Mira lo que hace el diablo: The Devil in Mexican Popular Culture, 1750-1856

2002 ◽  
Vol 59 (2) ◽  
pp. 201-219 ◽  
Author(s):  
Sonya Lipsett-Rivera
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
Church And State ◽  
Indigenous Communities ◽  
Colonial Period ◽  
Late Eighteenth Century ◽  
Sharp Knife ◽  
The One ◽  
Illicit Sexuality ◽  
The Devil

As she lay bleeding to death from an accidental knife wound, María Josefa Vargas said to her husband: “Look what the Devil has done (Mira lo que hace el diablo).” María Josefa and her husband, José Rosario, were both indigenous, natives of Almoloya and Tenancingo respectively, and at the time living in Malinalco in the Valley of Mexico. They had been fighting playfully over some meat that María Josefa had bought to make cecina Mock anger and a very sharp knife made for bad companions, and José Rosario accidentally cut María Josefa in the leg.María Josefa's words are one of those elusive examples of the key place occupied by the Devil in Mexican popular culture in the late eighteenth century. By the late colonial period the Devil seems to have become more of a concern for rural Mexicans, particularly within indigenous communities, than he had been before. Once a European import, the Devil had become a more evident part of the symbols used by Indians in the countryside. He had become less of a concern to Church and State authorities and was rather used to explain accidents, such as the one cited above, but more frequently as an excuse or a reason for unacceptable conduct, such as violence or illicit sexuality.

Edmund Burke, Dissent and Church and State

2016 ◽  
Author(s):  
Martin Fitzpatrick
Keyword(s):  
Eighteenth Century ◽  
Church Of England ◽  
Church And State ◽  
Edmund Burke ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Church State Relations ◽  
State Relations ◽  
The Church ◽  
At Home

This chapter examines Edmund Burke’s attitude towards Protestant dissenters, particularly the more radical or rational ones who were prominent in the late eighteenth century, as a way of understanding his changing attitude towards the Church of England and state. The Dissenters who attracted Burke’s attention were those who were interested in extending the terms of toleration both for ministers and for their laity. Initially Burke supported their aspirations, but from about 1780 things began to change. The catalyst for Burke’s emergence as leader of those who feared that revolution abroad might become a distemper at home was Richard Price’s Discourse on Love of Our Country. The chapter analyses how Burke moved from advocating toleration for Dissenters to become a staunch defender of establishment as to have ‘un-Whigged’ himself. It also considers the debate on the repeal of the Test and Corporation Acts as well as Burke’s attitude towards Church–state relations.

The One and the Manor

2016 ◽  
Author(s):  
Daniel M. Stout
Keyword(s):  
Eighteenth Century ◽  
Social Organization ◽  
Edmund Burke ◽  
The Novel ◽  
Mansfield Park ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Possessive Individualism ◽  
The One ◽  
Jane West

Chapter two reassesses the conservatism of Jane Austen’s 1814 novel, Mansfield Park. It argues that we have misunderstood the novel by reading it in relation to the late eighteenth-century philosophy of Edmund Burke and socially conservative novelists like Jane West when, in fact, Mansfield Park is governed by a much older of social organization—the manor—not based on the liberal assumption of possessive individualism. Seeing the novel through the lens of the manor, the chapter argues, helps explain many of its most perplexing and difficult features: among them, the meekness of Fanny Price; the dissatisfactions of its ending; and the often distant or impersonal strategies of narration.

Historical Research and Cultural History in Nineteenth-Century Austria: The Archivist Joseph Chmel (1798–1858)

2014 ◽  
Vol 45 ◽  
pp. 115-133 ◽  
Author(s):  
Christine Ottner
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Cultural History ◽  
Historical Research ◽  
The Other ◽  
Academic World ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Cultural Science ◽  
The One

During the nineteenth century, history developed into an independent discipline with important cultural and intellectual functions in both the academic world, as well as in society at large. Specific circumstances contributed to the rise in importance of this discipline: On the one hand, the emergence of an educated bourgeoisie and rising nationalist movements influenced the study of history; whereas on the other hand, public demands for assurances of continuity, as well as conservative efforts for restoration, also played an important role in history's growth in importance. Historicism, which began to establish itself in late-eighteenth-century Germany, had its forerunners in research approaches that grew out of the late Enlightenment. Concepts of cultural science [Kulturwissenschaft] developed by scholars of the late Enlightenment paved the way for the rise of the historical discipline during the first half of the nineteenth century.

Noi credevamo (We Believed): Story and history of emotions

2021 ◽  
Vol 9 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Alejandro Patat
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
History Of Emotions ◽  
Historical Film ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The Subject ◽  
New Interpretation ◽  
The One

In the last ten years, Noi credevamo (We Believed) (Martone 2010) has been the subject of a very careful criticism interested not only in its historical-ideological implications but also in its semiotic specificities. The purpose of this article is to summarize the cardinal points of these two positions and to add to them some critical observations that have not been noted so far. On the one hand, it is a matter of highlighting how, as a historical film, the work is connected with the history of emotions, a recent historiographical trend that aims to detect the narrative devices of ideological propaganda and the diffusion of feelings since the late eighteenth century. On the other hand, the article proposes a new interpretation of Mario Martone’s film, starting with the analysis of phenomena that are not only historical but also technical and structural.

Hajo Holborn'sHistory of Modern Germany

1970 ◽  
Vol 3 (1-2) ◽  
pp. 140-156
Author(s):  
Hans Kohn
Keyword(s):  
Eighteenth Century ◽  
The United States ◽  
The Other ◽  
Wilhelm Dilthey ◽  
The Third ◽  
Modern Germany ◽  
Late Eighteenth Century ◽  
History Of ◽  
Magnum Opus ◽  
The One

A few hours before his sudden death last year in Bonn, Hajo Holborn remarked that in spite of the ill health of his last years his life had been a happy one. He had an unusually successful career in his beloved profession, first as a young man in Germany, then as a leading scholar in his field in the United States; and he was able to finish his magnum opus,A History of Modern Germany, before his death. Its first volume appeared in 1959; its third and last, in 1969. As a disciple of Wilhelm Dilthey and of Friedrich Meinecke, Holborn gave special attention to the “realm of ideas,” to the religious, intellectual, and artistic achievements of Germany. While he wrote primarily political history and succeeded in ordering the mass of information which he provides into a meaningful narrative which holds the reader's interest, the high points are his discussion of the thinkers and poets from Germany's rapid cultural rise in the late eighteenth century to its decline after the mid-nineteenth century. One of the best of these subchapters is the one on Marx and Engels, a masterpiece of objectivity. It is to be found in the second volume of theHistory, though chronologically Marx and Engels belong in the third volume, which covers the period from 1840 to 1945. (After all, the two young men met and their public activity began only after 1840 and their thought and dedicated life began to exercise their impact only decades later.) By 1945, when Holborn's History ends, Marx had become the most widely known German, whose influence shaped history on a worldwide scale and to a degree surpassing by far that of the other great German with whom Holborn starts hisHistory, Martin Luther.

Custom, Festival and Protest in Early Modern England: The Little Budworth Wakes, St Peter's Day, 1596

Rural History ◽  
1995 ◽  
Vol 6 (2) ◽  
pp. 155-178 ◽  
Author(s):  
Steve Hindle
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
Early Modern ◽  
Social Relations ◽  
Class Struggle ◽  
Local Communities ◽  
Early Modern England ◽  
Festive Culture ◽  
The Reformation ◽  
The One

The myriad forms of ‘popular culture’ have attracted an increasing amount of attention from historians of early modern and modern England. Students of English social relations are now familiar with several episodes of ‘cultural conflict’ in which there was putative friction between ‘elite’ and ‘popular’ (or ‘patrician’ and ‘plebeian’) notions of acceptable behaviour. As the epigraphs to this article suggest, two particular era of ‘cultural polarisation’ have attracted considerably more attention than any others. On the one hand, historians of the Reformation, and especially of its ‘enforcement’ in late Elizabethan and Jacobean local communities, have identified the suppression of traditional, festive culture as one of the ‘cultural reverberations’ of the spread of protestantism. On the other, Edward Thompson has encouraged students of eighteenth-century England to think in terms of a tension between ‘patrician society’ and ‘plebeian culture’, and of the possibilities that this ‘field of force’ raised for ‘class struggle without class’.

Sixteenth-Century Reading in the Indies

1957 ◽  
Vol 14 (2) ◽  
pp. 175-182 ◽  
Author(s):  
José Torre Revello
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
New World ◽  
Well Being ◽  
Colonial Period ◽  
Spanish Empire ◽  
American Continent ◽  
The People ◽  
The Many ◽  
The One

Among the many books destined for children, the one preferred in America during the colonial period was the Fables attributed to the Phrygian slave, Aesop. Translated into Spanish, it was found in the hands of travelers and colonists throughout the Spanish empire. The simplicity of the tales and the morals which they point out made them the delight not only of children but also of adults, who explained the precepts with purposeful wit.Aesop was one of the authors most read in the New World, according to what we can deduce by consulting the numerous lists of books which were sent to various parts of the American continent. His fables were also circulated in Latin and Greek, surely for pedagogical purposes. In Spain there was no lack of poets who devoted part of their work to fables, such as the Archpriest of Hita with his Enxiemplos, up to the culmination in the eighteenth century with Félix María Samaniego and Tomás de Iriarte, whose works it is logical to suppose were brought to the New World with many others of various kinds. By that time the shores of America were being swept by other ideas, distinct from those of the sixteenth and seventeenth centuries, which brought unrest to the minds of the people, ideas foreign to the calm and well-being of the two previous centuries.

scholarly journals WITCHCRAFT, THE PRESS, AND CRIME IN IRELAND, 1822–1922

2018 ◽  
Vol 62 (3) ◽  
pp. 741-764
Author(s):  
ANDREW SNEDDON ◽  
JOHN FULTON
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
Interpersonal Violence ◽  
Traditional Beliefs ◽  
Late Eighteenth Century ◽  
The Press ◽  
Late Eighteenth ◽  
Complex Picture ◽  
Sectarian Conflict ◽  
Irish People

AbstractDrawing on witchcraft cases reported in newspapers and coming before Ireland's courts, this article argues that witch belief remained part of Protestant and Catholic popular culture throughout the long nineteenth century. It is shown that witchcraft belief followed patterns established in the late eighteenth century and occasioned accusations that arose from interpersonal tensions rather than sectarian conflict. From this article, a complex picture emerges of the Irish witches and their ‘victims’, who are respectively seen to have fought accusation and bewitchment using legal, magical, physical, and verbal means. In doing so, the contexts are revealed in which witchcraft was linked to other crimes such as assault, slander, theft, and fraud in an era of expansion of courts and policing. This illustrates how Irish people adapted to legal changes while maintaining traditional beliefs, and suggests that witchcraft is an overlooked context in which interpersonal violence was exerted and petty crime committed. Finally, popular and elite cultural divides are explored through the attitudes of the press and legal authorities to witchcraft allegations, and an important point of comparison for studies of witchcraft and magic in modern Europe is established.

scholarly journals Hannah More Meets Simple Simon: Tracts, Chapbooks, and Popular Culture in Late Eighteenth-Century England

1986 ◽  
Vol 25 (1) ◽  
pp. 84-113 ◽  
Author(s):  
Susan Pedersen
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
First Year ◽  
Great Success ◽  
Rural Poor ◽  
Horace Walpole ◽  
Hannah More ◽  
Sunday Schools ◽  
Good Works ◽  
Late Eighteenth Century

During the winter of scarcity of 1794, Hannah More wrote “a few moral stories,” drew up a plan for publication and distribution, and sent the package around to her evangelical and bluestocking friends. Their response was enthusiastic; even Horace Walpole abandoned his usual teasing to write back, “I will never more complain of your silence; for I am perfectly convinced that you have no idle, no unemployed moments. Your indefatigable benevolence is incessantly occupied in good works; and your head and your heart make the utmost use of the excellent qualities of both…. Thank you a thousand times for your most ingenious plan; may great success reward you!” Walpole then sent off copies of the plan to the duchess of Gloucester and other aristocratic friends. Following Wilberforce's example, such wealthy philanthropists subscribed over 1,000 pounds to support the project during its first year. Henry Thornton agreed to act as treasurer and Zachary Macaulay as agent, and the ball was rolling.In March 1795, the Cheap Repository of Moral and Religious Tracts issued its first publications. Prominent evangelicals and gentry worked to distribute them to the rural poor, booksellers, and hawkers and among Sunday schools and charity children. During the Repository's three-year existence, the fifty or so tracts written by Hannah More were supplemented by contributions from fellow evangelicals Thornton, Macaulay, John Venn, and John Newton, the poet William Mason, More's literary friend Mrs. Chapone, her protégée Selina Mills, and her sisters Sally and Patty More and by reprints of old favorites by Isaac Watts and Justice John Fielding.

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