scholarly journals The Public Space of �Jogja Fashion Week Carnival� and Cosplay Clothing in Yogyakarta

Author(s):  
Deni Setiawan ◽  
Timbul Haryono ◽  
Agus Burhan

The concept of an ideal public space does not just focus on the interests of a particular group or community, but rather focus on the space of social activities that represent each audience or spectator in that society. Arts and cultural activities are part of it; although the concept of public space is still abstract to represent every social individual. However, the presence of public space has created a mediation space for all forms of communication. Mediation space is considered as a crucial feature, not only as a promotional sphere but also as a place to exchange and communicate all forms of ideology, art, and culture. Art activities such as Jogja Fashion Week Carnival and Cosplay clothing performance in public spaces provide opportunities for communities or individuals, to make this activity as a public performance and part of public art. Public art tends to be creative, free, and sometimes not accompanied by a theoretical perspective, as other arts are. Art activities in public spaces which are part of the social and cultural activities are essentially standing on the ideology that have been set up for a particular interest. The interest is disseminated using mass media and advertisment. Audience or public art connoisseur in public spaces should be more intelligent and critical to accept all kinds of art activities and performances. Therefore the performance will have a balanced communication.AbstrakKonsep ruang publik yang ideal tidak saja berbicara kepentingan golongan atau komunitas tertentu, tetapi lebih fokus pada wadah aktivitas sosial yang mewakili setiap pendatang atau penonton. Termasuk didalamnya adalah aktivitas seni dan budaya, walaupun konsep ruang publik masih dapat dikatakan abstrak untuk mewakili setiap individu sosial. Akan tetapi dengan adanya ruang publik telah menciptakan ruang mediasi bagi segala macam bentuk komunikasi. Ruang mediasi ini dipandang penting, tidak saja dijadikan ranah promosi, lebih mendalam adalah untuk bertukar dan tempat komunikasi segala macam bentuk ideologi, kesenian, dan kebudayaan. Aktivitas seni semacam Jogja Fashion Week Carnival dan pagelaran pakaian cosplay pada ruang publik memberikan kesempatan bagi komunitas atau individu, untuk menjadikan aktivitas ini sebagai tontonan dan bagian seni publik. Seni publik ini tentu saja lebih cenderung lebih kreatif, bebas, dan terkadang tidak diiringi dengan perspektif teoretis, seperti yang dilakukan seni lainnya. Aktivitas seni pada ruang publik, merupakan bagian dari aktivitas sosial dan budaya, hakikatnya berdiri pada ideologi yang telah diatur untuk satu kepentingan, yang disebarluaskan menggunakan media massa dan iklan. Penonton atau masyarakat penikmat seni pada ruang publik, harus lebih cerdas dan kritis untuk menerima segala macam bentuk sajian aktivitas seni, sehingga sajian tersebut memiliki komunikasi yang seimbang.

K@iros ◽  
2019 ◽  
Author(s):  
Camila ARÊAS

This study develops a semiotics analysis of the « burqa affair » on French national press and observes how this public debate interrogates the problematic of the distance (physical, social and symbolical) between the secular and religious subjects in view of the question of social ties (recognition and appreciation). The analysis of the prohibitionist discourse in such debate brings into light the importance of the face in the republican conception of social ties and the primacy of the figure of transparency inside republican regime of visibility. This republican translation of the social cohesion configures a spatial problematic since it generates a semiotic process that redefines the concept of “public space” and consecrate it in the terms of 2010 law. The reconfiguration of distance that results from the mediatisation of the “burqa affair” carries, in return, some significant effects over the practical and symbolical modalities of social ties, notably the relation between oneself and the others, and raises important questionings about the meaning of contemporary public spaces and places.


2018 ◽  
Vol 13 ◽  
pp. 18-27
Author(s):  
Aurelija Daugelaite ◽  
Indre Gražulevičiūte-Vileniške ◽  
Mantas Landauskas

The concept of urban acupuncture, which has been gaining ground in recent decades, is based on the activation and revitalization of urban environments using small architectural or landscape architectural interventions in precise carefully selected locations of urban fabric. However, the rapid and unexpected design solutions of urban acupuncture, based on ecological design, nature dynamics, street art, material re-use, can cause different social and psychological reactions of urban population and these reactions may vary depending on cultural contexts. Consequently, in order to implement successful urban acupuncture projects in Lithuanian cities, it is very important to find out public opinion and priorities in the fields of public space management, aesthetics, and public art. The aim of the research was to analyze the opinion of Kaunas city residents regarding these issues. For this purpose, a sociological questionnaire survey was used. The questionnaire containing 20 questions was designed, with the aim to find out the trends of use of public spaces in the city, the attitudes of residents towards street art and other small-scale initiatives in public spaces implemented in the recent years, possibilities of creating landscape architecture based on ecological ideas in urban environment, the attitude of inhabitants towards community spaces and community space design in the city, etc. 100 residents of Kaunas participated in this online administered survey. The survey has demonstrated general positive attitude towards contemporary design trends of public spaces and public art; however, the surveyed population expressed preferences towards fully equipped public spaces offering possibilities for a wide range of activities.


Author(s):  
K. L. Khomyakova

The article deals with characteristics of urban public spaces, their role in the global transformation of the social relations system is determined. The ambiguity of assessing the impact of globalization on modern cities is due to the theoretical and methodological problems of modern sociological urbanism. There is no single approach among scientists to defining the concept of urban public space, which determines the relevance of the study of its interpretation and definition of essential properties. Public spaces are considered as a connecting element between the system and social levels of urban research, which correspond to the levels of integration identified by the modern sociologist E. Giddens. The article analyzes classical and modern approaches to the study of public space, there is reveals the course of evolution of sociological thought in relation to the formation of differentiation of types of spaces within cities. Based on the analysis of the works of modern sociologists and urbanists, such key features of public spaces as openness, socio-political neutrality, and symbolism were identified. Global processes and contradictions lead to an aggravation of the problem of the presence of the category of “Others” within public urban spaces, which are representatives of various segments of the population, with a variety of claims and interests. One of the consequences of the intensive development of digital technologies is a possible situation of “competition for the citizen” between traditional public spaces and online services. Assumptions are made about future transformations of social relations within public spaces as a result of the impact of the COVID-19 coronavirus pandemic.


2020 ◽  
Vol 8 (5) ◽  
pp. 4382-4387

Conviviality is a popular concept in urban design while referring to the good qualities of public spaces. This concept is the need for current times when social life in physical public spaces is declining away largely to forces like social media and the virtual world. The human tendency to feel satisfied and happy exists in existence with others. The social media has taken away the role that established Greek agora as the first centre of public interaction which initiated the concepts of modern democracy. Where popular public spaces have big roles to perform, the small public spaces in the neighbourhood and markets perform an important role to stage the everyday local nuisance in people's life. Even If public space is satisfactory enough to take away the loneliness and boredom of everyday course of modern living a lot can be achieved. Conviviality is one such factor which helps to elevate the satisfaction of spending time with others. This paper is an attempt to understand conviviality and relate it to public open spaces from the physical planning point of view.


2020 ◽  
pp. 259-272
Author(s):  
Chun Wai (Wilson) Yeung

This paper emphasizes that curatorial practice and site-specific art are essential aspects of the transition from artistic collaboration to collaborative curatorial practice and discovers the new potential of ‘curator as collaborator’ practice to cultivate community-based, collaborative and engaging cultural projects in public spaces. By examining the curatorial residency of my participation in Public Space 50 at RMIT University, Melbourne, Australia in 2017, this portfolio investigates how I, as a curator, explore art curation locations and methods to enable students to actively work collaboratively to plan, facilitate and produce public art projects. It asks how to turn public spaces into laboratories; how can student artists work together in public space; how to empower a creative student community through artistic collaboration and how artistic activation can be developed among creative participators of different cultures and backgrounds?


Rural China ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 151-171
Author(s):  
Zhi Gao

Chen Zhongshi’s novel, White Deer Plain, is a complex text revealing the social, political, economic, and cultural dimensions of a community in transformation in which multiple public spaces coexist and struggle to survive. As a reinterpretation of the novel, this article examines three types of public spaces: the popular, the political, and the cultural-educational, respectively. Focusing on the forms of depiction, the inner workings of the public spaces, the overlapping between different spaces and their expansion, this article aims to delineate the trajectories of the rise and fall of such public spaces and explore their entangling and association with modernity.


2020 ◽  
Vol 18 (2) ◽  
pp. 231-242
Author(s):  
Carlos Garrido Castellano

Abstract The main objective of this article is to understand the ways in which Lebanese artists are dealing with issues of normativity and legibility while operating in public spaces. By looking at the work developed by Temporary Art Platform (TAP) during the last ten years, I argue that public art has been crucial in the production of alternative understandings of civic agency and the public space. Simultaneously, by looking at A Few Things You Need to Know When Creating an Art Project in a Public Space in Lebanon, a toolkit designed by TAP in 2014, I intend to problematize the lexicon and strategies that are usually associated with understanding art activism, both as forcefully contextual and provisional.


Author(s):  
Fernanda da Silva de Andrade Moreira ◽  
Karen de Nazareth Santos Nogueira

ANALYSIS OF URBAN PUBLIC SPACE: the case of Mangal das Garças ParkANÁLISIS DEL ESPACIO PÚBLICO URBANO: el caso del Parque Mangal das GarçasOs espaços públicos urbanos têm sido objeto de estudos frequentes, pois, são nesses espaços que ocorre a produção social da cidade. Entendem-se como espaços públicos, em seu sentido físico, a praça, a rua, os parques entre outros. O presente estudo tem como objetivo central analisar o espaço do Parque Mangal das Garças, investigando os conceitos de espaços públicos e suas novas formas de exteriorização, no intuito de perceber de que maneira a população de Belém o percebe como espaço público no seu sentido mais amplo: o de instrumento para a promoção do direito à cidade. A metodologia utilizada foi a de entrevista orientada com 20 transeuntes no dia 18 de setembro de 2017 aplicada sob o suporte teórico de estudiosos da área.Palavras-chave: Urbanização; Espaços Públicos; Produção Social; Acessibilidade.ABSTRACTThe urban public spaces have been the object of frequent study, since it is in these spaces that the social production of the city occurs. They are understood as public spaces, in their physical sense, the square, the street, the parks among others. This study aims to analyze the space of Mangal das Garças Park, investigating the concepts of public spaces, and their new forms of exteriorization, in order to understand how the population of Belém perceives it as a public space in its broadest sense the instrument for the promotion of the right to the city. The methodology used was an interview with 20 passers-by on September 18, 2017 applied to the theoretical support of scholars in the area.Keywords: Urbanization; Public Spaces; Social Production; Accessibility.RESUMENLos espacios públicos urbanos han sido objeto de estudio frecuente, pues, son en esos espacios que ocurre la producción social de la ciudad. Se entiende como espacios públicos, en su sentido físico, la plaza, la calle, los parques entre otros. Este estudio tiene como objetivo central analizar el espacio del Parque Mangal das Garças, investigando los conceptos de espacios públicos, y sus nuevas formas de exteriorización, con el fin de percibir de qué manera la población de Belén lo percibe como espacio público en su sentido más amplio : el de instrumento para la promoción del derecho a la ciudad. La metodología utilizada fue la de entrevista orientada con 20 transeúntes el día 18 de septiembre de 2017 aplicada al soporte teórico de estudiosos del área.Palabras clave: Urbanización; Espacios Públicos; Producción Social; Accesibilidad.


2021 ◽  
Vol 17 (1) ◽  
pp. 136-151
Author(s):  
M. Salim Ferwati ◽  
Ali Keyvanfar ◽  
Arezou Shafaghat ◽  
Omar Ferwati

Abstract Public spaces facilitate opportunities for social interaction and promote social life. The social-spatial complexity of public spaces can be explored through the relationship between built forms and users’ daily social activities. The contemporary needs of users have retrofitted or replaced the controversial public spaces such as streets, depriving the prime function of sustaining and facilitating social life. Thus, any factors influencing users’ social/public life impact the quality of public spaces. Also, contextualization and definition of public spaces necessitate an evaluation of their quality. The lack of a quality assessment directory (QAD) for evaluating multi-functional public spaces motivated us to address it. To achieve the aim, this research has conducted a systematic literature review applying the content analysis to explore the principles and indicators influencing and enhancing social interactions in multi-functional public space design and then performed a normalization analysis to measure the weight of each indicator. The QAD constitutes five criteria (C1 – Inclusiveness, C2 – Desirable activities, C3 – Comfort, C4 – Safety, C5 – Pleasurability), and forty-two (42) embedded sub-criteria. The research found that Inclusiveness (Wn C1 = 4.38) and Pleasurability (Wn C2 = 3.88) have received the highest weights. Also, the research found that the sub-criteria ‘Physical/visual connection or openness to adjacent spaces’ (Wn Sc.4.1 = 1.00), ‘Users of diverse ages’ and ‘Community gathering third places’ (Wn = 0.750) have received the highest weights. Using such a QAD, urban professionals can quantify the effectiveness and efficiency of public spaces’ environmental and physical qualities in promoting social interactions and sociability.


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