“Still There”: (Dis)engaging with Dickens's Minor Characters

2020 ◽  
Vol 53 (2) ◽  
pp. 193-212
Author(s):  
Kristen H. Starkowski

Abstract More can be done in minor character studies to account for the strong sense of being that emerges at the edges of the nineteenth-century novel. By pairing traditional readings of the minor character in narrative theory with sociologist Erving Goffman's writings on disengagement, this article offers a different perspective on the competition for narrative attention as we know it. For example, when disengagement is taken into account, Alex Woloch's losers in the competition for narrative attention become winners in the formulation of a fulfilling social life. Dickens's minor characters take part in central spaces while not being contained by them. Their distance from main scenes and settings, captured in passing by a gaze that has no interest in registering these elsewheres in any level of depth, has the effect of making minor characters appear strange, memorable, or other, even though their worlds are quite rich. But Dickens's minor characters define the ingenuity of counterintuition, pointing toward a suppressed energy that belies the flatness of a minor character. Drawn with care, these characters build alternative, codependent ways of surviving on the edges of the characterological field.

2021 ◽  
Vol 55 (1) ◽  
Author(s):  
Nathan Hahn ◽  
Ernest Van Eck

In any research of the biblical themes in Scriptures, the exegete must exercise discipline in strictly adhering to an exegetical process wherein the text is permitted to speak for itself in the context of the passage. This article therefore explored the literary traits and analysed characterisations in the story of the lame man at the pool of Bethesda as portrayed in John 5 through a ‘narratological and exegetical’ approach, considering literary, social, cultural and historical criticism with significant attention given to the text of the author or narrator. It is very important to know the author’s theological viewpoint as seen in the characterisation of an anonymous character in the related gospel narrative, because it may be easily be overlooked due to the lack of attention for a minor character. The author’s theological point of view is revealed in the characterisation of the lame man, the Jewish religious leaders, and of Jesus. Although the lame man himself is generally regarded as one of the ‘minor characters’ who appears in the gospel, the narrative of the lame man’s healing is an important part of John’s Christology and doxology, establishing Jesus as the Son whom God the Father sent to do God’s work not for his own glory, but for the glory of God the Father. An analysis is undertaken of the literary traits and various characterisations evident in the seven scenes of John 5’s account of the healing of the lame man, comparing him with other minor characters in John 4 and 9 who were healed.Contribution: In this article a narratological and exegetical approach is employed to identify the Christological and doxological significances in John 5 by exploring the literary traits of the narrative point of view and character presentation through the theological perspective of the narrator.


2012 ◽  
Vol 62 (4) ◽  
pp. 561-571
Author(s):  
Jonathan Grossman

Abstract Literary analysis tends to focus on major characters or minor characters as long as their active role in the narrative serves to further the plot. The contribution of minor characters is often viewed as limited to their active role in the narrative. However, sometimes the passive role of a minor character, and even the disappearance of a character from the plot, can serve a valuable literary purpose. This article outlines the nature of the Vanishing Minor Character, whose literary purpose is to disappear at a crucial moment, making room for the remaining characters. The article demonstrates this model using the character of Hathach—the Persian eunuch—who serves as an intermediary between Esther and Mordecai in Esther 4.


Author(s):  
Rachel Ablow

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.


Author(s):  
Jill Hicks-Keeton

The Introduction claims that the ancient romance Joseph and Aseneth moves a minor character in Genesis from obscurity to renown, weaving a new story whose main purpose was to intervene in ancient Jewish debates surrounding gentile access to Israel’s God. Aseneth’s story is a tale of the heroine’s transformation from exclusion to inclusion. It is simultaneously a transformative tale. For Second Temple-period thinkers, the epic of the Jewish people recounted in scriptural texts was a story that invited interpretation, interruption, and even intervention. Joseph and Aseneth participates in a broader literary phenomenon in Jewish antiquity wherein authors took up figures from Israel’s mythic past and crafted new stories as a means of explaining their own present and of envisioning collective futures. By incorporating a gentile woman and magnifying Aseneth’s role in Jewish history, Joseph and Aseneth changes the story. Aseneth’s ultimate inclusion makes possible the inclusion of others originally excluded.


Author(s):  
Leo Tolstoy

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.


2021 ◽  
Vol 65 (2) ◽  
pp. 157-167
Author(s):  
Grzegorz Sokół

The subject of this essay is Andrzej Waśkiewicz’s book Ludzie – rzeczy – ludzie. O porządkach społecznych, gdzie rzeczy łączą, nie dzielą (People–Things–People: On Social Orders Where Things Connect Rather Than Divide People). The book is the work of a historian of ideas and concerns contemporary searches for alternatives to capitalism: the review presents the book’s overview of visions of society in which the market, property, inequality, or profit do not play significant roles. Such visions reach back to Western utopian social and political thought, from Plato to the nineteenth century. In comparing these ideas with contemporary visions of the world of post-capitalism, the author of the book proposes a general typology of such images. Ultimately, in reference to Simmel, he takes a critical stance toward the proposals, recognizing the exchange of goods to be a fundamental and indispensable element of social life. The author of the review raises two issues that came to mind while reading the book. First, the juxtaposition of texts of a very different nature within the uniform category of “utopia” causes us to question the role and status of reflections regarding the future and of speculative theory in contemporary social thought; second, such a juxtaposition suggests that reflecting on the social “optimal good” requires a much more precise and complex conception of a “thing,” for instance, as is proposed by new materialism or anthropological studies of objects and value as such.


2021 ◽  
Author(s):  
◽  
Sarah Parry

<p>In the nineteenth century, the discussion of personal health and wellbeing became almost a national pastime. With publications such as the British Medical Journal and Lancet freely accessible to the everyday reader, common medical terms and diagnoses were readily absorbed by the public. In particular, the nineteenth century saw the rapid rise of the ‘nervous illness’ – sicknesses which had no apparent physical cause, but had the capacity to cripple their victims with (among other things) delirium, tremors and convulsions. As part of the rich social life of this popular class of disorder, writers of fiction within the nineteenth century also participated in the public dialogue on the subject. Authors such as Charlotte Brontë, Wilkie Collins, Charles Dickens and Sir Arthur Conan Doyle all constructed narratives involving nervous sufferers, particularly hypochondriacs and victims of brain fever. Despite writing in a wide variety of genres ranging from Gothic to realist, the roles played by the illnesses within the texts of these authors remain a vital feature of the plot, either as a hindrance to the protagonists (by removing key players from the plot at a critical moment) or a method of revealing deeper aspects of their character. Nervous illnesses carried with them social stigmas: men could be rendered feminine; women could be branded recklessly passionate or even considered visionaries as ideas about the nerves, the supposed seat of emotion and passion, brought into sharp relief the boundaries between physical and mental suffering, and physical and spiritual experiences.  The central aim of this thesis is to examine the cultural understanding of nervous illness and how nineteenth-century texts interacted with and challenged this knowledge. It focuses on how nineteenth-century authors of different genres – particularly the Gothic, sensation and realist genres – use the common convention of nervous illness – particularly hypochondria and brain fever – to develop their protagonists and influence the plot. Through comparisons between literary symptoms and those recorded by contemporary sufferers and their physicians, this thesis analyses the way that the cultural concept of nervous illness is used by four principal Victorian authors across a range of their works, looking at how hypochondria and brain fever function within their plots and interact with gender and genre conventions to uphold and subvert the common tropes of each. Whether it aids or hinders the protagonist, or merely gives the reader an insight into their personality, nervous illness in the Victorian novel was a widely used convention which speaks not only of the mindset of the author, but also of the public which so willingly received it.</p>


Author(s):  
Martin Brückner

The symbolic and social value of maps changed irreversibly at the turn of the nineteenth century when Mathew Carey and John Melish introduced the business model of the manufactured map. During the decades spanning the 1790s and 1810s respectively, Carey and Melish revised the artisanal approach to mapmaking by assuming the role of the full-time map publisher who not only collected data from land surveyors and government officials but managed the labor of engravers, printers, plate suppliers, paper makers, map painters, shopkeepers, and itinerant salesmen. As professional map publishers, they adapted a sophisticated business model familiar in Europe but untested in America. This chapter documents the process of economic centralization and business integration critical to the social life of preindustrial maps and responsible for jump-starting a domestic map industry that catered to a growing and increasingly diverse audience.


Author(s):  
Andrew Preston

By the end of the nineteenth century, the United States had become the world’s preeminent economic power. Yet for such a large and wealthy country, by 1890 the United States was in a curious position: it was an economic colossus, but a diplomatic and military dwarf. In comparison to the great powers of Europe or Japan, America was a minor actor on the world stage. That would all soon change. ‘Global America’ explores two phenomena—globalization and world war—that brought America deeper into world affairs. By the end of the period, in 1919, the United States had become one of the greatest powers of the world—and yet refused to play its part.


Rural History ◽  
2008 ◽  
Vol 19 (1) ◽  
pp. 55-80 ◽  
Author(s):  
JOHN PICKARD

AbstractShepherds were a critical component of the early wool industry in colonial Australia and persisted even after fencing was adopted and rapidly spread in the later nineteenth century. Initially shepherds were convicts, but after transportation ceased in the late 1840s, emancipists and free men were employed. Their duty was the same as in England: look after the flock during the day, and pen them nightly in folds made of hurdles. Analysis of wages and flock sizes indicates that pastoralists achieved good productivity gains with larger flocks but inflation of wages reduced the gains to modest levels. The gold rushes and labour shortages of the 1850s played a minor role in increasing both wages and flock sizes. Living conditions in huts were primitive, and the diet monotonous. Shepherds were exposed to a range of diseases, especially in Queensland. Flock-masters employed non-whites, usually at lower wages, and women and children. Fences only replaced shepherds when pastoralists realised that the new technology of fences, combined with other changes, would give them higher profits. The sheep were left to fend for themselves in the open paddocks, a system used to this day.


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