Imagining between possible and realized: Creative world-making as politically situated knowledge production

2019 ◽  
Vol 9 (2) ◽  
pp. 150-153 ◽  
Author(s):  
John Paul Catungal

In this rejoinder to Dragos Simandan’s (2019) consolidated theory of the partiality of geographical knowledge, I draw on feminisms of colour, including Black and Chicanx feminisms, to re-place power at the heart of how we understand the situatedness and limitations of how we know, experience and produce worlds. Furthermore, dissatisfied with Simandan’s binary construction of ‘possible worlds’ (in plural) and the ‘realized world’ (in singular), and his call to move beyond ‘ simply social difference’ (my emphasis) in how we theorize the partiality of geographical knowledge, I centre creative practices by marginalized people as practices that conjoin navigating the unjust ‘real’ world and imagining different, more just worlds. The artistic works of Cree/Irish artist Kent Monkman provide powerful examples of art as geographical knowledge that makes room both for critiques of the gender, racial and sexual violence of settler colonial world-making and for the agentive production of alternate worlds by Indigenous people, including through their creative practices.

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Siseko H. Kumalo

South African history is such that Blackness/Indigeneity were excluded from institutions of knowledge production. Contemporarily, the traditional University is defined as an institution predicated on the abjection of Blackness. This reality neither predetermined the positions and responses, nor presupposed complete/successful erasure of Blackness/Indigeneity owing to exclusion. I contend and detail how theorising, thinking about and through the Fact of Blackness, continue(d)—using the artistic works of Mhlongo, Makeba, Mbulu, and contemporarily, Leomile as examples. Analysing the music of the abovementioned artists, a move rooted in intersectional feminist approaches, will reveal modes of theorising that characterised the artistic expressions that define(d) the country. Theory generation, so construed, necessitates a judicious philosophical consideration if we are to resurrect the Black Archive. I conclude with an introspective question aimed at inspiring similar projects in other traditions that constitute the Black Archive, i.e. African languages and literature, theatre, art practice and theory.


2021 ◽  
Vol 2 (3) ◽  
pp. 263178772110203
Author(s):  
Yvonne Benschop

Feminist organization theories develop knowledge about how organizations and processes of organizing shape and are shaped by gender, in intersection with race, class and other forms of social inequality. The politics of knowledge within management and organization studies tend to marginalize and silence feminist theorizing on organizations, and so the field misses out on the interdisciplinary, sophisticated conceptualizations and reflexive modes of situated knowledge production provided by feminist work. To highlight the contributions of feminist organization theories, I discuss the feminist answers to three of the grand challenges that contemporary organizations face: inequality, technology and climate change. These answers entail a systematic critique of dominant capitalist and patriarchal forms of organizing that perpetuate complex intersectional inequalities. Importantly, feminist theorizing goes beyond mere critique, offering alternative value systems and unorthodox approaches to organizational change, and providing the radically different ways of knowing that are necessary to tackle the grand challenges. The paper develops an aspirational ideal by sketching the contours of how we can organize for intersectional equality, develop emancipatory technologies and enact a feminist ethics of care for the human and the natural world.


Author(s):  
Milja Kurki

This chapter, first of three to develop relational cosmology in conversation with critical social theory and IR theory, argues that at the heart of relational cosmology lies a commitment to situated knowledge. This perspective on knowledge production is similar in some regards to standpoint epistemology but also diverges from it in key respects. The chapter argues that IR scholarship can benefit from close engagement with relational cosmology suggestions as to how our knowledge is limited and how we might need to ‘deal with it’, especially in the social sciences, where there is a tendency to glorify the role of the human in knowing the human.


2020 ◽  
Vol 13 (1) ◽  
pp. 49-59 ◽  
Author(s):  
Martina Angela Caretta ◽  
Sofia Zaragocin ◽  
Bethani Turley ◽  
Kamila Torres Orellana

In Anglophone geography, proposals have called for the decolonization of geographical knowledge production to be focused on tangible and material manifestations of how dialogue is initiated and mediated among different ontologies and epistemologies. We strive to respond to this call by empirically cutting across the American continent to highlight the embodied and transnational dimensions of natural resource extraction. Across the Americas, extractive industries’ water usage often brings corporations into prolonged conflicts with local communities, who mobilize to resist the initiation and/or expansion of extractive activities that they view as threatening to their health, way of life, and their families and communities’ territories. Through two case studies from West Virginia (WV), USA, and Cuenca, Ecuador, we propose an analytical framework capturing how women organize against the extractive industry as a result of embodied water pollution. We do this with the aim of decolonizing geographical knowledge production, as we propose a decolonial, multi-sited analytical approach, which serves to rethink the scale of effects of extractive industry. By showing how resource extraction affects women’s bodies and water while also effectively allowing us to compare and contrast embodied water relations in WV and Ecuador, we better understand how extractivism works across scales—the body, the environment, and transnationally. We contend that a multi-sited approach disrupts the North–South geographical discursive divide and furthers a decolonial geographical approach in making apparent the embodied production and lived experience of territory across various scales. In this piece, we promote debates on decoloniality within Anglophone geography by proposing that we must not only consider epistemologies and spatial ontologies outside the western canon, but engage with practices and theories occurring in different parts of the globe in a simultaneous fashion as well. We call on fellow geographers to do the same.


Journalism ◽  
2020 ◽  
pp. 146488492098326
Author(s):  
Jiun-Yi Tsai ◽  
Rian Bosse ◽  
Nisha Sridharan ◽  
Monica Chadha

Mainstream news outlets continue to ignore Indigenous people or cover them inadequately, resulting in mistrust and alienation by the former towards the latter. Yet, ways to meet Indigenous peoples’ needs for accurate media representation is understudied and undertheorized. Based on 16 in-depth interviews with Native and Indigenous citizens, we develop a conceptual framework of situated multidimensional representation to elucidate the agentic processes for citizen journalists to empower members of various tribal affiliations. Findings reveal that citizen journalists’ situated knowledge and expertise encourages humanizing Indigenous people, engenders media trust through evoking feelings of relatability and belonging, and strengthens Indigenous identity by foregrounding the focus on complex personhood. Our analysis highlights a need for transforming conventional journalistic values and relationship building practices to incorporate marginalized Indigenous perspectives. Theoretical and practical implications are discussed.


Author(s):  
Martin Bittner

Ethnography and sensitive issues come together by way of the question, “What can someone know?,” which is a situational dilemma. An ethnography of sensitive issues creates a particular perspective of knowing. It distresses the overall social assumption that persons, practices, actions, structures, and institutions are based on their re-negotiation of stabilization and their safety of different forms of knowing. The ethnography of sensitive issues addresses the fluidity and fragility of the social and observes the vulnerability of persons, practices, fields, and settings. Sensitive issues of the social situate beyond the sociological and historical divide of (intimate) privacy and the public sphere. Sensitive issues touch on the violation of intimacy within public and private institutions by neglect, punishment, maltreatment, violence, bullying, and sexual violence. The problematizing perspectives on such disruptive social practices are particularly relevant for pedagogy and education. An education ethnography of sensitive issues thus asks for the risk of violation within pedagogical arrangements and describes the how and what of the vulnerability of the child and the indicated transgression of or within education practices. However, education settings—children engaging in institutions like the family, the school, and social care services—are constructed through the (unconscious) boundless aim of well-being, pedagogy for good, and positivity by education in its normativity. How do children learn to believe that what others say or do is for their good? How do educational arrangements cover vulnerable situations? Where are the borders or limitations within practices of education in pedagogical institutions? An education ethnography of sensitive issues problematizes the implicit, tacit, and practical knowledge of pedagogical arrangements and questions how those involved perform violence and, within the practices, at what stages of vulnerability. Questioning violence and vulnerability points out that children sadly are not always recognized as equals and are equated by the other (child or adult). Sensitive issues in education and care situations define a greater net of responsibilities and its totality of practices of the powerful. Thus, it seems socially and educationally mandatory to gain descriptions and theories about the circumstances of sensitive issues in the examples of neglect of the individual in his or her rights and psychological and emotional situatedness, as well as physical punishment and sexual violence against children. Focusing on violations and problematizing educational practices through research has ethical and moral restrictions that seem to contradict an ethnographic approach. It is (normatively) impossible for the ethnographer to participate in situ in situations of sensitive issues of violence and maltreatment against children. Additionally, seeing ethnography as a methodological and theoretical approach, an ethnography of sensitive issues could not be restricted to those who (autoethnographically) experience violations and maltreatment by themselves. Instead of arguing for a constrained ethnography of sensitive issues, the particular perspective on sensitive issues highlights the ethnographic approach. This goes along with understanding borders and transgressions as well as the taboos in the field and the challenging task of positioning oneself as an observer to be trusted in the uncertainty, unsafety, and instability of the nearest possible worlds. Hence, an education ethnography of sensitive issues considers researching intimacy at its boarders, limits, heterotopia, and transgressions of pedagogical practices within educational institutions and care situations.


2019 ◽  
Vol 9 (2) ◽  
pp. 158-161 ◽  
Author(s):  
Jesse Proudfoot

This commentary explores the politics of Dragos Simandan’s (2019) proposal to expand the concept of situated knowledge beyond social difference. I argue that while an expanded conception of situated knowledges is welcome, Simandan’s focus on de-politicized instances of situated knowledge ends up blunting the theory’s critical edge. Any attempt to expand situated knowledge beyond social difference must ensure that we do not lose sight of the ways that our embodied positions within fields of power affect the production of knowledge.


2019 ◽  
Vol 11 (2) ◽  
pp. 321-340
Author(s):  
Jon McKenzie

The election of Donald Trump has exposed a politics of resentment dividing rural and urban populations, as well as communities and colleges. This division stretches back to Plato's Academy. When Plato threw the poets out of the Republic, he banished practices such as poetry, music, and dance from the realm of true, epistemic knowledge, which he opposed to doxa or common knowledge. Centuries later, this opposition would shape European colonialism's approach to indigenous life worlds, whose "primitive" rituals, myths, and fetishes would confront the "civilized" methods, histories, and objects of Western knowledge. These same oppositions structure ideological critiques of popular culture. However, the emergence of lecture performances, theory rap, and info comics within twenty-first century research universities suggests that traditional knowledge production is under stress inside and outside the academy. Emerging is a transmedia knowledge that engages different audiences by mixing episteme and doxa. At stake here: the role of aesthetics in post-disciplinary societies of control and in resistant modes of collective thought-action. Across both the arts and sciences, scholars worldwide are turning to transmedia knowledge not simply for communication but also for co-creation of research. Here transmedia knowledge can function as civic discourse and as a conduit of a generalized aesthetics.


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