZ historical identity.  The project is situated on the Lyttelton harbour where New Zealand and Antarctica have historically converged. At this location the vicarious nature of the Antarctic story is exploited so that the sense of place might exist even though, physically and temporally, it is not attached to the Antarctic. This is realised through a set of imagined dwellings on Dampier Bay, which are contained within the definition of ‘Home’.  The programme of this research acts to acknowledge this duality and formalises it as the ‘monument’ and the ‘home’. The primary understanding of programme will however be domestic, as it is the point at which our most intimate memories are created. The realisation of the monument will be introduced through the act of designing itself.  Architecture is used as a tool to negotiate the exchange of personality between the two places and ideas, with the poetics of representation providing a framework for investigation. Because the method is derived from such poetics, my own subjective will is asserted onto these interpretations. The process has therefore become non-quantifiable, it relies instead on a level of intuition.  The Antarctic story resonates with the moments we find identity in, they have the potential to complement New Zealand’s Architectural history where it is wanting of poetic agency.</p>

scholarly journals Second-hand poetics: Dynamic shifts from home to monument

2021 ◽  
Author(s):  
◽  
Tina Williams
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Architectural History ◽  
Historical Identity ◽  
The Stability ◽  
Definition Of ◽  
Natural Architecture ◽  
Developed World ◽  
The Antarctic ◽  
The Relationship

<p>This thesis began with an Antarctic story. There is something sublime about the adventures of Scott and Shackleton; their ability to entertain the emotive sensation of place, despite a physical detachment. Tales of exploration arrest moments of suspense, drama and inspiration and yet they are surrounded by the fact that Antarctica is a barren, isolated expanse. The opportunity of these particular constructs, which operate between intimacy and departure, to serve the creation of a special experience, it exists beyond the replication of these narratives; they might suggest how New Zealand national identity might be framed.  The natural architecture of the frozen continent is grand. Its timelessness rivals the foundations that the rest of the developed world is built on. Yet simultaneously its stories create a rapport which personalises identity and allows memory to be mobilised. New Zealand built history has only recently emerged but representationally the identity of the nation is monumental, especially in relation to Antarctic. This thesis asks how the relationship between NZ and Antarctica might be physically manifested through architecture, in order to deepen the stability of NZ historical identity.  The project is situated on the Lyttelton harbour where New Zealand and Antarctica have historically converged. At this location the vicarious nature of the Antarctic story is exploited so that the sense of place might exist even though, physically and temporally, it is not attached to the Antarctic. This is realised through a set of imagined dwellings on Dampier Bay, which are contained within the definition of ‘Home’.  The programme of this research acts to acknowledge this duality and formalises it as the ‘monument’ and the ‘home’. The primary understanding of programme will however be domestic, as it is the point at which our most intimate memories are created. The realisation of the monument will be introduced through the act of designing itself.  Architecture is used as a tool to negotiate the exchange of personality between the two places and ideas, with the poetics of representation providing a framework for investigation. Because the method is derived from such poetics, my own subjective will is asserted onto these interpretations. The process has therefore become non-quantifiable, it relies instead on a level of intuition.  The Antarctic story resonates with the moments we find identity in, they have the potential to complement New Zealand’s Architectural history where it is wanting of poetic agency.</p>

scholarly journals A noble anarchy. Musil and the metaphor between Spengler and Rilke

2021 ◽  
Vol 14 (1) ◽  
pp. 125-134
Author(s):  
Giacomo Gambaro
Keyword(s):  
National Identity ◽  
Community Based ◽  
Alternative Concept ◽  
The Common ◽  
Definition Of ◽  
The Relationship

This paper aims to examine the relationship between stupidity and massification in Robert Musil’s thinking moving from the speech Über die Dummheit (1937). According to the definition of stupidity as a historical epidemic associated with emotions, I take into account the essays of the earlies twenties of the XX century, in which the author interrogates the connection between the “non rational sphere” and the nationalist identity in the context of civilization (Zivilisation). To explain this connection, I highlight the centrality that Musil ascribes to the method of “analogy” in criticizing Spengler’s thought to clarify how the welding of the dimension of “feeling” (Gefühl) and the abstract idea of “national identity” occurs. Based on Musil’s essay dedicated to Rilke (1927), I illustrate the different type of bonds produced by “metaphor” (Gleichnis) to define an alternative concept of community based on the common lack of quality and foundation. 

A Final Formality: Three Modernist Pavilion Houses of the early 1960s

2005 ◽  
Vol 2 ◽  
pp. 3-9
Author(s):  
Michael Dudding
Keyword(s):  
New Zealand ◽  
Architectural History ◽  
Blind Spot ◽  
Domestic Architecture ◽  
Starting Point ◽  
History Of ◽  
The 1960S ◽  
House Design ◽  
The Relationship ◽  
House Building

The Beard, Alington, and Mackay houses represent the endpoint of a direction in New Zealand domestic architecture that was both internationalist and based within the realities of local house building in the mid-twentieth century. Imi Porsolt, while reviewing Stephanie Bonny and Marilyn Reynolds'book Living with 50 Architects in 1980, specifically points to the Alington house as the final formalisation of this purist trend. Porsolt's review provides an historical subtext to Living with 50 Architects that opposes the "altogether austere style" of the pavilion with the vernacularism of what is best described as the "elegant shed" tradition of New Zealand house design. More elegant than the elegant shed, these pavilions reveal something of a "blind spot" in New Zealand's architectural history – aside from the inclusion of the Beard and Alington houses in Living with 50 Architects,they have not appeared in any of the canon-forming historical surveys such as Mitchell and Chaplin's The Elegant Shed or Shaw's A History of New Zealand Architecture. The Mackay house also has not featured until its recent appearance in Lloyd Jenkins' At Home: A Century of New Zealand Design. This paper uses Porsolt's view as a useful starting point from which to consider the relationship that exists between the Beard, Alington, and Mackay houses, and their place in the development of New Zealand's domestic architecture during the 1960s.

scholarly journals Early Childhood Education and Biculturalism: Definitions and Implications

Teachers Work ◽  
2017 ◽  
Vol 14 (1) ◽  
pp. 8-20 ◽  
Author(s):  
Chris Joyce Jenkin
Keyword(s):  
Early Childhood ◽  
New Zealand ◽  
Power Sharing ◽  
Childhood Education ◽  
Academic Literature ◽  
Doctoral Research ◽  
Aotearoa New Zealand ◽  
Positive Expression ◽  
Definition Of ◽  
The Relationship

My doctoral research concerned implementing bicultural curriculum in mainstream early childhood centres in Aotearoa New Zealand. While I explored these ideas from an appreciative inquiry standpoint, some troubling aspects related to the notion of biculturalism occurred. In this article, definitions of biculturalism are examined, as is the relationship between bilingualism and biculturalism, as well as the growing move to replace power sharing implied by biculturalism, with multiculturalism.  In addition to perusing the literature, data were collected through a survey of 76 early childhood respondents, in 2003.  Generally, respondents had a positive definition of biculturalism.  However, when considering whether bicultural practices were a positive expression or not academic literature was divided.  What was interesting in Aotearoa New Zealand was overall those promoting biculturalism were Pākehā and those opposed were Māori.  One conclusion I draw is that the term Tiriti-based better captures the intention of partnership than biculturalism.

scholarly journals Whales, science, and scientific whaling in the International Court of Justice

2016 ◽  
Vol 113 (51) ◽  
pp. 14523-14527 ◽  
Author(s):  
Marc Mangel
Keyword(s):  
New Zealand ◽  
International Law ◽  
International Treaties ◽  
International Court Of Justice ◽  
International Convention ◽  
International Whaling Commission ◽  
Court Of Justice ◽  
International Court ◽  
Definition Of ◽  
The Antarctic

I provide a brief review of the origins of the International Convention on the Regulation of Whaling and the failure to successfully regulate whaling that led to the commercial moratorium in 1986. I then describe the Japanese Whale Research Programs Under Special Permit in the Antarctica (JARPA I, JARPA II) and the origins of the caseWhaling in the Antarctic (Australia v. Japan: New Zealand Intervening)in the International Court of Justice. I explain that the International Court of Justice chose to conduct an objective review of JARPA II, the standard that it used for the review, and the pathway that it took to adjudicate the case without providing a definition of science to be used in international law. I conclude with a brief discussion of the implications of the Judgment for the International Convention on the Regulation of Whaling, and the International Whaling Commission in particular, for other international treaties, and for the interaction of science and law more generally.

An identity as Pākehā

2018 ◽  
Vol 14 (1) ◽  
pp. 73-80 ◽  
Author(s):  
Huhana Forsyth
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Cultural Identity ◽  
Sense Of Belonging ◽  
Cultural Context ◽  
Identity Transformation ◽  
Definition Of

In recent decades, along with an increasing recognition of the unique place of Te iwi Māori in New Zealand society has come a search for a sense of belonging as a European New Zealander. This has opened the discourse for re-examination of the term Pākehā, and what that means in relation to Māori and to a national identity. The findings of several recent studies indicate that in the current socio-cultural context what it means to claim an identity as Pākehā is being redefined by individuals who engage extensively with Te Ao Māori. Based on the results of a study carried out by the author in 2013, this article examines the theoretical underpinnings of cultural identity transformation in relation to the experiences of individuals who have engaged extensively with Te Ao Māori, and discusses the implications of their definition of what it means to be Pākehā.

Conclusion

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Identity Formation ◽  
Essential Role ◽  
Coming Of Age ◽  
Financial Returns ◽  
Self Recognition ◽  
International Audience ◽  
National Identity Formation

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.

Postmodern More

Moreana ◽  
2003 ◽  
Vol 40 (Number 153- (1-2) ◽  
pp. 219-239
Author(s):  
Anne Lake Prescott
Keyword(s):  
Human Language ◽  
Thomas More ◽  
The Stability ◽  
Definition Of ◽  
Recent Critic

Thomas More is often called a “humanist,” and rightly so if the word has its usual meaning in scholarship on the Renaissance. “Humanist” has by now acquired so many different and contradictory meanings, however, that it needs to be applied carefully to the likes of More. Many postmodernists tend to use the word, pejoratively, to mean someone who believes in an autonomous self, the stability of words, reason, and the possibility of determinable meanings. Without quite arguing that More was a postmodernist avant la lettre, this essay suggests that he was not a “humanist” who stalks the pages of much recent postmodernist theory and that in fact even while remaining a devout Catholic and sensible lawyer he was quite as aware as any recent critic of the slipperiness of human selves and human language. It is time that literary critics tightened up their definition of “humanist,” especially when writing about the Renaissance.

An Experimental Investigation on Thermal Conductivity and Viscosity of Graphene doped CNTs /TiO2 Nanofluid

2020 ◽  
Vol 17 (3) ◽  
Author(s):  
A.M. Zetty Akhtar ◽  
M.M. Rahman ◽  
K. Kadirgama ◽  
M.A. Maleque
Keyword(s):  
Thermal Conductivity ◽  
Zeta Potential ◽  
Base Fluid ◽  
Minimum Quantity Lubrication ◽  
Cutting Fluid ◽  
Cutting Zone ◽  
Observation Method ◽  
The Stability ◽  
The Relationship ◽  
Zeta Potential Analysis

This paper presents the findings of the stability, thermal conductivity and viscosity of CNTs (doped with 10 wt% graphene)- TiO2 hybrid nanofluids under various concentrations. While the usage of cutting fluid in machining operation is necessary for removing the heat generated at the cutting zone, the excessive use of it could lead to environmental and health issue to the operators. Therefore, the minimum quantity lubrication (MQL) to replace the conventional flooding was introduced. The MQL method minimises the usage of cutting fluid as a step to achieve a cleaner environment and sustainable machining. However, the low thermal conductivity of the base fluid in the MQL system caused the insufficient removal of heat generated in the cutting zone. Addition of nanoparticles to the base fluid was then introduced to enhance the performance of cutting fluids. The ethylene glycol used as the base fluid, titanium dioxide (TiO2) and carbon nanotubes (CNTs) nanoparticle mixed to produce nanofluids with concentrations of 0.02 to 0.1 wt.% with an interval of 0.02 wt%. The mixing ratio of TiO2: CNTs was 90:10 and ratio of SDBS (surfactant): CNTs was 10:1. The stability of nanofluid checked using observation method and zeta potential analysis. The thermal conductivity and viscosity of suspension were measured at a temperature range between 30˚C to 70˚C (with increment of 10˚C) to determine the relationship between concentration and temperature on nanofluid’s thermal physical properties. Based on the results obtained, zeta potential value for nanofluid range from -50 to -70 mV indicates a good stability of the suspension. Thermal conductivity of nanofluid increases as an increase of temperature and enhancement ratio is within the range of 1.51 to 4.53 compared to the base fluid. Meanwhile, the viscosity of nanofluid shows decrements with an increase of the temperature remarks significant advantage in pumping power. The developed nanofluid in this study found to be stable with enhanced thermal conductivity and decrease in viscosity, which at once make it possible to be use as nanolubricant in machining operation.

ADMINISTRATIVE AND LEGAL STATUS OF THE CAPITAL OF UKRAINE - THE HERO CITY OF KYIV AS A GUARANTEE OF THE RIGHTS OF CITIZENS OF UKRAINE AND THE TERRITORIAL COMMUNITY OF THE CITY

2017 ◽  
Author(s):  
Oleksii Chepov ◽  
Keyword(s):  
Legal Status ◽  
Modern World ◽  
Legal Regime ◽  
Legal Doctrine ◽  
City Councils ◽  
The Social ◽  
District Management ◽  
Definition Of ◽  
The Relationship ◽  
The City

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.

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