An exploration of the public space and its activities1 in a Finnish primary school

2020 ◽  
Vol 15 (2) ◽  
pp. 203-220 ◽  
Author(s):  
Perttu Männistö
Keyword(s):  
Primary School ◽  
Lived Experience ◽  
Public Space ◽  
Labour Force ◽  
Active Participation ◽  
The Public ◽  
Research Article ◽  
The People ◽  
Ethnographic Data ◽  
School Tasks

Finnish schools are often pictured as models for open-ended, child-oriented and dialogic education. In this research article, I approached these phenomena by analysing the organization of a public space in one Finnish school. I used Hannah Arendt’s ([1958] 2013) phenomenological concepts ‐ action and labour ‐ to analyse what kind of consequences the organization of the public space of one Finnish school and the activities promoted within it has on the actions and thinking of the students. Did the studied school promote students active participation in the society or did it rather prepare the labour force for the society to keep functioning as it is? In phenomenology, the goal is to study the lived experience of the informants ‐ in this case, of the people acting in the public space of a school. I collected the ethnographic data that was used in the article by doing observations and interviews in one Finnish school in two separate classrooms in the autumn of 2015. My findings elucidate that not everyone was treated equally within the public space of the school. More so, students did not have real opportunities to act freely, i.e. politically and collectively in the school because power was in the hands of the teachers. The students were mostly taught to labour individually, internalize proper behaviour and were recognized through their labour represented by school tasks. Furthermore, most of the classes were packed full, which meant that constant hurry was the pace for life in the school during most of the days. This again made the realization of activities, which would represent action, nigh impossible in the first place.

scholarly journals Prinsip-Prinsip Etika Kristiani Bermedia Sosial

2021 ◽  
Vol 1 (1) ◽  
pp. 56-68
Author(s):  
Simon Simon ◽  
Tan Lie Lie ◽  
Heppy Wenny Komaling
Keyword(s):  
Social Media ◽  
Public Space ◽  
Hate Speech ◽  
Christian Ethics ◽  
Media Ethics ◽  
Literature Study ◽  
The Public ◽  
Study Approach ◽  
The People ◽  
At Will

Indonesian netizens are often labeled as social media users at will without heeding politeness when interacting. This assessment is further confirmed by a survey conducted by Microsoft,  that Medsos users are labeled as netizens with the worst politeness level for Southeast Asia scale. The predicate is certainly aimed at allreligius netizens without emphasizing certain beliefs. The low politeness indicates the lack of social media ethics applied by the people of the country. Ironically, Indonesia is known as areligius and civilized country, it seems invisible if you look at the behavior of netizens who are. The method used in this paper is descriptive qualitative method with a literature study approach. The description of this topic religion certainly teaches how politeness and politeness in the public space are displayed especially in social media, because politeness is an indikator we are called ethical or not. The principle of Christian ethics teaches that when using social media what a believer must do is not to do body shaming with other online media users, or not to comment racistically. Because God does not differentiate between fellow humans by loving one and not loving another just because humans are different physically, race or nation. The next principle of Christian ethics in social media is not to argue theologically and not to spit negative things. The goal is to avoid quarrels, let alone hate speech. Netizen Indonesia kerap di cap sebagai pengguna media sosial sesuka hati tanpa mengindahkan kesantunan ketika berinteraksi. Penilaian ini makin dipertegas melalui survei yang dilakukan oleh Microsoft,  bahwa pengguna Medsos dilabeli sebagai netizen dengan tingkat kesopanan paling buruk untuk skala Asia Tenggara. Predikat itu tentu ditujukan kepada semua netizen yang beragama tanpa menitik-beratkan keyakinan tertentu. Rendahnya kesopanan menandakan kurangnya etika bermedia sosial diterapkan oleh masyarakat tanah air. Ironisnya, Indonesia yang di kenal sebagai negara yang religius dan beradab, hal itu seakan tidak terlihat bila melihat perilaku netizen yang bar-bar. Metode yang digunakan dalam tulisan ini adalah metode kualitatif deskriftif dengan pendekatan studi kepustakaan. Uraian dari topik ini agama tentu mengajarkan bagaimana kesopanan dan kesantunan di ruang publik ditampilkan terlebih dalam bermedia sosial, karena kesopanan itu merupakan indikator kita di sebut beretika atau tidak. Prinsip etika Kristiani mengajarkan bahwa ketika bermedia sosial  yang  harus dilakukan orang Kristen  adalah tidak melakukanbody shaming kesesama pengguna media online, maupun tidak berkomentar secara rasis. Karena Allah tidak membeda-bedakan sesama manusia dengan mengasihi yang satu dan tidak mengasihi yang lain hanya karena manusia itu berbeda secara fisik, ras atau bangsa. Prinsip etika Kristiani berikutnya dalam bermedia sosial adalah tidak berdebat secara teologis dan tidak mengumbar hal negatif. Tujuannya  agar tidak terjadi pertengkaran apalagi ujaran kebencian.

scholarly journals Doing Public Theology in African Christianity: A Reflection on Communiques by Churches in Ghana

2021 ◽  
pp. 190-200
Author(s):  
Kwabena Opuni-Frimpong
Keyword(s):  
Public Space ◽  
Common Good ◽  
Holistic Approach ◽  
Public Theology ◽  
The Public ◽  
African Christianity ◽  
Secondary Sources ◽  
The People ◽  
The Common ◽  
Public Concerns

Faith in public life can be associated with Christianity in Ghana from the days of the early Western missionaries. Christian faith perspectives on matters of public concerns however, assumed a wider scope with the practice of regular issuance of communiques to governments and the people of Ghana by the churches. Christian ministry is expected to be holistic. A holistic approach in Christian ministry is considered to lead to the holistic development of the nation for the common good and the glory of God. Church leaders subsequently, bring their faith perspectives to matters of public concerns as a ministerial mandate to be in pilgrimage with the people. The study is a reflection on how the churches’ communiques are done and the factors that make the communiques theological in the public space. It further seeks to identify the contribution of the construction of communiques to public theology in Christianity in Ghana. The study as qualitative, examines both available primary and secondary sources. Copies of communiques of some selected churches, ecumenical bodies and joint communiques by ecumenical bodies are examined to appreciate insights of communiques by the churches. The study seeks to make a contribution to the theological construction of public theologies in Ghana and African Christianity. KEYWORDS: Public Theology, African Christianity, Communique, Common Good

Japanese Buddhism and the Public Sphere: From the End of World War II to the Post-Great East Japan Earthquake and Nuclear Power Plant Accident

2012 ◽  
Vol 1 (3) ◽  
pp. 203-225 ◽  
Author(s):  
Shimazono Susumu
Keyword(s):  
World War Ii ◽  
Public Sphere ◽  
Public Space ◽  
Nuclear Power ◽  
The Public ◽  
The People ◽  
The Media ◽  
The Public Sphere ◽  
Definition Of ◽  
Hanshin Earthquake

Abstract Until the 1990s, a commonly held view in Japan was that Buddhism had withdrawn from public space, or that Buddhism had become a private concern. Although Buddhist organizations conducted relief and support activities for the people affected at the time of the Great Hanshin Earthquake in 1995, they were often seen to be out of place, and little attention was given to them by the media. However recently there are areas in which Buddhism can be seen as playing new roles in the public sphere. Religious organizations seem to be expected to perform functions in fields that lie outside the narrow definition of religion. These expectations are becoming stronger among Buddhist organizations as well. In this paper, I describe some areas in the public sphere in which Buddhist groups are starting to play important roles including disaster relief, support of the poor and people without relatives, provision of palliative care and spiritual care, and involvement in environmental and nuclear plant issues.

scholarly journals A voz feminista em ação: Suzanne Lacy e Andrea Dworkin

2020 ◽  
Vol 2 (2) ◽  
pp. 389-417
Author(s):  
Mirna Xavier Gonçalves
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Target Audience ◽  
The Public ◽  
The People ◽  
Contemporary Artist

Dentre todas as possibilidades de ação feminista, há a militância em espaço público e a prática em apoio às mulheres, bem como a levada de consciência sobre pautas feministas para as mulheres, tanto no âmbito privado como no público. Esta era a abordagem de Andrea Dworkin, que proferia discursos em marchas e levava suas próprias experiências para o âmbito da escrita, sua prática profissional. A mesma abordagem era utilizada por Suzanne Lacy, artista contemporânea que, através de instalações urbanas, realizava suas ações de militância combinada à arte. Este trabalho visa traçar parâmetros comuns entre estas duas mulheres, focando em suas pautas e na reverberação de seus trabalhos um em relação ao outro, bem como na sociedade.Palavras-chave: Público. Arte Contemporânea. Feminismo. AbstractAmongst all possibilities of feminist action there’s the militant strategy: to take the word of action into the public space, to act in women’s aid, to talk to your target audience and bring your discourse to the people. That was Andrea Dworkin’s strategy, who would bring her speeches into women’s marches and take her experience into her writing, which was her profession. The same strategy was taken by Suzanne Lacy, contemporary artist who focuses on urban installations to mix political and artistic action. This paper correlates these two authors, focusing on their preferred subjects and how their works reverberated together and in society.Keywords: Public. Contemporary Art. Feminism.

scholarly journals WADAH PERTUKARAN PENGALAMAN RUANG DI MENTENG

2020 ◽  
Vol 2 (1) ◽  
pp. 951
Author(s):  
Muhammad Yumna Helmy ◽  
Fermanto Lianto
Keyword(s):  
Public Space ◽  
Stress Ratio ◽  
Urban Life ◽  
Daily Routine ◽  
The Public ◽  
The People ◽  
Shared Space ◽  
Physical Layout ◽  
Very High

The urban life is not separated from the saturation of the daily routine and activities, which causes the level of stress ratio in major cities such as Jakarta is quite high. During the demands and routine of life, many people looking for entertainment or recreation to take off the fatigue of daily activities. The role of interaction room for the people of Menteng is very important, in addition to the physical layout of the environment, the public space also bears the function and significance of social and cultural very high. However, the rapid growth of the city's demand for urban land demands increased. The privatization of land, either individually, as well as legal entities/institutions, has caused the existence of public space to be increasingly affected. Even in the crowded settlements of residents, people have no more public space adequate to host their activities. People no longer have a shared space to interact with each other, communication between citizens; children no longer have a place to play in the outside space, so that the culture of togetherness and tolerance is increasingly misguided. With the presence of this container during busy and the needs of the surrounding community, it is expected to increase the attitude of tolerance between the community and produce new activities that can increase the productivity and tolerance between the surrounding residents who have a wide impact on the region. Abstrak Kejenuhan akan rutinitas serta aktivitas harian yang serba padat mwarnai kehidupan di perkotaan, hal ini yang mengakibatkan tingkat rasio kemungkinan stress di kota-kota besar seperti Jakarta lumayan besar. Ditengah rutinitas hidup, banyak orang yang mencari hiburan maupun rekreasi untuk semata-mata melepas kepenatan dari aktivitas sehari-hari. Kedudukan ruang interaksi bagi warga Menteng sangat berarti, tidak hanya menyangkut tata ruang fisik lingkungan, ruang publik juga mengemban peranan dan arti sosial serta kultural yang sangat besar. Tetapi, perkembangan kota yang cepat mengakibatkan tuntutan kebutuhan lahan perkotaan kian bertambah. Privatisasi lahan baik secara individual ataupun badan hukum/lembaga telah menimbulkan eksistensi ruang publik kian terpinggirkan. Apalagi di permukiman-permukiman padat penghuni, warga sudah tidak mempunyai lagi ruang publik yang mencukupi untuk mewadahi aktivitas mereka. Penduduk tidak lagi mempunyai ruang bersama buat silih korelasi, komunikasi antar warga, anak-anak tidak lagi mempunyai tempat bermain yang nyaman di ruang luar, sehingga budaya kebersamaan serta toleransi terus menjadi terkikis. Dengan hadirnya wadah ini di tengah tengah kesibukan dan kebutuhan masyarakat sekitar, diharapkan dapat meningkatkan sikap toleransi antar masyarkat dan menghasilkan kegiatan kegiatan yang baru yang dapat meningkatkan produktivitas dan toleransi antar warga sekitar yang berdampak luas terhadap kawasan sekitar.

La universidad como espacio público: la emergencia de actores y escenarios académicos en la controversia sobre prostitución

2021 ◽  
Author(s):  
Vanesa Saiz-Echezarreta ◽  
Belén Galletero-Campos
Keyword(s):  
Public Space ◽  
Sex Work ◽  
Sex Trafficking ◽  
Active Participation ◽  
Democratic Participation ◽  
The Public ◽  
The Status ◽  
Academic Network ◽  
La Red

Public controversies are an analytical opportunity to study the emergence of issues, the creation and alliance of actors, as well as the articulation of public arenas (politics, society, activism, academia, etc.). This paper analyzes how two actors in Spanish academia emerged, and how they became an expression of the polarized conflict on prostitution, sex work, and sex trafficking. Through a case study, this work traces the emergence and consolidation in the public space of the #universidadsincensura initiative and the International Academic Network for the Study of Prostitution and Pornography (Red Académica Internacional de Estudios sobre Prostitución y Pornografía, Raiepp). Methodologically, the technique of controversy mapping is applied through an analysis of the first phase of the controversy on Twitter with the hashtags #universidadsincensura and #universidadsinprostitucion and the monitoring of the platform’s activities based on active participation in the #universidadsincensura initiative. The analysis shows that both actors emerge in line with the logics of the mediatized public space linked to a presence in media and networks. Endowed with different degrees of institutionalization, Raiepp and #universidadsincensura form the same public, that of those directly or indirectly affected by the public problem surrounding the status of prostitution, for which they seek a solution through a process of enquiry and experimentation that defines democratic participation. Resumen Las controversias públicas son una oportunidad analítica para estudiar la emergencia de asuntos, creación y alianza de actores, así como la articulación de arenas públicas (política, sociedad, activismo, academia, etc.). A través de un estudio de caso este artículo rastrea la aparición y consolidación en la Academia de dos actores que visibilizan el conflicto polarizado sobre prostitución, trabajo sexual y trata con fines de explotación sexual, y que se materializan en #universidadsincensura y la Red Académica Internacional de Estudios sobre Prostitución y Pornografía (Raiepp). Metodológicamente se aplica la técnica de mapeo de controversias, a través de un análisis de la primera fase de la polémica en Twitter –con los hashtags #universidadsincensura y #universidadsinprostitucion– y el seguimiento de las actividades de las plataformas, desde la participación activa en la iniciativa #universidadsincensura. El análisis muestra que ambos actores emergen en consonancia con las lógicas del espacio público mediatizado, vinculados a la presencia en medios y redes. Dotados de grados de institucionalización distintos, Raiepp y #universidadsincensura conforman un mismo público, el de los afectados directa o indirectamente por el problema público en torno al estatuto de la prostitución, al que buscan solución a través de un proceso de indagación y experimentación que define la participación democrática.

Pericles and His Circle: Family and Friends

2014 ◽  
Author(s):  
Vincent Azoulay
Keyword(s):  
Public Space ◽  
Personal Relationships ◽  
Private Sphere ◽  
The Public ◽  
The People

This chapter focuses on Pericles' family circle and his network of friends. It first considers Pericles' marriage to show how kinship structures functioned in Athens before discussing the tension between oikos and polis, the private sphere and the public space, in Pericles' refusal to take part in even the most elementary rituals of family sociability. It then examines how Pericles neglected the traditional forms of friendship and the sociability that was associated with them, noting that thoughout his career, Pericles set the friendship of the people before his personal relationships. It also discusses the criticisms leveled against Pericles for his equivocal friendships and, in particular, his hospitality toward foreigners and even foreign women.

scholarly journals The Constitutionalization of International Law After Liberalism

Politeja ◽  
2021 ◽  
Vol 18 (6(75)) ◽  
pp. 5-27
Author(s):  
Piotr Uhma
Keyword(s):  
International Law ◽  
Public Space ◽  
The United States ◽  
The State ◽  
International Level ◽  
Liberal Internationalism ◽  
The Public ◽  
Modest Contribution ◽  
The People ◽  
The Usa

Many political changes that have taken place across the world in the last decade have been connected with the spill-over of a new narrative in the public dimension. Among other things, this narrative has emphasized returning control over the public space to the people once again, revitalization of the democratic community, restraint on an expansion of judicial power over representational politics, and in many instances, a specific national approach to the questions of governance. These trends have gained the name “illiberal democracy”, a description which Viktor Orban introduced into the language of political practice a few years later. Indeed, in many countries worldwide, from the United States of America (USA) during the presidency of Donald Trump, Central and Eastern Europe, to Turkey and Venezuela, it has been possible to observe changes which had the principal leitmotif to negate liberal democracy as the only possibility of organizing public space within the state. These trends are continuing, and there are no signs of them disappearing in the near future. The new dispensation in the USA under President Biden also does not guarantee an immediate return to the liberal internationalism of the 1990s. Political changes directed toward the constitutional space of the State have inspired researchers to consider the issues of new constitutionalism, new forms of democracy, and the rule of law beyond liberalism. This article is an attempt to transfer these considerations to the international level. The text aims to consider whether withdrawal from the liberal doctrine could also be observed on an international level and what these facts could mean for the intellectual project of constitutionalization of international law. Building upon reflections on constitutionalism and constitutionalization of international law, this text presents what has up until now been the mainstream understanding of international law as a liberal construct. This showcases the illiberal turn observed among certain countries as exemplified by the anti-liberal and realist language of their constitutional representatives. In this respect, this analysis is a modest contribution to the so far nascent field of sociology of international law. However, the main endeavor of this article is to unchain the notions of international liberalism and constitutionalization of international law as being popularly understood as two sides of the same coin. Consequently, the idea of political constitutionalism of international law is introduced. Seeing things from this perspective, this text focuses on the material rather than formal aspects of international law's constitutionalization. Within the stream of so called thick constitutionalism, there are a few elements listed with which the discussion about international law may continue to engage, if this law is to be considered as legitimate not only formally, but also substantially.

scholarly journals Where's the "Public" in Public Art. Three Narratives from documenta 14

2020 ◽  
pp. 45-66
Author(s):  
Giorgos Velegrakis ◽  
Danai Liodaki
Keyword(s):  
Lived Experience ◽  
Public Space ◽  
Public Art ◽  
Contemporary Literature ◽  
Field Research ◽  
Urban Experience ◽  
The Public ◽  
Theoretical Approaches ◽  
Basic Features ◽  
The City

This paper analyses five public art projects exhibited in documenta 14 in Athens in 2017 that redefine and interact with the public space and therefore, form three different narratives on public space. These narratives are outlined according to the different interpretations of ‘public space’, ‘public sphere’ and democracy by the various artists. Our argument is structured as follows; firstly, we present an analysis of public art and its basic features drawing from contemporary literature. Secondly, we provide a number of key facts regarding documenta and documenta 14, outlining the main reasons we selected it as a reference point. Thirdly, we describe the three narratives about public space that we came up with after our field research and interviews with the respective artists: Sanja Iveković, Joar Nango, Rasheed Araeen, Mattin and Rick Lowe. We then discuss the relations between them and develop a model that unravels the way artists explore the public domain, look for locations, and redefine public space and the lived experience in the city. To do so, we engage with theoretical approaches as well as elaborations on specific artworks that engage the shifts and changes of the lived urban experience through art.

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