scholarly journals Distance and Social Ties in the « Burqa Affair »: Spatial Arrangements and Regimes of Visibility

K@iros ◽  
2019 ◽  
Author(s):  
Camila ARÊAS

This study develops a semiotics analysis of the « burqa affair » on French national press and observes how this public debate interrogates the problematic of the distance (physical, social and symbolical) between the secular and religious subjects in view of the question of social ties (recognition and appreciation). The analysis of the prohibitionist discourse in such debate brings into light the importance of the face in the republican conception of social ties and the primacy of the figure of transparency inside republican regime of visibility. This republican translation of the social cohesion configures a spatial problematic since it generates a semiotic process that redefines the concept of “public space” and consecrate it in the terms of 2010 law. The reconfiguration of distance that results from the mediatisation of the “burqa affair” carries, in return, some significant effects over the practical and symbolical modalities of social ties, notably the relation between oneself and the others, and raises important questionings about the meaning of contemporary public spaces and places.

2021 ◽  
pp. 25-46
Author(s):  
Aseel Naamani ◽  
Ruth Simpson

The issue of public spaces is increasingly at the core of civic movements and discourse of reform in Lebanon, coming to the fore most recently in the mass protests of October 2019. Yet, these most recent movements build on years of activism and contestation, seeking to reclaim rights to access and engage with public spaces in the face of encroachments, mainly by the private sector. Urban spaces, including the country’s two biggest cities – Beirut and Tripoli – have been largely privatised and the preserve of an elite few, and post-war development has been marred with criticism of corruption and exclusivity. This article explores the history of public spaces in Beirut and Tripoli and the successive civic movements, which have sought to realise rights to public space. The article argues that reclaiming public space is central to reform and re-building relationships across divides after years of conflict. First, the article describes the evolution of Lebanon’s two main urban centres. Second, it moves to discuss the role of the consociational system in the partition and regulation of public space. Then it describes the various civic movements related to public space and examines the opportunities created by the October 2019 movement. Penultimately it interrogates the limits imposed by COVID-19 and recent crises. Lastly, it explores how placemaking and public space can contribute to peacebuilding and concludes that public spaces are essential to citizen relationships and inclusive participation in public life and affairs.


2005 ◽  
Vol 23 (2) ◽  
pp. 218-240 ◽  
Author(s):  
Douglas Hartmann ◽  
Joseph Gerteis

Since the 1960s, a variety of new ways of addressing the challenges of diversity in American society have coalesced around the term “multiculturalism.” In this article, we impose some clarity on the theoretical debates that surround divergent visions of difference. Rethinking multiculturalism from a sociological point of view, we propose a model that distinguishes between the social (associational) and cultural (moral) bases for social cohesion in the context of diversity. The framework allows us to identify three distinct types of multiculturalism and situate them in relation to assimilationism, the traditional American response to difference. We discuss the sociological parameters and characteristics of each of these forms, attending to the strength of social boundaries as well as to the source of social ties. We then use our model to clarify a number of conceptual tensions in the existing scholarly literature and offer some observations about the politics of recognition and redistribution, and the recent revival of assimilationist thought.


2018 ◽  
Vol 60 (4) ◽  
pp. 938-967 ◽  
Author(s):  
Emily Laxer

AbstractIn July 2010, following a year-long nationwide debate over Islamic veiling, the French government passed a law prohibiting facial coverings in all public spaces. Prior research attributes this and other restrictive laws to France's republican secular tradition. This article takes a different approach. Building on literature that sees electoral politics as a site for articulating, rather than merely reflecting, social identities, I argue that the 2010 ban arose in significant part out of political parties’ struggles to demarcate the boundaries of legitimate politics in the face of an ultra-right electoral threat. Specifically, I show that in seeking to prevent the ultra-right National Front party from monopolizing the religious signs issue, France's major right and left parties agreed to portray republicanism as requiring the exclusion of face veiling from public space. Because it was forged in conflict, however, the consensus thus generated is highly fractured and unstable. It conceals ongoing conflict, both between and within political parties, over the precise meaning(s) of French republican nationhood. The findings thus underscore the relationship between boundary-drawing in the political sphere and the process of demarcating the cultural and political boundaries of nationhood in contexts of immigrant diversity.


Author(s):  
K. L. Khomyakova

The article deals with characteristics of urban public spaces, their role in the global transformation of the social relations system is determined. The ambiguity of assessing the impact of globalization on modern cities is due to the theoretical and methodological problems of modern sociological urbanism. There is no single approach among scientists to defining the concept of urban public space, which determines the relevance of the study of its interpretation and definition of essential properties. Public spaces are considered as a connecting element between the system and social levels of urban research, which correspond to the levels of integration identified by the modern sociologist E. Giddens. The article analyzes classical and modern approaches to the study of public space, there is reveals the course of evolution of sociological thought in relation to the formation of differentiation of types of spaces within cities. Based on the analysis of the works of modern sociologists and urbanists, such key features of public spaces as openness, socio-political neutrality, and symbolism were identified. Global processes and contradictions lead to an aggravation of the problem of the presence of the category of “Others” within public urban spaces, which are representatives of various segments of the population, with a variety of claims and interests. One of the consequences of the intensive development of digital technologies is a possible situation of “competition for the citizen” between traditional public spaces and online services. Assumptions are made about future transformations of social relations within public spaces as a result of the impact of the COVID-19 coronavirus pandemic.


2020 ◽  
Vol 8 (5) ◽  
pp. 4382-4387

Conviviality is a popular concept in urban design while referring to the good qualities of public spaces. This concept is the need for current times when social life in physical public spaces is declining away largely to forces like social media and the virtual world. The human tendency to feel satisfied and happy exists in existence with others. The social media has taken away the role that established Greek agora as the first centre of public interaction which initiated the concepts of modern democracy. Where popular public spaces have big roles to perform, the small public spaces in the neighbourhood and markets perform an important role to stage the everyday local nuisance in people's life. Even If public space is satisfactory enough to take away the loneliness and boredom of everyday course of modern living a lot can be achieved. Conviviality is one such factor which helps to elevate the satisfaction of spending time with others. This paper is an attempt to understand conviviality and relate it to public open spaces from the physical planning point of view.


Author(s):  
Deni Setiawan ◽  
Timbul Haryono ◽  
Agus Burhan

The concept of an ideal public space does not just focus on the interests of a particular group or community, but rather focus on the space of social activities that represent each audience or spectator in that society. Arts and cultural activities are part of it; although the concept of public space is still abstract to represent every social individual. However, the presence of public space has created a mediation space for all forms of communication. Mediation space is considered as a crucial feature, not only as a promotional sphere but also as a place to exchange and communicate all forms of ideology, art, and culture. Art activities such as Jogja Fashion Week Carnival and Cosplay clothing performance in public spaces provide opportunities for communities or individuals, to make this activity as a public performance and part of public art. Public art tends to be creative, free, and sometimes not accompanied by a theoretical perspective, as other arts are. Art activities in public spaces which are part of the social and cultural activities are essentially standing on the ideology that have been set up for a particular interest. The interest is disseminated using mass media and advertisment. Audience or public art connoisseur in public spaces should be more intelligent and critical to accept all kinds of art activities and performances. Therefore the performance will have a balanced communication.AbstrakKonsep ruang publik yang ideal tidak saja berbicara kepentingan golongan atau komunitas tertentu, tetapi lebih fokus pada wadah aktivitas sosial yang mewakili setiap pendatang atau penonton. Termasuk didalamnya adalah aktivitas seni dan budaya, walaupun konsep ruang publik masih dapat dikatakan abstrak untuk mewakili setiap individu sosial. Akan tetapi dengan adanya ruang publik telah menciptakan ruang mediasi bagi segala macam bentuk komunikasi. Ruang mediasi ini dipandang penting, tidak saja dijadikan ranah promosi, lebih mendalam adalah untuk bertukar dan tempat komunikasi segala macam bentuk ideologi, kesenian, dan kebudayaan. Aktivitas seni semacam Jogja Fashion Week Carnival dan pagelaran pakaian cosplay pada ruang publik memberikan kesempatan bagi komunitas atau individu, untuk menjadikan aktivitas ini sebagai tontonan dan bagian seni publik. Seni publik ini tentu saja lebih cenderung lebih kreatif, bebas, dan terkadang tidak diiringi dengan perspektif teoretis, seperti yang dilakukan seni lainnya. Aktivitas seni pada ruang publik, merupakan bagian dari aktivitas sosial dan budaya, hakikatnya berdiri pada ideologi yang telah diatur untuk satu kepentingan, yang disebarluaskan menggunakan media massa dan iklan. Penonton atau masyarakat penikmat seni pada ruang publik, harus lebih cerdas dan kritis untuk menerima segala macam bentuk sajian aktivitas seni, sehingga sajian tersebut memiliki komunikasi yang seimbang.


Rural China ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 151-171
Author(s):  
Zhi Gao

Chen Zhongshi’s novel, White Deer Plain, is a complex text revealing the social, political, economic, and cultural dimensions of a community in transformation in which multiple public spaces coexist and struggle to survive. As a reinterpretation of the novel, this article examines three types of public spaces: the popular, the political, and the cultural-educational, respectively. Focusing on the forms of depiction, the inner workings of the public spaces, the overlapping between different spaces and their expansion, this article aims to delineate the trajectories of the rise and fall of such public spaces and explore their entangling and association with modernity.


2020 ◽  
Vol 7 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Luigi Patruno

During the Peronist years (1943‐55), architect Jorge Sabaté designed several exhibitions and ephemeral installations to be erected in the central streets of Buenos Aires. These interventions were aimed at transforming the face of the city, repurposing its spaces for unprecedented uses and expressing the right ‘the people’ had gained to free time, outings and leisure. In this article, I examine the architectural illustrations that Sabaté appended to the rest of his plans. The incorporation into his drawings of the social practices of metropolitan strolling is one of the ways in which the Peronist exhibitions designed by Sabaté relate to urban culture. By staging the masses in these materials, Sabaté proposes a whole new form of conviviality in public space and depicts the popular sectors aspiring to a new lifestyle made possible by the intersection of technological progress and expanded access to consumer goods.


2019 ◽  
Vol 111 ◽  
pp. 02027 ◽  
Author(s):  
Kentaro Morita ◽  
Kaho Hashimoto ◽  
Masayuki Ogata ◽  
Hitomi Tsutsumi ◽  
Shin-ichi Tanabe ◽  
...  

Contact behavior in a public space influences the risk of contact infection because public spaces have many environmental surfaces contaminated with pathogens. It is useful for risk reduction to examine the factor of infection risk among behaviors. In the present study, a video monitoring survey was conducted in a simulated cabin of a commuter train, we had built, to investigate the relationship between face-touching frequencies and individual attributes. As a result, the average face-touching frequency was 17.8 times per hour. Of all face touches, mucosal contact was 42.2%. Focusing on the sex, the face-touching frequency was significantly higher for the males than for the females. Focusing on the skin condition, the face-touching frequency of those who did not wear makeup was significantly higher than that of those who did. The significant sex differences may depend on the makeup. Focusing on pollution awareness, higher pollution awareness related to lower frequency. Thus, by improving pollution awareness of the environmental surfaces in public spaces, it is possible to reduce effectively face-touching frequency and, hence, infection risk.


Author(s):  
Fernanda da Silva de Andrade Moreira ◽  
Karen de Nazareth Santos Nogueira

ANALYSIS OF URBAN PUBLIC SPACE: the case of Mangal das Garças ParkANÁLISIS DEL ESPACIO PÚBLICO URBANO: el caso del Parque Mangal das GarçasOs espaços públicos urbanos têm sido objeto de estudos frequentes, pois, são nesses espaços que ocorre a produção social da cidade. Entendem-se como espaços públicos, em seu sentido físico, a praça, a rua, os parques entre outros. O presente estudo tem como objetivo central analisar o espaço do Parque Mangal das Garças, investigando os conceitos de espaços públicos e suas novas formas de exteriorização, no intuito de perceber de que maneira a população de Belém o percebe como espaço público no seu sentido mais amplo: o de instrumento para a promoção do direito à cidade. A metodologia utilizada foi a de entrevista orientada com 20 transeuntes no dia 18 de setembro de 2017 aplicada sob o suporte teórico de estudiosos da área.Palavras-chave: Urbanização; Espaços Públicos; Produção Social; Acessibilidade.ABSTRACTThe urban public spaces have been the object of frequent study, since it is in these spaces that the social production of the city occurs. They are understood as public spaces, in their physical sense, the square, the street, the parks among others. This study aims to analyze the space of Mangal das Garças Park, investigating the concepts of public spaces, and their new forms of exteriorization, in order to understand how the population of Belém perceives it as a public space in its broadest sense the instrument for the promotion of the right to the city. The methodology used was an interview with 20 passers-by on September 18, 2017 applied to the theoretical support of scholars in the area.Keywords: Urbanization; Public Spaces; Social Production; Accessibility.RESUMENLos espacios públicos urbanos han sido objeto de estudio frecuente, pues, son en esos espacios que ocurre la producción social de la ciudad. Se entiende como espacios públicos, en su sentido físico, la plaza, la calle, los parques entre otros. Este estudio tiene como objetivo central analizar el espacio del Parque Mangal das Garças, investigando los conceptos de espacios públicos, y sus nuevas formas de exteriorización, con el fin de percibir de qué manera la población de Belén lo percibe como espacio público en su sentido más amplio : el de instrumento para la promoción del derecho a la ciudad. La metodología utilizada fue la de entrevista orientada con 20 transeúntes el día 18 de septiembre de 2017 aplicada al soporte teórico de estudiosos del área.Palabras clave: Urbanización; Espacios Públicos; Producción Social; Accesibilidad.


Sign in / Sign up

Export Citation Format

Share Document