Security at home: How private securitization practices increase state and capitalist control

2017 ◽  
Vol 17 (3) ◽  
pp. 365-381 ◽  
Author(s):  
Setha Low
Keyword(s):  
New York ◽  
Middle Class ◽  
Everyday Life ◽  
Public Space ◽  
Social Preferences ◽  
Private Governance ◽  
The Public Sphere ◽  
Ethnographic Analysis ◽  
Capitalist Control ◽  
The Impact

The impact of the security state is not only seen in the political and spatial restrictions on public space and the public sphere or inscribed in militarized national borders and cities, but also in the increasing penetration of the domestic and private realm of home. These securitization practices and how they work can be exposed through an ethnographic analysis of formal institutional structures as well as the affective, discursive and bodily practices that make up and regulate everyday life. Examining securitization as a scalar set of spatial practices and social processes that interlock through a desire for ‘security’ reveals how securitization is able to keep a political stranglehold not only on poor, homeless and marginalized people who are traditionally perceived to be at risk and the target of these controls, but also on middle-class social preferences, political actions, shared feelings, and daily movements. This paper explores five of these sociospatial securitization practices including spatial enclosure, surveillance, private governance, rules and regulations, and financialization of everyday life that constrict and then redirect middle-class home life in private housing regimes in New York City.

Reflections on Preliminary Fieldwork: The Militarisation of Public Space in Srinagar and its Impact on Rhythms of Everyday Life

2021 ◽  
Author(s):  
Arshita Nandan ◽  
Keyword(s):  
Everyday Life ◽  
Key Words ◽  
Public Space ◽  
Police Force ◽  
Self Determination ◽  
Indigenous Populations ◽  
Jammu And Kashmir ◽  
Current Form ◽  
The Military ◽  
The Impact

Abstract This project focuses on the conflict in Indian administered Jammu and Kashmir (J&K). This conflict is characterised by the militarised occupation of the region and resistance for self- determination by indigenous populations. In 2019, there were over 500,000 military and police force stationed in the state of J&K and over the years the forces have become a permanent fixture of the day-to-day life of people in the region. The use of civilian infrastructure by the military apparatus to control the rhythms of everyday life has evolved to its current form as an integral aspect of the conflict itself. This paper is focused on two interrelated aspects i.e., the impact of militarisation, magnified by Covid-19 pandemic on the fieldwork itself and its relationship to the larger impact of militarisation on everyday life in Srinagar. The methodology is inspired by rhythmanalysis which focuses on space of interaction. The rhythmanalysis is in two parts, it explores the rhythms as viewed and investigated by the researcher as opposed to the rhythms of everyday life for research participants. The aim here is to contextualise the questions of ethics and positionality as a researcher, conducting fieldwork during covid 19, in a militarised conflict region. Key Words: Military; Public Space; Rhythmanalysis; Resistance, Critical Architecture

scholarly journals Public space: an exhibition of photography and video

2021 ◽  
Author(s):  
Martin Franchi
Keyword(s):  
New York ◽  
Public Space ◽  
General Public ◽  
Private Property ◽  
Urban Environments ◽  
First Century ◽  
The Public ◽  
Unrestricted Access ◽  
Private Corporations ◽  
The Public Sphere

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.

scholarly journals NYC POPS: Exploring Human Agency of the Public Sphere

2021 ◽  
Author(s):  
◽  
Anna Constable
Keyword(s):  
New York ◽  
Public Space ◽  
Social Life ◽  
Social Space ◽  
Public Spaces ◽  
Test Case ◽  
Late 20Th Century ◽  
The Public ◽  
The Public Sphere ◽  
Privately Owned

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>

Sex in the Cinema: War, Moral Panic, and the British Film Industry, 1906–1918

2002 ◽  
Vol 34 (3) ◽  
pp. 422-451 ◽  
Author(s):  
Dean Rapp
Keyword(s):  
Middle Class ◽  
Working Class ◽  
Public Space ◽  
Film Industry ◽  
Leisure Activity ◽  
Young Audiences ◽  
Police Action ◽  
Separate Identity ◽  
The Impact ◽  
First Time

The film era in Britain commenced in early 1896, but its moral impact on viewers was not considered very much during its first decade. This was primarily because film was dispersed in a variety of venues like music halls and fairgrounds where other entertainment was provided, or in unused shops and other premises that were temporarily rented. Film thus had no permanent, separate identity as a leisure activity that took place in one particular type of public space, hence it was difficult for moralists to recognize, much less discern and evaluate its moral influence. Moreover, many of the middle class (from whom most moralists came) dismissed the early film industry as a passing, vulgar fad of the working class that need not be taken seriously.But moralists did begin to notice the impact of the industry when film acquired a conspicuous new identity of its own in the years after 1906 when thousands of purpose-built cinemas were constructed. The tremendous growth of both the cinemas and their mostly working-class, youthful audiences led some middle-class moralists to focus their attention on film for the first time. They soon concluded that the cinemas undermined the morality of their young audiences and launched a crusade against the film industry. The general outlines of the campaign are well known. Moralists charged that the darkened cinemas provided cover for couples to court and for some men to abuse children. They also asserted that many films were sensational ones about sexual indecency, crime, and violence. Such fare, they contended, encouraged immorality and incited juvenile delinquency among youth who imitated the crimes they saw enacted on screen. The moralists therefore demanded censorship of the films, brighter lighting in the cinemas to discourage sexual misbehavior, and police action against indecency. Moreover, Sabbatarians opposed the opening of the cinemas on Sundays as a further desecration of that holy day of rest.

Space in common: Socially engaged art in the Athens of crisis

2019 ◽  
Vol 5 (2) ◽  
pp. 211-230 ◽  
Author(s):  
Charis Kanellopoulou
Keyword(s):  
Public Space ◽  
Common Ground ◽  
Homeless People ◽  
Private Life ◽  
Cultural Dynamics ◽  
The Public ◽  
Socially Engaged Art ◽  
The Public Sphere ◽  
The Times ◽  
The Impact

During the last years ‐ within a constantly deepening social, political and economic crisis ‐ Athens’s public space appears challenging, presenting a character of ongoing re-evaluation and change. It is due to the impact of the crisis, for example, that the city’s public space is being approached once more by many citizens who, during the years before the recession, had chosen to transfer main activities and functions of public life to the more protected sphere of privateness. One notices the return to open spaces by locals not only for leisure but also for social interaction. Most emphatically, however, appears the fact of a rising number of population in need, such as homeless people, immigrants or refugees, who host aspects of their private life in the public sphere: most of the times, they are not only users, but rather habitants of public space, in a transitional situation of social suspension, lacking a sense of belonging. Under the light of the city’s different realities, and of an expected social co-existence, the article aims to present the practice of artists who become active in Athens’s public spaces of social ambivalence in Athens, by realizing socially engaged art projects. By focusing on case studies such as Nomadic Architecture Network’s projects, the Victoria Square Project by Rick Lowe and Maria Papadimitriou, Common Platforms, a Blind Date by Adonis Volanakis, along with Rafika Chawishe, or the UrbanDig_Omonia by the UrbanDig Project in Omonia square, among others, the article highlights the artists’ interest in understanding the historical and cultural dynamics of each area and in working with different participants of the community in an effort to find common ground and to create bonds among individuals of unalike backgrounds. The article shows how such artistic practices become a channel of creative expression and fruitful dialogue in environments of precariousness and intolerance. Showing the importance of cooperation and understanding, socially engaged art projects function positively as collaborative ‘heterotopias’ in turbulent times for Athens.

scholarly journals Cities of "others" : public space and everyday practices

2009 ◽  
Vol 64 (1) ◽  
pp. 11-20 ◽  
Author(s):  
D. Vaiou ◽  
A. Kalandides
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Public Deliberation ◽  
The Public ◽  
Everyday Practices ◽  
The Public Sphere ◽  
Material Space ◽  
A Site ◽  
Relations Of Power ◽  
The City

Abstract. This paper deals with the concept of «public space». It works with the ambiguities embedded therein, contrasting material space/s – the streets, squares, parks, public buildings of the city – with the other spaces created through the functions and institutions of the «public sphere» as a site of public deliberation. Focussing on the ambiguities of the concept allow questions of access, interaction, participation, cultural and symbolic rights of passage to be posed. Public space is approached here as constituted through the practices of everyday life: it is produced and constantly contested, reflecting – among other things – relations of power. Differences in gender, ethnicity or sexuality often lead to binary thinking, such as inside/outside, inclusion/exclusion, local/stranger. The way that such categories intertwine in everyday life, though, unsettle easy categorisations and force a questioning of strict lines of division. It is in this context that a proposal is made to discuss the city of «others», drawing from research examples which cross over such lines.

scholarly journals New York High Line as Urban Catalyst: Impact to Neighbourhood

2017 ◽  
Author(s):  
Koichiro Aitani ◽  
Vrushali Kedar Sathaye
Keyword(s):  
New York ◽  
Public Space ◽  
Green Space ◽  
Catalytic Effect ◽  
Business Owners ◽  
Public Park ◽  
The Public ◽  
High Line ◽  
Urban Renovation ◽  
The Impact

  The High Line, an abandoned elevated railway structure on Lower Manhattan's West-side, converted into the public park is among the most innovative urban renovation projects. The meatpacking district with industrial taste, transformed to one of the most fashionable areas in New York would not be realized without the impact of this unique Urban Park, the high Line. The story of how it came to be is a remarkable one: two young citizens with no prior experience in planning and development collaborated with their neighbors, elected officials, artists, local business owners, and leaders of burgeoning movements in horticulture and landscape architecture to create a park celebrated worldwide as a model for creatively designed, socially vibrant, ecologically sound public space. 5 millions of visitors are counted annually. The research will clarify the process of the High Line’s execution, its mechanism of urban transform, and impact to the neighborhood chronologically, and will discuss and theorize this urban regeneration as an outcome of catalytic effect of Urban Green Space.

Governance by and of Algorithms on the Internet: Impact and Consequences

2020 ◽  
Author(s):  
Michael Latzer ◽  
Natascha Just
Keyword(s):  
Quantitative Methods ◽  
Social Impact ◽  
The Internet ◽  
Life Domains ◽  
Private Governance ◽  
Public And Private ◽  
Qualitative And Quantitative Methods ◽  
Selection Processes ◽  
The Public Sphere ◽  
The Impact

Internet-based services that build on automated algorithmic selection processes, for example search engines, computational advertising, and recommender systems, are booming and platform companies that provide such services are among the most valuable corporations worldwide. Algorithms on and beyond the Internet are increasingly influencing, aiding, or replacing human decision-making in many life domains. Their far-reaching, multifaceted economic and social impact, which results from the governance by algorithms, is widely acknowledged. However, suitable policy reactions, that is, the governance of algorithms, are the subject of controversy in academia, politics, industry, and civil society. This governance by and of algorithms is to be understood in the wider context of current technical and societal change, and in connection with other emerging trends. In particular, expanding algorithmizing of life domains is closely interrelated with and dependent on growing datafication and big data on the one hand, and rising automation and artificial intelligence in modern, digitized societies on the other. Consequently, the assessments and debates of these central developmental trends in digitized societies overlap extensively. Research on the governance by and of algorithms is highly interdisciplinary. Communication studies contributes to the formation of so-called “critical algorithms studies” with its wide set of sub-fields and approaches and by applying qualitative and quantitative methods. Its contributions focus both on the impact of algorithmic systems on traditional media, journalism, and the public sphere, and also cover effect analyses and risk assessments of algorithmic-selection applications in many domains of everyday life. The latter includes the whole range of public and private governance options to counter or reduce these risks or to safeguard ethical standards and human rights, including communication rights in a digital age.

scholarly journals Ecotours and politics of fun in Iran: From contested state–society relations to emancipatory nature–society relations

2018 ◽  
Vol 66 (6) ◽  
pp. 1276-1291
Author(s):  
Simin Fadaee
Keyword(s):  
Middle Class ◽  
Public Sphere ◽  
Public Space ◽  
Human Nature ◽  
Political System ◽  
Original Research ◽  
Political Systems ◽  
The Public ◽  
Explicit Analysis ◽  
The Public Sphere

This article shows how nature–society relations in Iran’s burgeoning ecotourism industry are influenced by power-laden state–society relations and the state’s regulation of public space. Based on original research, this article demonstrates that ecotours operate as a means through which young middle-class residents of Tehran practise fun beyond the socio-political restrictions they face in the city’s public sphere. Non-human nature represents a safe setting for these ecotourists to engage in restricted ‘unislamic’ practices of self-expression and socialization. In other words, the non-human nature functions as a zone of transgression. This article provides an example of how the nature–society interface can provide opportunities to defy conservative social norms in a restricted socio-political system and it shows that the influence of political systems on nature–society relations requires more explicit analysis. Moreover, it enhances our understanding of everyday politics in a society where social conducts in the public sphere are heavily controlled.

scholarly journals Caviar and Friendship: Sensational Trials and the Reinvention of Public Space

2013 ◽  
Vol 11 (1) ◽  
pp. 52-70
Author(s):  
Nicola Evans
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Beliefs And Practices ◽  
The Public ◽  
Point Of Entry ◽  
Discourse Practices ◽  
The Everyday ◽  
Private And Public ◽  
The Public Sphere ◽  
Continuous Use

Sensational trials are a venue for the performance of social knowledge—the kind of knowledge that does not regularly make an appearance on the front pages of national newspapers. if sensational trials routinely catapult private matters into the public sphere, it is less such exciting revelations that concern me here, than the dross kicked up in their wake. Sensational trials, I contend, are a point of entry into everyday life, that far more elusive zone of ordinary beliefs and practices situated between the institution and the bedroom, in the interstices of the scripted and chronicled domains of private and public life. To address the everyday is to confront those undocumented procedures and forms of knowledge that exist beyond the realm of official discourse, practices that cultural theorists are increasingly eager to explore and increasingly sceptical of finding. As Barry Sandywell recently observed, ‘Like the omnipollent term “community”, “everyday life” is in continuous use within lay and theoretical discourse and yet continuously evades definition. Perhaps ... we should ask “where is everyday life”?’ This paper argues that one answer to this question lies in the study of sensational trials.

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