The Spanish Civil War 80 years on: Discourse, memory and the media – introduction to the special issue

2016 ◽  
Vol 8 (1) ◽  
pp. 3-9
Author(s):  
Ruth Sanz Sabido ◽  
Stuart Price ◽  
Laia Quílez
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Special Issue ◽  
The Media

Trajectories of Transnational Antifascist Volunteers from the Spanish Civil War to the Second World War

2019 ◽  
Vol 27 (3) ◽  
pp. 341-345
Author(s):  
Nir Arielli ◽  
Enrico Acciai
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Second World War ◽  
Special Issue ◽  
World War ◽  
Military Organizations ◽  
The Past ◽  
Second World

This is an introduction to a special issue on the role played by veterans of the Spanish Civil War’s International Brigades during the Second World War. It argues that the study of these veterans is worthwhile for three reasons: the extraordinary mobility that the antifascist struggle of the years 1936–45 enabled; the microcosm it provides for the assessment of what happens when ideologically fuelled concerns meet pragmatic wartime needs; and the relevance of how governments and military organizations have dealt with suspect returnees in the past for present-day dilemmas that several governments face.

scholarly journals From Counterculture to Intangible Heritage and Tourism Supply: Artistic Expressions in Ibiza, Spain

Land ◽  
2022 ◽  
Vol 11 (1) ◽  
pp. 98
Author(s):  
José Ramón-Cardona ◽  
María Dolores Sánchez-Fernández
Keyword(s):  
Civil War ◽  
20Th Century ◽  
Spanish Civil War ◽  
Modern World ◽  
Current Image ◽  
Media Impact ◽  
Avant Garde ◽  
Intangible Heritage ◽  
Tourism Sector ◽  
The Media

Until the beginning of the 20th century, Ibiza was rural, developmentally lagging, and separate from the modern world. These characteristics made it attractive as a refuge for European intellectuals and artists as soon as communications with the outside world began to develop. The first significant presence of artists occurred in the 1930s, just before the Spanish Civil War. After years of war and isolation, artists returned in a larger volume and variety than before. Other regions also had artistic and countercultural communities, but Ibiza decided to use them as an element of its tourist promotions, making the hippie movement a part of its culture and history and the most internationally known element. The objective of this paper is to expose the importance of art and artists, a direct inheritance of that time, in Ibizan promotion and tourism. The authorities and entrepreneurs of the island realized the media interest they received and the importance of this media impact on developing the tourism sector. The result was that they supported artistic avant-garde and various activities derived from the hippie movement to differentiate Ibiza and make it known in Spain and abroad, creating the myth of Ibiza as an island of freedom, harmony, and nightlife (the current image of the island).

scholarly journals Two Conflicting Irish Views of the Spanish Civil War

Oceánide ◽  
2020 ◽  
Vol 13 ◽  
pp. 29-35
Author(s):  
Luis Alberto Lázaro Lafuente
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Left Wing ◽  
Narrative Strategies ◽  
Irish Catholics ◽  
Heated Debate ◽  
The Media ◽  
Republican Government ◽  
The Republic ◽  
Police Commissioner

The Spanish Civil War sparked a heated debate in the recently created Irish Free State, as the Republic of Ireland was then called. A country that had also gone through an eleven-month civil war after the Anglo-Irish Treaty of 1921 was again divided between those who supported the left-wing democratic Spanish Republican government and those who favoured Franco’s “crusade” against atheists and Marxists. In fact, some Irish volunteers joined the International Brigades to confront Fascism together with the Spanish Republican forces, while other more conservative Irish Catholics were mobilised to fight with Franco’s army against those Reds that the media claimed to be responsible for killing priests and burning churches. Both sections were highly influenced by the news, accounts and interpretations of the Spanish war that emerged at that time. Following Lluís Albert Chillón’s approach to the relations between journalism and literature (1999), this article aims to analyse the war reportages of two Irish writers who describe the Spanish Civil War from the two opposite sides: Peadar O’Donnell (1893–1986), a prominent Irish socialist activist and novelist who wrote Salud! An Irishman in Spain (1937), and Eoin O’Duffy (1892–1944), a soldier, anti-communist activist and police commissioner who raised the Irish Brigade to fight with Franco’s army and wrote The Crusade in Spain (1938). Both contributed to the dissemination of information and ideas about the Spanish conflict with their eyewitness accounts, and both raise interesting questions about the relations between fact, fiction and the truth, using similar narrative strategies and rhetorical devices to portray different versions of the same war.

scholarly journals Criminalisation and the Violence(s) of the State: Criminalising Men, Punishing Women

2021 ◽  
Vol 10 (4) ◽  
pp. i-v
Author(s):  
Kate Fitz-Gibbon ◽  
Sandra Walklate
Keyword(s):  
Civil War ◽  
Criminal Law ◽  
Spanish Civil War ◽  
Unintended Consequences ◽  
The State ◽  
Common Interest ◽  
Career Stages ◽  
Special Issue ◽  
Coercive Control

This special issue brings together a group of international researchers at different career stages with one common interest: the extent to which recourse to the criminal law as a means of addressing men’s violence(s) serves the interests of women’s safety. It further explores Goodmark’s (2018) criminalisation thesis across different vital topics to consider how and under what conditions the criminalisation of men results in the punishment of women. In bringing together these different substantive areas of investigation (from the aftermath of the Spanish Civil War to debates concerning the criminalisation of prostitution, migration and the unintended consequences of criminalising coercive control), this collection provides a deeper analysis of the meaning of both criminalisation and punishment for women whose lives become entangled in and by this recourse to law.

Through the prism of Spain. Socio-economic causes of different outcomes of Russian and Spanish civil wars

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya
Keyword(s):  
Civil War ◽  
World War I ◽  
Civil Wars ◽  
Spanish Civil War ◽  
Statistical Data ◽  
Well Being ◽  
Russian Civil War ◽  
World War ◽  
Common Features ◽  
Economic Well Being

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

Kate O'Brien and Virginia Woolf: Common Ground

2018 ◽  
Vol 48 (1) ◽  
pp. 127-142
Author(s):  
Aintzane Legarreta Mentxaka
Keyword(s):  
Civil War ◽  
Virginia Woolf ◽  
Spanish Civil War ◽  
Common Ground ◽  
Point Of View ◽  
Political Alignments ◽  
Literary Influences ◽  
Kate O'brien

Convergences in the work of Kate O'Brien and Virginia Woolf range from literary influences and political alignments, to a shared approach to narrative point of view, structure, or conceptual use of words. Common ground includes existentialist preoccupations and tropes, a pacifism which did not hinder support for the left in the Spanish Civil War, the linking of feminism and decolonization, an affinity with anarchism, the identification of the normativity of fascism, and a determination to represent deviant sexualities and affects. Making evident the importance of the connection, O'Brien conceived and designed The Flower of May (1953), one of her most experimental and misunderstood novels, to paid homage to Woolf's oeuvre.

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

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