scholarly journals The Non-Aesthetic Aspect of Mangkunagaran-Style Dance: Study From The Perspective of Social Context

2020 ◽  
Vol 20 (2) ◽  
pp. 144-152
Author(s):  
Malarsih Malarsih ◽  
Usrek Tani Utina ◽  
Moh Hasan Bisri
Keyword(s):  
Social Context ◽  
Social Order ◽  
Social Culture ◽  
Social Functions ◽  
The Social ◽  
Aesthetic Aspect ◽  
Data Validity ◽  
Descriptive Qualitative

This study aims at analyzing the non-aesthetic aspect of Mangkunagaran-style dance from the perspective of its social context. The method employed in the study is interpretative-descriptive qualitative. The approach used social culture to analyze the perspectives. The research was conducted in Pura Mangkunagaran, with the focus of research lies on the non-aesthetic aspect of Mangkunagaran-style dance taken from the perspective of its social context. Techniques for collecting data was an observation, interview, and documentation study. The data validity mainly used data triangulation. Results show that from the perspective of social context, the Mangkunagaran-style dance is divided into four major social functions, i.e., the social order for integration, the function of expression, the function of entertainment, and the function of Psychiatric, Aesthetic, and Economic. These for main social functions are taken part in the existence of Mangkunagaran-style dance in Pura Mangkunagaran and wider communities.

Speaker-Oriented Attitude Datives in Social Context

2018 ◽  
Author(s):  
Youssef A. Haddad
Keyword(s):  
Social Context ◽  
Shared Values ◽  
Social Functions ◽  
Rapport Management ◽  
The Social ◽  
Different Types ◽  
Levantine Arabic ◽  
Values And Beliefs ◽  
Social Acts

This chapter examines the social functions of speaker-oriented attitude datives in Levantine Arabic. It analyzes these datives as perspectivizers used by a speaker to instruct her hearer to view her as a form of authority in relation to him, to the content of her utterance, and to the activity they are both involved in. The nature of this authority depends on the sociocultural, situational, and co-textual context, including the speaker’s and hearer’s shared values and beliefs, their respective identities, and the social acts employed in interaction. The chapter analyzes specific instances of speaker-oriented attitude datives as used in different types of social acts (e.g., commands, complaints) and in different types of settings (e.g., family talk, gossip). It also examines how these datives interact with facework, politeness, and rapport management.

scholarly journals METAPHOR OF MODALITY IN “EIGHTY DAYS YELLOW” NOVEL BY VINA JACKSON

2018 ◽  
Vol 4 (1) ◽  
pp. 16-27
Author(s):  
Syuhada Mutia
Keyword(s):  
Social Context ◽  
Qualitative Design ◽  
The Social ◽  
Descriptive Qualitative

The purpose of the study to analyze the types of metaphor of modality, describe the realization metaphor  of  modality  and explain the context of metaphor of modality in novel. The research was conducted by applying descriptive qualitative design. The data for this study were the sentences in novel. The data analyzed using Halliday’s Theory. The findings of the study showed that there were three types of the metaphor of modality used in novel such as probability was 50,65% with 109 occurences, usuality was 31,10% with 84 occurences, and obligation 18,25% with 70 occurences, the  realization of metaphor of modality in novel were think, will, probably, usually, want, should, expected,  usual,  and    supposed.  and the  context  of  metaphor  of modality was the social context. We interacted with other people in the social context. Further, the interaction in our surroundings like friends and family. What you speak or how you act to everyone influences how you interprate.

AN ANALYSIS OF EXPRESSIVE SPEECH ACTS USED IN CRAZY RICH ASIAN MOVIE

2021 ◽  
Vol 9 (1) ◽  
pp. 83-94
Author(s):  
Risa Dewi Rahmawati
Keyword(s):  
Data Analysis ◽  
Social Context ◽  
Speech Acts ◽  
Qualitative Method ◽  
Speech Act ◽  
Expressive Speech ◽  
Know How ◽  
The Social ◽  
Research Studies ◽  
Descriptive Qualitative

This research studies about expressive speech act in Crazy Rich Asian movie, the objectives of the research are to describe (1) to analyze the type of expressive speech act found in Crazy Rich Asian movie and (2) to describe the S-P-E-A-K-I-N-G model used in Crazy Rich Asian movie. This research used theory from Searle (1985) and Hymes (1974) in analyzing the data. There are twelve expressive speech act mentioned by Searle; apologize, thank, condole, congratulate, complain, lament, protest, deplore, boast, compliment, greet, and welcome. This research used descriptive qualitative method. The researcher collected expressive speech act utterances as the data to be analyzed; in analyzing the data the researcher used S-P-E-A-K-I-N-G model. The results showed that there were 52 data of expressive speech act and only ten types of expressive speech found in Crazy Rich Asian movie, some of the expressive types appeared except expressive act of condole and boast. the researcher used SPEAKING model is to know how the meaning of the social context, the purpose of the interaction in detail and describe them into analysis text. From the data analysis it shows that the types of expressive speech act that oftenly come up are apologize, thank and compliment. It shows that the characters in the Crazy Rich Asian movie more showed politeness and friendly attitude to others.

Sound-Making Objects

2021 ◽  
pp. 289-324
Author(s):  
Ellen Swift ◽  
Jo Stoner ◽  
April Pudsey
Keyword(s):  
Social Context ◽  
Social Groups ◽  
Social Function ◽  
Late Antique ◽  
Public Performance ◽  
Social Functions ◽  
Acoustic Environment ◽  
The Social ◽  
Alarm Sounds ◽  
Shed Light

The chapter investigates a specific functional category of objects of everyday life: sound-producing objects, with a focus on ordinary, simple items such as bells, clappers, and rattles, and their social function and contribution to everyday experience. After an initial overview of the types of artefacts studied and their dating, evidence from a close examination of the objects themselves is set alongside wider knowledge of their use and social context available from visual and textual sources, and historical and anthropological studies that shed light on the social function of sound-making objects. An innovative aspect of this chapter is the use of evidence from artefact replicas regarding likely notes played, and the volume of the sound produced. This directly inform understanding of the possible roles played by particular types of instruments within everyday social experience in Roman and late antique Egypt, for instance whether they were suited to public performance, more individual entertainment and play, or wider social functions such as the production of alarm sounds, and their audibility to different social groups with discrepant hearing capacity, such as young children, or elderly people. Drawing on experimental recording data including the recreation of the acoustic environment within a Romano-Egyptian house, the final section examines how the sounds produced by the objects may have contributed more widely to the creation of ambient environments and collective experiences.

Prologue

2020 ◽  
pp. 13-20
Author(s):  
Billy Coleman
Keyword(s):  
United States ◽  
Social Context ◽  
Social Order ◽  
The United States ◽  
American Music ◽  
Political Life ◽  
Early American ◽  
The Social ◽  
American National Identity ◽  
European Standards

This prologue surveys the key political challenges, debates, and ideologies that animated American political life following the creation of the United States. It also gestures to the emerging political purposes of music within this context. It distinguishes Federalists from Republicans, explains their conflicting visions, and overviews the logic Federalists used to justify their desire for social control and their insistence on social order and hierarchy as preconditions for freedom and liberty. The prologue similarly outlines the social context of early American music, especially its connections to religion, morality, science, and European standards of excellence. Finally, it highlights music’s perceived capacity to help define the terms of a new, uniquely American national identity.

Çatalhöyük: A Prehistoric Settlement on the Konya Plain

2012 ◽  
Author(s):  
Ian Hodder
Keyword(s):  
Social Behavior ◽  
Social Order ◽  
Wild Animals ◽  
Symbolic System ◽  
Limited Evidence ◽  
Social Functions ◽  
Daily Routines ◽  
The Social

This article discusses findings from excavations at Çatalhöyük. There is limited evidence for specialized and differentiated economic, political, and social functions at Çatalhöyük. Rather, the effect of a “town” (a large agglomeration of people living packed against each other) is produced by the repetition of social behavior within houses. Daily acts were heavily routinized and reconfirmed the social order. People were brought up within daily routines through which they learned the roles and rules of society. In addition, these rules and conventions were set within an elaborate symbolic system that centered around wild animals and the ancestors buried beneath the floors.

scholarly journals From Patricide to Patrilineality: Adapting The Wandering Earth for the Big Screen

Arts ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 94
Author(s):  
Ping Zhu
Keyword(s):  
Social Context ◽  
Science Fiction ◽  
Social Order ◽  
Nation State ◽  
Cultural Industry ◽  
Mise En Abyme ◽  
The Social ◽  
Complex Mechanisms ◽  
Established Order

This paper discusses how Liu Cixin’s 2000 novella “The Wandering Earth” was adapted into a family melodrama that ultimately reinforces the authority of the Father and the nation-state. It analyzes the complex mechanisms, such as mise en abyme and scapegoating, that serve to condone the patriarch’s power, as well as the intertextuality tying the film to the socialist culture. This paper analyses the social context that foregrounds the conversion from symbolic patricide (breaking the established system) to symbolic patrilineality (integration into the social order) in the film and also discusses the inherent tension between the radical apocalyptic vision offered in the original science fiction story and the cultural industry serving the interests of the established order.

The Social Functions of Voluntary Associations in a Nineteenth-Century American Town

1977 ◽  
Vol 1 (3) ◽  
pp. 333-355 ◽  
Author(s):  
Don H. Doyle
Keyword(s):  
Nineteenth Century ◽  
Public Schools ◽  
Social Control ◽  
Social History ◽  
Social Order ◽  
Social Functions ◽  
The Social ◽  
Class Leaders ◽  
American Society ◽  
New Research

Recent research in American urban history has given us a polarized view of the social order of nineteenth-century cities. At one extreme the studies of urban spatial and social mobility have revealed a restless shifting population of individuals moving through the city attached by little more than a brief term of employment. “American society…,” concluded one such mobility study, “was more like a procession than a stable social order. How did this social order cohere at all?” To a large extent the answer to this question has come from another body of studies which have reexamined a variety of institutions from police to public schools and found them to be part of a broad effort among Protestant middle-class leaders to bring control and order to this strange new urban world. The new research on mobility and social control has enlarged our understanding of American social history in many important ways, however, our emphasis on mobility and the mechanisms of coercive social control may obscure the social order that citizens of nineteenth-century communities defined for themselves.

scholarly journals Social dysfunctions of philosophy in modern society

2020 ◽  
pp. 30-45
Author(s):  
Natal'ya Vladimirovna Popkova
Keyword(s):  
Social Movements ◽  
Research Methodology ◽  
Social Order ◽  
Modern Society ◽  
Narrative Form ◽  
Situational Analysis ◽  
Social Functions ◽  
The Social ◽  
Science And Politics ◽  
Current Content

This article reviews the current content of social functions of the philosophy. The popularity of philosophy, which used to be considered one of the leading areas of culture and provided ideological grounds for social movements, is diminishing in technogenic society. The social functions previously fulfilled by philosophy no longer align with the societal interests. Science and politics do not challenge philosophy with the global questions, to which it has always sought answers. An assumption is made that one of the causes for the current decline of interest in philosophy is its social dysfunctions: along with the yielding benefits, philosophy can also be counterproductive. The research methodology contains articulation and discussion of the problems, comparative and situational analysis, structuring of concepts, cultural-historical comparisons, typological constructs, and generalizations. As a result, the author determines the two social dysfunctions of philosophy that may be the cause for its current unpopularity. Socio-axiological dysfunction impairs the foundations of social order, criticizing the fundamental worldview principles of culture. Hypercritical dysfunction disorientates the person by multiplicity of philosophical doctrines, and impedes selecting their own worldview principles, demonstrating the refutability of any opinion. It is concluded that philosophy could be more actively involved in humanization of the society, if leans towards neutralization of these dysfunctions and improvement of the narrative form of philosophical research.

scholarly journals A left „theocracy“: The church and the state in revolutionary Nicaragua

2014 ◽  
Vol 25 (2) ◽  
pp. 157-178
Author(s):  
Daniel Jakopovich
Keyword(s):  
Liberation Theology ◽  
Catholic Church ◽  
Social Order ◽  
Religious Institutions ◽  
Left Wing ◽  
Social Functions ◽  
The Social ◽  
Context Specific ◽  
State Relations ◽  
Critical Overview

This paper analyses the antagonism between the established (Nicaraguan and global) Catholic Church and the Sandinista movement and government, which was one of the focal points for the ascendancy of a continental and global liberation theology movement. The paper provides a critical overview of the Nicaraguan liberation theology movement, as well as Sandinista strategies, primarily in relation to the social functions of religion and religious institutions. The central focus of this essay is to identify how the left-theological and Sandinista understanding of the imperatives of the counter-hegemonic project, the ?historical bloc? (conceived as a system of political and social networks and alliances) and the ?national-popular? strategy contributed to the tentative naissance of a novel state religion and a novel political project: a left-wing ?theocratic? social order. The Nicaraguan experience is useful for focusing the wider discussion about the importance of context-specific normative judgments about Church-state relations.

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