scholarly journals Five advantages of skill

2017 ◽  
Vol 25 (1) ◽  
pp. 23-29 ◽  
Author(s):  
Merle Patchett ◽  
Joanna Mann
Keyword(s):  
Continuous Flow ◽  
The Body ◽  
Special Issue ◽  
Entire Field ◽  
Skilled Practitioner ◽  
Bernard Stiegler ◽  
The Individual ◽  
Individual Body

In this Special Issue we explore and extend conceptions, characterisations, and applications of skill within and beyond geography. Framed by the question: “where is skill located?”, the papers assembled do not just explore where skilled practice ‘takes place’, its sites and situations, but also prompt a deeper ontological and epistemological rethinking of skill. And it is this rethinking of skill that is at stake in our editorial. In what follows, we map out this rethinking and introduce the five advantages of skill that the papers develop. Firstly, skill is practical in that it is concerned with the actual doing or use of something with accomplishment. Secondly, skill is processual in that the skilled practitioner works emergently and responsively rather than rubrically and successionally. Thirdly, skill is technical in that it involves not just techniques of the body but encompasses what Bernard Stiegler calls the ‘originary technicity’ of the body. Fourthly, skill is ecological in that it is not of the individual body, but of the entire field of relations that make practice possible. And finally, skill is political in that there is a continuous flow between the micro – (that which is emergent) and macro – (that which exists more concretely and can be represented) politics of practice.

Light Dance

Leonardo ◽  
2020 ◽  
Vol 53 (1) ◽  
pp. 90-91
Author(s):  
Seth Riskin
Keyword(s):  
Simple Approach ◽  
The Body ◽  
Speed Of Light ◽  
Body Movements ◽  
Room Light ◽  
Shared Space ◽  
Surrounding Space ◽  
The Individual ◽  
Individual Body ◽  
Movement Expression

The author discusses the origin and meaning of his Light Dance artwork. The simple approach—placing a source of light on the body and thereby manipulating the illumination of the surrounding space through body movements—alters the viewer’s perception of space and time. Architecture appears malleable as the performer affects the size, shape and speed of light forms that reach from the body to the boundaries of the room. Light, in this perceptual environment, is not a mere transmitter of information between the invariant material surroundings and the eye of the viewer; light is a space-defining extension of the performer’s body that transposes movement expression from the individual body to the shared space. An inversion of subjective and objective “spaces” is realized in the experience of Light Dance wherein the prevailing conceptual hierarchy of light and vision is overcome.

scholarly journals Molecular Politics, Wearables, and the Aretaic Shift in Biopolitical Governance

2020 ◽  
Vol 37 (3) ◽  
pp. 71-96
Author(s):  
Peter Lindner
Keyword(s):  
Human Body ◽  
Common Ground ◽  
New Technologies ◽  
Expert Knowledge ◽  
The Body ◽  
Life Itself ◽  
The Common ◽  
The Individual ◽  
Individual Body

Since the publication of Nikolas Rose’s ‘The Politics of Life Itself’ (2001) there has been vivid discussion about how biopolitical governance has changed over the last decades. This article uses what Rose terms ‘molecular politics’, a new socio-technical grip on the human body, as a contrasting background to ask anew his question ‘What, then, of biopolitics today?’ – albeit focusing not on advances in genetics, microbiology, and pharmaceutics, as he does, but on the rapid proliferation of wearables and other sensor-software gadgets. In both cases, new technologies providing information about the individual body are the common ground for governance and optimization, yet for the latter, the target is habits of moving, eating and drinking, sleeping, working and relaxing. The resulting profound differences are carved out along four lines: ‘somatic identities’ and a modified understanding of the body; the role of ‘expert knowledge’ compared to that of networks of peers and self-experimentation; the ‘types of intervention’ by which new technologies become effective in our everyday life; and the ‘post-discipline character’ of molecular biopolitics. It is argued that, taken together, these differences indicate a remarkable shift which could be termed aretaic: its focus is not ‘life itself’ but ‘life as it is lived’, and its modality are new everyday socio-technical entanglements and their more-than-human rationalities of (self-)governance.

scholarly journals Ekploitasi Tubuh Aktivis Perempuan Pengurus Cabang Pergerakan Mahasiswa Islam Indonesia Kabupaten Malang

AL-HUKAMA ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 149-171
Author(s):  
Ahmad Zainuri
Keyword(s):  
Human Body ◽  
Normal State ◽  
Women Activists ◽  
Development Program ◽  
The Body ◽  
Women's Development ◽  
Job Descriptions ◽  
The Individual ◽  
Interesting Event ◽  
Individual Body

In implementing the works program of the Branch Management of Indonesian Islamic Students Movement of Malang Regency, for the sake of a good and interesting event, the owners of power use female activists to become workers. Women activists must carry out tasks that are not in accordance with their job descriptions, get coercion from fellow activists to carry out tasks that they themselves have not yet experienced and only try first, and the most striking is when female activists are not happy if there is a women's development program. The practice of exploitation of these women activists, seen in this article, uses Michel Foucault's body discipline theory. The body's discipline works as a normalization of behavior designed by utilizing the productive and reproductive abilities of the human body. The practice of power through disciplining the body, creates a situation where the individual body can internalize submission and make it look like a normal state. This practice is what Foucault calls the normalization of power over the individual body. Individuals will never feel that they are being used and subjugated because they already consider it to be within reasonable limits. It can also be said that this is a veiled exploitation.

scholarly journals El cuerpo desde una subjetividad de progreso en la ‘nueva’ época antropocena

2019 ◽  
Vol 20 ◽  
pp. 97-114
Author(s):  
Ricardo Iglesias García
Keyword(s):  
New Technologies ◽  
The Body ◽  
Negative Consequences ◽  
Social Body ◽  
Current Implementation ◽  
The Face ◽  
Nuevas Tecnologías ◽  
Object Of Study ◽  
The Individual ◽  
Individual Body

La evolución del concepto de cuerpo individual/cuerpo social, específicamente desde la modernidad, la industrialización y la actual implementación de las tecnologías nos conduce hacia una visión del sujeto humano en un continuo proceso de progreso ‘egoísta’, con sus correspondientes repercusiones en la totalidad del ecosistema terrestre. Según algunos científicos es necesario plantearnos la posibilidad de unanueva época geología: el antropoceno. La idea del cuerpo autómata persiste en nuestro imaginario occidental. Es notable, además, que el cuerpo se proponga como máquina y no como forma natural, cuestión que no dejará de traer consecuencias al momento de ejercer actividades con/sobre el cuerpo y sobre su espacio vital. Las nuevas tecnologías ofrecen la posibilidad de superar los límites impuestos por nuestra herencia biológica en una especie de deseo explícito de no aceptar nuestro pasado, ni nuestro origen natural-orgánico, frente a una automejora y modificación en un sistema de progreso ad infinitum. En este sentido, una serie importante de pensadores, científicos y artistas han generado relecturas el cuerpo como algo completamente obsoleto, como una cáscara vacía que debe ser abandonada paratecnológicamente dar paso al siguiente nivel en la evolución humana: el Techno Sapiens o el Cyborg. Seaboga para que el objeto de estudio de la antropología pase del ser humano al cyborg, considerado éste como un representante más idóneo de nuestro presente y, sobre todo, de nuestro futuro. Paralelamente en la esfera del arte aparecen figuras que buscan representar esta tecnoevolución como Stelar, Marcel·lí Antúnez, o Carlos Corpa, entre otros. The evolution of the concept of the individual body / social body, specifically from modernity, industrialization and the current implementation of technologies, leads us to a vision of the human subject in a continuum of ‘egotistic’ progress as well as its corresponding repercussions in the totality of its natural environment. According to some scientific, it is necessary to consider the possibility of a new geology era:the Anthropocene. The idea of the automaton body persists in our Western imaginary. It is also remarkable that the body is proposed as a machine and not as a natural object, an issue not without consequences, when exercising activities with / on the body and on its vital space. The new technologies offer the possibility of overcoming the limits imposed by our biological inheritance in a sort of explicit desire to accept neither our past, nor our natural-organic origin, in the face of self-improvement and modification in a system of progress Ad infinitum. In this sense, an important series of thinkers, scientists and artists have produced new approaches of the body as something completely obsolete, as an empty shell that must be abandoned to technologically give way to the next level in the human evolution: the Techno Sapiens or the Cyborg. It calls for the object of study of anthropology goes from human being to cyborg, considered as a more suitable representative of our present, and above all, of our future, with all its positive and negative consequences. At the same time in the realm of art, some figures who want to represent this techno-evolution have appeared such as Stelar, Marcel·lí Antúnez, Carlos Corpa, among others.

scholarly journals Kroppens komplekse videnskabelighed. Nye perspektiver på alternativ behandling

2019 ◽  
Author(s):  
Helle Johannesen
Keyword(s):  
Healing Process ◽  
Alternative Therapies ◽  
The Body ◽  
Therapeutic Interventions ◽  
Complex Field ◽  
Therapeutic Concepts ◽  
The Individual ◽  
Patients Experience ◽  
Individual Body ◽  
Experience Effect

The numerous conceptions of the body exposed in alternative therapies challenge traditional, Western, biomedically dictated conceptions of the body, disease and healing. The apparent heterogenity could lead to a discharge of alternative body concepts and related therapeutic interventions, but as a large portion of patients experience effect of a variety of alternative treatments, the need for a conceptual framework encompassing heterogenity at several logical levels emerges. For this purpose the author proposes the concept of “the complex body”, in which cultural, social, and natural features are recognized as integral aspects of the individual body, treatment, and the healing process. The body is conceptualized as a complex field of potentials, to be explicated and unfolded in interaction with specific therapeutic concepts and techniques. Underlying the obvious variety within alternative therapies, a common focus on the body as structure, disease as de-structuration, and treatment as re-structuration is revealed. Treatments are rarely aimed at destruction of disease agents or pathologies, but most often aim at a general strengthening - re-structuring - of the patient, biochemically, physiologically, mentally, culturally or socially. Examples from reflexology, biopathy and kinesiology support the validity of a concept of the complex body, which leads to a reconsideration of scientific and scholarly approaches to evaluation of effects of alternative therapies.

scholarly journals Industrial Fatigue and the Productive Body: the Science of Work in Britain, c. 1900–1918

2017 ◽  
Vol 32 (2) ◽  
pp. 310-328 ◽  
Author(s):  
Steffan Blayney
Keyword(s):  
Twentieth Century ◽  
Social Anxiety ◽  
The Body ◽  
Productive Capacity ◽  
New Science ◽  
Diminished Capacity ◽  
Productive System ◽  
The Individual ◽  
Productive Body ◽  
Individual Body

Summary This article examines the emergence of ‘industrial fatigue’ as an object of medico-scientific enquiry and social anxiety in early-twentieth-century Britain. Between 1900 and 1918, industrial fatigue research became the basis of a new science of work, which I term ‘industrial physiology’. Drawing on François Guéry and Didier Deleule, I argue that industrial physiology is best understood as a science of ‘the productive body’. The worker was an object for medico-scientific intervention only insofar as they represented a constituent part of the machinery of industrial labour, while the individual body was, in turn, reimagined as a productive system in microcosm. In this context, industrial fatigue—defined as diminished capacity for productive work—emerged as the emblematic pathology of industrial civilisation. By 1918, it had become the central category in the scientific articulation of a conception of the body in which health was equated squarely with productive capacity.

Beyond the Individual Body

Projections ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 18-36
Author(s):  
Francesco Sticchi
Keyword(s):  
Embodied Cognition ◽  
Media Studies ◽  
The Body ◽  
Enactive Cognition ◽  
Central Object ◽  
Cognitive Theories ◽  
Object Of Study ◽  
The Individual ◽  
Individual Body ◽  
Viewing Experience

AbstractSince the emergence of embodied cognitive theories, there has been an ever-growing interest in the application of these theories to media studies, generating a large number of analyses focusing on the affective and intellectual features of viewers’ participation. The body of the viewer has become the central object of study for film and media scholars, who examine the conceptual physicality of the viewing experience by associating body states with parallel intellectual and moral constructions. In this article, I contribute to the study of embodied cognition and cinema by drawing upon Baruch Spinoza's philosophy, especially from his process-based notion of the body. I will put this ecological and dynamic concept of the body in connection with recent studies on enactive cognition, and define a radical enactivist approach to be applied in the discussion of the experiential dynamics of Lynne Ramsay's You Were Never Really Here.

scholarly journals An Exploratory Study into the Influence of Sex on Body Measurements, Carcass Weights and Meat Yields of Giraffe (Giraffa camelopardalis angolensis)

Foods ◽  
2021 ◽  
Vol 10 (10) ◽  
pp. 2245
Author(s):  
Bianca L. Silberbauer ◽  
Phillip E. Strydom ◽  
Louwrens C. Hoffman
Keyword(s):  
Body Weight ◽  
Exploratory Study ◽  
The Body ◽  
Carcass Weight ◽  
Strong Positive Correlation ◽  
Body Measurements ◽  
Giraffa Camelopardalis ◽  
The Mean ◽  
The Individual ◽  
Individual Body

Various body measurements and commercial carcass yields of relatively young (2½–6 yrs old) giraffe (Giraffa camelopardalis angolensis) were investigated to quantify the effect of sex there upon. Eight male and eight female giraffe were culled by standard practice in Namibia, where body and horn measurements were taken, before the carcasses were dressed. There were no significant differences between the mean dead weights of the two sexes (bulls = 691.1 kg; cows = 636.5 kg; p = 0.096), the only body measurements found to differ significantly were those of the forelegs, with the shoulder to hoof (p = 0.046) and the knee to hoof (p = 0.025) both being significantly longer in the bulls. The horn measurements were all found to be significantly larger in the bulls than the cows even at this young age. The neck weight as a percentage of the carcass weight was found to be significantly heavier for the bulls compared to the cows, however, the back percentage values were significantly heavier in the cows than the bulls. There was a strong positive correlation between the body weight and most of the body lengths, as well as between most of the individual body measurements. The giraffe used had an average age of 3.7 years old, and had therefore not yet reached their growth plateau, which may be why sex had no influence on most of the body measurements recorded.

Bodies in Times of War: A Comparison of Hijikata Tatsumi and Mary Wigman's Use of Dance as Political Statement

2014 ◽  
Vol 2014 ◽  
pp. 32-38
Author(s):  
Tanya Calamoneri
Keyword(s):  
Japanese Literature ◽  
Political Activism ◽  
The Body ◽  
Personal Agency ◽  
National Body ◽  
Political Statement ◽  
Post War ◽  
The Individual ◽  
Authentic Life ◽  
Individual Body

How does the representation of bodies change in times of war? How can dance be political activism? This paper considers the dances of Hijikata Tatsumi and Mary Wigman in relation to their experiences of war, and explores their use/representation of the body as a political statement. In both cases, these artists sought to use dance to rescue the body from its subjugated social standing.Mary Wigman's dance technique is influenced by German korperkultur, and had its birth in her work with Rudolph Laban and at the natural paradise of Hellerau. Wigman admired Nietzsche's desire to rescue the body from “despisers of the body,” who saw the physical body as an obstacle that must be denied in order for the soul to reach salvation. For Wigman, the “sensuous dancing body” that Nietzsche referred to in Zarathustra “became the vehicle to an authentic life.”Hijikata's idea of dancers as “lethal weapons that dream” offered a view of bodies that were aware of personal agency and chose to step outside of usefulness for the elusive “advancement” of society. He explains, “in this sense my dance, based on human self-activation … can naturally be a protest against the ‘alienation of labor’ in capitalist society.” Douglass Slaymaker's writing on post-war Japanese literature frames Hijikata's sentiment in the time: images of body as nikutai [flesh] were considered counterhegemonic because they defied the notion that the individual body belonged to the national body. Hijikata redirected the body's sacrifice away from productivity and toward the creation of art.

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