Between Institutional Survival and Intellectual Commitment: The Case of the Argentine Society of Writers during Perón’s Rule (1945–1955)

2006 ◽  
Vol 62 (4) ◽  
pp. 591-622 ◽  
Author(s):  
Flavia Fiorucci

An analysis of Peronism constitutes an obligatory point of departure of any study of Argentina’s history since 1945. The advancement of the popular masses toward the Plaza de Mayo on 17 October 1945, clamoring for their new leader (the Colonel Juan Domingo Perón) inaugurated a new era for this nation. For some, especially for those who marched on that day, it represented the beginning of a period of hope. For others, those who looked with stupor at the crowds “invading” the city, this was the start of a decade of undemocratic practices and populist pseudo-fascist reforms. Perón’s rise to the presidency in 1946 would find the majority of the Argentine intelligentsia in the ranks of the opposition. The intellectuals were particularly worried by the emergence of this political movement which, in their eyes, was a combination of a local incarnation of European fascism and the ‘barbaric’ regime of the caudillo Juan Manuel de Rosas. In 1956, the writer Ezequiel Martínez Estrada summarized the horror that this march signified for the “decent people.” He declared it the threat of a “San Bartolomé del Barrio Norte” (an affluent neighborhood in Buenos Aires) and characterized the Peronists as “those sinister demons of the plains which Sarmiento described in El Facundo.” In his description Perón was depicted as a local Franco, a Mussolini or a Hitler. Only those intellectuals who defended different versions of local nationalism joined the enterprise of the colonel-turned-popular-politician and put their hopes in him.

2006 ◽  
Vol 62 (04) ◽  
pp. 591-622
Author(s):  
Flavia Fiorucci

An analysis of Peronism constitutes an obligatory point of departure of any study of Argentina’s history since 1945. The advancement of the popular masses toward the Plaza de Mayo on 17 October 1945, clamoring for their new leader (the Colonel Juan Domingo Perón) inaugurated a new era for this nation. For some, especially for those who marched on that day, it represented the beginning of a period of hope. For others, those who looked with stupor at the crowds “invading” the city, this was the start of a decade of undemocratic practices and populist pseudo-fascist reforms. Perón’s rise to the presidency in 1946 would find the majority of the Argentine intelligentsia in the ranks of the opposition. The intellectuals were particularly worried by the emergence of this political movement which, in their eyes, was a combination of a local incarnation of European fascism and the ‘barbaric’ regime of the caudillo Juan Manuel de Rosas. In 1956, the writer Ezequiel Martínez Estrada summarized the horror that this march signified for the “decent people.” He declared it the threat of a “San Bartolomé del Barrio Norte” (an affluent neighborhood in Buenos Aires) and characterized the Peronists as “those sinister demons of the plains which Sarmiento described in El Facundo.” In his description Perón was depicted as a local Franco, a Mussolini or a Hitler. Only those intellectuals who defended different versions of local nationalism joined the enterprise of the colonel-turned-popular-politician and put their hopes in him.


Author(s):  
Silvio Plotquin

Justo Solsona is an Argentinian architect, the onset of whose activity corresponds to the process of political reorganization which followed the collapse of the government of Juan Domingo Perón (1955). During this period the political agenda aimed to use architecture and design in a bid to encourage eloquent modernization, metropolitan culture, and upgraded technology. As a result, a dozen works placed Solsona at the heart of architectural production in Argentina. The proposed 300-house complex in La Boca, south of the city of Buenos Aires, winner of the competition sponsored by the National Mortgage Bank (1957), and designed in partnership with the architects Ernesto Katzenstein, Gianni Peani, and Josefa Santos, was a high-density original and fresh answer in reinforced concrete to cultural and traditional ways of living. The winner of the second prize in the competition for the design of the National Library (1961), Solsona proposed a sculptural metal roof comprising metabolist abstract shapes that created innovative relationships between the main reading rooms and the lawns of an existing state garden where the new library was to be located. In fact, it was his entry to this competition in collaboration with Flora Manteola, Javier Sánchez Gómez, and Josefa Santos (and later, Carlos Sallaberry) that led to the establishment of the architectural studio MSGSSS, where he remained throughout his subsequent career.


Author(s):  
Karen Ahlquist

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”


BMJ Open ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. e044592
Author(s):  
Alejandro Macchia ◽  
Daniel Ferrante ◽  
Gabriel Battistella ◽  
Javier Mariani ◽  
Fernán González Bernaldo de Quirós

ObjectiveTo summarise the unfolding of the COVID-19 epidemic among slum dwellers and different social strata in the city of Buenos Aires during the first 20 weeks after the first reported case.DesignObservational study using a time-series analysis. Natural experiment in a big city.SettingPopulation of the city of Buenos Aires and the integrated health reporting system records of positive RT-PCR for COVID-19 tests.ParticipantsRecords from the Argentine Integrated Health Reporting System for all persons with suspected and RT-PCR-confirmed diagnosis of COVID-19 between 31 January and 14 July 2020.OutcomesTo estimate the effects of living in a slum on the standardised incidence rate of COVID-19, corrected Poisson regression models were used. Additionally, the impact of socioeconomic status was performed using an ecological analysis at the community level.ResultsA total of 114 052 people were tested for symptoms related with COVID-19. Of these, 39 039 (34.2%) were RT-PCR positive. The incidence rates for COVID-19 towards the end of the 20th week were 160 (155 to 165) per 100 000 people among the inhabitants who did not reside in the slums (n=2 841 997) and 708 (674 to 642) among slums dwellers (n=233 749). Compared with the better-off socioeconomic quintile (1.00), there was a linear gradient on incidence rates: 1.36 (1.25 to 1.46), 1.61 (1.49 to 1.74), 1.86 (1.72 to 2.01), 2.94 (2.74 to 3.16) from Q2 to Q5, respectively. Slum dwellers were associated with an incidence rate of 14.3 (13.4 to 15.4).ConclusionsThe distribution of the epidemic is socially conditioned. Slum dwellers are at a much higher risk than the rest of the community. Slum dwellers should not be considered just another risk category but an entirely different reality that requires policies tailored to their needs.


2021 ◽  
pp. 146247452110312
Author(s):  
Federico Luis Abiuso

Between the late nineteenth and early twentieth centuries, the City of Buenos Aires (Argentina) had a significant demographic growth due to the strong weight of the migratory component. This article focuses on describing the theoretical frameworks deployed by criminologists and related experts to “racialize” the links between immigration and crime in Archivos de Criminología, Medicina Legal, Psiquiatría y Ciencias Afines, a journal published between 1902 and 1913. In so doing, and inspired by the Southern criminology proposals and reflections, I propose to analyze the criminological travels related to the Italian Positive School, to detail the grounds the thematic links between immigration and crime were based on and, in turn, to empirically illustrate different arguments around criminology as a Northern discipline.


2003 ◽  
Vol 46 (1) ◽  
pp. 269-292 ◽  
Author(s):  
Rafael Di Tella ◽  
Ernesto Schargrodsky
Keyword(s):  

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