Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific

2022 ◽  
Vol 2022 (142) ◽  
pp. 37-56
Author(s):  
Sunny Xiang

Abstract This article examines a range of mid-twentieth-century American fashions, particularly women’s intimate wear, that went by the name of “bikini.” In doing so, it identifies the bikini as an overt but unremarkable incident of racial and colonial violence. Treating the nuclear Pacific as conspicuously incidental in mainstream atomic culture enables new insights on the visual interplay between white femininity and primitive sexuality—an interplay that, the author argues, was integral to establishing domestic virtue and modern living as atomic age touchstones of “peace.” To elaborate on this argument, this article tracks the bikini’s achievement of propriety within a broader fashion revolution spurred by the use of high-tech fibers in swim, sleep, and support garments. It shows how an atomic ideal of “nature” arose from an imperial desire for security in the face of extreme risk—both the global risk of nuclear war and the domestic risk of sexual promiscuity.

This book is devoted to the life and academic legacy of Mustafa Badawi who transformed the study of modern Arabic literature in the second half of the twentieth century. Prior to the 1960s the study of Arabic literature, both classical and modern, had barely been emancipated from the academic approaches of orientalism. The appointment of Badawi as Oxford University's first lecturer in modern Arabic literature changed the face of this subject as Badawi showed, through his teaching and research, that Arabic literature was making vibrant contributions to global culture and thought. Part biography, part collection of critical essays, this book celebrates Badawi's immense contribution to the field and explores his role as a public intellectual in the Arab world and the west.


Author(s):  
Oren Izenberg

This book offers a new way to understand the divisions that organize twentieth-century poetry. It argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience—and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, the book reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty—from William Butler Yeats's esoteric symbolism and George Oppen's minimalism and silence to Frank O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life—what distinguishes a poet or group of poets?—ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions—all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.


Author(s):  
Chris Forster

Modernist literature is inextricable from the history of obscenity. The trials of such figures as James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts of twentieth-century literature. Filthy Material: Modernism and the Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. The emergence of film, photography, and new printing technologies shaped how “literary value” was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of modernist obscenity to discover the role played by technological media in debates about obscenity. The shift from the intense censorship of the early twentieth century to the effective “end of obscenity” for literature at the middle of the century was not simply a product of cultural liberalization but also of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity with novel readings of works of modernist literature. It sheds new light on figures at the center of modernism’s obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse of obscenity to understanding figures not typically associated with obscenity debates (such as T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (such as Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.


2020 ◽  
Vol 94 (3) ◽  
pp. 593-625
Author(s):  
Sebastian Hoffmann ◽  
Stephen P. Walker

German corporations are characterized as having been adaptable in the face of numerous traumatizing events during the twentieth century. This article explores how firms adapted their accounting information systems during the hyperinflation of the 1920s. It suggests that responses to the crisis focused on system elements identified as key to continuing operations. Initially, firms amended selling and purchasing arrangements, modified financial reporting, and shifted managerial reporting to nonmonetary information. As inflation accelerated, human resources were diverted to maintaining critical functions, especially those related to remunerating labor. While some elements of accounting systems fell into disrepair, there were also examples of innovation.


2001 ◽  
Vol 29 (1) ◽  
pp. 87-119 ◽  
Author(s):  
Kenneth R. Hall

AbstractSoutheast Asian sources that report regional connection with the Majapahit and Angkor polities reflect upon a rapidly changing fourteenth and fifteenth century world order, the result of new trading opportunities as Europeans were becoming more direct participants in affairs beyond their Western home-lands. In the face of the individualistic and destructive tendencies of the wider global community circa 1500, in the Strait of Melaka region there was less dislocation and isolation than is supposed by many twentieth century scholars. Despite the number of political and religious transitions underway, in the Southeast Asian archipelago and mainland there was a sense of regional self-confidence and progress among societies who had enjoyed over two hundred years of widespread socio-economic success. These successes were the product of the functional international, regional, and local networks of communication, as well as a common heritage that had developed in the Strait of Melaka region during the pre-1500 era. This study not only addresses the role of Majapahit and Angkor in the shaping of regional inclusiveness circa 1500, but also explores the enduring (and often exclusive) legacy of these two early cultural centers among Southeast Asia's twentieth century polities.


Author(s):  
Kai Erikson

This chapter tells the story of peasants from rural Poland who entered a migrant stream around the turn of the twentieth century that carried them, along with tens of millions of others, across a number of clearly marked national borderlines as well as a number of unmarked cultural ones. The peasants were a couple named Piotr and Kasia Walkowiak, and the words spoken by them as well as the events recalled here are based on the hundreds of letters and diaries gathered in the 1910s by two sociologists from the University of Chicago, W. I. Thomas and Florian Znaniecki. The chapter first describes the world into which Piotr and Kasia were born, focusing on family, village, and land. It then considers their journey, together with millions of other immigrants, and how they changed both the face of Europe and the face of the United States.


2021 ◽  
pp. 125-149
Author(s):  
K.Yu. Burmistrov

The acquaintance of Maximilian Aleksandrovich Voloshin (1877–1932), one of the central figures in the history of Russian culture in the first third of the twentieth century, with the tradition of Western European esotericism, as well as with the concepts of Jewish Kabbalah, is still poorly understood. At the same time, it is known that they played an important role in his worldview and creativity. The article offers an analysis of several topics related to Kabbalah, which had a noticeable impact on the work of Voloshin. Particular attention is paid to the problem of establishing written sources of borrowings and interpretations of Kabbalistic ideas, clarifying concepts, as well as ways of transmitting elements of Kabbalah among European and Russian esotericists. Through the study of various works of Voloshin, his diary entries, drafts and correspondence, the names of esoteric authors who are especially important for the study of this topic have been identified (E.P. Blavatsky, A. Fabre d'Olivet, A. Franck, Eliphas Levi and etc.). Through a thorough analysis of the methods of perception and transmission of the ideas of Kabbalah among European esotericists, it was shown that, strange as it may seem, the result of studying such sources and their interpretation by Voloshin was a fairly accurate and adequate use of Kabbalistic concepts both in theoretical works and in poetry.


Author(s):  
Tanjana S. Zlotnikova ◽  

The article raises the question of foreseeing moral and intellectual, aesthetic and political collisions that could occur after the expected changes at the turn of the XIX–XX centuries. The philosophical and anthropological paradigm of the pre-revolutionary era is defined through metaphors and concepts that attracted the attention of Russian philosophers, representatives of the sphere of artistic creativity: «expectation» (of changes, new people and phenomena) and «fear» (of changes, the unknown). For the analysis, we selected the judgments of prominent philosophers who discovered existential issues and related existential problems of the transition era for their contemporaries: V. Solovyov, V. Rozanov and N. Berdyaev. In V. Solovyov, the problem of waiting is related to the loneliness of a person in the face of global discord. Attention is drawn to the concept of «symptom of the end», to the concepts of crisis and disaster. Loneliness is experienced by the intellectual in anticipation of changes, possibly destructive, so the expectation as a context of loneliness turns into horror. V. Rozanov emphasized the tendency to distance himself from the world, Europe, contemporaries and classics in Russia. In Rozanov's philosophical and journalistic works, the future is not discussed at all because it is impossible to construct it; the past, which might have been the refuge of ideas about the harmony and dignity of life, causes the philosopher's attitude is sometimes even more negative than the present. On the example of the great creators – A. Chekhov, V. Meyerhold, V. Komissarzhevskaya and other contemporaries of N. Berdyaev, the psychoemotional tension from the coming crisis, the horror in anticipation of the coming future is shown. Berdyaev organically raises the question of the border between longing and other conditions (boredom, horror, a sense of emptiness), and the border is existential.


AI & Society ◽  
2021 ◽  
Author(s):  
Sabrina Hauser ◽  
Johan Redström ◽  
Heather Wiltse

AbstractIn the face of massively increased technological complexity, it is striking that so many of today’s computational and networked things follow design ideals honed decades ago in a much different context. These strong ideals prescribe a presentation of things as useful tools through design and a withdrawal of aspects of their functionality and complexity. Beginning in the mid-twentieth century, we trace this ‘withdrawal program’ as it has persisted in the face of increasing computational complexity. Currently, design is in a dilemma where computational products can be seen as brilliantly designed and engaging to use yet can also be considered very problematic in how they support hidden agendas and often seem less than trustworthy. In this article, we analyse factors shaping this emergent ethical dilemma and reveal the concept of a widening rift between what computational things actually are and do and the ways in which they are presented as things for use. Against this backdrop, we argue that there is a need for a new orientation in design programs to adequately address this deepening rupture between the aesthetics and ethics in the design of computational things.


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