Curatorial Conversations

2016 ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Representation ◽  
Cultural Pluralism ◽  
Intangible Cultural Heritage ◽  
International Recognition ◽  
Cultural Democracy ◽  
Heritage Policy ◽  
First Time ◽  
Over Time

Since its origins in 1967, The Smithsonian Folklife Festival has gained national and international recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting Festival principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of Festival curatorial staff—past and present—in examining the Center for Folklife and Cultural Heritage’s cultural heritage representation practices and their critical implications for issues of intangible cultural heritage policy, cultural pluralism, and identity. This volume represents the first concerted project by Festival staff curators to systematically examine institutional principles and philosophical underpinnings and claims as they have evolved over time, and to address broader debates on cultural representation from their own experiences at the Festival.

scholarly journals El Patrimonio cultural inmaterial de la Plaza Baquedano en Santiago de Chile = The Intangible Cultural Heritage of Plaza Baquedano in Santiago de Chile

2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
El Paso ◽  
Intangible Cultural Heritage ◽  
The Public ◽  
Secondary Sources ◽  
Santiago De Chile ◽  
Open Discussion ◽  
The City ◽  
Over Time

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.

Artistic solution of aesthetic aura in the works of batik masters of modern Azerbaijan

2021 ◽  
Vol 66 (05) ◽  
pp. 154-159
Author(s):  
Asiya Xasay qızı Osmanova ◽  
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Creative People ◽  
Non Profit ◽  
Modern Times ◽  
The People ◽  
Applied Art ◽  
Modern Era ◽  
Individual Style ◽  
Over Time

The people of Azerbaijan have created a rich and different culture, an important part of which is decorative and applied art. It can be said that the growing interest of young creative people in batik over time is the greatest support for the preservation of our national customs and traditions. Continuing the traditions of this art in their future activities is an indication that Azerbaijani national art and batik will always be in the center of attention. Considering that the art of kalagai is a UNESCO non-profit organization under the title "Traditional kalagai art and symbolism, preparation and use of women's silk headdresses". The Representative List of Intangible Cultural Heritage was included in the 9th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in Paris on November 24-28, 2014, and therefore in modern times batik and kalagai are already of interest to local scholars as well as foreign scholars. was. As we know, the breadth of opportunities created by art in the modern era, many artists express their individual style in different ways. Among such artists there are currently working batik masters. Key words: Batik, kalagai, modernity, tradition, plot, composition, color

scholarly journals Consent, agreement, communities and holders: the issue of social participation in the field of cultural heritage and the dialogue between the Convention for the Safeguarding of Intangible Heritage and the intangible heritage policy of Brazil

2021 ◽  
pp. 77-86
Author(s):  
Simone Toji
Keyword(s):  
Cultural Heritage ◽  
Social Participation ◽  
Intangible Cultural Heritage ◽  
Social Actors ◽  
Cultural Policies ◽  
Intangible Heritage ◽  
Unesco Convention ◽  
Heritage Policy

This article considers some modes of activation and operationalization of the idea of social participation in the field of intangible cultural heritage. It regards the newest proposal of operating participation established by the UNESCO Convention on Safeguarding Intangible Cultural Heritage and the experience of its implementation in Brazil. By analyzing how the issue of participation was developed through dialogue between the international and national levels, the paper also shows how the emergence of categories of social actors such as “communities” and “bearers” has been consolidated within the mentioned intangible cultural policies.

scholarly journals Couple Villages from the Făgăraş Land, with their History and Ethnographic Peculiarities

2019 ◽  
Vol 25 (2) ◽  
pp. 336-341
Author(s):  
Daniela Sorea ◽  
Elena Băjenaru
Keyword(s):  
Cultural Heritage ◽  
Collective Memory ◽  
Middle Ages ◽  
State Formation ◽  
Community Identity ◽  
The Other ◽  
Intangible Cultural Heritage ◽  
Starting Point ◽  
Over Time ◽  
The Middle Ages

Abstract The Făgăraș Land is an old Romanian state formation on the territory of Transylvania. Geographically located between the Olt and the Meridional Carpathians, the Făgăraș Land is considered the starting point of the founders of Wallachia. It was caught between the interests and pride of the Hungarian Kingdom and those of the Romanian lords throughout the Middle Ages, and suffered invasions of the Tartars. The memory of the latter is preserved in the collective memory of the locals, especially in the legends about the rocks that girls chased by attackers have jumped off. Many of the villages of Fagaras are arranged in pairs, one in the Olt meadow and the other in the mountain. Over time, there have been differentiations in the folk garment and traditions between the couple villages, but also between neighbouring couple villages. These differences strenghten the community identity of the Făgăraș Land villagers and indicate the existence of significant intangible cultural heritage resources in the area.

scholarly journals The American Folklore Society-China Folklore Society Folklore and Intangible Cultural Heritage Project, 2013-2016

2019 ◽  
Vol 13 (1) ◽  
pp. 59-68 ◽  
Author(s):  
C. Kurt Dewhurst ◽  
Timothy Lloyd
Keyword(s):  
Cultural Heritage ◽  
Southwest China ◽  
The United States ◽  
Lessons Learned ◽  
Intangible Cultural Heritage ◽  
Second Phase ◽  
Policy And Practice ◽  
American Folklore ◽  
Henry Luce ◽  
Heritage Policy

Emphasizing its museum-focused sub-project, this report describes the second phase of the China-US Folklore and Intangible Cultural Heritage Project (2013-2016). Supported by the Henry Luce Foundation, the larger project links these two national scholarly societies in a program of professional exchanges, scholarly meetings, and joint inquiry around issues of intangible cultural heritage policy and practice. The museum sub-project has included joint exhibition development work, travel to local communities in the United States and in Southwest China, and other collaborative initiatives. This report describes the project's history, funding, outcomes, and some lessons learned.

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