scholarly journals THE POST-MODERN AS NEO-MEDIEVAL: INTERSECTIONS OF RELIGION, NATIONALISM, AND EMPIRE IN MODERNITY AND BEYOND (WITH AN EXCURSUS ON ALBANIAN NATIONALISM)

SEEU Review ◽  
2017 ◽  
Vol 12 (2) ◽  
pp. 218-250
Author(s):  
Dritëro Demjaha

Abstract This essay connects Benedict Anderson’s analysis of print capitalism as the enabling feature of modernity for the emergence of nationalism with an account of pre-modern sacral imaginings. It argues, following Bronislaw Szerszynski, that the contemporary post-modern ordering of the sacred vis-à-vis nature and culture designates a ‘partial-return’ to pre-modern imaginings and a reterritorialisation of religions which engenders emerging multiplicities and co-existing differences. It argues furthermore that the nation state (and its corollaries), an institution of modernity cannot adequately respond to the antagonisms generated by the post-modern ordering of human communities and their identities. However, though this new ordering may be conceived, following Robert Bellah, as neo-archaic, it may also be conceived as neo-medieval. Accordingly, this essay proposes that the most congenial configuration to the post-modern ordering is the neo-medieval model of fuzzy borders and overlapping jurisdiction, particularly as it pertains to Albanian national identity and EU integration as a post-secular alternative to secular national-determination on the one hand, and neo-Ottomanist theocracy on the other.

2010 ◽  
Vol 4 (2) ◽  
pp. 199-216
Author(s):  
Chaim Noy

In this article I rematerialize discourse that is articulated in the shape of commemorative visitor book entries, in a national-military commemoration site in Jerusalem, Israel. The materiality and communicative affordances of the commemorative visitor book, the physical environment in which it is situated and which grants it meaning, and the modes of interaction and inscription that it affords are examined. Located in a densely symbolic national commemoration site, the impressively looking book does not merely capture visitors' reflections. Instead, it serves as a device that allows participation in a collective-national rite. While seemingly designated as a visitor book, the discursive device functions performatively as a portal or interface between visitors, on the one side, and the nation and the dead and living soldieries, on the other side. Expectedly, the inscriptions that populate the book's pages are instances of iconic discourse (texts with graphic additions of sorts), that embody one of the heightened ideological and experiential moments of "civil religion" (Robert Bellah). They illustrate the resources used by nationalism in establishing sacred contexts and rituals. Also, they illustrate how different discourses of sanctity (and profanity), are juxtaposed on the same (Jewish) space. Specifically, while local Israeli sightseers present their appreciation for and participation in commemoration of the nation-state in terms of "civil religion," most of the international tourists, who are mostly north American Orthodox and Ultra-Orthodox Jews, perform their notions of sanctity and sacredness in messianic and primordial terms, which look through or beyond the nation state.


Author(s):  
James Meffan

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).


Popular Music ◽  
1999 ◽  
Vol 18 (2) ◽  
pp. 193-207 ◽  
Author(s):  
Martin Cloonan

Recent years have seen two noticeable trends in Popular Music Studies. These have been on the one hand a series of works which have tried to document the ‘local’ music scene and, on the other, accounts of processes of globalisation. While not uninterested in the intermediate Nation-State level, both trends have tended to regard it as an area of increasingly less importance. To state the matter more boldly, both trends have underplayed the continually important role of the Nation-State.


2021 ◽  
Vol 6 ◽  
pp. 235-241
Author(s):  
Barbara Klonowska

This article reviews the recent monograph by Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State (New York: Routledge, 2020) in the context of utopian studies on the one hand, and the political ideas of the nation state vs. world state on the other.


2013 ◽  
Vol 23 (2) ◽  
pp. 239-268 ◽  
Author(s):  
Daryl Koehn

ABSTRACT:The number of corporate apologies has increased dramatically during the past decade. This article delves into the ethics of apologies offered by chief executive officers (CEOs). It examines ways in which public apologies on the part of a representative (CEO) of a corporate body (the firm) differ from both private, interpersonal apologies, on the one hand, and nation-state/collective apologies, on the other. The article then seeks to ground ethically desirable elements of a corporate apology in the nature or essence of the corporate apology itself. It explores the largely ignored roles played by the speaker’s ethos and audience pathos in genuine or ethical apologies and suggests that attention needs to be paid to the problems posed by “role contamination,” context, and other overlooked factors. The reception by the actual audience of a given apology is a highly contingent matter. Ethicists should concentrate, therefore, on what makes a proffered apology, in principle, trustworthy and not merely efficacious for a given audience.


2010 ◽  
Vol 38 (3) ◽  
pp. 413-436 ◽  
Author(s):  
Daniel Esparza

National identity is constructed through successive identifications with significant Others. This article discusses the phenomenon of change and continuity in Czech identity. It is focused here on the identification towards the EU, which has become the most significant Other of today in two ways: (a) (change) contributing to overcoming the identity crisis provoked by the drastic changes that occurred between 1989 and 1993 (change of regime, disappearance of the USSR and the break-up of Czechoslovakia), and therefore the subsequent drastic changes in relations with past significant Others: communism, the USSR, and the Slovaks; and (b) (continuity) reaffirming one of the fundamental elements during the national revival in the nineteenth century, democracy, upon which the various identifications towards the EU have been aligned. According to the differing interpretations of what democracy means, and three other criteria of the “levels of Othering,” the EU has been “imagined,” on the one hand, as an entity where Czechs can flourish in their identity and ensure their freedom and democratic values (positive Other), and, on the other, as an “oppressor” entity which portrays democratic deficit, restricts freedom, and threatens Czech national identity (negative Other).


Anthropos ◽  
2020 ◽  
Vol 115 (1) ◽  
pp. 37-52
Author(s):  
Geremia Cometti

The Q’ero of the Peruvian Andes are suffering rapid changes in their environment due to climate change. This article puts forward the necessity of a cosmopolitical ethnography in order to understand how a specific society deals with climate change. On the one hand, a subtle ethnography can indeed enable the researcher to transcribe the point of view of the societies directly concerned, making it possible to go beyond an approach based on the dichotomies emanating from state policies and development enterprises, like those between nature and culture or tradition and modernity. On the other hand, a cosmopolitical approach will shed new light on the way in which those societies confront this double threat by revealing the cohabitation of multiple worlds.


2021 ◽  
Vol 17 (4) ◽  
pp. 58-81
Author(s):  
Fangheyue Ma

This paper is based on the analysis of 261 video and word posts collected from four popular social media sites on which Chinese tourists shared their consumption-related experiences during and after the trip. It investigates Chinese international tourists’ diverse presentations of self to a broad audience online through explaining their shopping experiences and product reviews. Tourists are expected to balance multiple identities carefully when they project themselves online as consumers—on the one hand, they present themselves as global consumers and trendsetters who are strategic and savvy; while on the other hand, they still need to preserve and even emphasize their national identity as Chinese patriots. Providing the much-lacking qualitative insight, this study enhances our understanding of international tourists and their consumption behaviors, the construction and presentation of a digital self, and how globalization operates at the micro-level.


2017 ◽  
Vol 22 ◽  
pp. 154-170
Author(s):  
Andrzej Czajowski

Politica towards killing people in social conflicts. Theoretical-methodological lectureThere are two sides of life: its continuation to natural death and premature annihilation. These two processes occur in parallel, subjecting to nature and culture. This means that human life, regardless of natural condi­tions, depends in some respects on tradition and politica politics and policy. People primarily protect life, but at the same time kill people and prevent killing in order to meet a number of needs. Often the cause of killing is the clash of those aims and then the killing is used to settle conflicts. Politica has a contradictory role in killing people: on the one hand counteracts this phenomenon, and on the other hand favors. De­pending on the relationship between politica and killing, we differentiate killing politica, politica facilitating killing, anti-killing politica and non-killing politica.The nature and implications of politica involvement in killing of people in conflicts depend on the nature of the conflict. Another is the relation of politica to this phenomenon when the conflict is non-political and the other when it is political.Politica — from its advent to our modern times — is transformed into: apparently killing and encouraging killing, giving way to ever more visible counteracting killing and non-killing.


Stasis ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 131-155
Author(s):  
Dmitry Lebedev

As climate change rapidly intensifies, political theory urgently needs to respond to the shock of the Anthropocene and bring nature back to politics. William Connolly’s work is a paradigmatic example of such a theory that actively emphasizes the role nonhuman forces play in the social and political world and the discontinuity this emphasis brings to political theory. Connolly underscores fragile resonances between nature and culture and productively problematizes a human-centric vision of politics. However, while interrogating how contemporary political conjuncture catastrophically increases planetary fragility, he still insists on the continuity of his vision for democratic pluralism that this very conjuncture fundamentally puts in question. Thus, Connolly’s type of post-anthropocentric ontology remains rather inconsistently connected to explicitly political concerns. This article aims to clarify this connection. On the one hand, it shows how his brand of democratic politics that answers to the challenges of the Anthropocene presupposes a heightened degree of political negativism and universalism that used to be excluded from this politics. On the other, it demonstrates how the discontinuities in ontology must be simultaneously thought of as the discontinuities in established political theorizing and to continuously interrogate the very conjuncture that reveals the relevance of these ontological and political discontinuities.


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