Community media in the United States: Fostering pluralism and inclusivity in challenging times

2020 ◽  
Vol 11 (2) ◽  
pp. 191-205
Author(s):  
Michael W. Huntsberger
Keyword(s):  
United States ◽  
The United States ◽  
National Public Radio ◽  
Community Media ◽  
Current State ◽  
The Arts ◽  
Public Broadcasting Service ◽  
Challenges And Opportunities ◽  
Broadcasting Service ◽  
Key Indicators

For most Americans, public service media (PSM) are synonymous with National Public Radio for radio and audio and Public Broadcasting Service for television and video. However, these national services do not fully circumscribe the PSM sphere in the United States. US community media are non-commercial, locally controlled outlets that produce content intended for local audiences, most often focused on local concerns associated with housing, education, government and the arts. This study provides an overview of the present state of community media in the United States. It draws on a variety of sources, including data from the industry, and from the professional press, as well as a series of extensive informational interviews with community media leaders around the United States. The subjects include representatives from community radio and community television outlets that serve urban, suburban and rural markets. After compiling and analysing the quantitative and qualitative data, several key indicators emerge that help to describe the current state of community media in the United States and point towards challenges and opportunities ahead for the sector.

scholarly journals Little Founders on the Small Screen: Interpreting a Multicultural American Revolution for Children's Television

2010 ◽  
Vol 45 (1) ◽  
pp. 145-163 ◽  
Author(s):  
ANDREW M. SCHOCKET
Keyword(s):  
United States ◽  
American Revolution ◽  
The United States ◽  
Children's Television ◽  
First Century ◽  
Public Television ◽  
The Public ◽  
Public Broadcasting Service ◽  
Whoopi Goldberg ◽  
Broadcasting Service

From 2002 to 2004, the children's animated series Liberty's Kids aired on the Public Broadcasting Service (PBS), the United States' public television network. It runs over forty half-hour episodes and features a stellar cast, including such celebrities as Walter Cronkite, Michael Douglas, Yolanda King, Whoopi Goldberg, Billy Crystal, Arnold Schwarzenegger, Liam Neeson, and Annette Bening. Television critics generally loved it, and there are now college students who can trace their interest in the American Revolution to having watched this series when they were children. At the turn of the twenty-first century, it is the most extended and in-depth encounter with the American Revolution that most young people in the United States are likely to have encountered, and is appropriately patriotic and questioning, celebratory and chastening. Although children certainly learn a great deal about multiculturalism from popular culture, the tropes and limitations of depicting history on television trend toward personification, toward reduced complexity and, for children, toward resisting examining the darker sides of human experience. As this essay suggests, the genre's limits match the limits of a multicultural history in its attempt to show diversity and agency during a time when “liberty and justice for all” proved to be more apt as an aspiration at best and an empty slogan at worst than as an accurate depiction of the society that proclaimed it. This essay is not an effort to be, as Robert Sklar put it, a “historian cop,” policing the accuracy of the series by patrolling for inaccuracies. Rather, it is a consideration of the inherent difficulties of trying to apply a multicultural sensibility to a portrayal of the American Revolution.

Transporting Television in Space and Time: The Export ofDoctor Whoto the United States in the 1970s and 1980s

2015 ◽  
Vol 12 (3) ◽  
pp. 342-363
Author(s):  
John L. Sullivan
Keyword(s):  
United States ◽  
Science Fiction ◽  
The United States ◽  
Public Television ◽  
Doctor Who ◽  
Public Broadcasting Service ◽  
The Us ◽  
Broadcasting Service ◽  
Market Pressures ◽  
Roll Out

The revival of the BBC series Doctor Who in 2005 heralded the successful rebirth of a defunct science fiction series that had been cancelled in 1989. While the 2005 incarnation was designed as a slick, high-budget media product with cross-national appeal, the initial series, which was broadcast regularly from 1963 to 1989, was quite different – quirky, low-budget and distinctly British. In fact, the roll-out of Doctor Who on American television screens in the late 1970s was marred by missteps thanks in part to structural differences between the US and British broadcasting systems. This essay explores the initial expansion of Doctor Who into the United States beginning in the late 1960s, first via syndication to commercial stations with Time Life Television and later to Public Broadcasting Service (PBS) stations nationwide through the BBC's US distribution arm, Lionheart Television. The attempt to internationalise the Doctor Who audience in its first two decades is examined through the larger lens of shared British and American broadcasting history and policy before and during the Thatcher era. Ironically, while the BBC scrapped Doctor Who in the 1980s due to market pressures and personal rivalries, it attracted an engaged and loyal fan base in the United States, ultimately boosting the fortunes of American public television.

scholarly journals Current State of the Horticultural Therapy Profession in the United States

2021 ◽  
pp. 1-9
Author(s):  
Derrick R. Stowell ◽  
J. Mark Fly ◽  
William E. Klingeman ◽  
Caula A. Beyl ◽  
Angela J. Wozencroft ◽  
...  
Keyword(s):  
United States ◽  
Public Awareness ◽  
Qualitative Interviews ◽  
The United States ◽  
Art Music ◽  
Horticultural Therapy ◽  
Current State ◽  
Job Opportunities ◽  
Challenges And Opportunities ◽  
Future Growth

While horticultural therapy (HT) has a long history in the United States, the profession has not had the acceptance and growth that related fields, such as art, music, recreational, occupational, and physical therapies have experienced. The objective of this study was to identify the current challenges and opportunities of HT in the United States. Maximum variation sampling was used to select current and former members of the American Horticultural Therapy Association (AHTA) for interviews. A total of 27 participants were interviewed between Nov. 2019 and Jan. 2020 using semi-structured qualitative interviews by Zoom. The interviews revealed six themes: 1) current state of the profession, 2) AHTA operations/structure, 3) education/credentialing, 4) funding/job opportunities, 5) public awareness/networking, and 6) research. This paper will discuss the challenges and opportunities presented in the six themes and provide recommendations for the future growth of the HT profession.

Convective Storms and the Insurance Industry: Challenges and Opportunities

2020 ◽  
Author(s):  
Kirsten D. Orwig
Keyword(s):  
United States ◽  
Tropical Cyclones ◽  
Insurance Industry ◽  
Property Values ◽  
Construction Materials ◽  
The United States ◽  
Building Code ◽  
Convective Storms ◽  
Challenges And Opportunities ◽  
Insured Loss

Convective storms affect countries worldwide, with billions in losses and dozens of fatalities every year. They are now the key insured loss driver in the United States, even after considering the losses sustained by tropical cyclones in 2017. Since 2008, total insured losses from convective storms have exceeded $10 billion per year. Additionally, these losses continue to increase year over year. Key loss drivers include increased population, buildings, vehicles, and property values. However, other loss drivers relate to construction materials and practices, as well as building code adoption and enforcement. The increasing loss trends pose a number of challenges for the insurance industry and broader society. These challenges are discussed, and some recommendations are presented.

scholarly journals Ice-Breaking Fleets of the United States and Canada: Assessing the Current State of Affairs and Future Plans

2021 ◽  
Vol 13 (2) ◽  
pp. 703
Author(s):  
Megan Drewniak ◽  
Dimitrios Dalaklis ◽  
Anastasia Christodoulou ◽  
Rebecca Sheehan
Keyword(s):  
United States ◽  
The United States ◽  
Maritime Transportation ◽  
The Arctic ◽  
Polar Ice ◽  
Northwest Passage ◽  
Ice Cap ◽  
Ice Coverage ◽  
Current State ◽  
State Of Affairs

In recent years, a continuous decline of ice-coverage in the Arctic has been recorded, but these high latitudes are still dominated by earth’s polar ice cap. Therefore, safe and sustainable shipping operations in this still frozen region have as a precondition the availability of ice-breaking support. The analysis in hand provides an assessment of the United States’ and Canada’s polar ice-breaking program with the purpose of examining to what extent these countries’ relevant resources are able to meet the facilitated growth of industrial interests in the High North. This assessment will specifically focus on the maritime transportation sector along the Northwest Passage and consists of four main sections. The first provides a very brief description of the main Arctic passages. The second section specifically explores the current situation of the Northwest Passage, including the relevant navigational challenges, lack of infrastructure, available routes that may be used for transit, potential choke points, and current state of vessel activity along these routes. The third one examines the economic viability of the Northwest Passage compared to that of the Panama Canal; the fourth and final section is investigating the current and future capabilities of the United States’ and Canada’s ice-breaking fleet. Unfortunately, both countries were found to be lacking the necessary assets with ice-breaking capabilities and will need to accelerate their efforts in order to effectively respond to the growing needs of the Arctic. The total number of available ice-breaking assets is impacting negatively the level of support by the marine transportation system of both the United States and Canada; these two countries are facing the possibility to be unable to effectively meet the expected future needs because of the lengthy acquisition and production process required for new ice-breaking fleets.

Impact of the 2020 crises on the arts and culture in the United States: The effect of COVID-19 and the Black Lives Matter movement in historical context

2020 ◽  
Vol 27 (4) ◽  
pp. 449-465
Author(s):  
Stanley N. Katz ◽  
Leah Reisman
Keyword(s):  
United States ◽  
Historical Context ◽  
The United States ◽  
Cultural Organizations ◽  
Black Lives Matter ◽  
The Arts ◽  
Arts And Culture ◽  
History Of ◽  
Cultural Sector ◽  
The Impact

AbstractThis article discusses the impact of the COVID-19 pandemic and the Black Lives Matter movement on the arts and cultural sector in the United States, placing the 2020 crises in the context of the United States’s historically decentralized approach to supporting the arts and culture. After providing an overview of the United States’s private, locally focused history of arts funding, we use this historical lens to analyze the combined effects of the pandemic and Black Lives Matter movement on a single metropolitan area – Philadelphia, Pennsylvania. We trace a timeline of key events in the national and local pandemic response and the reaction of the arts community to the Black Lives Matter movement, arguing that the nature of these intersecting responses, and their fallout for the arts and cultural sector, stem directly from weaknesses in the United States’s historical approach to administering the arts. We suggest that, in the context of widespread organizational vulnerability caused by the pandemic, the United States’s decentralized approach to funding culture also undermines cultural organizations’ abilities to respond to issues of public relevance and demonstrate their civic value, threatening these organizations’ legitimacy.

Biosurveillance: A Modern Look

2020 ◽  
Vol 11 (1) ◽  
Author(s):  
James Lee Brooks
Keyword(s):  
United States ◽  
Homeland Security ◽  
The United States ◽  
First Century ◽  
Direct Result ◽  
Current State ◽  
Twenty First Century ◽  
Security Operations

AbstractThe early part of the twenty-first century saw a revolution in the field of Homeland Security. The 9/11 attacks, shortly followed thereafter by the Anthrax Attacks, served as a wakeup call to the United States and showed the inadequacy of the current state of the nation’s Homeland Security operations. Biodefense, and as a direct result Biosurveillance, changed dramatically after these tragedies, planting the seeds of fear in the minds of Americans. They were shown that not only could the United States be attacked at any time, but the weapon could be an invisible disease-causing agent.

scholarly journals Systematic Review of Arts-Based Interventions to Address Suicide Prevention and Survivorship in Australia, Canada, the United Kingdom, and the United States of America

2021 ◽  
Vol 22 (1_suppl) ◽  
pp. 53S-63S
Author(s):  
Jill Sonke ◽  
Kelley Sams ◽  
Jane Morgan-Daniel ◽  
Andres Pumariega ◽  
Faryal Mallick ◽  
...  
Keyword(s):  
Mental Health ◽  
United States ◽  
United Kingdom ◽  
Suicide Prevention ◽  
United States Of America ◽  
The United States ◽  
Current Evidence ◽  
Study Objective ◽  
The United Kingdom ◽  
The Arts

Study Objective. Suicide is a serious health problem that is shaped by a variety of social and mental health factors. A growing body of research connects the arts to positive health outcomes; however, no previous systematic reviews have examined the use of the arts in suicide prevention and survivorship. This review examined how the arts have been used to address suicide prevention and survivorship in nonclinical settings in Australia, Canada, the United Kingdom, and the United States of America. Design and Setting. Ten bibliographic databases, five research repositories, and reference sections of articles were searched to identify published studies. Articles presenting outcomes of interventions conducted between 2014 and 2019 and written in English, were included. Primary Results. Nine studies met inclusion criteria, including qualitative, quantitative randomized controlled trials, quantitative nonrandomized, quantitative descriptive, and mixed-methods studies. The programs studied used film and television (n = 3), mixed-arts (n = 3), theatre (n = 2), and quilting (n = 1). All nine interventions used the arts to elicit emotional involvement, while seven also used the arts to encourage engagement with themes of health. Study outcomes included increased self-efficacy, awareness of mental health issues, and likelihood for taking action to prevent suicide, as well as decreases in suicidal risk and self-harming behaviors. Conclusions. Factors that influence suicide risk and survivorship may be effectively addressed through arts-based interventions. While the current evidence is promising with regard to the potential for arts programs to positively affect suicide prevention and survivorship, this evidence needs to be supplemented to inform recommendations for evidence-based arts interventions.

scholarly journals Toward a Culture of Health in the United States: Introducing the HPP Arts in Public Health Supplement

2021 ◽  
Vol 22 (1_suppl) ◽  
pp. 5S-7S
Author(s):  
Jill Sonke ◽  
Lourdes Rodríguez ◽  
Melissa A. Valerio-Shewmaker
Keyword(s):  
Public Health ◽  
United States ◽  
Health Promotion ◽  
Public Health Education ◽  
The United States ◽  
The Arts ◽  
Agents Of Change ◽  
The University ◽  
Critical Public Health ◽  
Health Promotion Practice

The arts—and the arts and culture sector—offer fertile ground for achieving a culture of health in the United States. The arts and artists are agents of change and can help enable this vision and also address the most critical public health issues we are contending with, including COVID-19 and racism. The arts provide means for engaging dialogue, influencing behaviors, disrupting paradigms and fueling social movements. The arts uncover and illuminate issues. They engage us emotionally and intellectually. They challenge assumptions. They call out injustice. They drive collective action. They heal—making arts + public health collaboration very relevant in this historic moment. In this special Health Promotion Practice supplement on arts in public health, you’ll find powerful examples and evidence of how cross-sector collaboration between public health and the arts can advance health promotion goals and impacts, and make health promotion programs not only more accessible to diverse populations but also more equitable and effective in addressing the upstream systems, policies, and structures that create health disparities. You will see how the arts can empower health communication, support health literacy, provide direct and measurable health benefits to individuals and communities, and support coping and resilience in response to COVID-19. This issue itself exemplifies cross-sector collaboration, as it was created through partnership between Health Promotion Practice, the Society for Public Health Education, ArtPlace America, and the University of Florida Center for Arts in Medicine, and presents voices from across the public health, arts, and community development sectors.

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