““Master Arigo Ysach, Our Brother””: New Light on Isaac in Florence, 1502––17

2008 ◽  
Vol 25 (3) ◽  
pp. 287-317 ◽  
Author(s):  
Giovanni Zanovello
Keyword(s):  
Sixteenth Century ◽  
Social Integration ◽  
Social History ◽  
Old Age ◽  
Social Background ◽  
Santa Barbara ◽  
The Social ◽  
History Of

Abstract Recently discovered documents shed new light on Heinrich Isaac's biography in the sixteenth century: hitherto unknown payments by Isaac (ca. 1450––1517) to the Florentine confraternity of Santa Barbara. As it turns out, Isaac was a regular member of the association from 1502 and bequeathed a substantial sum at his death. The records, in conjunction with other documents, illuminate Isaac's life from three complementary perspectives: the composer's biography (especially in the years 1502––7 and 1509––17), the wider context of the actions Isaac took in preparation for his old age and death, and the issues they raise regarding the composer's social background and integration in Florence during the first years of the sixteenth century. Against this backdrop the new documents allow us to question a number of assumptions, including the notion that Isaac's main residence in 1502––17 was in the imperial lands and that his social integration in Florence was exclusively linked to the Medici. They enrich our understanding of the social history of northern musicians in Italy around 1500.

Dissent and Catholicism in English Society: A Study of Warwickshire, 1660-1720

1976 ◽  
Vol 16 (1) ◽  
pp. 24-58 ◽  
Author(s):  
Judith J. Hurwich
Keyword(s):  
Social History ◽  
Civil Wars ◽  
Social Background ◽  
Point Of View ◽  
Religious Movement ◽  
Practical Point ◽  
Quantitative Studies ◽  
The Social ◽  
English Society ◽  
History Of

Puritanism has long fascinated students of the relationship between religion and society. Indeed, the social history of Puritanism has probably been studied more intensively than that of any other religious movement in modern history. However, most studies of Puritanism in England end either at the beginning of the Civil Wars or at the Restoration. The history of those Puritans who became Dissenters after 1660 has been left to denominational historians, who are understandably more concerned with the ecclesiastical and theological history of their own particular groups than with the broader question of the place of Dissent in English society.This neglect of post-Restoration Nonconformity is unfortunate for the study of the social history of Puritanism, both from a theoretical and from a practical point of view. When English Puritans are cited as the classical practitioners of the “Protestant ethic,” reference is often made to the success of Nonconformists in finance and industry after 1660. Tawney's application of the Weber thesis to England relies heavily on the writings of such post-Restoration divines as Baxter and Steele, and on the rise of Nonconformist capitalists in the late seventeenth and early eighteenth centuries. Tawney's hypotheses cannot be evaluated unless we have more information about the social background of Dissent: not merely a few exceptional individuals, but the group as a whole. From the practical point of view, quantitative studies of the social structure — both of the religious group and of the larger society—are more easily undertaken for the period after 1660 than for the period before that date.

Gaelic law and the Tudor conquest of Ireland: the social background of the sixteenth-century recensions of the pseudo-historical Prologue to the Senchas már

1991 ◽  
Vol 27 (107) ◽  
pp. 193-215 ◽  
Author(s):  
Nerys Patterson
Keyword(s):  
Sixteenth Century ◽  
Interest Groups ◽  
Social History ◽  
Social Background ◽  
Historical Record ◽  
Legal Change ◽  
Political Strategies ◽  
Administrative Reforms ◽  
Cultural Elite ◽  
The Social

Contemporary studies of the Tudor conquest of Ireland identify numerous interest-groups whose different political strategies produced a complex course of events. This paper examines the reactions of an influential segment of the Gaelic learned class, the traditional lawyers (brehons), to the threat of conquest. It offers evidence that some important brehon families supported administrative reforms within the Gaelic lordships, in accord with crown demands, and that they used native jural traditions to support legal change.As participants in the struggles of this period, the brehons have been viewed by scholars as part of the traditional cultural élite, which included poets and historians. Their indistinct appearance in the historical record partly accounts for such treatment. Brehons are scarcely mentioned in the Irish annals, while English sources tend to depict them as ultramontanists, practising ‘secret and hidden rites’, not as administrators with policies. Unlike the bardic poets, the brehons failed to leave behind a body of work that reflected their personal opinions; their literary monument, the corpus of Irish law-tracts, presents formidable barriers to interpretation, even as jural material, let alone as testimony to social history. These difficulties arise from the brehons’ deliberate attempts to preserve an appearance of antiquity and changelessness in the jural tradition. So successful were they in this, that many scholars believe that the later brehon schools copied the old law-tracts solely for their antiquarian interest and that the tracts had little relevance to contemporary affairs.

Running Away from the Palace: Chinese Eunuchs during the Qing Dynasty

2016 ◽  
Vol 27 (1) ◽  
pp. 143-164
Author(s):  
MELISSA S. DALE
Keyword(s):  
Social History ◽  
Old Age ◽  
Qing Dynasty ◽  
Historical Record ◽  
Labour Relations ◽  
The Qing Dynasty ◽  
Running Away ◽  
The Social ◽  
History Of ◽  
The Continuum

AbstractBy exploring cases of runaway eunuchs, this paper aims to contribute to understandings of unfree status during the Qing dynasty (1644-1911) and more broadly to the reconstruction of the social history of eunuchs. The abundance of cases in the historical record of palace eunuchs running away, often repeatedly, reflects poorly on the imperial court's treatment of its eunuchs and effectiveness at times in controlling its eunuch population. Confessions from captured eunuchs reveal that for many life serving as a palace eunuch proved too restrictive and too oppressive to endure. The repeated flight of eunuchs suggests that for some, the possibility of punishment was preferable to continued service and waiting for an authorised exit from the system due to old age or sickness. As the majority of palace eunuchs were illiterate, cases of runaway eunuchs give voice to eunuchs and reveal: (1) the tensions that characterised labour relations between the imperial household and its eunuch workforce and (2) that eunuch status does not fit neatly into the binary of free or unfree status, but rather is something more complicated that lies on the continuum in between.

scholarly journals Frederick Antal and the Marxist challenge to art history

2021 ◽  
pp. 095269512110037
Author(s):  
Jim Berryman
Keyword(s):  
Intellectual History ◽  
Social History ◽  
Art History ◽  
Historical Materialism ◽  
Social Background ◽  
Historical Research ◽  
European Tradition ◽  
The Social ◽  
History Of ◽  
English Speaking

First published in 1948, Frederick Antal’s Florentine Painting and Its Social Background was an important milestone in anglophone art history. Based on European examples, including Max Dvořák, it sought to understand art history’s relationship to social and intellectual history. When Antal, a Hungarian émigré, arrived in Britain in 1933, he encountered an inward-looking discipline preoccupied with formalism and connoisseurship; or, as he phrased it, art historians of ‘the older persuasion’ ignorant of ‘the fruitful achievements of modern historical research’. Despite its considerable scholarship and erudition, Antal’s book was not warmly received, largely because he had used historical materialism to understand the production of art and the development of styles. Antal’s class-based account of the social position of the artist and the role of the patron in determining the emergence of early Renaissance styles was especially controversial. However, although Marxist analysis was used to challenge the assumptions of Anglo art history, it was not Antal’s intention to weaken art history’s disciplinary autonomy. With historical materialism, he sought to place art history on a firmer historical footing. Most importantly, this approach was compatible with the discipline’s Central European tradition, where art-historical scholarship was framed by questions of method and based on broad historical research. Without defending its more deterministic features, this article supports a re-evaluation of Antal’s book, as an important forerunner of interdisciplinary art scholarship. It considers why Antal’s legacy has not endured, despite the ‘social history of art’ enjoying widespread acceptance in English-speaking art history in later decades.

scholarly journals The Class of 1838: A Social History of the First Victorian Novelists

2019 ◽  
Author(s):  
Allen Riddell ◽  
Troy J. Bassett
Keyword(s):  
Social History ◽  
Systematic Study ◽  
Social Background ◽  
The Novel ◽  
Women Novelists ◽  
The Social ◽  
Economic Background ◽  
History Of ◽  
Object Of Study ◽  
The Relationship

To what extent does an individual’s background, specifically their age, gender, and socio-economic background predict their becoming a novelist? Questions of this genre have been with us as long as the novel has been an object of study. Using new data, biographical details of every writer who published a novel in 1838 in the British Isles, we revisit the question of the relationship between social background and novel writing. Novelists in this cohort tend to emerge disproportionately from advantaged socio-economic backgrounds—83% of novelists come from non-working-class backgrounds. We also find that that men novelists are significantly more likely than women novelists to write under a name other than their legal name. The comprehensive data on the “Class of 1838” made available here supports systematic study of the social history of novel writing, offering a replacement for existing opportunistic convenience samples of questionable reliability.

Social History of European Integration

1995 ◽  
Vol 16 (1) ◽  
pp. 61-82
Author(s):  
Hartmut Kaelble
Keyword(s):  
European Integration ◽  
Social History ◽  
Social Factors ◽  
European Economic Community ◽  
Social Background ◽  
Economic Community ◽  
Factors Affecting ◽  
European Economic ◽  
The Social ◽  
History Of

In theory, the social history of European integration could be written in three different ways.l The first method would be to adopt the perspective of political historians and political scientists, who would apply social history to learn about new, neglected, but powerful factors affecting European integration. They might, for instance, try to identify those social factors underlying the founding of the European coal and steel community in 1950 or discuss the social background behind the creation of the European Economic Community in 1957.

The Social Origins and Provenance of the English Bishops during the Reign of Edward II

1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards
Keyword(s):  
Middle Ages ◽  
Social Background ◽  
Early Career ◽  
The Political ◽  
Social Origins ◽  
Political Activities ◽  
Edward Ii ◽  
The Social ◽  
Complete Study ◽  
History Of

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.

Early Cinema in Scotland

2018 ◽  
Keyword(s):  
Social History ◽  
Small Towns ◽  
Early Cinema ◽  
Popular Song ◽  
Feature Film ◽  
Local Newspapers ◽  
The Social ◽  
Production History ◽  
History Of ◽  
International Audience

This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.

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