Political Violence and the Health Professional

1991 ◽  
Vol 159 (6) ◽  
pp. 7-9
Author(s):  
Stuart Turner
Keyword(s):  
New York ◽  
Political Violence ◽  
American Association ◽  
International Association ◽  
Research Centre ◽  
The Political ◽  
Torture Survivors ◽  
Head Nurse ◽  
Biographical Dictionary ◽  
Torture Victims

Andre Koppers is a historian, now working as a research assistant attached to the International Association on the Political Use of Psychiatry. His A Biographical Dictionary on the Political Abuse of Psychiatry in the USSR is published by the IAPUP, Amsterdam (£5, 180 pp., 1990) Lone Jacobsen is head nurse and Peter Vesti a psychiatrist at the Danish Rehabilitation and Research Centre for Torture Victims. Torture Survivors–A New Group of Patients is published by the Danish Nurses1 Organization, Amsterdam (£12, 80 pp., 1990, in an English translation by Bente Bach) and is intended primarily for nurses. Finally, Eric Stover, a staff officer with the American Association for the Advancement of Science (AAAS), and Elena Nightingale, lecturer in health policy at Harvard and chair of the AAAS Committee on Scientific Freedom and Responsibility, edited The Breaking of Bodies and Minds, published by W. H. Freeman, New York (£16.95 (pb), 335 pp., 1985).

scholarly journals Screening for Torture

2011 ◽  
Vol 219 (3) ◽  
pp. 143-149 ◽  
Author(s):  
Andrew Rasmussen ◽  
Mia Crager ◽  
Eva Keatley ◽  
Allen S. Keller ◽  
Barry Rosenfeld
Keyword(s):  
New York ◽  
Psychological Symptoms ◽  
The United States ◽  
Torture Survivors ◽  
Treatment Clinic ◽  
Convention Against Torture ◽  
United Nations Convention ◽  
Legal Contexts ◽  
Torture Victims ◽  
Practical Implications

Torture has been defined most precisely in legal contexts. Practitioners who work with torture survivors and researchers who study torture have frequently cited legal definitions, particularly those in the United States’ Torture Victims Relief Act, the United Nations Convention against Torture, or the World Medical Association’s Declaration of Tokyo. Few practitioners have operationalized these definitions and applied them in their practice. We describe how a New York City torture treatment clinic used a coding checklist that operationalizes the definitions, and present results. We found that in practice these definitions were nested; that using guidelines for applying the definitions in practice altered the number of cases meeting criteria for these definitions; and that the severity of psychological symptoms did not differ between those who were tortured and those who were not under any definition. We propose theoretical and practical implications of these findings.

Arte ConTexto

2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock
Keyword(s):  
Public Space ◽  
Political Violence ◽  
Pictorial Representation ◽  
The Political ◽  
Left Wing ◽  
Political Dimension ◽  
Political Views ◽  
Socialist Government ◽  
The 1960S ◽  
The Military

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.

State Failure and the Political Violence Phenomenon: A Comparative Analysis of Iraq and Syria Cases

2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle
Keyword(s):  
Cold War ◽  
Political Violence ◽  
State Failure ◽  
The Political ◽  
Collective Violence ◽  
Short Run ◽  
Definition Of ◽  
The Cold War

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.

Three Looks at German Foreign Policy before September 11: A Landscape Shifts

2002 ◽  
Vol 20 (4) ◽  
pp. 73-81
Author(s):  
Karen Donfried
Keyword(s):  
New York ◽  
Foreign Policy ◽  
Policy Decision ◽  
The Political ◽  
German Foreign Policy ◽  
State University ◽  
European Monetary ◽  
Monetary Cooperation ◽  
Policy Decision Making ◽  
The Eu

Wolf-Dieter Eberwein and Karl Kaiser, Germany’s New Foreign Policy: Decision-Making in an Independent World (Hampshire: Palgrave, 2001)Adrian Hyde-Price, Germany & European Order: Enlarging NATO and the EU (Manchester: Manchester University Press, 2000)Matthias Kaelberer, Money and Power in Europe: The Political Economy of European Monetary Cooperation (Albany: State University of New York Press, 2001)

Issues Surrounding the Development of the Neo-Nazi Scene in East Berlin

2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers
Keyword(s):  
New York ◽  
German Democratic Republic ◽  
Democratic Republic ◽  
Third Reich ◽  
Communist Regime ◽  
The Political ◽  
Social Culture ◽  
East Berlin ◽  
The Third ◽  
The Third Reich

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.

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