An analysis of the social media practices for sustainable medical tourism destination marketing

2017 ◽  
Vol 7 (3) ◽  
pp. 222
Author(s):  
Surej P. John
2021 ◽  
pp. 016344372110453
Author(s):  
Alexander Lewis Passah

The paper is rooted in the observations from the two internet blackouts witnessed in Meghalaya in 2018 and 2019. The state is located in the North Eastern region of India and this study focuses on the Khasi population residing in the East Khasi Hills District. The study explores the complex role social media has played in information dissemination in the digital age. India currently leads the world in terms of internet blackouts and it has been imposed 538 times in the country. This phenomenon has become a reoccurring trend over the last few years with the rise in digital communications and technological affordances. The paper addresses the dualistic nature of social media and how it can be empowering on the one hand, and can also be a key contributor to mis(dis)information on the other. The study offers a non-digital centric approach by adopting digital ethnographic methods and offers insights into the social media practices and experiences of the Khasi participants as well as delving into the problematic nature of internet blackouts with respect to Meghalaya. Evidently, social media has become a space in which most individuals carry their identity, aspirations, views, history, and opinions.


Author(s):  
Meiliana Meiliana ◽  
Krishna Nugraha ◽  
Kevin Liemunandar

Most of tourist will choose new unvisited tourism spot as their new tourism destination. However, limited information of the new tourism destination often becomes a barrier to plan and schedule their tourism activity. The purpose of this research is to create an application called IndoLista, to provide complete tourism spot information, create tourism planning and schedule with social media concept. The social media concept will facilitate communication and interaction between user to get updated information in effective way. Eachuser will be able to organize their tourism planning with application's feature provided, completed by detail information of tourism spot. Research methodology is divided into two parts; analysis method by book andjournals study literature, analyze similar application, user data collection with quisioner and and design method with UML tools. Quisioner evaluation conclude society opinion that the application as research result, give asolution to user in the interest of planning and schedulling online tourism trip by providing complete information of tourism spot and facilitating interaction and communication between user via social media concept.


MedienJournal ◽  
2017 ◽  
Vol 39 (2) ◽  
pp. 5-18
Author(s):  
Anna Zoellner ◽  
Stephen Lax

Digitalisation and the emergence of online media in particular have led to intense debates about its effects on what is now often called “traditional media” including broadcast media such as radio. Our paper investigates how radio stations’ expansion into online space has transformed radio production. Focusing on the relationship between station and listeners, it discusses the social media practices of radio producers and explores whether these new digital tools contribute to a shift towards a more participatory production culture. The paper draws on data from a multi-method case study investigation of local British radio stations that combined programme analysis, expert interviews and web analysis. The study highlighted a shared belief among producers in the importance and value of social media for achieving audience loyalty and engagement. Nevertheless –not least due to a lack of additional resources –their use of social media is mainly an extension of traditional journalistic and promotional tech niques. Its potential for listener involvement in the production process is not met and exchanges with the audiences remain in the digital realm without impact on the on-air listener experience.  


2018 ◽  
Vol 2018 (1) ◽  
pp. 97-106
Author(s):  
Roberto Simanowski

This article develops the hypothesis that the intensified self-portraying and self-exhibition so characteristic of many of today’s social-media practices do not correlate with intensified self-reflection but, on the contrary, indicate a tendency towards self-loss. However, it would be wrong-headed to blame the social networks for distracting from real life. Rather, it is the loss of reality in the real life of contemporary life-worlds that renders social networks an enticing narcissistic way out of an existential horror vacui manifesting itself in new ways within digital culture. In diagnostic terms we can speak of a cultural change towards a posthuman narration of the self. Three vectors of this posthuman narration of the self are distinguished: From word to number, from mechanism to automatism, and from option to obligation


Author(s):  
Malene Charlotte Larsen

This paper analyzes what makes young adults feel insecure when they use social media in everyday life as a means to socialize and connect with peers. The analysis is based on a two-year online ethnography (Hine, 2015) conducted on Jodel, an anonymous location based social media app popular among young adults across Europe. The paper focuses on Jodel users’ anonymous disclosures about their social media related insecurities – shedding light on discourses related to social media practices that are often hidden or neglected in interview studies. The analysis finds that it is often the affordances of the social media platforms (Bucher & Helmond, 2018) or changes in the design of apps such as Snapchat, Instagram or Tinder that lead to feelings of insecurity or uncertainty in relational maintenance or in the forming of new relationships. Thus, the codes of everyday actions become unclear and different expectations as to the affordances of social media platforms result in diffuse interaction orders (Goffman, 1983) in various situations. Put in other words: Because of the platforms, young adults sometimes find it difficult to know why peers behave like they do online resulting in unfounded worries and feelings of insecurity.


2020 ◽  
Vol 9 (2) ◽  
pp. 147-168 ◽  
Author(s):  
Jakob Svensson ◽  
Uta Russmann ◽  
Andaç Baran Cezayirlioğlu

Inspired by Coleman’s call for a more ‘direct representation’, we address two neglected issues within the field of social media and political communication. We study a non-election period in Sweden (two randomly selected weeks in early 2016) and conduct a cross-platform comparison. The article is based on content analyses of the four prominent social media platforms: Facebook, Instagram, YouTube and Twitter. We seek to answer the following questions: do parties use social media platforms in-between elections? If so, for what purposes? Do parties use social media to interact in a direct manner with citizens? We focus on three different Swedish parties: the Social Democrats (incumbent), the Feminist Initiative (underdog) and the Sweden Democrats (populist right-wing). Our findings suggest a bleak direct representation in-between elections. Parties are more active on social media platforms during election campaigns. Twitter is the preferred platform, especially by the incumbent party for broadcasting achievements.


2020 ◽  
Vol 6 (4) ◽  
pp. 205630512096383
Author(s):  
Natalie Ann Hendry

What “counts” as a mental illness–related image matters. Most research attention has focused on distressing or recognizable mental illness–related visual practices, yet this offers partial insight into youth mental health. Using visibility and practice theories, I share an in-depth case study exploring the social media practices of four young women, aged 14–17 years, engaged with an Australian adolescent psychiatric service. They describe how being visible to others on social media potentially produces anxiety and burdens them to respond to others’ questions or unhelpful support. In response, they engage in practices of control to manage the vulnerability of mental illness and burdensome sociality. Their mental illness–related media practices are often invisible; they rework mental illness through ambiguous, supportive or humorous practices or, through imagined intimacy, engage with images that feel relatable to them even if the images do not depict recognizable mental illness content or employ recognizable hashtags or titles. These insights complicate “what counts” as mental illness–related content or practices on social media and challenge researchers and practitioners to consider the sociotechnical contexts that shape young people’s mental health.


2020 ◽  
Vol 9 (2) ◽  
pp. 285-309
Author(s):  
Osman Solmaz

Guided by an interdisciplinary approach, this study seeks to illustrate the digital practices of international speakers on social media. The practices of international users are especially valuable due to the presence of various audiences in their networks, some rarely researched. For this purpose, the study examines the social media practices of 16 international graduate students (IGSs), who experience a transnational mobility in the United States. The data is collected through semi-structured interviews with participants and their social media data. The analysis includes quantitative assessment of participants’ social media activities and qualitative analyses of interviews and digital practices. The findings of the study illustrate how individuals with transborder experiences engage in identity work by sharing transcultural content with a multitude of audiences in their networks. The study concludes that digital practices involving the transcultural flow of content present opportunities for IGSs to work and realign various facets of their identities.


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