“Be True to Your School”: A 100-Year Legacy of Music Education Faculty at the Indiana University School of Music

2020 ◽  
pp. 153660062095513
Author(s):  
Patrice Madura Ward-Steinman

The 2020 bicentennial year of Indiana University (IU) Bloomington is a fitting time to recognize the 100-year legacy of the faculty members of the IU Music Education Department. This legacy has not been heretofore documented, exposing a gap in the knowledge of historical traditions and influences. The purpose of this study was to create a comprehensive list of the faculty names, and years of service, and to identify publications, leadership roles, curriculum development, and biographical insights. The historical narrative was created through immersion in the following primary sources found in the IU Archives: The annual Indiana University Bulletins, the Trustees Minutes, and miscellaneous clippings files containing photographs, news items, and obituaries. First edition hard copies of books and published articles by the faculty were examined. Greatest detail is provided for those IU professors of the distant past, including Edward Bailey Birge, Samuel T. Burns, Thurber H. Madison, Jack M. Watson, Dorothy G. Kelley, Newell H. Long, Miriam P. Gelvin, Charles R. Hoffer, and Robert H. Klotman. This study illustrates how one-storied Music Education Department is inextricably linked to its past and suggests that other legacy studies are needed for comparison and contrast.

2017 ◽  
Vol 14 (4) ◽  
pp. 4671
Author(s):  
Barış Kardeş ◽  
Hatice Onuray Eğilmez

The achievement test was developed to identify the cognitive achievement levels of students for piano education. The research, material preparation process, determining the substance and was prepared by researchers with the help of expert selection process. The study was conducted with total of 130 students in the 4th grade undergraduate program of Music Education Department of Balıkesir, Mehmet Akif Ersoy, Uludağ and Pamukkale Universities Education Faculty. In order to ensure the success of the test, the opinions of specialist faculty members were taken and then subjected to item analysis. As a result of the KR-20 analysis, the reliability coefficient of the test was found to be 0.894. As a result, a 32-item achievement test was developed.Extended English abstract is in the end of Full Text PDF (TURKISH) file.ÖzetPiyano eğitimi için öğrencilerin bilişsel başarı düzeylerini tespit edebilmek amacıyla başarı testi geliştirilmiştir. Araştırmanın, madde hazırlama süreci, maddelerin belirlenmesi ve seçilmesi süreci uzman görüşlerinin yardımı ile araştırmacılar tarafından hazırlanmıştır. Çalışma, Balıkesir, Mehmet Akif Ersoy, Uludağ ve Pamukkale Üniversiteleri Eğitim Fakültesi Müzik Eğitimi Anabilim Dalları lisans programında eğitim gören 4. sınıf toplam 130 öğrenci ile gerçekleştirilmiştir. Başarı testinin geçerliğini sağlamak için, alanında uzman öğretim elemanlarının görüşü alınmış sonra da madde analizine tabi tutulmuştur. Yapılan KR-20 analizi sonucunda testin güvenirlik katsayısı 0.894 olarak bulunmuştur. Sonuç olarak 32 maddeden oluşan başarı testi geliştirilmiştir.


2021 ◽  
pp. 286-290
Author(s):  
Ashwini Kundar ◽  
Pakkeerappa P.

Employee engagement is an important factor to be considered while developing any kind of business strategies and it plays an important role in improving overall performance of an organisation. As the importance of employee engagement in service sector has increased to a great extent now, it becomes necessary to know how it works for the benefit of organisation and how it contributes for the success of the organisation. The main objective of the study is to know the commitment and engagement of teachers at higher education level. It is very much important to know the level of commitment and engagement of teachers or faculty members that leads to development of the students and also the institution. The study is empirical in nature and the data is collected from primary sources. The findings suggest that there is a higher-level engagement and commitment among the faculty members for the organisations they work for. Higher level of engagement leads to the development of the institution.


Author(s):  
Niki Weller ◽  
Julie Saam

Experiential-learning provides opportunities for students that feature a variety of high-impact practices including first-year seminars, internships, community learning, collaborative projects, and capstone seminars. To offer these high-impact practices for students, faculty from across disciplines and majors must be willing to incorporate these opportunities within their courses and degrees. Indiana University Kokomo has offered two successful programs to support these high-impact practices. One program, the Kokomo Experience and You (KEY), supports faculty in the development and implementation of events and activities to support student learning. The other, the Student Success Academy Faculty Fellows Program, provided faculty members the opportunity to examine research and concepts so that they can better promote student success in their classrooms. Building on the success of these two programs, a third initiative, the Experiential Learning Academy (ELA), was launched in 2018, funded by a Reimagining the First Years mini-grant from AASCU.


2021 ◽  
pp. 002242942110318
Author(s):  
Matthew D. Thibeault

In this historical study, I present the emergence and evolution of Jamey Aebersold’s Play-A-Long volumes and their key role in bringing jazz improvisation to formal music education. Drawing on oral histories and using a framework from sound studies, I present chord-scales and pattern playing as Deweyan conceptual technologies that assist beginners in developing a mature technique. I recount how Aebersold learned these as a student of David Baker at Indiana University, then applied the idea through teaching improvisation with the Dorian mode over Davis’s “So What.” In 1967 Aebersold published volume 1, and the Play-A-Long evolved into a system over a dozen years as subsequent volumes included new scale types, like the blues scale; added idiomatic patterns; incorporated his new Scale Syllabus; and licensed standard repertoire. I then describe how these technologies imply the “soloist as such”: a generic model of learning improvisation as a process of learning tunes and tasks from simple to complex around a core unity of theory and performance. This model in particular addressed beginning improvisation and the slogan “Anyone Can Improvise.” Finally, I consider criticisms of the model, note that the chord-scale approach is Black music theory, and suggest future research.


2022 ◽  
pp. 105708372110677
Author(s):  
D. Gregory Springer ◽  
Kari Adams ◽  
Jessica Nápoles

The purpose of this study was to examine music education faculty members’ perceptions of the master’s degree in music education (MME). A total of 76 music teacher educators completed a researcher-designed survey instrument. Participants believed their MME students’ top four motivations for pursuing MME degrees were to become a better teacher, to gain a higher salary, to create a possible pathway to doctoral study in the future, and to gain academic stimulation through graduate level coursework. Faculty also indicated the MME degree was focused on both teaching/pedagogy and research. Participants explained that their students primarily learn about research through reading and discussing research articles in class, and that their students learn about pedagogy primarily from reading pedagogical articles and reflecting on personal teaching videos. In addition, participants presented various opinions regarding the purpose of MME degrees. Implications for music teacher educators are discussed.


2012 ◽  
Vol 4 (4) ◽  
pp. 486-489 ◽  
Author(s):  
Dylan D. Cooper ◽  
Adam B. Wilson ◽  
Gretchen N. Huffman ◽  
Aloysius J. Humbert

Abstract Background Simulation can enhance undergraduate medical education. However, the number of faculty facilitators needed for observation and debriefing can limit its use with medical students. The goal of this study was to compare the effectiveness of emergency medicine (EM) residents with that of EM faculty in facilitating postcase debriefings. Methods The EM clerkship at Indiana University School of Medicine requires medical students to complete one 2-hour mannequin-based simulation session. Groups of 5 to 6 students participated in 3 different simulation cases immediately followed by debriefings. Debriefings were led by either an EM faculty volunteer or EM resident volunteer. The Debriefing Assessment for Simulation in Healthcare (DASH) participant form was completed by students to evaluate each individual providing the debriefing. Results In total, 273 DASH forms were completed (132 EM faculty evaluations and 141 EM resident evaluations) for 7 faculty members and 9 residents providing the debriefing sessions. The mean total faculty DASH score was 32.42 and mean total resident DASH score was 32.09 out of a possible 35. There were no statistically significant differences between faculty and resident scores overall (P  =  .36) or by case type (Ptrauma  =  .11, Pmedical  =  .19, Ppediatrics  =  .48). Conclusions EM residents were perceived to be as effective as EM faculty in debriefing medical students in a mannequin-based simulation experience. The use of residents to observe and debrief students may allow additional simulations to be incorporated into undergraduate curricula and provide valuable teaching opportunities for residents.


2020 ◽  
pp. 153660062097345
Author(s):  
Morganne Aaberg

In this study I examined archival material relating to music lessons that aired on the Indiana School of the Sky during its inaugural season in the 1947–1948 school year. The Indiana School of the Sky was an educational radio program intended for use in the public schools and produced by Indiana University students and professors, in partnership with the State Department of Education. The purpose of this study was to illuminate details of the Indiana School of the Sky music program during its inaugural season in 1947–1948, such as the staff, repertoire, teaching strategies, and program structure. Of particular interest was Dorothy G. Kelley, who served as supervisor of the Indiana School of the Sky music episodes during its inaugural season, and was the first female to join the faculty of the Music Education Department at Indiana University. A secondary purpose was to examine the intersection of education and technology in the late 1940s through the lens of the Indiana School of the Sky and to afford contemporary music educators the opportunity to reflect on how they use current technologies in their classrooms. This study found that the program employed three main teaching strategies: singalong, call and response, and listening. Indiana University music and music education students performed in many music episodes alongside Kelley, and 34% of compositions that aired during the 1948–1949 school year comprised of music by composers from the United States, or folk music originating in the United States. Other countries represented by either composer or folk tradition included Australia, Austria, Czechoslovakia, England, Finland, France, Germany, Italy, Norway, Mexico, Russia, and Spain.


Author(s):  
Ludim Pedroza

The Latin Music Studies (LMS) area at the Texas State University School of Music offers degree-granting programs with concentrations in mariachi and salsa. Such programs are still rare in mainstream US institutions of higher education. LMS founder John Lopez has recently developed a minor in mariachi, which in conjunction with the professional degree in music education provides students with fundamental skills in mariachi ensemble management, pedagogy, performance, and creative musicianship. The history of the minor in mariachi at Texas State University and the prominent presence of mariachi in middle schools and high schools suggest a future wherein the mariachi ensemble in Texas may enter the standard ensemble trio of the choir, band, and orchestra.


1982 ◽  
Vol 10 (3) ◽  
pp. 48-57
Author(s):  
G.M. Orr

The purpose of this paper is to help the practitioner in multilingual environments by making him or her aware of the need to establish a sound operational base from which to work before agonizing over the practicalities of the implementation stage. In essence, the paper seeks to show teachers that much of what is successful today in terms of school-based curriculum development is, in fact, grounded in theory: theory that is readily understood and useful to educators working in a variety of contexts.Today, in the Torres Strait, the schooling process appears to be widening the educational gap between white Queenslanders and their Islander counterparts„* Teachers as curriculum developers, along with parliamentary heads and state education department dignitaries, must realize that problems of this kind can be grappled with initially only from within the geographical context. In other words, the problems of the oppressed must be solved by the oppressed who, first of all, need to understand their position and then transform it. But if problem transformation is going to take place from the inside, as has been suggested already, then it must include an examination of the role of the school for, according to Raskin.


Notes ◽  
2002 ◽  
Vol 58 (4) ◽  
pp. 848-850
Author(s):  
Constance A. Mayer

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