scholarly journals Reflexions on the Plurality of Methods in Architecture

Dimensions ◽  
2021 ◽  
Vol 1 (1) ◽  
pp. 55-62
Author(s):  
Oya Atalay Franck

Editorial Summary With »Reflexions on the Plurality of Research Methodology in Architecture«, Oya Atalay Franck explores the plurality of methods in architecture, unfolding the broad variety of working fields in the discipline. She highlights the specificity of the design tasks, resulting in a unique challenge for each task with correspondingly individual answers and results, thereby framing designing as an adaptive creational process that corresponds to the distinct demands of the project. Although the design process here is outlined as interactive and feedback-dependent, including the interwoven use of different media and working methods, this contribution questions whether the discipline of architecture can actually be investigated according to proven procedures of research practice. [Katharina Voigt]

Author(s):  
Anthony Kwame Harrison

This chapter introduces ethnography as a distinct research and writing tradition. It opens with a discussion of ethnography’s current fashionability within transdisciplinary academic spaces and some of the associated challenges. The next section provides a historical overview of ethnography’s emergence as a professionalized research practice within the fields of anthropology and sociology. Focusing on ethnography as a research methodology, the chapter outlines several key attributes that distinguish it from other forms of participant observation–oriented research; provides a general overview of the central paradigms that ethnographers claim and/or move between; and spotlights three principal research methods that most ethnographers utilize—namely, participant observation, field-note writing, and ethnographic interviewing. The final section of the chapter introduces a research disposition called ethnographic comportment, defined as a politics of positionality that reflects both ethnographers’ awarenesses of and their accountabilities to the research tradition they participate in.


2006 ◽  
Vol 10 (1) ◽  
pp. 28-31 ◽  
Author(s):  
Linda P. Finch

The nursing as caring theory asserts that knowing emerges from within the nursing situation and that knowledge can be transformed for nursing purposes into nursing science, which evolves from nurturing persons living caring and growing in caring. The purpose of this paper is to describe research-as-praxis methodology, as it was applied to the nursing as caring theory in a recent study, as an effective way to simultaneously engage in research, practice, and theory application. Because caring is a central exemplar of nursing, it is appropriate to consider the usefulness of this research-as-praxis methodology to examine questions that emerge from within any nursing situation, and it is cogent to suggest that this research methodology would be applicable and appropriate for generating nursing knowledge using the broad expanse of nursing theoretical perspectives.


1995 ◽  
Vol 117 (2A) ◽  
pp. 211-214 ◽  
Author(s):  
Y. Reich

Studies on design research methodology are infrequent, although there is a consensus that more effort is needed for improving design research quality. Previous calls for exercising better research methodology have been unsuccessful. As numerous studies reveal, there is no single scientific methodology that is exercised in science or in any other research practice. Rather, research methodologies are socially constructed. Since some constructions are better than others for different purposes, it becomes valuable to study different methodologies and their influence on research practice and results. Proposals for such studies are offered.


2020 ◽  
Vol 13 (3) ◽  
pp. 205979912097692
Author(s):  
Michelle Dickson

I am an Australian Aboriginal and Torres Strait Islander2 (Koori3) researcher and am privileged to work at the Cultural Interface with Koori ontologies, epistemologies and axiologies within a Western academic paradigm. I deeply engage with my Koori ways of seeing and ways of knowing the world and those things sustain me as I navigate working in the Cultural Interface. However, I feel my Koori ontologies, epistemologies and axiologies are not often valued or understood as ways of being, knowing and doing within a Western academic space. This is particularly the case when I share a Yarn4 that I learned somewhere in my lifespan and apply it to teaching or research within a Western context. However, many of those Yarns are the foundation of my learning and knowledge, have inspired me and inform and guide my research. This article describes how Yarns learned through my own life have informed my development as a researcher and have guided the ethics, methodology and methods in my research. Throughout the article I will share several Yarns (in a written form) that I used as part of my doctoral research methodology, as I Yarned with Team Members,5 about navigating research ethics, about establishing my own research methodology and about how I ensure respectful research practice founded on Indigenous knowledges.


2020 ◽  
Vol 122 (12) ◽  
pp. 1-34
Author(s):  
Marisa Cannata ◽  
Tuan D. Nguyen

Background Substantial research on reform implementation highlights numerous challenges to implementing innovations at scale with depth and sustainability, yet new reforms continue to encounter many of the same challenges. This has led to calls for researchers to work in partnership with practitioners to design, implement, and scale educational innovations. Although these approaches hold promise, little is known about the internal operations of these improvement approaches and the experiences of their participants. Purpose Through a case study of a research–practice partnership that uses a continuous improvement approach to design and development, this article explores how the collaborative design process shaped the resulting innovation design. Research Design: This is a qualitative case study that included interviews with members of the district and school design teams, observations and field notes from design team meetings, and participant feedback forms. Findings/Results The evidence converges on three main challenges in the design process. These challenges point to tensions in maximizing all the design factors because they sometimes conflicted with each other: (1) Members were most engaged when the work was very specific and deemed feasible in a particular context, (2) Efforts to develop more specificity in the design emphasis were limited by efforts to engage educators in a collaborative process in which school-level actors had ownership over key design decisions, and (3) The abstractness of the emerging reform led to difficulties in establishing a shared deep understanding of each core component of the reform. Finally, the ability of school teams to productively resolve these tensions was related to the existing capacity of the school. Conclusions This case study of a collaborative design process in a research–practice partnership illustrates the complexities of the co-construction of a set of reform practices between researchers, practitioners, and other stakeholders and highlights the need for a delicate balance between specificity of the design and local engagement. We showed how a collaborative process fostered high engagement as researchers and practitioners co-constructed the reform, and how the team struggled to define the core strategies in sufficient detail to allow for implementation planning in a way that maintained the co-constructed design. There appeared to be a tension between achieving the necessary concreteness or specificity in the reform design that would be implemented across contexts, and a process that valued local ownership and collaborative decision-making.


2019 ◽  
pp. 47-54
Author(s):  
Xiufang Zhao ◽  
Xin Zhang ◽  
Kai Cui

This paper demonstrates the research-based lighting design process of Yushu Library, a new library built after the 2010 Yushu Earthquake. The design goal is to recreate the Tibetan traditional lighting in this local modern library without sacrificing functional needs. The research methodology is comprised of a literature review, site visit and measurement, user interview, and daylighting simulation.


2020 ◽  
Vol 5 (1) ◽  
pp. 1-15
Author(s):  
Maureen Flint

This paper thinks with Braidotti’s nomadic ethics through the process of making paper to consider the ethical marks and cuts of doing qualitative research. Through the process of making paper, cutting, soaking, blending, pressing, and drying the debris of my dissertation, I consider questions of representation, ethics, and responsibility in qualitative research. Simultaneously, I consider the relations and interactions made possible through an art installation where the handmade paper was displayed as part of my dissertation defense. I contemplate my interactions and conversations with the participants that attended the installation and how these encounters led to new considerations of ethics and representation through research methodology and art.


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