scholarly journals From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion

2018 ◽  
Vol 4 (1) ◽  
pp. 205630511774314 ◽  
Author(s):  
Katrin Döveling ◽  
Anu A. Harju ◽  
Denise Sommer

Research on the processes of mediatization aims to explore the mutual shaping of media and social life and how new media technologies influence and infiltrate social practices and cultural life. We extend this discussion of media’s role in transforming the everyday by including in the discussion the mediatization of emotion and discuss what we conceptualize as digital affect culture(s). We understand these as relational, contextual, globally emergent spaces in the digital environment where affective flows construct atmospheres of emotional and cultural belonging by way of emotional resonance and alignment. Approaching emotion as a cultural practice, in terms of affect, as something people do instead of have, we discuss how digital affect culture(s) traverse the digital terrains and construct pockets of culture-specific communities of affective practice. We draw on existing empirical research on digital memorial culture to empirically illustrate how digital affect culture manifests on micro, meso, and macro levels and elaborate on the constitutive characteristics of digital affect culture. We conclude with implications of this conceptualization for theoretical advancement and empirical research.

2015 ◽  
pp. 1749-1762
Author(s):  
Vildan Mahmutoğlu

As a public sphere traditional media have some blockages for the disadvantaged groups to participate in the cultural and social life. New media help these groups for being visible in a majority and provides a base for multicultural societies. This article tries to find out the conditions of constructing the multicultural society through new media. For that purpose, a content analyse of the art and culture pages of the website and an interview have been realized with one of the founders of www.suryaniler.com. It is trying to find out that how new media helps to the minorities for the participation in the cultural life and being visible in a majority. The paper also examines how a webpage can promote the relation of people who have been spread all over the World.


2020 ◽  
Vol 32 ◽  
pp. 42-54
Author(s):  
Zulkiple Abdul Ghani

Today, in the globalized world, new media technologies including social media platforms have dramatically changed the nature of human communications. Old and new media platforms have to some extend converged and allowed the circulation of content to reach global audiences. Media content in various forms has been transmitted to the Muslim society through oral communication, written materials as well as printing, broadcast and new media technologies. Ideally, Muslim culture is derived from the culture of knowledge and communication. As understood from the notion of ‘ilm (knowledge) and iqra’ (read), the history of communication in Islam has been firmly based on the transmission of Islam as a comprehensive way of life. This article offers a systematic way of understanding the nurturing process of Islamic media content in the digital environment by examining and conceptualizing the related issues of the media ecosystem in Muslims society. Therefore, crafting the variety of Islamic media content to suit the different medium is in a need to be re-examined. This paper will evaluate issues related to overview of Islamic entertainment, examine the need for new ijtihad (legal reasoning), and nurturing Islamic popular culture through the establishment of a competitive and dynamic Islamic production house. It is argued that globalization has “imposed” some sorts of new challenges to the Muslim world with regards to the media philosophy and technology.


Author(s):  
A. Harditya

 ‘New’ technologies have disrupted the creative process of arts and media production, but no common professional practice seems to have drastically changed. ‘New' is only a trick, a temporary euphoria indicating that creative arts and media are on its way to the utopian future. Currently, creative arts and media practitioners are influenced by the dynamically developing technologies and the big issue is that they accepted every innovational media technology unknowingly, everything is normal, but every changes lead to a new normal.  The purpose of this paper is to discover the new creative production process that influenced by new technologies. In the process of discovery, this paper uses a Practice-based Research methodology by Estelle Barrett to acknowledge the capability of these media technologies by utilising creative practices. All findings in this research are discovered by experimenting on contemporary audio visual and interactive technologies. The result of this journal is a guideline for preparing new media production.


Author(s):  
Amanda Keeler

This article explores closed-circuit television (CCTV) and its ‘bright promise stage’, as it was contemplated, marketed, and implemented as a low-cost classroom tool. After the Federal Communications Commission issued the 1952 Sixth Report and Order, many schools and communities sought to bring educational television to the classroom. However, this model was financially out of reach for most. CCTV was a more affordable version of educational television that could cater to specific classroom needs and allow schools to create their own in-house network. CCTV represents just one of many new technologies that have been promoted as ideal for classroom instruction over the last century. Using articles and advertisements from popular press magazines, educational journals, books, and archival materials, this article seeks to illuminate the ‘social practices and conflicts’ that contributed to the conversations around CCTV’s classroom utility. It concludes by connecting CCTV’s promotion in the 1950s to more recent new media technologies.


Author(s):  
Enrico Proietti

The European Commission faced the subject of educational relation between new media technologies and expressions of culture in order to adopt pondered policies. This article reports on the proceedings of an Open Method of Coordination Working Group, whose task has been to study the synergies between education and culture, regarding the new methods of artistic and cultural education provided by new technologies. By illustrating the debate on Media Literacy across Europe, it shows the specific recommendations expressed by the Group. Special focus is given on the educational application of new technologies to cultural heritage. By using this paratextual tool society could improve comprehension. As happened during a workshop of the Working Group, this paper focuses on the educational significance of using archaeological contexts. The necessary mental attitude to imagine and reconstruct past exteriorities involves a lot of contexts, above all the virtual one.


Author(s):  
Yasmin Ibrahim

In our digital world, our notions of intimacy, communion and sharing are increasingly enacted through new media technologies and social practices which emerge around them. These technologies with the ability to upload, download and disseminate content to select audiences or to a wider public provide opportunities for the creation of new forms of rituals which authenticate and diarise everyday experiences. Our consumption cultures in many ways celebrate the notion of the exhibit and the spectacle, inviting gaze, through everyday objects and rituals. Food as a vital part of culture, identity, belonging, and meaning making celebrates both the everyday and the invitation to renew connections through food as a universal subject of appeal.


2021 ◽  
Vol 13 (1) ◽  
pp. 103-119 ◽  
Author(s):  
Peter F. Masibo Lumala

New technologies have challenged the established conceptual understanding of time and physical space as we know it and problematized how cultural values and power dynamics between men and women are viewed. This study sought to examine the time–space distanciation and comprehension in the face of increased access to and use of new communication technologies by families in Kenya. The article addresses the following questions: (1) How have new media technologies in Kenya affected individuals’ use of space at the family level? (2) How do women and men navigate through changes in spaces occasioned by the new media technologies? (3) What influence have new media technologies had on gendered power dynamics between men and women in the family set up? A qualitative study was carried out between October 2018 and October 2019 in Uasin Gishu County in Kenya. Interviews and observation techniques were employed with a total of 42 purposively sampled participants taking part. Qualitative techniques were used to analyse the data. The study generated a number of findings that formed the basis of key recommendations thereof.


2017 ◽  
Vol 3 (3) ◽  
pp. 473-487
Author(s):  
Xun Lin ◽  
Hua Huang

Charity in China is deeply rooted in the guanxi tradition and mainly involves strong ties. In the wake of emerging social media, online charity (also known as micro-charity) has become increasingly popular over the past few years. People’s participation in micro-charity is afforded by the ubiquitous connectivity of social media. Their charitable behaviours are steered towards connecting, communicating, and eventually contributing to the formation of a powerful digital environment, which essentially diffuses the awareness of responsibility and commitment. Thus, the affordance of connectivity makes it possible for Chinese people to break from the traditional tightly-bounded close ties towards loosely-bounded networks in micro-charity. In addition, by drawing on some college students’ experiences, this article indicates that connectivity affords people’s active engagement with micro-charity, which in turn fosters their distinct subjectivity pertaining to a social life that is intertwined with new media technology.


2011 ◽  
Vol 11 (4) ◽  
pp. 328-340 ◽  
Author(s):  
Henry A. Giroux

This article compares the massive and widespread student protests in Europe and the Middle East with the relatively weak forms of protests emanating from students in the United States. Through consideration of the different formative cultures in Europe and the Middle East and the protesters’ use of the new media technologies, the article argues that the formative culture for dissent and critical education in the United States has been weakened and depoliticized, while neoliberal economic conditions and disciplinary apparatuses have amplified such conditions. Increased privatization, the closing down of critical public spheres, and the endless commodification of all aspects of social life have created a generation of students in the United States reared on the view that politics is irrelevant. In contrast, the message heard by students all over the world, especially in Europe, is that casino capitalism and totalitarian societies can no longer make a claim on the future of young people and increasingly are failing, either through making false promises or using threats and coercion to contain the hopes of young people. Rather than asking why U.S. students do not engage in massive protests, the crucial question raised by this article is when will they look beyond the norms, discourses, and rewards of the neoliberal society they have inherited from their elders?


Author(s):  
Dragana Pavlović ◽  
Nikoleta Momčilović ◽  
Dina Petrović

New technologies provide significant logistical support to contemporary learning process, particularly in the field of university education. Students, as part of the youth population in the process of education, use new media technologies daily, among which an important place belongs to Facebook. Although Facebook is not characterised as a technology through which one learns, and is primarily used for communication and exchange of information, a number of research point to the importance of Facebook as a logistic support to the learning process. The main objective of the research was to determine students' attitudes about the use of Facebook in learning and sharing information important to learn the German language in the process of university studying. The study included 120 students of Faculty of Philosophy, who learn German as a second foreign language. Data obtained from the research confirmed that students use Facebook to share information related to exams, to exchange translation and other specialised texts in German. As for study purposes, the results of the research show that students mostly use Facebook for information sharing in the field of experience exchange with older colleagues, and least for the exchange of scientific articles. Research findings indicate that more than half of the surveyed students recognised Facebook as a significant support in learning the German language. As a recommendation, the need for greater use of new media for learning and for providing adequate logistics of the learning process stands out, which is particularly important in the current reform of higher education.


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