scholarly journals ΟΙ ΚΑΛΛΙΤΕΧΝΙΚΟΙ ΣΥΛΛΟΓΟΙ ΚΑΙ ΟΙ ΣΤΟΧΟΙ ΤΟΥΣ (1880-1910)

Μνήμων ◽  
2001 ◽  
Vol 23 ◽  
pp. 221
Author(s):  
ΕΥΘΥΜΙΑ Ε. ΜΑΥΡΟΜΙΧΑΛΗ

<p>Efthimia Mavromichali, Artists associations in Greece 1880-1910 and their goals</p><p>During the last twenty years of the 19th century and the first decadeof the 20th the first artists associations appear in Athens. Such societiesare founded mostly through the initiative of art-lovers and are indicativeof the new sociability of the rising middle classes of Athens. Artistsattempt to establish their own societies, to demarcate and safeguardtheir professional rights, but without success. Being, however, dependenton art-lovers for financial support and social power, artists are compelledto include them in their associations. The role of the artist in suchassociations is advisory and consultative. Thus artists associations inGreece differ from contemporary associations founded in the rest ofEurope, in that the principles governing their formation are not primarilybased on matters of style and artistic principles.In this study I examine the function and activity of three suchsocieties, namely, The Art-lovers' Society, The Artists' Union, and TheArtists' Society. The artistic activity during the period in question ismarked by the private initiatives of art-lovers and artists. This, however,stands in a wider social context that attributes a national andmoral mission to art and expects art to contribute to national renewal,especially after the devastating war of 1897.Artists' associations attempt to fulfil their mission in society bypromoting the fine arts, by cultivating the development of aestheticcriteria among a wide range of people and by supporting artists. Inpursuit of these goals, they organise exhibitions which, although notalways under strict artistic rules, give a significant impulse to art marketing,and pave the way for state initiatives in support of art and artists.</p>

2021 ◽  
Vol IX(258) (47) ◽  
pp. 10-14
Author(s):  
V. Honcharuk

The present article examines the special characteristics of the development of small-scale sculpture as an independent phenomenon in Lviv fine arts of the second half of the 20th century within the framework of the interpretation of a human being image, since the following problem has not been sufficiently studied in Ukrainian art criticism. In particular, the research focuses on the specific features of artistic experiments of the representatives of decorative and applied art in the field of anthropomorphic sculpture; traces characteristic features of conceptual and modelling solutions; identifies artistic and stylistic features and peculiarities of the representation of a human being image. The author stresses upon the role of Lviv Ceramic and Sculpture Factory that largely set trends in the development of small-scale sculpture. In addition, as based on works of famous representatives of Lviv school of decorative arts, the author identifies the variety of interpretations and wide range of modelling means as well as traces the most vivid anthropomorphic designs.


2021 ◽  
Vol 937 (4) ◽  
pp. 042082
Author(s):  
T P Filippova

Abstract The article draws attention to the study of the historical experience of Russian science in the development of the Arctic and northern territories of Russia. Based on a wide range of archival and published sources, the role of the Geological Committee in the scientific study of the Ukhta oil-bearing region is analyzed. The chronological framework of the study covers the period of the organization’s activity from 1882 to 1929. The field studies carried out by the Geological Committee which started during this period in the Ukhta region are considered in detail. As a result of this activity, this territory was comprehensively studied for the first time, including a detailed geological survey, the search for oil deposits, and an assessment of its industrial potential. It has been determined that as a result of the surveys of the Geological Committee, new information about the features of the geological and orographic structure of the region was obtained and the oil-bearing potential was proved. It has been concluded that the research of the scientists of the committee laid a fundamental basis for the study of the Ukhta oil-bearing region and predetermined its further development history and great significance for the state.


2021 ◽  
Vol 66 (2) ◽  
pp. 52-66
Author(s):  
Małgorzata Dziembała ◽  

The digitalisation process implies many benefits for its active participants. However, some companies, individuals and social groups are excluded from this process, which leads to digital inequalities. The aim of the article is to evaluate Polish regions (NUTS 2) in terms of their digital inclusion and to indicate the importance of EU funds in supporting digital inclusion in Poland. It is claimed that the role of external financial support from EU funds is important in promoting digital inclusion in Polish regions. Support for ICT development is becoming very important in Poland and its regions. In the perspective of 2014–2020, an operational programme dedicated to promoting the development and use of ICT was developed: Digital Poland 2014–2020 Operational Programme. Also within the framework of regional operational programmes implemented in the regions of Poland, including Silesia, priorities or undertakings related to the support for ICT development were identified. This requires the implementation of a wide range of projects, from the improvement of access to the Internet, through the improvement of accessibility and quality of public e-services, to further development of digital competences. Without prompt actions in this regard, the problem of digital exclusion in Poland and its regions will further intensify.


2021 ◽  
Vol 71 (2) ◽  
pp. 17-24
Author(s):  
Ludmila A. Budrina ◽  

In the 19th century stone-cutting art has become one of the brightest elements in the representation of the Russian Empire. World’s fairs provided ample opportunities for this representation. The article examines the structure of the collections and the list of the exhibitors at one of the largest fairs — The World’s Columbian Exposition of 1893. The paper draws upon both published and archival documents, including those which have not yet been used for the examination of the representation of Russia’s stone art at this exhibition. It reconstructs mineralogical, technical and typological diversity of the exhibited items and the principle of reciprocal completing of the exhibitors. It also analyzes the items presented by the imperial Petergof, Ekaterinburg lapidary and Kolyvan grinding factories, by Carl Woerffel’s enterprise and a wide range of small Ural producers as well. Due to discovering of archival materials, a number of items, exhibited in Chicago, was identified in themuseum collections in Russia and abroad. Some attributional details for the exhibited Woerffel items are offered which made it possible to propose the authorship and dating for the items from Russian and foreign collections. The author is also the first to analyze the collection, purchased at the exhibition from the Russian stonecutters for The Field Museum of Natural History in Chicago. A conclusion is drawn about the role of the colored stones items and the importance of their presentation for the formation of the Russian Empire’s image as one of the most important world centers of the decorative stones development.


2014 ◽  
pp. 60-65
Author(s):  
Tatiana G. Grebennikova

Deals with the Russian museum practices mainly of the 18th and the 19th century. The author analyses a gradual specialisation in private collection building and museums' development, reveals the role of the highly specialised collections and analyses the trend of establishing museums of the complex character exemplified by the Kunstkammer, the Imperial Hermitage Museum, the Fine Arts Academy Museum, the Rumyantsev Museum, and the Russian Museum. In the 19th century, a trend of gradual differentiation and specialisation became obvious which led to establishing dedicated museums and developing a more focused approach to collection building in Russia.


1998 ◽  
Vol 1 ◽  
pp. 133
Author(s):  
I. A. Garcev

The Russian Orthodox magazines - Pravoslavny Blagovestnik, Missio- nerskoe obozrenie, Amerikansky pravoslavny vestnik, and others - are important and interesting sources. These periodicals describe missionary activity in the late 19th and early 20th centuries. Naturally, these magazines were primarily concerned with the missionary attempts of the "Great Powers". But the work of Scandinavian missions was also covered. The material can be divided into three categories: historical reviews, statistics, and so-called "missionary problems". The reviews deal with the history of all influential Scandinavian missionary organizations - The Norwegian Missionary Society, The Norwegian Covenant Mission, The Danish Missionary Society, The Church of Sweden Mission. The statistical material - the number of missionary organizations and missionaries, native assistants, converts, financial support - offers a chance to compare Scandinavian missionary activity on an international scale. At the turn of the 19th century the problems between missionaries and native inhabitants became very topical. These problems, too, were touched upon in Russian religious magazines. On the whole, the role of Scandinavian missions in the missionary movement was evaluated in an objective manner.


2008 ◽  
pp. 61-76
Author(s):  
A. Porshakov ◽  
A. Ponomarenko

The role of monetary factor in generating inflationary processes in Russia has stimulated various debates in social and scientific circles for a relatively long time. The authors show that identification of the specificity of relationship between money and inflation requires a complex approach based on statistical modeling and involving a wide range of indicators relevant for the price changes in the economy. As a result a model of inflation for Russia implying the decomposition of inflation dynamics into demand-side and supply-side factors is suggested. The main conclusion drawn is that during the recent years the volume of inflationary pressures in the Russian economy has been determined by the deviation of money supply from money demand, rather than by money supply alone. At the same time, monetary factor has a long-run spread over time impact on inflation.


2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


Author(s):  
C. Claire Thomson

The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s. For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. Examining the life cycle of a representative selection of films, and discussing their preservation and mediation in the digital age, this book presents a detailed case study of how informational cinema is shaped by, and indeed shapes, its cultural, political and technological contexts.The book combines close textual analysis of a broad range of films with detailed accounts of their commissioning, production, distribution and reception in Denmark and abroad, drawing on Actor-Network Theory to emphasise the role of a wide range of entities in these processes. It considers a broad range of genres and sub-genres, including industrial process films, public information films, art films, the city symphony, the essay film, and many more. It also maps international networks of informational and documentary films in the post-war period, and explores the role of informational film in Danish cultural and political history.


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