scholarly journals Narrating Disability in Literature and Visual Media: Introduction

2019 ◽  
Vol 67 (1) ◽  
pp. 3-17 ◽  
Author(s):  
Anita Wohlmann ◽  
Marion Rana

AbstractThis introduction to the special issue attempts to map the intersections between disability studies on the one hand and literature and cultural studies on the other hand. We discuss concepts of disability as a social construction before we turn to literary and cultural approaches to disability, which involve controversies and questions about genre, narrative frames, recurring themes, and form. The last section gives an overview of how literary representations of disability resonate with life writing and identity theories.

Author(s):  
Lydia Lyashenko

The purpose of the article is to prove the expediency and scientific, methodological, conceptual, and categorical potential of Cultural studies as a science that may offer an updated perspective for the study of the problem of aesthetic values. Methodology. Methods of scientific analysis, comparison, and generalization during the elaboration of the source base and the method of systematization are used to determine the traditional and innovative directions of research of the problem of aesthetic values. Scientific novelty. The article considers the interdisciplinary and generalizing potential of Cultural studies on the example of the problem of study aesthetic values. The existing tendency to move the analysis of problems of humanities from separate sciences to the plane of interdisciplinary is emphasized. It was accented on the novelty and relevance of such interdisciplinary research within Cultural studies. Conclusions. The approach of Cultural studies offers an increase in the scale of generalization from aesthetic to actually global, which combines the experience of studying scientific problems in the traditional and extended areas. Given the fact that on the one hand, all material and spiritual values which surround man were born from culture, because culture is the cumulative result of productive human activity, and, on the other hand, culture absorbs them, being phenomenon generalized, interdisciplinary approach of Cultural studies is able to suggest an updated perspective on this problem on the border of traditional and non-traditional sciences and through the improvement of its conceptual and categorical apparatus to offer new ways to study.


2018 ◽  
Vol 13 (2) ◽  
pp. 219-225
Author(s):  
Arif A JAMAL

AbstractIn considering the articles in this Special Issue, I am struck by the importance of a set of factors that, in my view, both run through the articles like a leitmotif, as well as shape the major ‘take away’ lesson(s) from the articles. In this short commentary, I elaborate on these factors and the lesson(s) to take from them through five ‘Cs’: context; complexity; contestation; the framework of constitutions; and the role of comparative law. The first three ‘Cs’ are lessons from the case studies of the articles themselves, while the second two ‘Cs’ are offered as lessons to help take the dialogue forward. Fundamentally, these five ‘Cs’ highlight the importance of the articles in this Special Issue and the conference from which they emerged on the one hand, while on the other hand, also making us aware of what are the limits of what we should conclude from the individual articles. In other words, taken together, the five ‘Cs’ are, one might say, lessons about lessons.


2019 ◽  
Vol 72 (1) ◽  
pp. 1-20
Author(s):  
Nora Boneh ◽  
Łukasz Jędrzejowski

Abstract The main aim of this introduction article is to give a general overview of how habituality has been investigated in the literature as a grammatical category. In doing so, we first elaborate on the question of how habituality can be characterized and what difficulties one encounters in determining its properties, which include non-contingent modal event recurrence. A brief discussion of these issues is given in Section 2. Section 3 outlines selected (conceptual and formal) connections between habituality and other grammatical categories. What our observations essentially indicate is that habituality, on the one hand, closely interacts with several TAM categories, most prominently imperfective aspect and its derivatives (progressive, continuative), and also interacts in special ways with modal categories, such as the evidential or the future, on the other hand, we also observe – as has been done previously – that habituality is often not encoded overtly and can be expressed by several forms within one and the same language, and if overtly marked by a dedicated form, diachronically, it is not always stable. Finally, Section 4 summarizes the most relevant findings of the articles collected in the present special issue and highlights their importance for the general discussion about habituality.


Author(s):  
Karin Gunnarsson ◽  
Riikka Hohti

We begin this special issue by relating to two affective events situated in academia and education. These moments, and many similar, have stayed with us and kept us thinking about what kind of research we want to advance. These moments are laden with ambivalence. On the one hand, there was the joy of learning about power: being able to distract what was “behind” the everyday practices we had grown used to. After all, it was our uncompromised responsibility as researchers to uncover processes of oppression and discrimination. On the other hand, there were disturbing feelings as this kind of critical research seemed to drive both research subjects and researcher into positions that failed to connect: positions that did not facilitate dialogue or the creation of something different. For us, the main question arising was: how might we investigate pressing problems such as racial or gender discrimination while fostering the opportunity to make a difference? How can we raise these issues while at the same time creating possibilities for movement and change?


2016 ◽  
Vol 12 (3) ◽  
Author(s):  
Thomas Eger ◽  
Hans-Bernd Schäfer

AbstractEurobonds, i.e. the mutualization of (some) of the Eurozone member states debts, remain a promising tool not as a remedy for the ongoing debt crisis but for a number of other, more long-term reasons. This introduction to the present special issue of the Review of Law and Economics lays the ground for the subsequent in-depth analyses by providing a framework comprised of, on the one hand, the most prominent proposals for Eurobonds and, on the other hand, the legal and economic criteria against which the suitability of these proposals may be judged.


2020 ◽  
Vol 23 (4) ◽  
pp. 189-195
Author(s):  
Lyudmila A. Yakusheva ◽  

Conceptualization of artistic actions of the last XX century is a natural and logical process. In the cultural studies discourse of the Soviet cultural typology we can see a sustained interest in educational problems based on visualized acts of a semiotic and semantic range, which are defined through the cultural context of the epoch. The most recognizable sign-index of the 1970s (in terms of time, ideological system and Soviet mentality) is Maxim IsaevStierlitz. On the one hand, this is an image which artistic value was questioned even when it had appeared. On the other hand, mass popularity turned Stierlitz in a precedent phenomenon, and the consideration of canonization conditions inspired this research. The article continues the author's series of publications dedicated to «homo soveticus» and the phenomena of the Soviet era – communal apartments, shop lines, summer cottages. The author, based on her intuition and also on the synthesis of cultural and literary analysis, actualizes resources of myth-based criticism and history of memory, and reconstructs one of the most popular myth-images in literature and cinema of the second half of the XX century – the image of the popular Soviet spy. The research focuses on the reasons of Stierlitz’s mass popularity, archetypal qualities of this character, and its perception by difference cultural generations. The author analyzes vectors of this character’s mythologization.


Finisterra ◽  
2012 ◽  
Vol 33 (65) ◽  
Author(s):  
Jacobo García-Álvarez

The "social construction" of otherness and, broadly speaking, the ideological-political use of "external" socio-spatial referents have become important topics in contemporary studies on territorial identities, nationalisms and nation-building processes, geography included. After some brief, introductory theoretical reflections, this paper examines the contribution of geographical discourses, arguments and images, "sensu lato", in the definition of the external socio-spatial identity referents of Galician nationalism in Spain, during the period 1860-1936. In this discourse Castile was typically represented as "the other" (the negative, opposition referent), against which Galician identity was mobilised, whereas Portugal, on the one hand, together with Ireland and the so-called "Atlantic-Celtic naionalities", on the other hand, were positively constructed as integrative and emulation referents.


2021 ◽  
Vol 43 (1) ◽  
pp. 1-12
Author(s):  
Nicholas A. Phelps

In this introduction I set the scene for the five full papers that appear in this special issue. Noting the lack of major overlaps in the concerns of different strands of literature as they address issues of urban economic informality, I argue the need for an interdisciplinary dialogue for uncovering aspects of the ingenuity, innovation and inventiveness found among informal businesses in the global South. I also argue the need to move beyond polar opposite perspectives on the radical inventiveness of businesses on the one hand and the purely imitative or survivalist behaviour of businesses on the other hand.


2021 ◽  
pp. 144078332098763
Author(s):  
Noel B Salazar

In this commentary piece, I combine insights gained from the various contributions to this special issue with my own research and understanding to trace the (dis)connections between, on the one hand, (post-)nationalism and its underlying concept of belonging and, on the other hand, cosmopolitanism and its underlying concept of becoming. I pay special attention to the human (im)mobilities mediating these processes. This critical thinking exercise confirms that the relationship between place, collective identity and socio-cultural processes of identification is a contested aspect of social theory. In the discussion, I suggest four points to be addressed in the future if we want to make existing theories about post-national formations and processes of cosmopolitanization more robust against the huge and complex challenges humankind is facing.


Author(s):  
Carla González Collantes ◽  
Maria Lacueva i Lorenz

Resumen: Orxata Sound System es un colectivo musical de la comarca de l’Horta (País Valenciano) que se fundó el año 2003 y que se disolvió indefinidamente el año 2014. Su existencia ha dejado huella en la escena musical del ámbito catalanófono, no solamente por su estilo, sino también porque fueron pioneros en el uso de las nuevas tecnologías tanto para crear, producir y difundir su música como para (auto)gestionarse y comunicarse con el público de manera eminentemente horizontal. Este artículo observará la trayectoria musical de Orxata Sound System haciendo especial hincapié, por un lado, en la explotación artística que desarrollaron a partir de la hibridación de dos elementos aparentemente contradictorios: por otro lado, nos centraremos en las estrategias cooperativas en la creación musical.Palabras clave: cultura colectiva, activismo, música catalana, Estudios Culturales, València. Abstract: Orxata Sound System is a musical collective from l’Horta (Valencian Country) that was founded in 2003 and was dissolved indefinitely in 2014. Its existence has marked a before and after in the Catalan musical scene, not only because of its style, but also because it was a pioneer in the use of new technologies to create, produce and distribute its music as well as (auto) manage and communicate with the public in an eminently horizontal way. This article will observe the musical trajectory of Orxata Sound System with special emphasis, on the one hand, on the artistic exploitation that developed from the hybridization of two apparently contradictory elements; on the other hand, we will focus on the cooperative strategies in musical creativity. Keywords: collective culture, activism, catalan music, Cultural Studies, Valencia


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