scholarly journals "Matter as effete mind": Peirce's synechistic ideas on the semiotic threshold

2001 ◽  
Vol 29 (1) ◽  
pp. 49-62
Author(s):  
Lucia Santaella

Following Peirce's broad concept of semiosis as a foundation of a field ofsrudy, the semiotics ofphysical nanrre, it is argued that we have to explore the interconnections of Peirce's semiotics with metaphysics. These interconnections will be analyzed in five steps: (1) Peirce's radical antidualism and evolutionism, implied in his synechistic ideas, (2) Peirce's semiotic statement that "all this universe is perfused with signs if it is not composed exclusively of signs" (CP 5.448, n.1), (3) Peirce's bold statement that "matter is effete mind, inveterate habits becoming physical laws" (CP 6.24), (4) his theory of final causation, which can only be properly understood in the light of semiosis, (5) his metaphysics and his methodeutics in relation to semiotics. The laws of nature are discovered by abductive inference revealing an affinity between the human mind and the designs of nature. Hence, the formal laws of thought are not simply laws of our minds but laws of the intelligibility of things.

Author(s):  
Aliyev Z.H.

The article considers the issues of solving the problems of the development of the erosive danger of soil in Azerbaijan, which is why it should be understood that the human mind is unable to change the force of nature, but can only learn and correctly use the laws of nature, use the acting natural force and improve the ways of controlling them. At the same time, in the process of development, methods are struggling with soil erosion in the first stage, which is necessary for studying the causes of occurrence and patterns in its development


2019 ◽  
Author(s):  
Federica Eftimiadi ◽  
Enrico Pugni Trimigliozzi

Reversible computing is a paradigm where computing models are defined so that they reflect physical reversibility, one of the fundamental microscopic physical property of Nature. Also, it is one of the basic microscopic physical laws of nature. Reversible computing refers tothe computation that could always be reversed to recover its earlier state. It is based on reversible physics, which implies that we can never truly erase information in a computer. Reversible computing is very difficult and its engineering hurdles are enormous. This paper provides a brief introduction to reversible computing. With these constraints, one can still satisfactorily deal with both functional and structural aspects of computing processes; at the same time, one attains a closer correspondence between the behavior of abstract computing systems and the microscopic physical laws (which are presumed to be strictly reversible) that underlay any implementation of such systems Available online at https://int-scientific-journals.com


Author(s):  
Melissa Dickson

Chapter 2 explores the use of the Arabian Nights as a familiar cultural narrative through which the burgeoning practices of archaeology, geology, geography and ethnography might be communicated. In this period, the imaginary voyage and adventures of the Arabian Nights, known since childhood, profoundly interacted with actual voyages above and below the ground, providing a narrative template for approaching new experiences that was already familiar to British readers. At the same time, this narrative strategy infused those emergent sciences with an enduring form of magic, or magical thinking, in the adult world, which informed processes of thinking about the physical laws of nature, the elements that comprise the globe, and new technological developments of the period. The magical possibilities and treasures of the Arabian Nights held an irresistible fascination for Western readers, who did not want to relinquish fully to the emergent discipline of science the potential meanings and possibilities of Eastern exploration.


Author(s):  
Andrea Moro

Understanding the nature and the structure of human language coincides with capturing the constraints which make a conceivable language possible or, equivalently, with discovering whether there can be any impossible languages at all. This book explores these related issues, paralleling the effort of a biologist who attempts at describing the class of impossible animals. In biology, one can appeal for example to physical laws of nature (such as entropy or gravity) but when it comes to language the path becomes intricate and difficult for the physical laws cannot be exploited. In linguistics, in fact, there are two distinct empirical domains to explore: on the one hand, the formal domain of syntax, where different languages are compared trying to understand how much they can differ; on the other, the neurobiological domain, where the flow of information through the complex neural networks and the electric code exploited by neurons is uncovered and measured. By referring to the most advanced experiments in Neurolinguistics the book in fact offers an updated descriptions of modern linguistics and allows the reader to formulate new and surprising questions. Moreover, since syntax - the capacity to generate novel structures (sentences) by recombining a finite set of elements (words) - is the fingerprint of all and only human languages this books ultimately deals with the fundamental questions which characterize the search for our origins.


2010 ◽  
Vol 23 (2) ◽  
pp. 105-123
Author(s):  
Matthias Kiesselbach

AbstractThis paper argues that throughout his intellectual career, Hobbes remains unsatisfied with his own attempts at proving the invariant advisability of contract-keeping. Not only does he see himself forced to abandon his early idea that contractual obligation is a matter of physical laws. He also develops and retains doubts concerning its theoretical successor, the doctrine that the obligatoriness characteristic of contracts is the interest in self-preservation in alliance with instrumental reason – i.e. prudence. In fact, it is during his work on Leviathan that Hobbes notes the doctrine's main shortcoming, namely the limitation of its dialectical potential to cases in which contract-breakers are publicly identifiable. This essay shows Hobbes's doubts about his Leviathan's treatment of contractual obligation by way of a close reading of its central 15 th chapter and an analysis of some revealing shifts between the English Leviathan and the (later) Latin edition. The paper ends by suggesting that Hobbes's awareness of the flaws at the heart of his political philosophy helps account for some striking changes in his latest writings.


Dialogue ◽  
1975 ◽  
Vol 14 (1) ◽  
pp. 101-118 ◽  
Author(s):  
Charles Hanly

Modern philosophy, if it has not settled any other of the chronic disputes that have troubled the history of the subject, appears to have decided once and for all the question of synthetic a priori principles. Logical analysis has demonstrated that synthetic propositions are empirical while a priori propositions are analytical and notational. Nevertheless, a broader survey of the contemporary philosophical scene reveals that the strict meaning of the expression “modern philosophy” above should be rendered “philosophers of one of the current schools of philosophy”. For contemporary European philosophers have not abandoned the notion of synthetic a priori principles altogether. They have modified without abandoning Kant's Copernican discovery of the laws of nature in the human mind. There are, to be sure, two ways of viewing the situation. Either logical analysis has overlooked certain unique phenomena and thus has failed to comprehend the arguments which take their description as premises, or existentialism has persisted in the use of an inadequate logic. The purpose of this paper is to test this issue and in doing so to explore the psychological roots of the idea of synthetic a priori principles. The means adopted is a critical study of the existentialist theory of emotion which claims to have discovered a previously unrecognized basis for synthetic a priori principles in the phenomenelogy of human existence.


1859 ◽  
Vol 149 ◽  
pp. 213-247 ◽  

The recently published experiments upon the collapse of tubes of wrought iron, led to results so novel and so much at variance with the ordinary rules of practice, as to exem­plify anew the caution and diligence which are requisite in investigating the physical laws of nature, in order to arrive at just conclusions in regard to the properties of materials and their most effective distribution for the purposes of construction. In the experiments alluded to, it was clearly shown that the prevailing ideas of the strength of vessels subjected to a uniform external force were erroneous and at variance with the laws of resistance to collapse under such circumstances; whilst in practice the prevalence of error in this matter had led to serious and sometimes fatal accidents, arising out of the construction of vessels of inadequate strength to sustain the pressures placed upon them. These errors, it is hoped, need no longer be perpetuated: the expe­riments on wrought iron indicated a means of increasing the strength of boiler flues and other vessels of that material, subjected to a collapsing force, to any required amount; and this was the immediate practical application of the general law then discovered, that the strength of cylindrical vessels, exposed to a uniform external force, varied inversely as the length between the rigid ends.


Author(s):  
Roger Gallie

Thomas Reid, born at Strachan, Aberdeen, was the founder of the Scottish school of Common Sense philosophy. Educated at Marishal College, Aberdeen, he taught at King’s College, Aberdeen until appointed professor of moral philosophy at Glasgow. He was the co-founder of the Aberdeen Philosophical Society or ‘Wise Club’, which counted among its members George Campbell, John Stewart, Alexander Gerard and James Beattie. His most noteworthy early work, An Inquiry into the Human Mind: Or the Principles of Common Sense attracted the attention of David Hume and secured him his professorship. Other important works are Essays on the Intellectual Powers of Man (1785) and Essays on the Active Powers of the Human Mind (1788). Reid is not the first philosopher to appeal to common sense; Berkeley and Butler are notable British predecessors in this respect, in the discussions of perception and of free will respectively. It fell to Reid, however, to collect and systematize the deliverances of common sense – the first principles, upon the acceptance of which all justification depends – and to provide adequate criteria for that status. Reid insists we rightly rely on our admittedly fallible faculties of judgment, including the five senses, as well as memory, reason, the moral sense and taste, without need of justification. After all, we have no other resources for making judgments, to call upon in justification of this reliance. We cannot dispense with our belief that we are continually existing and sometimes fully responsible agents, influenced by motives rather than overwhelmed by passions or appetites. In Reid’s view major sceptical errors in philosophy arise from downgrading the five senses to mere inlets for mental images – ideas – of external objects, and from downgrading other faculties to mere capacities for having such images or for experiencing feelings. This variety of scepticism ultimately reduces everything to a swirl of mental images and feelings. However we no more conceive such images than perceive or remember them; and our discourse, even in the case of fiction, is not about them either. Names signify individuals or fictional characters rather than images of them; when I envisage a centaur it is an animal I envisage rather than the image of an animal. In particular the information our five senses provide in a direct or non-inferential manner is, certainly in the case of touch, about bodies in space. Reid thus seems to be committed to the position that our individual perceptual judgments are first principles in spite of his admission that our perceptual faculties are fallible. Moreover, moral and aesthetic judgments cannot be mere expressions of feeling if they are to serve their purposes; a moral assessor is not a ‘feeler’. Reid is therefore sure that there are first principles of morals, a view that scarcely fits the extent and degree of actual moral disagreement. Reid offers alternative direct accounts of perception, conception, memory and moral and aesthetic judgment. He stoutly defends our status as continuing responsible agents, claiming that the only genuine causality is agency and that although natural regularities are held to be causes they cannot be full-blooded causes. Continuing persons are not reducible to material entities subject to laws of nature, (pace Priestley); nor does the proper study of responsible agents belong within natural philosophy. Morals may be adequately systematized on a human rights basis according to which private property is not sacrosanct, once moral judgment is recognised to be based on first principles of morals. Judgments of beauty likewise rest on a body of first principles, even though Reid readily allows that there are no properties that all beautiful objects must have in common.


2013 ◽  
Vol 41 (3) ◽  
pp. 547-560 ◽  
Author(s):  
Michael Davis

In chapter 8 of Dorian Gray, Dorian reflects on the terrifying discovery, which he has made the previous night, that the painting has been somehow altered to express his own moral state. He speculates thus on a possible explanation for the change in the picture: Was there some subtle affinity between the chemical atoms, that shaped themselves into form and colour on the canvas, and the soul that was within him? Could it be that what that soul thought, they realized? – that what it dreamed, they made true? (Wilde 93) At the end of the chapter, he thinks along similar lines: Might there not be some curious scientific reason for it all? If thought could exercise its influence upon a living organism, might not thought exercise an influence upon dead and inorganic things? Nay, without thought or conscious desire, might not things external to ourselves vibrate in unison with our moods and passions, atom calling to atom in secret love or strange affinity? (103) Wilde's references to “atoms” encapsulate something of the complexity and paradox which characterise the novel's representations of the mind and its connection with the body. Atoms make up the painting and Dorian's own body, and this reminder of the materiality of both reminds us, in turn, of the possibility that Dorian, and all human selves, may occupy an insignificant yet inescapable place in the wider processes of the physical world. Most pervasively in the novel, and in the fin de siècle more generally, anxieties about one such material process – that of evolution, and especially of degeneration – haunt representations of the self. In Dorian's thoughts about “atoms” lies the still more extreme possibility that the very distinction between organic and inorganic may be blurred, a vertiginous sense that human evolutionary kinship extends beyond even the simplest organisms to matter itself, and that the category of the human is thus under greater threat than ever in the light of scientific theories of the material world. At the same time, the questions that Dorian asks himself envisage not the reduction of the mind to matter but the near-opposite of this: the possibility that “thought” may somehow “influence” the matter of the painting. In a fantastical version of the Hegelian idealism which forms an important part of Wilde's philosophical position, the mind may prove to be the ultimate reality, independent of and dominant over matter, as the state of Dorian's mind is mysteriously given sensuous form in the transformations which the painting undergoes. The atoms of the painting, like the human mind, take on an ambiguous relationship to the material world. The atoms are not fixed but fluid; like the mind itself, they are material and yet seem to act in ways contrary to physical laws of cause and effect, always in process and resistant to external comprehension.


Author(s):  
Eugene Ch’ng

The information society manufactures, manipulates, and commodifies information. Heritage is one such area that is undergoing digital transformation. Heritage is increasingly being transmuted through digitisation devices such as laser and structured light scans into multiple representations of information. The rich information of a heritage object or an environment can be restructured, transmitted, and recomposed into a mediated form both textual and non-textual. Once digitised, it becomes free from its physical predecessor; it enters another world that defies the physical laws of nature where the imagination of the maker is a limit. Such worlds accompanied by their objects are accessible in new yet intuitive ways via surface computers. The horizontal nature of the multitouch-multiuser surface computer then becomes the mirror that links both worlds, allowing access into a virtual space via the touch-table computing paradigm. This chapter explores 3D surface computing, its technology, capabilities, and limits with developments of two multitouch applications incorporating heritage objects and environments, and the observation of the reactions of initial users. It addresses new issues and challenges surrounding the use of surface computing and how the access and transmission of heritage information via multitouch-multiuser tables are able to contribute to the accessibility, teaching, and learning of heritage.


Sign in / Sign up

Export Citation Format

Share Document