The Sounds of Revolution?

Author(s):  
Lisa Jakelski

This chapter makes a case study of the Warsaw Autumn’s founding and first season. It argues that the 1956 concerts, which coincided with the political upheaval of the Polish October Revolution, offered a first answer to the question of what it would mean for a music festival in socialist Poland to be “contemporary” as well as “international” during the Thaw. As they crafted the 1956 Warsaw Autumn, festival participants were constructing an institutional paradigm that still depended on interwar patterns of cultural contact and Stalinist-era practices of state investment in the arts, but also transformed the art world in which elite Polish composers worked. The moves the Warsaw Autumn’s first participants made not only reflected what was possible in mid-1950s Poland: these actions also created a framework for the future.

Author(s):  
R. A. Earnshaw

AbstractWhere do new ideas come from and how are they generated? Which of these ideas will be potentially useful immediately, and which will be more ‘blue sky’? For the latter, their significance may not be known for a number of years, perhaps even generations. The progress of computing and digital media is a relevant and useful case study in this respect. Which visions of the future in the early days of computing have stood the test of time, and which have vanished without trace? Can this be used as guide for current and future areas of research and development? If one Internet year is equivalent to seven calendar years, are virtual worlds being utilized as an effective accelerator for these new ideas and their implementation and evaluation? The nature of digital media and its constituent parts such as electronic devices, sensors, images, audio, games, web pages, social media, e-books, and Internet of Things, provides a diverse environment which can be viewed as a testbed for current and future ideas. Individual disciplines utilise virtual worlds in different ways. As collaboration is often involved in such research environments, does the technology make these collaborations effective? Have the limits of disciplinary approaches been reached? The importance of interdisciplinary collaborations for the future is proposed and evaluated. The current enablers for progressing interdisciplinary collaborations are presented. The possibility for a new Renaissance between technology and the arts is discussed.


2019 ◽  
Vol 3 (1) ◽  
pp. 30
Author(s):  
Rosmaida Sinaga ◽  
Flores Tanjung ◽  
Yuri Nasution

This study emphasizes on inter-religious affairs happened in Bunga Bondar, South Tapanuli began to experience turmoil when thenational movement era started in 1908 and itstillhappens to present-day. The Dutch colonial government advocated for inter-religiousharmony at a local level. The policy was pursued by the the Dutch colonial government out offear that the Indonesian people would developa sense of unity and fraternityamong them, thereby intensifying thespirit of nationalism. The Dutch government’s concern eventuallycame true when the power of the Christian wingof the national movement cooperated with itsIslamic counterpart. Along with the political upheavalsand social changes experienced by the Indonesian people, the harmony between religious groups in various regions was affected. Despite migration, changes of central and local leadership, and the flow of modernization that took place, the dynamics of inter-religious harmony of the 1930s are still present today.The tradition, the spirit of harmony, leadership models, and the application of local wisdom are all the key to the survival of inter-religious harmony in Bunga Bondar, South Tapanuli, as findings in research that can be used as a guide or model to build national integrity.


Author(s):  
Maggie Gray

This chapter engages with important strands of scholarship on comics work, arguing for a critical comics studies that attends to the political economy, social relations, and material processes of production. It examines the relationship between struggles over the organization of cultural labor and the forms of value inscribed in comics, via the case study of a specific site of British comics production that reimagined how comics work could be organized and the artistic value comics could have– the cooperative Birmingham Arts Lab Press (1969-1982) and its Ar:Zak imprint. Bringing together archival inquiry and participant interviews, wider historical research into the arts lab, alternative press, community arts and underground/alternative comics movements, and Marxist political and aesthetic theory, this chapter analyzes how struggles for an autonomous, democratized, participatory creative practice that took place within this context of comics production were embodied in the material and visual form of the comics made.


Author(s):  
Jannick Schou ◽  
Johan Farkas ◽  
Morten Hjelholt

The emergence of social network sites as a part of everyday life has given rise to a number of debates on the demo- cratic potential afforded by these technologies. This paper addresses political participation facilitated through Facebook from a practice-oriented perspective and presents a case study of the political grassroots organisation, Fight For The Future. Initially, the paper provides a basic theoretical framework that seeks to map the relation between civic practices, materiality, and discursive features. Using this framework, the article analyses Fight For The Future’s use of Facebook to facilitate political participation. The study finds that user participation on the Facebook page is ‘double conditioned’ by the material structure of the social network site on the one hand and by the discourses articulated by the organisation and users on the other. Finally, the paper discusses the findings and raises a number of problems and obstacles facing participatory grassroots organisations, such as Fight For The Future, when using Facebook.


LOGOS ◽  
2018 ◽  
Vol 29 (2-3) ◽  
pp. 80-90
Author(s):  
Samantha Rayner

This paper explores the contexts in which the academic books of the future in the arts and humanities (A&H) are being shaped, with the aim of demonstrating how crucial it is that the communities of practice that produce those books continue to work together to build better bridges of understanding and collaboration. There is particular reference to the Arts and Humanities Research Council/ British Library Academic Book of the Future Project (2014–2017) and to a case study of Sir Thomas Malory’s Le Morte Darthur.


2020 ◽  
Vol 14 (1) ◽  
pp. 10-32
Author(s):  
KATHERINE BRUCHER

AbstractChicago's Grant Park Music Festival, a free classical music series, provides a case study for exploring how music festivals contribute to the musical life of cities. Each summer, the Grant Park Music Festival Orchestra and Choir perform dozens of free performances at the Jay Pritzker Pavilion in Millennium Park and in residential neighborhoods. In 1935, James C. Petrillo, head of the Chicago local of the American Federation of Musicians, initiated the festival, then called Grant Park Concerts, to employ musicians during the Great Depression with funds from the federal Works Progress Administration. Changes in the city's cultural policies, its demographics, financial support, and expectations for how the festival serves the community have impacted how it programs its season and seeks audiences. Based on archival research, this article focuses on how the festival as a civic institution creates a listening public invested in particular narratives of Chicago as a dynamic city through programming music in public spaces. Looking at Grant Park Music Festival from contemporary and historical angles provides insight into how changes in aesthetic and social values, funding for the arts, and urban planning shape the way a festival engages with the city.


2008 ◽  
Vol 2 (1) ◽  
Author(s):  
Bonnie S. McDougall

One of the most notable features of the fifties and sixties in China was the public willingness of the literary and art world to submit to the dictates of the political leadership. The reasons for their cooperation, heavily qualified though it might have been, and the various methods by which the authorities ensured it, have been described elsewhere and are not the topic of this paper.' What I am interested in here is the way in which this cooperation was undermined in the seventies and openly flouted in the eighties. Instead of submission, a sigruficant number of people in literature and the arts offered challenges both within the system and outside it, ranging from flagrant rejection of accepted conventions to a more cautious testing of the limits of tolerance, and from demands for professional autonomy to private arrangements outside existing organisations. The limit-setters and upholders - that is, the overlapping groups of orthodox Party leaders, the entrenched cultural bureaucracy, and writers and artists claiming positions of authority - found themselves restricted in their response to these challenges by the post-Mao modemisation program. The reform faction in the new leadership, acknowledging a complex relationship between the superstructure and the economic basis, found themselves to a certain extent obliged to yield ground, supporting the challengers and restraining the orthodox. The more detached of the Party intellectuals might also have noticed how, with a keen grasp of Marxist imperatives, the new activists began by establishing their own means of production and distribution.


Author(s):  
Scott James ◽  
Lucia Quaglia

The concluding chapter begins by recalling the main puzzle and research questions set out at the beginning of the book, and by summarizing the main findings from the case study chapters. The second section details the book’s wider empirical and theoretical contribution to the field, as well as providing recommendations for future research. We focus on three main literatures: the political economy of financial regulation, theories of business power, and theories of new interdependence. The final section assesses the implications of Brexit for the UK’s role in shaping financial regulation in the future. Specifically, we consider how the UK’s withdrawal from the EU is likely to affect the UK’s regulatory preferences (more or less stringency), its regulatory strategy (greater divergence or further harmonization), and its regulatory influence (enhanced or diminished).


Author(s):  
Francesco Zullo ◽  
Lorena Fiorini ◽  
Alessandro Marucci ◽  
Bernardino Romano

In Italy, the transformative predictions of the municipal urban planning instruments are very often far away from the socio-economic dynamics. In fact, the political component considers the oversizing of urban transformative projections as a solution to improve the situation of the territories in crisis for several aspects. This work analyses the projections of the urban planning instruments in force in the coastal municipalities of Emilia-Romagna. The work aims to highlight how the planned urban areas can change the future settlement structure in the case study area.


Author(s):  
R. T. Ganiev

The  article  studies  the  events  of  the  military  confrontation  between the Shibi Qaghan and Sui Dynasty in 609 – 615 AD. It shows the political situation in China whose deterioration led to the political upheaval in 617 AD and the young Tang Dynasty came to power. By the end of the Sui Dynasty period there were more than 200 organized armed gangs that were tearing the empire apart and often found support from the Turks. In 615 AD the Turks also surrounded Emperor Sui Yangdi in the fortress of Yanmen and thereby put an end to his political career. At the beginning of VII century the Eastern Turk Empire had a great military and political influence in Central Asia and posed a threat to its neighbors. Along with the separatists who  opposed  the  Sui  Dynasty,  the  military  governor  Taiyuan  Li  Yuan  sought the assistance of the Turks. He formed an alliance with them, and the Turks supported his nomination as the new ruler of China. Thus, in the events of 609 – 617 AD the Eastern Turks played a key role, and contributed to the deterioration of the situation at the end of the Sui Dynasty as well as to the ascent to power of the future first emperor of the new Tang Dynasty, Li Yuan. 


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