Artistic solution of aesthetic aura in the works of batik masters of modern Azerbaijan

2021 ◽  
Vol 66 (05) ◽  
pp. 154-159
Author(s):  
Asiya Xasay qızı Osmanova ◽  
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Creative People ◽  
Non Profit ◽  
Modern Times ◽  
The People ◽  
Applied Art ◽  
Modern Era ◽  
Individual Style ◽  
Over Time

The people of Azerbaijan have created a rich and different culture, an important part of which is decorative and applied art. It can be said that the growing interest of young creative people in batik over time is the greatest support for the preservation of our national customs and traditions. Continuing the traditions of this art in their future activities is an indication that Azerbaijani national art and batik will always be in the center of attention. Considering that the art of kalagai is a UNESCO non-profit organization under the title "Traditional kalagai art and symbolism, preparation and use of women's silk headdresses". The Representative List of Intangible Cultural Heritage was included in the 9th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in Paris on November 24-28, 2014, and therefore in modern times batik and kalagai are already of interest to local scholars as well as foreign scholars. was. As we know, the breadth of opportunities created by art in the modern era, many artists express their individual style in different ways. Among such artists there are currently working batik masters. Key words: Batik, kalagai, modernity, tradition, plot, composition, color

scholarly journals El Patrimonio cultural inmaterial de la Plaza Baquedano en Santiago de Chile = The Intangible Cultural Heritage of Plaza Baquedano in Santiago de Chile

2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
El Paso ◽  
Intangible Cultural Heritage ◽  
The Public ◽  
Secondary Sources ◽  
Santiago De Chile ◽  
Open Discussion ◽  
The City ◽  
Over Time

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.

De werkelijkheid van de verbeelde natie

1970 ◽  
Vol 56 ◽  
pp. 7-33
Author(s):  
Louis Vos
Keyword(s):  
National Identity ◽  
Time History ◽  
Social Reality ◽  
Modern Times ◽  
The Core ◽  
Core Content ◽  
The People ◽  
Modern Era ◽  
Symbolic Perspective

National identity emerges as an interaction between identity-formationon an individual and a collective level, wherein time (history),space (territory as place of living and as transcendental symbol) andgeneration play a role. An identity manifests itself mainly through action,and is also represented in symbols. Not the core content, which hasto be reinterpreted continuously, but the boundaries towards the outerworld serve as markers of the we-feeling of the community. In the paradigmdebate on nationalism during the last three decades, three mainquestions were at stake. At first the discussion whether an ethnic-culturalor a voluntary dimension is more important. Secondly the questionwhether the nation is a modern phenomenon or goes back to thepre-modern era. And finally the debate between postmodernists consideringthe nation as merely existing in the minds of the people, and othersconsidering the nation as a social reality as well, but to be understoodfrom an ethno-symbolic perspective. This article argues that a nation isboth voluntary and organic, can also exist in pre-modern times, and isalthough imagined at the same time also a social reality. It gives a panoramaof the shifting paradigms of nationalism and their representatives,and suggests that we are already approaching a post-postmodernistsynthesis. Finally it discusses the question of nationalism and democracyin defending even the thesis that, as history doesn’t show examplesof democracies outside a national setting, a living nation is a prerequisitefor a fully fledged democracy.

Intangible Cultural Heritage in a Modernizing Bhutan: The Question of Remaining Viable and Dynamic

2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
Policy And Practice ◽  
Gross National Happiness ◽  
The People ◽  
Cultural Isolation ◽  
Cloth Production ◽  
History Of

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.

Protection of Intangible Heritage

2021 ◽  
pp. 207-222
Author(s):  
Vinayak Jhamb ◽  
Konpal Kaur
Keyword(s):  
Cultural Heritage ◽  
Legal Aspect ◽  
Market Value ◽  
Intangible Cultural Heritage ◽  
Special Relationship ◽  
Natural Heritage ◽  
Intangible Heritage ◽  
Common Heritage Of Mankind ◽  
The People ◽  
Musical Traditions

The convention concerning the protection of cultural and natural heritage only emphasizes the protection of tangible cultural heritage. However, the present convention completely turned a blind eye and a deaf ear to the intangible cultural heritage. “Cultural heritage” as a term and its content are largely taken from other fields like anthropology and archaeology. The legal aspect of cultural heritage is most complex and difficult to understand. There also exist elements of intangible culture which would include songs or folklore musical traditions, ceremonial or ritual traditions, aspects of the life of ancient societies, and any special relationship between the people and the land that they inhabited. With the term property also comes the idea of assigning the artifact a market value whereas they are historically priceless. Cultural heritage has been made global and a part of universal heritage or “common heritage of mankind.”

scholarly journals Couple Villages from the Făgăraş Land, with their History and Ethnographic Peculiarities

2019 ◽  
Vol 25 (2) ◽  
pp. 336-341
Author(s):  
Daniela Sorea ◽  
Elena Băjenaru
Keyword(s):  
Cultural Heritage ◽  
Collective Memory ◽  
Middle Ages ◽  
State Formation ◽  
Community Identity ◽  
The Other ◽  
Intangible Cultural Heritage ◽  
Starting Point ◽  
Over Time ◽  
The Middle Ages

Abstract The Făgăraș Land is an old Romanian state formation on the territory of Transylvania. Geographically located between the Olt and the Meridional Carpathians, the Făgăraș Land is considered the starting point of the founders of Wallachia. It was caught between the interests and pride of the Hungarian Kingdom and those of the Romanian lords throughout the Middle Ages, and suffered invasions of the Tartars. The memory of the latter is preserved in the collective memory of the locals, especially in the legends about the rocks that girls chased by attackers have jumped off. Many of the villages of Fagaras are arranged in pairs, one in the Olt meadow and the other in the mountain. Over time, there have been differentiations in the folk garment and traditions between the couple villages, but also between neighbouring couple villages. These differences strenghten the community identity of the Făgăraș Land villagers and indicate the existence of significant intangible cultural heritage resources in the area.

scholarly journals Memorial Tombs – special cultural heritage in the context of compound burials of Nguyen Dynasty aristocracy in Southern parts of Vietnam in Medieval and Post-Medieval Times  Pham Duc Manh

2015 ◽  
Vol 18 (1) ◽  
pp. 47-63
Author(s):  
Manh Duc Pham ◽  
Chien Ngoc Do
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Way Of Life ◽  
Heritage Sites ◽  
Southern Vietnam ◽  
The People ◽  
Historical Figures ◽  
Expansion Time ◽  
History Of ◽  
Artistic Heritage

This paper introduces Memorial Tombs in the context of memorial compound tomb types for the aristocrat of the Nguyen Dynasty (1802- 1945) in Southern Vietnam in The Medieval and Post-Medieval Time. This type was of rare tangible and intangible cultural heritage at the time (1.5%). These heritage assets are very valuable because they are associated with historical figures – “state founders, meritorious officials” in country expansion time “The Great South Unification (Dai Nam Nhat thong)”. In addition to the typical complex of mausoleums in Southern Vietnam (Nguyen Huu Canh, 1650-1700; Le Van Duyet, 1763-1832; Le Van Phong, Truong Tan Buu, 1752-1827 or Tran Van Hoc, Phan Tan Huynh, Huynh Van Tu, and "Sir Nhieu Loc"), the authors studied Vo Tanh mausoleum at both Hoang De (emperor) and Gia Dinh (emperor) citadels, and the mausoleum of his warmates related to the last and biggest-scaled sea fight between the Nguyen dynasty’s army and the Tay Son insurgent army on Thi Nai lagoon in 1801 (Vo Di Nguy, 1745-1801; Ngo Tung Chau; Thu Ngoc Hau, etc.). In our opinion, the presence of memorial tomb types of Vo Tanh and his warmates – historic-cultural-artistic heritage sites of national/provincial levels in Southern Vietnam relating the honoring of heroes who “wholeheartedly served the King, defended the country, saved the people” in the history of country expansion “Towards the South” in medieval and post-medieval times. They contribute to the moulding of prominent features of the comtemporary Southerners’ personality. Those historical stories of the Southern heroes are preserved and worshipped by their descendants bearing in mind the Vietnamese way of life “praising the bridge carrying one over” and pay homage to ancestors for their nation-building service.

scholarly journals Traditional Sports and Games as an Element of Intangible Cultural Heritage

2021 ◽  
Vol 16 (4) ◽  
pp. 1257-1283
Author(s):  
Željko Bjeljac ◽  
Jovana Brankov ◽  
Nevena Ćurčić
Keyword(s):  
Cultural Heritage ◽  
Survey Research ◽  
Good Practice ◽  
Present Knowledge ◽  
Intangible Cultural Heritage ◽  
Local Identity ◽  
Performance Skills ◽  
Modern Times ◽  
The World ◽  
Traditional Sports

Traditional sports and games have been recognized in modern times as an important segment of cultural heritage and local identity. They are an expression of creativity in the field of sports and recreation of the inhabitants in the regions where they originated. The role and importance of traditional sports and games have been especially emphasized in the last 30 years through various announcements, declarations, executive plans, and since 2010 they have been inscribed on the UNESCO list of intangible cultural heritage. They are seen as special performance skills that are preserved, as an example of good practice, a list of knowledge, a list of living guardians of heritage and a list of festivals and customs. Also, they found their place on the national lists of the former republics of SFRY. On the territory of Serbia, traditional sports and games are still not on the national list of intangible cultural heritage, although practice shows that some need to be preserved and revitalized. The paper analyses process of recognizing traditional sports and games in the world and in the former Yugoslavia as an intangible cultural heritage. Also, using survey research, it will be investigated to what extent the awareness and present knowledge on this topic is developed among visitors to various competitions in traditional sports and games in Serbia, and what are the attitudes of respondents regarding their preservation and authenticity.

scholarly journals Integration of Cultural Digital form and Material Carrier form of Traditional Handicraft Intangible Cultural Heritage

2021 ◽  
pp. 21-30
Author(s):  
Ali Saadon Al Al-Ogaili ◽  
◽  
◽  
Ali Saadon Al Al-Ogaili
Keyword(s):  
Cultural Heritage ◽  
Rapid Development ◽  
Living Environment ◽  
Survey Method ◽  
Intangible Cultural Heritage ◽  
Human Society ◽  
Human Beings ◽  
The People ◽  
Long Time ◽  
Traditional Cultural Expressions

Intangible cultural heritage is the continuous progress of human society. Intangible cultural heritage refers to various traditional cultural expressions that exist in intangible form and are closely related to the lives of the people and inherited from generation to generation. Intangible cultural heritage is a human-oriented living cultural heritage. It emphasizes human-centric skills, experience, and spirit, and is characterized by living changes. What stands out is the intangible attribute, and more emphasis on the quality that does not depend on the material form. The biggest feature of intangible cultural heritage is that it is not divorced from the special life and production methods of the nation, and it is the living of the nation's personality and national aesthetic habits. Appears. It exists on the basis of human beings, using voice, image and skills as means of expression, and passing from word to mouth as a cultural chain to continue. It is the most vulnerable part of living culture and its traditions. Therefore, for the process of inheriting intangible cultural heritage, the inheritance of people is particularly important. The traditional handicraft intangible cultural heritage is one of the best. However, with the rapid development of society, the living environment of intangible cultural heritage has changed, and the intangible cultural heritage of traditional handicraft industry is rapidly declining or even disappearing. In order to protect traditional handicraft intangible cultural heritage, this article studies the influence of the integration of traditional handcrafted intangible cultural heritage with the form of material carrier, reading and analyzing a large number of related documents using the literature survey method, and according to research needs, through the study of the content of the literature In summary, a questionnaire survey method was adopted to investigate traditional handicraft intangible cultural heritage visitors and inheritors. The results of the survey found that visitors’ satisfaction with the integration of digital forms and physical carrier forms of intangible cultural heritage projects was nearly 30% higher than that of unintegrated forms. Inheritors generally believe that integrated research has better publicity and education for traditional handicraft intangible heritage. The merged handmade intangible cultural heritage items are easy to store, retrieve and query, and at the same time help to preserve the related traditional handmade intangible cultural heritage items safely and for a long time, making the traditional handmade intangible cultural heritage items widely spread and shared around the world.

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