scholarly journals Χορευτική-μουσική ταυτότητα και ετερότητα

2007 ◽  
Author(s):  
Χρήστος Παπακώστας

The present dissertation aims at studying dancing and music and the relationship between these two forms of culture in the construction of the cultural identity of the Roma in Heracleia of the Prefecture of Serres. Nowadays, Heracleia is a town with 4,000 residents. Its population has a mixed ethnological composition: Vlachs, natives (Greek speakers, and Slavic speakers), refugees, Sarakachans, Roma and Gypsies. In the past Heracleia was known as Tzumaya and was flourishing both financially and culturally thanks to its geographical position in the times of the Ottoman Empire and thanks to its famous bazaar. Thus, for a more complete understanding of the changes and transitions that took place it is significant to embody history as a new fundamental framework of interpretation. An important research tool for the accentuation of the principal arguments of thedissertation is the space. In this specific experiential paradigm the construction of identities and the distinction between the ethnic groups is also reflected on the organization of space. The neighborhood, the space of the Roma(sedentary gypsies), is juxtaposed to the respective neighborhood of the Vlachs, the market. Thus, the space is not only examined a “geography” but as a historical and dynamic category connected and interacting with culture. The dynamic quality of dancing and music, the ethnic mosaic and the history of Heracleia and the neighboring area as well as the continuous mobility of the Roma musicians invites us to investigate if there is actually a total isomorphism of space and culture. Music and dancing are not seen as static and fixed cultural phenomena but as historical, dynamic and fluid categories that are the object of negotiation of collective identities and variants. Dancing and music are simultaneously products and processes and do not merely reflect the social structures but are closely related to the cultural identity of a group. For the transgression of the dichotomy structure/action we adopt the theory of practice (Bourdieu 1977). In this way, dancing and music become cultural practices, by which the Roma of Heracleia handle their cultural identity in any historical conditions. Especially in the case of the Roma, this approach is even more helpful, because, as a social group with a low social status, within music and dancing they are given the chance to re-determine their identity in relation to the others. That is to say that by applying various practices of resistance, acquiescence, conflict and acceptance, they attempt to give a positive perspective to their cultural identity. In the framework of this dissertation the dancing phenomenon in the neighbourhood of the Roma and the music, as a prominent form of their professional activity, are examined.

Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


10.1068/d310 ◽  
2003 ◽  
Vol 21 (2) ◽  
pp. 223-252 ◽  
Author(s):  
G Alex Bremner ◽  
David P Y Lung

In this paper we discuss the role and significance of European cultural identity in the formation of the urban environment in 19th-century and early-20th-century British Hong Kong. Our purpose is to offer an alternative reading of the social history of Hong Kong-the orthodox accounts of which remain largely predominant in the general historical understanding of that society-by examining the machinations that surrounded attempts by the European colonial elite to control the production of urban form and space in the capital city of Hong Kong, Victoria. Here the European Residential District ordinance of 1888 (along with other related ordinances) is considered in detail. An examination of European cultural self-perception and the construction of colonial identity is made by considering not only the actual ways in which urban form and space were manipulated through these ordinances but also the visual representation of the city in art. Here the intersection between ideas and images concerning civil society, cultural identity, architecture, and the official practices of colonial urban planning is demonstrated. It is argued that this coalescing of ideas, images, and practices in the colonial environment of British Hong Kong not only led to the racialisation of urban form and space there but also contributed to the apparent anxiety exhibited by the European population over the preservation of their own identity through the immediacy of the built environment.


2021 ◽  
Author(s):  
Fenti Nur Azizah ◽  
Moses Glorino Rumambo Pandin

The book "The History of Indonesian Women's Organizations (1928-1998)" has the aim of showing how the social and political history of the Indonesian women's movement, as time has gone by, the times have been punctured by the times. Apart from that, this book also shows the various issues that were raised, debated, and fought for in different historical contexts and the actors who played a role in the Indonesian women's movement. By showing these two things, readers can have a broad understanding of the Indonesian women's movement.This book is intended for the millennial generation so that they know how the Indonesian women's movement is. Why is that? Because this book deliberately took a very long period of time, namely in the span of seventy years (1928-1998). So that readers, especially the millennial generation, can imagine what happened at that time.History writing about the Indonesian women's movement has been done by many scientists, but in the book "History of Indonesian Women's Organization (1928-1998)" has a difference, namely using detailed references to reliable sources and coverage of a very long historical period. In addition, this book provides information on how the priority of the issues under debate reflected the political context in different historical periods.This book needs to be reviewed because the content in the book is very interesting so that it can be dissected in depth. The author of the book has been doing research for at least the last ten years, it is also interesting why you need to review the book because the author made this book with a long struggle.


2021 ◽  
Author(s):  
Taylor MacLean

Land claim cases within Canada have yielded mostly small wins for Indigenous nations. While certain cases represent success in reinstating rights to cultural practices, granting certain levels of autonomy, and acknowledging rights to land use for culturally relevant activities, overriding sovereignty rests with Canada. Even land claim cases deemed successful are still adjudicated within the Canadian court system, and it is the nation-state of Canada that determines the validity of Indigenous claims to traditional territories. In this paper, I explore the discursive and narrative devices utilized within judicial rulings that uphold Crown sovereignty and deny Indigenous sovereignty. I argue that Indigenous sovereignty is undermined in legal discourse through the use of concealed narrative acts, which serve to sterilize racialized legal doctrines and distort the social and political history of relations between Indigenous nations and the Crown.


2018 ◽  
Vol 28 (1) ◽  
pp. 333-357
Author(s):  
Manuela Caballero ◽  
Artemio Baigorri

This work poses difficulties in the use of the generation concept as a social research instrument, due to its complex and multidimensional nature. A complexity by which is not a concept widely used in a current Sociology that focuses more on the mathematisation. But some social processes cannot be reduced to algorithms. For the theoretical review we have used contributions from Sociology, Philosophy and History, because it is of a transversal disciplinary nature, and we have applied it to the identification of Spanish generations in the 20th century. Inspired by Ortega’s theses and Strauss and Howe empirical development implemented for American society, the resulting model presents six generations with different collective identities that reflect the social changes in the history of Spain during the last century. A model that, after being tested in sectorial investigations, may constitute a useful new tool for the analysis of social change.


2007 ◽  
Vol 41 (6) ◽  
pp. 1113-1143 ◽  
Author(s):  
ANDREW McWILLIAM

Drawing on the literature of networks and marginality, this paper explores the social history of the small trading port of Com on the northeast coast of Timor. Com's marginality, as I define it, is constituted as a remote outpost of inter-island and trans-local trade networks of the Indonesian archipelago, and reproduced in its contemporary isolation from centres of economic power and processes of the global market. The paper draws on narrative traditions and documentary evidence to chart Com's fluctuating historical fortunes and contemporary cultural practices. In the fragile post-independence environment of Timor Leste, the resident population of Com is once again looking towards a creative engagement with external others in the hope of renewed prosperity.


2019 ◽  
Vol 1 (27) ◽  
pp. 56-69
Author(s):  
Tho Ngoc Nguyen

Cultural practice is a kind of expression and reflection of real livelihood into human mind and experience, is a set of knowledge, values, faiths and social standards constructed by the whole community; therefore, it contains the rhythm and breath of life and can be changed to meet the demands. Regarding socialenvironment, the communities always keep going on the processes of developing and diversifying their culture through acculturation, exchange and localization, which finally constructs the social norms, goals and driving forces for their advancement. Among various approaches and methodologies, the change in  empowerment in cultural practices actively offers the optimized values in functional standardization and implementation. The final value is undoubtedly the social capital. This research is to investigate the introduction, development, change and empowerment of the Chinese-rooted Guan Gong belief in Vietnam, through which emphasizes the process and nature of the cult during the deep absorption in Vietnamese history of anti-foreign invasions throughout the last two centuries, and enriches local values of a characteristic belief and a symbolic icon of multicultural exchanges in Vietnam, especially in the Southern region. Thispaper applies the theories of deconstruction and empowerment under cultural studies perspective in order to analyze and explain the processes of  deconstruction, restructuring and empowerment in the cult of Guan Gong in Southern Vietnam as well as extract the regular principle of cultural exchanges locally.


2021 ◽  
Author(s):  
Farras Kartika Kusumadewi ◽  
Moses Glorino Rumambo Pandin

The study of Islamic history today may not have been regulated through literature, either in foreign languages or using Indonesian (translations or works of the nation's children). Many books have studied the history of Islam that we can get to fill our information, but no one book is so complete, one literature with another can complement each other to form knowledge of Islamic history. From the thought that no single work is perfect and on the contrary will complement each other, the author of this book aims to present the book Sejarah Peradaban Islam to be a reference and teaching material for the history of Islamic civilization course. The author hopes that this work will not only serve as a reference for students majoring in history at various universities, but has also become a public reading as an important contribution to reinventing Islamic civilization in the past, present, and future.Previously, this book entitled Sejarah Islam was only published in a limited edition (30 copies) by Rayhan Intermedia six years ago for student reading. After undergoing revisions in several parts as well as adjusting the curriculum and lecture materials, a book with the title Sejarah Peradaban Islam was presented. This book is intended for everyone, from all walks of life. Although it focuses on Islam, it can be read by anyone who wants to gain additional knowledge about Islamic history.The flow of study in the book does not follow the periodization of Islamic history as written by Harun Nasution, which is divided into the classical period (650-1250 AD), the middle period (1250-1800 AD), and the modern period (1800 AD). His presentation in the book is more based on the growth and development of Islamic civilization in various regions and the reign of a certain caliph or king, however, it does not ignore the characteristics of the times and the character of the period in which Islam grew and developed. In certain parts of the book, it also reviews the roots and implications of the social revolution, the glorious achievements of the rulers, and the peaks of the development of Islamic civilization in various parts of the world.The book of Sejarah Peradaban Islam from Ahmadin needs to be reviewed to know what is in the book, considering some of the previous things. In addition, also to find out what weaknesses and strengths are contained in the book, it is possible to recommend the book as additional reading for others.


Author(s):  
Mina Karavanta

If creolization was represented as the property of the postcolonial world, the sign of hyphenated cultures emerging from the slave plantation economy and the slave trade, it has become a concept that names the transformation of the dominant cultures from within the other “minor” cultures and histories with which they have been living. Creolization emerges as the urgency to develop new concepts and disseminate “contrapuntal” and “affiliated” histories (Said) in order not only to narrate the Caribbean diaspora but also the social, political, and historical development of a wider British culture. In this light, this essay examines Imoinda: Or She Who Will Lose Her Name as a text that mediates between cultures represented as oppositional and operates as a site where their discrepant histories are translated, written anew, and rethought. The text as a site of translation and affiliation of different aesthetics, genres and traditions represents a new poetics of the human whose history is now narrated by the formerly dispossessed and expropriated other. The history of imperialism and slavery narrated of imperialism and slavery is an old narration but its telling is new for it generates new ways of understanding this history in the present where constituencies and communities of different cultural practices, often speaking different languages while sharing the language(s) of the dominant culture, are called forth to live together and live well.


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