Schubert's Sonata Forms and the Poetics of the Lyric

2006 ◽  
Vol 23 (2) ◽  
pp. 263-306 ◽  
Author(s):  
SU YIN MAK

ABSTRACT Although recent scholarship has witnessed a welcome disavowal of the view that Schubert's formal and tonal designs in sonata form compositions bespeak the song composer's inability to master large-scale instrumental genres, it remains a commonplace to characterize Schubert's unorthodox practice as ““lyrical.”” Yet the historical, theoretical, and aesthetic bases of this lyricism have received little critical attention. A systematic and historically grounded approach to the notion of lyrical form in Schubert may be established by appealing to the rhetorical distinction between hypotaxis and parataxis, which pervaded late 18th-century discussions of both music and language. In particular, parataxis, a style that deliberately omits syntactical connections and relies instead on juxtaposition and parallelism, offers a suggestive technical link between Schubert's instrumental practice and the discursive techniques of contemporaneous lyric poetry. There are also aesthetic connections between idealist views of the lyric and the composer's own artistic beliefs, as confirmed by biographical documents. Schubert's approach to form was as much informed by these literary sensibilities as by the Classical compositional tradition. Like poets for whom the lyric served both as an Arcadian ideal of song and as an alternative to the prosaic realities of the present, Schubert evoked the lyric within the context of the sonata as a means of reunifying the dissociated sensibility of the Enlightenment. In so doing, he secured a place for the poetic imagination in instrumental music.

2021 ◽  
Vol 31 (3) ◽  
pp. 133-155
Author(s):  
Dag Herbjørnsrud ◽  

The Age of Enlightenment is more global and complex than the standard Eurocentric Colonial Canon narrative presents. For example, before the advent of unscientific racism and the systematic negligence of the contributions of Others outside of “White Europe,” Raphael centered Ibn Rushd (Averroes) in his Vatican fresco “Causarum Cognitio” (1511); the astronomer Edmund Halley taught himself Arabic to be more enlightened; The Royal Society of London acknowledged the scientific method developed by Ibn Al-Haytham (Alhazen). In addition, if we study the Transatlantic texts of the late 18th century, it is not Kant, but instead enlightened thinkers like Anton Wilhelm Amo (born in present-day’s Ghana), Phillis Wheatley (Senegal region), and Toussaint L’Ouverture (Haiti), who mostly live up to the ideals of reason, humanism, universalism, and human rights. One obstacle to developing a more balanced presentation of the Age of the Enlightenment is the influence of colonialism, Eurocentrism, and methodological nationalism. Consequently, this paper, part II of two, will also deal with the European Enlightenment’s unscientific heritage of scholarly racism from the 1750s. It will be demonstrated how Linnaeus, Hume, Kant, and Hegel were among the Founding Fathers of intellectual white supremacy within the Academy. Hence, the Age of Enlightenment is not what we are taught to believe. This paper will demonstrate how the lights from different “Global Enlightenments” can illuminate paths forward to more dialogue and universalism in the 21st century.


2011 ◽  
Vol 7 (5) ◽  
pp. 3399-3448
Author(s):  
M. J. Alcoforado ◽  
J. M. Vaquero ◽  
R. M. Trigo ◽  
J. P. Taborda

Abstract. Natural proxies, documentary evidence and instrumental data are the main sources used to reconstruct past climates. In this paper, we present the 18th century meteorologists (either Portuguese or foreigners), who made the first observations at several sites in Continental Portugal, Madeira Island and Rio de Janeiro (Brazil), from 1749 until 1802. Information is given concerning observation site, variables observed, measurement period, methodologies and sources (both manuscript and printed). Some examples from the data usefulness are given: rainfall variability in Madeira (1749–1753) and in Continental Portugal (1781–1793) was reconstructed, allowing to extend towards the late 18th century the well known negative correlation between the NAO index and seasonal rainfall. Furthermore, previously unpublished data for 1783–1784 has allowed analysing the consequences of the Laki eruption in Portugal: foggy and haze days are referred to in summer 1783, but unlike the hot summer observed in Northern and Central Europe, temperatures in Portugal were lower than average. Additionally, observations from Rio de Janeiro in Brazil show that the Laki consequences may well have spread to sectors of the Southern Hemisphere. Although the series are short, the data will be used for climate reconstruction studies focused in Southern Portugal and are also useful to improve the quality of large scale reconstruction datasets.


Author(s):  
João Paulo Cabral

Resumo As primeiras observações e recolhas de eucaliptos ocorreram nas grandes viagens inglesas e francesas ao Pacífico, em particular à Austrália, em finais do século XVIII. O género Eucalyptus L'Hér. foi estabelecido em 1788, e logo nas duas décadas seguintes seriam descritas, por botânicos franceses e ingleses, muitas espécies novas. O primeiro eucalipto cultivado em Inglaterra foi trazido, em 1774, na segunda viagem de James Cook. Em França, a introdução terá sido feita em 1804, no Jardim Botânico de Montpellier, na Alemanha em 1809, no Jardim Botânico de Berlim, e em Itália, em 1813, no Jardim Botânico de Nápoles. Em Portugal, a introdução do eucalipto foi muito posterior a estas datas. Na propriedade do duque de Palmela no Lumiar, foram plantados dois eucaliptos em 1850-1852. No Horto Botânico da Escola Médico-Cirúrgica de Lisboa, existia em 1852, pelo menos um espécimen, certamente para uso ou demonstração das suas propriedades terapêuticas. A partir da década de 1860, a expansão foi muito rápida. Em 1869, a companhia real dos caminhos-de-ferro portugueses iniciou a plantação de eucaliptos nas estações, casas de guarda e ao longo da via-férrea. As primeiras plantações em larga escala terão ocorrido na década de 1880 em propriedades perto de Abrantes arrendadas por William T. Tait. Em 1886 estavam já plantados 150 mil eucaliptos. Nesta mesma década começou a plantação, em escala apreciável, de eucaliptos nas Matas Nacionais. Em finais do século XX, tinham sido introduzidas em Portugal cerca de 250 espécies, sendo o Eucalyptus globulus Labill., a espécie largamente dominante. É interessante constatar que tendo sido um dos países europeus que mais tarde introduziu a cultura do eucalipto, Portugal é hoje, a nível mundial, um dos que apresenta maior percentagem da sua área florestal dedicada a esta cultura.Palavras-chave: eucalipto; jardins botânicos; Portugal. Abstract The earliest observations and collections of eucalypts occurred on the great English and French voyages to the Pacific, particularly Australia, in the late 18th century. The genus Eucalyptus L'Hér. was described in 1788, and soon in the following two decades, many species would be described by French and English botanists. The first eucalypt grown in England was brought in 1774 on James Cook's second voyage. In France, the introduction seems to have occurred in 1804, at the Botanical Garden of Montpellier, in Germany in 1809, at the Botanical Garden of Berlin, and in Italy, in 1813, at the Botanical Garden of Naples. In Portugal, the introduction of eucalypts was much later than these dates. In the property of the Duke of Palmela in Lumiar, two eucalypts were planted in 1850-1852. The Botanical Garden of the Medical-Surgical School of Lisbon had in 1852, at least one specimen, certainly for use or demonstration of its therapeutic properties. From the 1860s the expansion was very rapid. In 1869, the royal company of the Portuguese railways began planting eucalypts in the stations, guard houses and along the railroad. The first large-scale plantations occurred in the 1880s in properties near Abrantes leased by William T. Tait. By 1886, 150,000 eucalypts were already planted. In the same decade began the planting, on an appreciable scale, of eucalypts in “Matas Nacionais”. By the end of the 20th century about 250 species had been introduced in Portugal, being Eucalyptus globulus Labill., the species largely dominant. It is interesting to note that Portugal, one of the European countries that later introduced the eucalypt, is today, worldwide, one of the countries with the highest percentage of its forest area dedicated to this culture. Keywords: eucalypt; botanical gardens; Portugal.


2012 ◽  
Vol 8 (1) ◽  
pp. 353-371 ◽  
Author(s):  
M. J. Alcoforado ◽  
J. M. Vaquero ◽  
R. M. Trigo ◽  
J. P. Taborda

Abstract. Natural proxies, documentary evidence and instrumental data are the only sources used to reconstruct past climates. In this paper, we present the 18th century meteorologists (either Portuguese or foreigners) who made the first observations at several sites in Continental Portugal, Madeira Island and Rio de Janeiro (Brazil), from 1749 until 1802. Information is given concerning observation site, variables observed, measurement period, methods of measurements and sources (both manuscript and printed). Some examples from the data usefulness are given: rainfall variability in Madeira (1749–1753) and in continental Portugal (1781–1793) was reconstructed, allowing to extend towards the late 18th century the well known negative correlation between the NAO index and seasonal rainfall. Furthermore, previously unpublished data for 1783–1784 have allowed analysing the consequences of the Lakagígar eruption in Portugal: foggy and haze days are referred to in summer 1783, but unlike the hot summer observed in northern and central Europe, temperatures in Portugal were lower than average. Additionally, observations from Rio de Janeiro in Brazil show that the Lakagígar consequences may well have spread to sectors of the Southern Hemisphere. Although the series are short, the data have been used for climate reconstruction studies and may also be useful to improve the quality of large scale reconstruction datasets.


2012 ◽  
Vol 200 (5) ◽  
pp. 431-433 ◽  
Author(s):  
Allan Beveridge

In recent decades ideological battles have raged over how the history of psychiatry should be interpreted. Should the emergence of psychiatry in the late 18th century be seen as the triumph of the Enlightenment, ushering in a rational approach to mental illness and overturning the primitive and often barbaric ideas of previous eras? Or should the rise of psychiatry be seen in a more sinister light? Does it represent the extension of the state into the lives of its citizens, controlling and policing the disaffected and discontented? Are psychiatrists benign humanitarians or agents of oppression? Should the historical narrative be one of progress, as psychiatry steadily extends its knowledge of mental illness and develops more and more effective therapy? Or is the reverse true: has the advent of psychiatry been a calamity for the mad?


2013 ◽  
Vol 10 (6) ◽  
pp. 7517-7536 ◽  
Author(s):  
J. L. Wescoat

Abstract. This paper assesses changing norms of water use known as the duty of water. It is a case study in historical socio-hydrology, a line of research useful for anticipating changing social values with respect to water. The duty of water is currently defined as the amount of water reasonably required to irrigate a substantial crop with careful management and without waste on a given tract of land. The historical section of the paper traces this concept back to late-18th century analysis of steam engine efficiencies for mine dewatering in Britain. A half-century later, British irrigation engineers fundamentally altered the concept of duty to plan large-scale canal irrigation systems in northern India at an average duty of 218 acres per cubic foot per second (cfs). They justified this extensive irrigation standard (i.e., low water application rate over large areas) with a suite of social values that linked famine prevention with revenue generation and territorial control. Several decades later irrigation engineers in the western US adapted the duty of water concept to a different socio-hydrologic system and norms, using it to establish minimum standards for water rights appropriation (e.g., only 40 to 80 acres per cfs). The final section shows that while the duty of water concept has now been eclipsed by other measures and standards of water efficiency, it may have continuing relevance for anticipating if not predicting emerging social values with respect to water.


2010 ◽  
Vol 51 (1-2) ◽  
pp. 13-27 ◽  
Author(s):  
James Webster

Recent interpretations of both Haydn’s personality (as a man) and his musical style (or ‘persona’) have focused on the two opposed categories earnestness and wit . The present essay adds a third category on both sides of the equation: sensibility (German Empfindsamkeit ), and argues that it is equally important. The various meanings of sensibility are laid out and their applicability to Haydn discussed, including his rich and varied relationships with lovers and intimate friends. The problematics of the possible correlations between an artist’s personality and his style are discussed; it is argued that, contrary to recent theories of their separation into different domains, these are in fact closely related. Sensibility was a central aspect of mid- and late 18th-century aesthetics, both in ideas about ideal human behavior, and in prose fiction, opera and drama, etc. — as well as instrumental music (Carl Philipp Emanuel Bach). In Haydn’s case, not surprisingly, it has so far been located in genres destined primarily for private use: keyboard music and lieder; this is illustrated by an analysis and interpretation of “Das Leben ist ein Traum” (Hob. XXVIa:21; published 1784). In such works we may imagine Haydn as ‘speaking to’ the dedicatee of the work, as well as the sympathetic listener. However, sensibility is also an important aspect of style in the string quartet and symphony, where it has almost never been considered relevant. Examples are discussed in the slow movements from the quartet op. 76 no. 5 and the symphonies nos. 75, 88, 92, 98, 99, and 102. It is argued that the old notion of ‘Classical style’ (fortunately now on the decline), with its rigid demarcation of ‘high’ instrumental genres from both vocal music (Haydn’s operas) and earlier instrumental Empfindsamkeit (Emanuel Bach), was the primary reason that scholars and listeners have until now remained unmoved by Haydn’s sensibility.


Prospects ◽  
2001 ◽  
Vol 26 ◽  
pp. 1-34
Author(s):  
Sarah Luria

Washington, D.C., was born from the marriage of literary, economic, and political revolutions of the late 18th century, when the expansion of the marketplace, the rise of the novel, and the increased circulation of print spawned a bourgeois public sphere and, with it, the modern nation-state. Washington, D.C., was from the start an imagined city, created through the circulation of booster literature to attract investors and so solidify a rational political order. Washington, D.C., arose precisely from this need to ground the imagined landscapes of the Enlightenment, to turn the visionary into the visible and political theory into fact.


2008 ◽  
Vol 87 (2) ◽  
pp. 258-277 ◽  
Author(s):  
JAMES H. BURNS

David Ure (1749–98) contributed, in his History of Rutherglen and East-Kilbride (1793) not only to local history but, especially, to the development in Scotland of natural history, in some aspects of which he played a pioneering part. His studies at Glasgow University (with John Anderson as one of his teachers) were followed by ordination to the ministry of the Church of Scotland. A ‘stickit minister’ for most of his life, he played a significant part in Sinclair's Statistical Account of Scotland and contributed also to the surveys prepared for Sinclair's Board of Agriculture and Internal Improvement. Had he lived, he would have been Anderson's choice as professor of natural history in what became the Andersonian Institute. His writings reflect a lifelong commitment to the pursuit of knowledge with a view to improvement: he is thus a notable example of what the Enlightenment in late 18th-century Scotland was meant to exemplify and uphold.


Author(s):  
Martin Strebel

AbstractThe treatment of a large-scale late 18th-century landscape view is described, focussing on a bleaching treatment. The hand-coloured aquatint Panorama de Chaumont is owned by the Bibliothèque cantonale et universitaire in Neuchâtel, Switzerland. It had been mounted on a wooden strainer and framed without glazing; severe and uneven browning made it unsuitable for presentation. The discolouration resulted from light exposure and direct contact with a wooden strainer which released volatile organic compounds. To minimize the discolouration, the six parts of the print were dismounted and separated along the joints from each other. The pieces were deacidified in tap water. Only one segment was bleached at first with a 0.1% potassium permanganate solution. However, large areas of blue colouring were decolourized during the subsequent sodium dithionite treatment. The decolourized areas of the print recovered their previous blue tone during the following rinsing in water and drying. The unexpected effect was caused by the reduction of indigo to indigo white (leuco-indigo) and its subsequent re-oxidation to indigo in absence of the reducing agent and through impact of atmospheric oxygen. Being able to assess the variables after a first testing phase, all print segments were finally bleached with a 1% potassium permanganate solution. The sheets were deacidified aqueously, resized on the verso with a 0.8% gelatine solution and tears were repaired. The image segments were not rejoined contrary to conservation recommendations.


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