scholarly journals A Melancholy Journey through Landscapes of Transience

2015 ◽  
Vol 7 (1) ◽  
pp. 65-72
Author(s):  
Judit Pieldner
Keyword(s):  
Aesthetic Experience ◽  
Physical Space ◽  
East Anglia ◽  
The Road ◽  
The Arts ◽  
Literary Achievement ◽  
Culture History ◽  
The World ◽  
History Of ◽  
Literature Culture

Abstract Saturn is the planet of melancholy, about which Walter Benjamin writes: “I came into the world under the sign of Saturn - the star of the slowest revolution, the planet of detours and delays.” W. G. Sebald’s prose poetics seems to be driven by this motion, which is more than a simple state of being: it is a way of perceiving the world as well as a way of writing, perpetual transition, walk, halt, deviation from the road, getting lost and finding the way back. The paper reflects on W. G. Sebald’s The Rings of Saturn (Die Ringe des Saturn: Eine englische Wallfahrt, 1995], a unique literary achievement deeply embedded into the history of literature, culture and the arts, which can be best construed from the direction of “the order of melancholy.” On the pages of the book the reader can traverse, together with the Sebald-narrator, a route in East Anglia, with digressions in various directions of (culture) history. The journey in the concrete physical space turns into an inner journey, into a spiritual pilgrimage; the traversed locations become documents of destruction and transience. From the perspective of the order of melancholy places are determined by their relations, temporality and role in history rather than by their concrete geographic coordinates. The infinitely rich construction of the narrative creates a continuous passage between the local and the universal, the concrete locations of the journey and the scenes of world history, between the time of the journey and the (colonial] past, between East and West. The traversed historical, cultural and medial spaces displace the perception of human existence and result in the incommensurable aesthetic experience of the Sebaldian prose.

scholarly journals Cycling Pathways

2021 ◽  
Author(s):  
Henk-Jan Dekker
Keyword(s):  
Climate Change ◽  
The Netherlands ◽  
Political Struggle ◽  
The Road ◽  
Wide Range ◽  
The World ◽  
Road Space ◽  
History Of ◽  
On The Road

In an effort to fight climate change, many cities try to boost their cycling levels. They often look towards the Dutch for guidance. However, historians have only begun to uncover how and why the Netherlands became the premier cycling country of the world. Why were Dutch cyclists so successful in their fight for a place on the road? Cycling Pathways: The Politics and Governance of Dutch Cycling Infrastructure, 1920-2020 explores the long political struggle that culminated in today’s high cycling levels. Delving into the archives, it uncovers the important role of social movements and shows in detail how these interacted with national, provincial, and urban engineers and policymakers to govern the distribution of road space and construction of cycling infrastructure. It discusses a wide range of topics, ranging from activists to engineering committees, from urban commuters to recreational cyclists and from the early 1900s to today in order to uncover the long and all-but-forgotten history of Dutch cycling governance.

scholarly journals “Presence” in the Broad Present. Gumbrecht, H. U. (2020). Production of Presence. What Meaning Cannot Convey. Kharkiv: IST Publishing

Sententiae ◽  
2021 ◽  
Vol 40 (1) ◽  
pp. 67-78
Author(s):  
Victor Chorny ◽  
Keyword(s):  
Aesthetic Experience ◽  
Cultural Analysis ◽  
Philosophical Tradition ◽  
Complex Relation ◽  
The World ◽  
Satisfactory Account ◽  
History Of ◽  
Vague Concept

This review of the Ukrainian translation of H. U. Gumbrecht’s best-known work brings out the strengths and weaknesses of the translation and the peculiar reception of Gumbrecht’s key ideas (“presence” and “the broad present”) in Ukraine. It also critically assesses Gumbrecht’s own original and often contradictory points. I question the relevance of Gumrecht’s meaning / presence distinction for reconstructing the history of the philosophical tradition, as well as for analysing our complex relation to the world. I also demonstrate the weakness of his biased attempts to paint his opponents as relativists. Besides, I contrast Gumbrecht’s meaning / presence dualism with John Dewey’s theory of experience. The latter conceives experience as a dialectical relation between “doing” and “undergoing”. This juxtaposition shows that Gumbrecht’s theory cannot give a satisfactory account of the mechanisms of everyday or aesthetic experience due to its lack of consistent “everyday” epistemology. Moreover, his vague concept of “presence” and its unequivocal appraisal conflict with his own concept of the chronotope of “broad” or “complex” present, as presented in the selected essays of The Time Is Out of Joint. Eventually, I conclude that Gumbrecht’s eclectic terminological apparatus, as well as uncritical and biased reconstruction of the tradition preclude any serious philosophical engagement. However, it does not undermine the significance of his particular insights and theoretical instruments (such as “the broad present”) for cultural analysis.

Translating New York

2018 ◽  
Author(s):  
Regina Galasso
Keyword(s):  
New York ◽  
Cultural Production ◽  
Physical Space ◽  
International Perspective ◽  
Cultural Narratives ◽  
Literary Achievement ◽  
History Of ◽  
The Caribbean ◽  
Literary Histories ◽  
The City

The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the Iberian Peninsula, writing in Spanish, Catalan, and English. In many cases, their New York City texts have marked their careers and the history of their national literatures. Drawing from a variety of genres, Translating New York recovers cultural narratives occluded by single linguistic or national literary histories, and proposes that reading these texts through the lens of translation unveils new pathways of cultural circulation and influence. Looking beyond representations of the city's physical space, Translating New York suggests that travel to the city and contact with New York's multilingual setting ignited a heightened sensitivity towards both the verbal and non-verbal languages of the city, garnering literary achievement and aesthetic innovation. Analyzing the novels, poetry, and travel narratives of Felipe Alfau, José Moreno Villa, Julio Camba, and Josep Pla, this book uncovers an international perspective of Iberian literatures. Translating New York aims to rethink Iberian literatures through the transatlantic travels of influential writers.

Introduction

2017 ◽  
Author(s):  
Ellen Lockhart
Keyword(s):  
Art Music ◽  
Detailed Account ◽  
Works Of Art ◽  
The Arts ◽  
The World ◽  
History Of ◽  
Historical Phenomenon ◽  
The Rich ◽  
Musical Canon

This book considers the history of aesthetics by taking into account not only theories of the arts but also the rich fabric of practices relating to the world of performing bodies onstage and the music that sounded alongside them and was made by them—the works of art, music, and theater that were conspicuously about art-objecthood. The introduction sketches the broader fashion for animated statues described in the book, asking what readers can hope to gain from a detailed account of this historical phenomenon that was situated at (or near) the emergence of modern aesthetic thought, as well as the birth of a musical canon.

Covenants

2017 ◽  
Author(s):  
Gillian Kingston
Keyword(s):  
World Council Of Churches ◽  
Methodist Church ◽  
The Road ◽  
Church Of Ireland ◽  
The World ◽  
World Council ◽  
History Of ◽  
On The Road ◽  
The Church ◽  
Different Parts

This chapter explores the notion of covenant as an instrument which may facilitate closer and more binding relationships between or among churches wanting to commit to each other in a further step on the road to complete unity. The history of the term is outlined, noting its origin with the World Council of Churches. Several recent covenant relationships in different parts of the world are examined, with comments on their development and documentation. It is observed that a leading motivation in the establishment of covenants has been that of mission, while a significant challenge has been varying theologies of ministry. Particular note is taken of the covenant between the Methodist Church in Ireland and the Church of Ireland (Anglican), in which these churches are formulating legislation to facilitate interchangeability of ministries.

Giuseppe Mazzini and the Globalization of Democratic Nationalism, 1830-1920

2008 ◽  
Keyword(s):  
International Relations ◽  
Political Thought ◽  
Literature And Religion ◽  
The Arts ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Religion Of Humanity ◽  
The 19Th Century

Giuseppe Mazzini – Italian patriot, humanist, and republican – was one of the most celebrated and revered political activists and thinkers of the 19th century. This volume compares and contrasts the perception of his thought and the transformation of his image across the world. Mazzini's contribution to the Italian Risorgimento was unparalleled; he stood for a ‘religion of humanity’; he argued against tyranny, and for universal education, a democratic franchise, and the liberation of women. The chapters in this book reflect the range of Mazzini's political thought, discussing his vision of international relations, his concept of the nation, and the role of the arts in politics. They detail how his writings and reputation influenced nations and leaders across Europe, the Americas, and India. The book links the study of political history to the history of art, literature and religion, modern nationalism, and the history of democracy.

The Oxford Handbook of Aesthetics

2009 ◽  
Keyword(s):  
Recent Work ◽  
Aesthetic Experience ◽  
The Third ◽  
Extensive Survey ◽  
General Overview ◽  
The Past ◽  
The Arts ◽  
History Of ◽  
Theory Application ◽  
Music Film

The Oxford Handbook of Aesthetics looks at a fascinating theme in philosophy and the arts. Leading figures in the field contribute forty-eight articles which detail the theory, application, history, and future of philosophy and all branches of the arts. The first article of the book gives a general overview of the field of philosophical aesthetics in two parts: the first is a quick sketch of the lay of the land, and the second an account of five central problems over the past fifty years. The second article gives an extensive survey of recent work in the history of modern aesthetics, or aesthetic thought from the seventeenth to the mid-twentieth centuries. There are three main parts to the book. The first part comprises sections dealing with problems in aesthetics, such as expression, fiction or aesthetic experience, considered apart from any particular artform. The second part contains articles on problems in aesthetics as they arise in connection with particular artforms, such as music, film, or dance. The third part addresses relations between aesthetics and other fields of enquiry, and explores viewpoints or concerns complimentary to those prominent in mainstream analytical aesthetics.

Writing Cultural History in Early Modern Europe: Christophe Milieu and his Project

1999 ◽  
Vol 52 (2) ◽  
pp. 342-365
Author(s):  
Donald R. Kelley
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Early Modern Europe ◽  
Philosophy And Literature ◽  
The Arts ◽  
The World ◽  
Human Understanding ◽  
History Of ◽  
The Universe ◽  
Comprehensive History

AbstractChristophe Milieu's De Scribenda Vniversitatis rervm historia libri qvinqve (Basel, 1551) interprets the "universe of things" (universitas return) within an evolutionary and historical framework consisting of five connected and progressive "grades" (gradus) of existence accessible to human understanding: nature (natura), the world of God's creation and man's animal aspect; prudence (prudentia), including the arts of survival; government (principatus), the stage of civil society and political history; wisdom (sapientia), equivalent to civilization and including the higher sciences and philosophy; and literature (litetatura), in which knowledge of the preceding phases of "progress" (progressio) is expressed in writing. Milieu's "narrative" constitutes a pioneering and comprehensive history of western culture.

Historical Preface

1875 ◽  
Vol 12 ◽  
pp. v-xcvii
Keyword(s):  
Political Parties ◽  
Historical Narrative ◽  
The Arts ◽  
The World ◽  
History Of ◽  
The Government

IT is a mere truism in the history of revolutions to assert that they are seldom brought to a close by the persons or political parties with whom they originate. Men whose existence was perhaps scarcely known to the world at large when the onward movement took its origin rise in succession to the surface, acquire the government, and carry forward the work to lengths and heights which their predecessors never contemplated. It is in tracing this sequence of political parties, the gradual growth of what was looked upon in the first instance as a contemptible and almost senseless faction, its struggles for the mastery, the arts (too often unworthy) by which it acquired the ascendancy, its acts whilst in a condition of dominancy, and finally the errors by which it forfeited power and made way for the next in turn, that much of the interest of historical narrative is found.

The Common Fossils of The British Rocks

The Geologist ◽  
1858 ◽  
Vol 1 (1) ◽  
pp. 18-29
Author(s):  
S. J. Mackie
Keyword(s):  
Past History ◽  
Time And Space ◽  
The Road ◽  
The Past ◽  
The Earth ◽  
The World ◽  
History Of ◽  
The Common

In a magazine devoted especially to the propagation of Geological knowledge, it seems no infringement of its space, no deterioration of its value, tha t some pains should be taken to aid the student in his early efforts, and to disperse broadcast some useful elementary information, which may prove to the mass at once a source of instruction and of enjoyment, and so, by clearing the road to future and higher studies, may foster a dawning taste, and ultimately prove the means of adding many volunteers, and not unlikely even some brilliant master-minds to the ranks of Geologists, that otherwise, deterred at the outset, might perhaps have turned their attention and talents to some more accessible, if not more congenial study.Who does not feel some interest in the past history of this beautiful world—the scene of our labours and of our loves—of our successes and of our failures—the stage of our existence and the tomb of our dust ? If the animated creations of the past were dumb brute animals, still the earth was green and gay with trees, and plants and flowers—the hu m of insects vibrated on the summer's air, and the snows of winter covered the ancient lands with their hyemal mantle—the tides of ocean rose and fell, and the world went rolling on through time and space, through years and seasons. There were earthquakes the n and blazing volcanos—and winds and storms—great waves and merry dancing ripples on the sea.

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