Giuseppe Mazzini and the Globalization of Democratic Nationalism, 1830-1920

Giuseppe Mazzini – Italian patriot, humanist, and republican – was one of the most celebrated and revered political activists and thinkers of the 19th century. This volume compares and contrasts the perception of his thought and the transformation of his image across the world. Mazzini's contribution to the Italian Risorgimento was unparalleled; he stood for a ‘religion of humanity’; he argued against tyranny, and for universal education, a democratic franchise, and the liberation of women. The chapters in this book reflect the range of Mazzini's political thought, discussing his vision of international relations, his concept of the nation, and the role of the arts in politics. They detail how his writings and reputation influenced nations and leaders across Europe, the Americas, and India. The book links the study of political history to the history of art, literature and religion, modern nationalism, and the history of democracy.

2021 ◽  

Historians of political thought and international lawyers have both expanded their interest in the formation of the present global order. History, Politics, Law is the first express encounter between the two disciplines, juxtaposing their perspectives on questions of method and substance. The essays throw light on their approaches to the role of politics and the political in the history of the world beyond the single polity. They discuss the contrast between practice and theory as well as the role of conceptual and contextual analyses in both fields. Specific themes raised for both disciplines include statehood, empires and the role of international institutions, as well as the roles of economics, innovation and gender. The result is a vibrant cross-section of contrasts and parallels between the methods and practices of the two disciplines, demonstrating the many ways in which both can learn from each other.


2014 ◽  
Author(s):  
Ida Balwierz

THE POETIC ISLAND OF PEACE. THE FORMATION, ACTIVITY AND WORD-WIDE ASPIRATIONS OF THE ARABIC APOLLO SOCIETY The object of the book is the presentation of the genesis and activity of the Apollo Society, acting in Egypt within the years 1932-1934 for the benefit of the rebirth of Arabic poetry. Particular attention in this book was paid to the peaceful mission that the society itself selected, and the ideas of brotherhood, cooperation, and international literary exchange – on which it was based. The leading representatives of this group understood the rebirth of Arabic poetry as such an increase of its artistic level that would enable its creators to join the Parnassus of the world poetry, become equal partners alongside the English, French or German poets. They dreamed their poetic works would become the great pride of the Arabs in the international forum. The book presents the various stages of the rebirth of Arabic poetry in Egypt during the second half of the 19th century to the first four decades of the 20th century. Factors that enabled the development of poetry were characterized, the role of the Apollo Society and the monthly review published by it was shown in the history of Arabic literature. The 20s of the 20th


Author(s):  
Daniel M. Green

The English School of international relations theory has its own particular account of the history of international relations, a key aspect of which is the expansion of a set of norms, practices and institutions—diplomacy, embassies, international law, sovereignty, the modern state—out of their formative cultural heartland of Europe and to the rest of the world over the past few centuries. This is the story of “European international society” spreading out to become a “global international society,” accelerating especially during the 19th century via cultural imperialism and colonial conquest. The writings of the English School on this Expansion Narrative have evolved since the 1960s, going through phases of development that have concretized the details of the Narrative’s history, elaborated on the processes behind the spread, and attempted to inject more scientific rigor into analysis. Over time a more profound challenge has also emerged, in a revisionist shift from a monocentric story of Europe training the rest of the world in the proper ways of domestic and international life, toward a polycentric, globalization model, in which different civilizations have learned from each other to create a synthetic, multicultural international society by the 21st century. These analytic tensions are a source of creativity and innovation for the English School and set it apart from other approaches to international relations.


2017 ◽  
Vol 2 (2) ◽  
pp. 1-13
Author(s):  
Imron Rosyadi Hamid

AbstractThe role of non state actor (NSA) in international relations should be connected with the twotheories of IR: liberalism and constructivism. In both, the theories not only have strong faithin cooperation among states but also their main theoritical proposition and instrument havesame unit of analysis : human being. Nahdlatul Ulama (NU) of Indonesia, the largest islamicorganization in the world with more than 50 million members, should be considered as a nonstate actor (NSA) that can play its role in countering the most recent serious threat of theworld : terrorism and islamic radicalism. The International Summit of Moderat IslamicLeaders (ISOMIL) held by Nahdlatul Ulama on May 2016 in Jakarta which attended by 300moslem leaders from more than 30 countries is interesting to be discussed in terms of itsposition as one of the influential organization in the islamic world. This paper will discussthe brief history of Nahdlatul Ulama of Indonesia, its role in eliminating islamic radicalismin Indonesia and spreading moderate islam to the world through ISOMIL. This paper is notintended to idealize the role of non state actor in comparing with the government or stateactor itself, rather, to show the importance of contribution of non state actor in eliminatingislamic radicalism throught people to people in international cooperation.Keywords : Non State Actor (NSA), Nahdlatul Ulama, ISOMIL, Islamic RadicalismAbstraksiPeran aktor non negara (NSA) dalam hubungan internasional harus dikaitkan dengan duateori IR: liberalisme dan konstruktivisme. Kedua teori tersebut tidak hanya memilikikepercayaan kuat terhadap kerja sama antar negara, tetapi juga proposisi dan instrumenteoritis utama mereka memiliki unit analisis yang sama: manusia. Nahdlatul Ulama (NU)Indonesia, organisasi islam terbesar di dunia dengan jumlah anggota lebih dari 50 juta,harus dianggap sebagai aktor non-negara (NSA) yang dapat memainkan perannya dalammelawan ancaman serius dunia terakhir: terorisme dan radikalisme islam. KTTInternasional Pemimpin Islam Moderat (ISOMIL) yang diselenggarakan oleh NahdlatulUlama pada bulan Mei 2016 di Jakarta yang dihadiri oleh 300 pemimpin umat Islam darilebih 30 negara sangat menarik untuk didiskusikan dalam hal posisinya sebagai salah satuorganisasi yang berpengaruh di dunia islam. Makalah ini akan membahas sejarah singkatNahdlatul Ulama Indonesia, perannya dalam melenyapkan radikalisme islam di Indonesiadan menyebarkan Islam moderat ke seluruh dunia melalui ISOMIL. Makalah ini tidakdimaksudkan untuk mengidealkan peran aktor non negara dalam membandingkan denganpemerintah atau aktor negara itu sendiri, melainkan, untuk menunjukkan pentingnyakontribusi aktor non-negara dalam menghapus radikalisme Islam kepada orang-orang dalamkerjasama internasional.Kata kunci: Aktor Non Negara (NSA), Nahdlatul Ulama, ISOMIL, Radikalisme Islam


Imafronte ◽  
2020 ◽  
pp. 1-16
Author(s):  
José Miguel López Castillo

Uno de los apartados menos tratados de las representaciones visuales de Murcia ha sido el de la ephemera comercial. Por tal motivo, dado su uso limitado y efímero, en muchas ocasiones no se le ha considerado como un apartado estimable en la historia del arte. Pero lo cierto es que las etiquetas de fábricas de conservas, frutas, licores y otros establecimientos, desde los últimos años del siglo XIX y la primera mitad del XX, en base al diseño difundieron los elementos identitarios más significativos de este territorio por toda España y el resto del mundo. En la mayoría de casos, la marca publicitaria estaba basada en estampas e imágenes del Costumbrismo romántico murciano que ya se habían consolidado durante el ochocientos para la demanda social de esa corriente; en otros casos se fueron adaptando a los nuevos criterios estéticos del siglo XX. Finalmente, esta forma de publicitar cada producto ayudó a patentar la denominación de origen de diversas empresas de varios sectores, principalmente agroalimentarias, y al mismo tiempo a su asimilación con esta región levantina gracias a sus hitos arquitectónicos, la huerta o sus tipos populares. Esta última premisa es la que abordaremos dentro de este estudio al contrastarlas con otras representaciones anteriores. One of the less treated sections of the visual representations of Murcia has been the comercial ephemera. For this reason, given its limited and fleeting use, it has often not been considerated as a valvable section in the history of art. But the truth is that the labels of canning factories, fruits, liquors and other establishments, from the last years of the 19th century based on the design spread the most significant identity elements of this territory throughout Spain and the rest the world. In the majority of cases, the advertising brand was based on prints and images of Murcian romantic costums that had already been consolidated during the 19th century for the social demand of this currens, in other cases they were adapted to the new aesthetic criteria of the 20th century. Finally, this way of advertising each product helped to panted the denomination of origin of various companies, mainly agry-food, and at the same time to assimilate it with this southeast region thanks to its architectural landmarks, the orchard or its popular types. This last premise is the one we will address within this study when contrasting them other previous representations.


2021 ◽  
pp. 3-25
Author(s):  
Stephanie Lawson

This introductory chapter provides an overview of global politics, starting with an account of the global political sphere as a specialized area of study—more conventionally known as the discipline of International Relations (IR)—and including an explanation of the distinction between the ‘global’ and the ‘international’. It also addresses the extent to which the world is ‘globalized’, even as some pundits herald a halt to globalization and a return to the closed politics of nationalism. The chapter then explores the history of globalization, which provides an essential backdrop to the understanding of the phenomenon in the present, and the challenges to it. This includes attention to the interweaving of globalization’s political, economic, social, and cultural dimensions and some of the implications for the current state-based world order. Finally, the chapter considers the role of theory and method, including concerns raised by the notion of a ‘post-truth’ world.


2018 ◽  
Vol 55 ◽  
pp. 04003
Author(s):  
Marina Shirokova

The article discusses the place and role of A. S. Pushkin in the history of Russian culture and political thought. Such a feature of the Russian picture of the world as “literary-centrism”, which is the primacy of the word, confidence in the word. Like other Russian writers, Pushkin’s works present a moral ideal, but he does not try to teach something, does not construct an ideal model, but simply shows an ideal in the unity of form and content. Further, the article traces the main stages of the evolution of the great poet’s political views: the Lyceum-Petersburg period; the period of the southern exile; the period of exile in Mikhailovsky; and the period of creative maturity in the last decade of his life. The ideological evolution of Pushkin is a transition from liberalism and revolutionism to conservatism and monarchism, combined with the idea of personal freedom. The author concludes that the political worldview of Pushkin organically combined the phenomena of power and freedom. The poet managed to “remove” the dialectical contradiction between them, which later became one of the main problems of Russian literature and philosophy.


1986 ◽  
Vol 3 (1) ◽  
pp. 169-170 ◽  
Author(s):  
Ismail Al Faruqi ◽  
Lamya’ Al Faruqi

This magnifrcent book, published by Macmillan a month after the Faruqis’deaths, presents the entire world view of Islam-its beliefs, traditions, institutions,and its place in the cultures in which it has taken mot. THE CULTURALATLAS OF ISLAM is not only a comprehensive introduction to the Islamicexperience in history and the modern world. It is an authoritative and deeplyfelt statement of the faith of Islam, written for those of all faiths. Isma‘il andLois Lamya’ al Faruqi’s book is, in fact, Islam explaining itself.Rich with more than 300 photographs, drawings, and other illustrations,and with some 75 original maps, this is a unique guide to the meaning ofIslam and its shaping force on cultures from the Mediterranean to the Pacific.This is, however, much more than a history of events; it is a clear presentationof the essence of Islamic civilization in all its spheres, from everydaypractices of Muslims around the world to the Islamic legacy in art, science,law, politics, and philosophy.The authors begin with the ancient setting of Islam, examining the differentstrands of influence-Arab, Mesopotamian, Canaanite, and Hebrew-that wereits frontrunners. Islam, the authors demonstrate, brought together diverse traditionsand from them forged the unique body of belief, thought, and practicethat continues to animate Muslim life today throughout the world.Part Two explains the concept of Tawhid-the essence of Islam that bindstogether the lives of its believers. Tawhid is the affirmation of God as One,Absolute, and Ultimate; it deeply affects all aspects of Islamic thought, expression,and behavior.Part Three shows how this core of belief takes shape in scripture, socialinstitutions, and the arts-the forms which God’s revelations to Muhammadassumed in the historical fabric of Islam. There is a concise introduction tothe fundamental nature of the Quran, and to the collection of Muhammad’ssayings and deeds that clarify its statements-the Sunnah. The ways in whichIslam affects social life and its institutions-from education and family lifeto the making of the Hajj, or pilgrimage, to Mecca-is also examined. So,too, is the central role of the Qur'an in defining artistic expression.part Four is a remarkable exploriltion of the manifestations of Islam in all ...


Author(s):  
Randall E. Newnham

German-Polish relations in the interwar years (1918-1939) were of great importance, not only in shaping those countries’ future but the future of Europe, and indeed the world. Not surprisingly, then, the history of those troubled years has been studied by a number of scholars. Most of these studies, however, have focused on the “high politics” of the period, relegating economic ties to the margins of the story. This work uses a different approach. It focuses on Germany’s efforts to influence Poland through economic sanctions and incentives. It examines these efforts in light of political science theories of economic linkage, focusing on six separate cases. These case studies show that the “softer” tactic of economic incentives was in fact quite effective. For example, in contrast to the Weimar Republic, the Nazi regime employed economic incentives, and was surprisingly effective at building a positive relationship with Warsaw before 1939.This study aims to shed new light not only on interwar German-Polish ties, but on the role of economic linkage in international relations in general.


2021 ◽  
Vol 97 (3) ◽  
Author(s):  
Anton Jansson

This article deals with the theological concept "Kingdom of God" in pre-1848 German political thought, more specifically in the texts of three political authors of the era: Wilhelm Weitling, Friedrich Julius Stahl, and Karl Theodor Welcker. The article is located in the nexus between theology and history of political thought, and has three main aims: First, in a gen­eral sense, it discusses and applies Amos Funkenstein's idea of laymen theology and Jan-Werner Müller's notion of in-between figures. Second, using these, it gives an example how theology has been an active language in the formation of modern political thought, more specifically the modern political ideologies of liberalism, socialism, and conservatism. Third, it tries to complement existing studies of temporality and theology in the mod­ern period, most notably the work of Jayne Svenungsson. Methodologically, in focusing and historicizing one specific concept, it connects to the theories of Reinhart Koselleck. The article shows how the Kingdom of God was differently conceived by authors of different political positions, but, more importantly, discusses how it became an active theological concept, used by laymen, in a political context obsessed with questions of historical change, the possibility of societal perfection, and the role of Christianity in the world.


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