scholarly journals Inventar nalaza i višefazno groblje uz utvrdu Sokol u Konavlima

2021 ◽  
Vol 13 (1) ◽  
Author(s):  
Nikolina Topić ◽  
Željka Bedić ◽  
Vlasta Vyroubal ◽  
Mario Šlaus ◽  
Jadranka Barešić ◽  
...  
Keyword(s):  
Iron Age ◽  
Early Modern Period ◽  
Skeletal Remains ◽  
14C Dating ◽  
Modern Period ◽  
Deep Layers ◽  
Southern Side ◽  
Northern Side ◽  
The One ◽  
The 19Th Century

This paper presents the results of the archaeological excavations conducted next to Fort Sokol in Konavle in 2012 and 2013, as well as the results of the anthropological analysis and radiocarbon (14C) dating. The site of Sokol has a long occupation continuity starting from prehistory until the Early Modern Period. The excavation of the area adjoining the fort was divided into four big probes, the one next to its southern side being the most complex. Multiphase cemetery is located along the southern and eastern side of the fort, with a smaller number of graves along its northern side. All probes revealed deep layers formed in earthquakes that were common in the Dubrovnik region. In addition to graves and architecture remains, these layers contained stone boulders that fell off the fort in earthquakes and an abundance of diverse finds dating to a broad time span, from prehistory to the Modern Period. The fort was deserted in 1672. Anthropological analysis encompassed all recovered skeletal remains from preserved grave units regardless of the state of preservation, whereby the remains of 92 individuals were identified, of which 57 adults and 35 children. Analysis of osteological material also documented pathological changes developed antemortem. Radiocarbon (14C) dating was applied on skeletal remains resulting in chronological range from the 5th to the 19th century. The same method was used for dating carbonized almonds that were dated to the Early Iron Age (750 – 400 cal BC).

Overview of the research work of Prof. Fumiko Sugimoto

Impact ◽  
2021 ◽  
Vol 2021 (7) ◽  
pp. 26-29
Author(s):  
Fumiko Sugimoto
Keyword(s):  
Early Modern ◽  
18Th Century ◽  
Research Work ◽  
Early Modern Period ◽  
Modern Society ◽  
Spatial Theory ◽  
Early Modern Japan ◽  
Modern Period ◽  
The People ◽  
The 19Th Century

Professor Fumiko Sugimoto has been analysing the history of the 18th century and first half of the 19th century with a focus not only on the temporal axis but also on the relationships between specific spaces and the people who live and act as subjective agents in these spaces. During the past few years, she has been endeavouring to decipher the history in the period of transition from the early modern period to the modern period by introducing the perspective of oceans, with a focus on Japan. Through the study of history in terms of spatial theory that also takes oceans into consideration, she is proposing to present a new concept about the territorial formation of modern states. [Main subjects] Law and Governance in Early Modern Japan Judgement in Early Modern Society The Evolution of Control over Territory under the Tokugawa State A Human Being in the Nineteenth Century: WATANABE Kazan, a Conflicting Consciousness of Status as an Artist and as a Samurai Early Modern Maps in the Social-standing-based Order of Tokugawa Japan The World of Information in Bakumatsu Japan: Timely News and Bird's Eye Views Early Modern Political History in Terms of Spatial Theory The Emergence of Newly Defined Oceans and the Transformation of Political Culture.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

The Puritan Work Ethic Revisited

1980 ◽  
Vol 19 (2) ◽  
pp. 35-53 ◽  
Author(s):  
Paul Seaver
Keyword(s):  
Early Modern ◽  
Work Ethic ◽  
Max Weber ◽  
Early Modern Period ◽  
Modern Period ◽  
Spirit Of Capitalism ◽  
The One ◽  
And Behavior ◽  
Attitudes And Behavior ◽  
The Impact

Whether Puritanism gave rise to a “work ethic,” and, if so, what the nature of that ethic was, has been a source of controversy since Max Weber published The Protestant Ethic and the Spirit of Capitalism more than seventy years ago. Experienced polemicists have waged international wars of words over its terms, and tyros have won their spurs in the battle. With repect to England, there is at present no agreement either about the reality of a peculiarly Puritan work ethic or about the impact, if any, that such an ethic might have had on the attitudes and behavior of the emerging capitalist bourgeoisie, if such a species indeed existed as a distinctive social class or group in the early modern period. In fact, since perfectly sane and competent historians have questioned on the one hand, whether “Puritanism” is more than a neo-idealist reification of a nonentity, and on the other, whether the early modern middle class is more than a myth, it might be the better part of wisdom to inter the remains of these vexed questions as quietly as possible. What follows is not a perverse attempt to flog a dead horse, if it is dead and a horse, but rather on the basis of a different perspective and different evidence to resurrect a part of what Timothy Breen has called “the non-existent controversy.”

scholarly journals České kramářské tisky – pokus o definici a typologii

2021 ◽  
Vol 66 (3-4) ◽  
pp. 43-57
Author(s):  
Jakub Ivánek
Keyword(s):  
Early Modern ◽  
19Th Century ◽  
Broad Spectrum ◽  
Early Modern Period ◽  
Popular Literature ◽  
Research Interest ◽  
Modern Period ◽  
Wide Range ◽  
Broadside Ballads ◽  
The 19Th Century

The paper focuses on the issue of a relatively wide range of kramářské tisky – the medium of Czech popular literature of the Early Modern period and the 19th century. They mostly contained kramářské písně (Czech equivalent for broadside ballads), which are currently in the spotlight of Czech research interest. Kramářský tisk can also be defined by means of equivalents in other languages. The English term chapbooks, for example, may be helpful in emphasising the commercial focus of this literature (kramářské tisky could be literally translated as ‘chapman prints’). Although the English term cannot be clearly defined either, researchers generally come to an agreement that it is a publication of booklet character, of smaller extent as well as format (usually octavo or smaller, made of no more than three sheets of paper or having up to 99 pages). It was distributed by tradesmen at fairs, by colportage or soliciting. It was cheap (both in terms of production and price) and it brought what the broad spectrum of readers in towns and later in the countryside demanded – popular reading in the true sense of the word. It is complicated to include popular histories (knížky lidového čtení) in the comparison – they fit most of the features above, but they were made by folding and joining more sheets of paper and greatly exceed the imaginary limit of 99 pages. Therefore, this paper also deals with boundary media, which surpass the defined extent but principally are still chapman goods (i.e. small-format books of various lengths distributed at fairs and by soliciting). The text of the study draws attention to the appearance and development of certain types of kramářské tisky of both religious and secular content. For a better illustration, many of these types are mediated by an image.

scholarly journals KERAMIČKI NALAZI S LOKALITETA GLAVICE – STARA POVLJANA U KONTEKSTU PRAPOVIJESNIH NASELJA NA OTOKU PAGU

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Morana Vuković ◽  
Zrinka Serventi
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Iron Age ◽  
Early Modern Period ◽  
Late Middle Ages ◽  
Modern Period ◽  
Arable Field ◽  
Ceramic Vessels ◽  
Prehistoric Settlements ◽  
Archaeological Excavations

Numerous remains of ceramic vessels were discovered during the archaeological excavations carried out in 2012 at the site of Glavice near Stara Povljana on the island of Pag. Some of these finds can be attributed to the Late Middle Ages and Early Modern Period (indicated also by the finds of Venetian coins), and others are clearly dated to the prehistoric period, predominantly Iron Age. The aforementioned remains were discovered around and even within the heavily damaged dry stone structures, which, although they cannot be precisely dated to either prehistoric or later periods, indicate the longevity of use of this site for habitation. Due to the context of these finds it is highly possible that the prehistoric settlement was organized on the plateau below the nearby hill and adjacent to the arable field, which is considered to be atypical for the area and indicates a possible change in settlement placement patterns. Therefore, in this paper we shall analyse fragments of prehistoric vessels, their consistency, typology and decorations, and place them in the context of prehistoric finds in the wider territory as well as evaluate the importance of this site in the overall distribution of prehistoric settlements on the island of Pag.

scholarly journals Back from Shingly: Revisiting the premodern history of Jews in Kerala

2018 ◽  
Vol 55 (1) ◽  
pp. 53-76 ◽  
Author(s):  
Ophira Gamliel
Keyword(s):  
Early Modern ◽  
Jewish History ◽  
Early Modern Period ◽  
Colonial Period ◽  
The Other ◽  
Oral Traditions ◽  
European Languages ◽  
Modern Period ◽  
History Of ◽  
The One

Jewish history in Kerala is based on sources mainly from the colonial period onward and mostly in European languages, failing to account for the premodern history of Jews in Kerala. These early modern sources are based on oral traditions of Paradeśi Jews in Cochin, who view the majority of Kerala Jews as inferior. Consequently, the premodern history of Kerala Jews remains untold, despite the existence of premodern sources that undermine unsupported notions about the premodern history of Kerala Jews—a Jewish ‘ur-settlement’ called Shingly in Kodungallur and a centuries-old isolation from world Jewry. This article reconstructs Jewish history in premodern Kerala solely based on premodern travelogues and literature on the one hand and on historical documents in Old Malayalam, Hebrew and Judeo-Arabic on the other hand. Sources of the early modern period are then examined for tracing the origins of the Shingly myth, arguing that the incorporation of the Shingly legend into the historiography of Kerala Jews was affected by contacts with European Jews in the Age of Discoveries rather than being a reflection of historical events.

scholarly journals Foreignness and Otherness in Pedagogical Contexts

2007 ◽  
Vol 1 (1) ◽  
Author(s):  
Wilfried Lippitz
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
Middle Ages ◽  
Early Modern Period ◽  
The Other ◽  
Northern Europe ◽  
Historical Period ◽  
Important Place ◽  
Modern Period ◽  
The 19Th Century

This paper considers the issue of alterity in education, first defining the question of the "other" or the "foreign" as it appears in a number of educational discourses and contexts. The paper then presents two different, historically-localizable aspects of the pedagogical encounter with foreignness or otherness. Both of these are associated with periods that have an important place in German cultural and intellectual history. The first is the transition from the middle ages to the early-modern period, the time of John Amos Comenius' Orbis Sensualium Pictus. Despite the achievements of this particular work as an encyclopedic and pedagogical introduction to the "visible world," it presents a rather deleterious treatment of the foreign in its contemporaneous manifestation in Northern Europe. The second historical period is the 19th century, and what is of principle concern here is the treatment of the foreign in grand, synthetic neo-humanistic theories of time. While the processes of dialectical assimilation and integration to which the foreign or other was subjected in these theories were not as explicit or overt as in preceding periods, they are still comparable in terms of their ultimate effect. This paper concludes by considering two 20th century articulations of education or Bildung in which the irreducible presence of the foreign or other in human development is explicitly acknowledged and affirmed, and the issue of its respect and recouperation is directly addressed, sometimes with significant and valuable consequences for pedagogy.

scholarly journals Re-Evaluation of the Late Bronze Age and Early Iron Age Chronology of the Western Belgian Urnfields Based on 14C Dating of Cremated Bones

Radiocarbon ◽  
2007 ◽  
Vol 49 (2) ◽  
pp. 499-514 ◽  
Author(s):  
Guy De Mulder ◽  
Mark van Strydonck ◽  
Mathieu Boudin ◽  
Walter Leclercq ◽  
Nicolas Paridaens ◽  
...  
Keyword(s):  
Bronze Age ◽  
20Th Century ◽  
Iron Age ◽  
Radiocarbon Dating ◽  
Early Iron Age ◽  
Late Bronze Age ◽  
14C Dating ◽  
Occupational History ◽  
History Of ◽  
The One

The urnfields in western Belgium have been studied since the second half of the 20th century. Most of these studies, as well as the excavations themselves, date from before the last quarter of the 20th century, except for the urnfields at Velzeke and Blicquy, which were excavated recently. The chronology of these cemeteries was largely based on typochronological studies of pottery. Other funeral gifts, like bronze objects in the graves, are rather exceptional. The typochronology was worked out in a comparison with the framework of neighboring regions and central Europe. There was a need, then, for a chronology based on absolute dates. This was only possible by radiocarbon dating of the cremated bones. Tests on duplicate samples, like cremated bone in context with charcoal or 2 depositions of cremated bones within 1 urn, have shown that the results are reproducible and that there is no discrepancy between the charcoal and the cremated bone dates.The results of the 14C dating project on the cremated bones of the 2 urnfields at Velzeke and the one at Blicquy are promising. The interpretation of the occupational history of both sites at Velzeke can be revised, and the currently accepted ceramic sequence for this period needs reworking. In addition, the chronological framework of the Late Bronze Age and Early Iron Age is open for discussion. It seems plausible that the urnfield phenomenon starts earlier in western Belgium than previously expected. These dates can also contribute to the discussion about the transition from the Late Bronze Age to the Early Iron Age.

scholarly journals Short report on a rescue excavation of a prehistoric and Árpádian Age site near Tura (Pest County, Hungary)

2019 ◽  
pp. 515-525
Author(s):  
Bence Simon ◽  
Szilvia Joháczi ◽  
Zita Kis
Keyword(s):  
Early Modern ◽  
Iron Age ◽  
Early Modern Period ◽  
Second World War ◽  
Short Report ◽  
World War ◽  
Modern Period ◽  
Military Activity ◽  
Archaeological Sciences ◽  
Second World

The staff of the Institute of Archaeological Sciences of Eötvös Loránd University conducted a rescue excavation in the northern territory of Tura (Pest County, Hungary) in the spring and autumn of 2018. The works revealed settlement and burial features of the Late Bronze and Early Iron Age, settlement features of the Árpádian Age, one feature from the early modern period, and some traces of military activity in the Second World War. The unexpected scientific novelty of the excavation is the discovery of an extensive Árpádian Age settlement and a brick oven in one of the pit-houses.

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