scholarly journals ПОЭТИКА ЦИКЛА НОВОГОДНИХ СТИХОВ М. В. ИСАКОВСКОГО (СРАВНИТЕЛЬНО-ТИПОЛОГИЧЕСКИЙ АСПЕКТ)

2020 ◽  
Vol 18 (4) ◽  
pp. 306-330
Author(s):  
Aleksey Petrov
Keyword(s):  
The Other ◽  
Russian People ◽  
Soviet People ◽  
Death Time ◽  
The People ◽  
The Face ◽  
Post War ◽  
The Many ◽  
The One ◽  
Mortal Danger

Six New Year (eonic) poems by M. V. Isakovsky, written between 1942 and 1972, are examined in the article as a non-author's cycle with its own ‘plot’. It captured such philosophical phenomena as death, guilt, suffering, chance, etc., which revealed themselves in a sacred moment of time — the New Year. The three “battlefield” toasts reflected Isakovsky's sense of guilt before himself and the people; the desire to cast a spell on hostile forces and thus bring victory closer. The humorous post-war toast of 1948 demonstrated the return of life in the USSR to a peaceful track, which was signified by the restoration of state and family holidays, dinner parties. The official ‘newspaper’ toast “for 1958” expresses the idea of “new happiness” that emphasizes the motive of peaceful labor exploits of the Soviet people, while the poems “for 1973” can be classified as confessional. Isakovsky's New Year poems are also analyzed in the context of two traditions — Russian aeonic poetry and ritual toasts. Connections with poems by V. A. Zhukovsky, P. A. Vyazemsky, M. I. Tsvetaeva, A. T. Tvardovsky are traced. New Year poetic toast, on the one hand, became one of the many genres that contributed to the unity of the Russian people in the face of mortal danger during the war; on the other hand, it preserved a number of archaic topoi (the experience of the New Year’s transition as a sacred time; ritual magic formulas that invoke Death, Time and Fate; the biblical archetype of the chosen people, etc.).

The Hierophanic Facets of the Seraphic Hymns

Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu
Keyword(s):  
Mutual Recognition ◽  
The Other ◽  
Human Being ◽  
Material World ◽  
Face To Face ◽  
The People ◽  
Musical History ◽  
The Face ◽  
The One

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.

Not Only What or How, but Who? Subjectivity, Obligation, and the Call to Teach

2006 ◽  
Vol 10 (1) ◽  
pp. 61-73 ◽  
Author(s):  
Clarence W. Joldersma
Keyword(s):  
Subject Matter ◽  
Emmanuel Levinas ◽  
Teaching Method ◽  
The Other ◽  
The People ◽  
Asymmetric Relation ◽  
The Face ◽  
The Subject ◽  
God's Call ◽  
The One

THIS PAPER ARGUES that the call to teach ought to be conceptualized not so much in terms of subject matter (‘what’) or teaching method (‘how’) but with respect to the subjectivity of the people involved – that is, of the one who teaches and of the one who is taught. Building explicitly on the work of Emmanuel Levinas, the essay develops the idea of a responsible subject as the condition that makes visible the distinctiveness about the call to teach, suggesting that God's call to teach manifests itself through the face of the student, in the asymmetric relation between the teacher and the student as the other. In doing so, the teacher becomes a responsible subject for and to the student, instead of merely for the subject matter and the methods of teaching. Familiar tensions in teaching illustrate this call to responsibility.

scholarly journals Joe Lampton’s north‐south divide: Remembering place and space in Man at the Top (1970‐72)

2020 ◽  
Vol 8 (2) ◽  
pp. 159-176
Author(s):  
Philip Kiszely
Keyword(s):  
Collective Memory ◽  
New Left ◽  
The Other ◽  
Place And Space ◽  
The Past ◽  
The Face ◽  
Post War ◽  
The One ◽  
Architectural Reconstruction

This article considers the depiction of region and materiality in Thames Television’s Man at the Top (1970‐72). Dealing with the present by looking to the past, the series critiques the architectural reconstruction that changed the face of the country during the post-war years and beyond. This transformation is seen through the jaundiced eye of series protagonist Joe Lampton, a 1950s anti-hero recycled for a more uncertain age. He finds himself caught between the pull of tradition and the push for progress ‐ forces aligned respectively with the industrial North (his native Yorkshire) and the cosmopolitan South (his contemporaneous London-based life). Why, in the broader context of the early 1970s, must Lampton’s North be identified with the past? How does materiality work to frame remembrance? The article responds to these questions by mapping the series, along with television culture more generally, onto its socio-political moment. It arrives at conclusions via a constructionist analysis that draws on ‘New Left’ inflected discourses, on the one hand, and philosophies relating to collective memory and materiality on the other.

scholarly journals Emancipation and feminization of the teaching vocation in Serbia and Yugoslavia after World War II

2020 ◽  
Vol 68 (2) ◽  
pp. 467-485
Author(s):  
Sanja Petrovic-Todosijevic
Keyword(s):  
World War Ii ◽  
Policy Analysis ◽  
The Other ◽  
World War ◽  
General Law ◽  
Post War ◽  
The Many ◽  
The One

The paper is an attempt to point out the problems faced by the new communist authorities in Yugoslavia in the years after the victory in the War and the Revolution in the process of emancipation and additional feminization of the teaching vocation, with particular emphasis on the period until the adoption of the General Law on Education (1958). Particular emphasis will be placed on policy analysis as well as concrete measures that have led to a different profile of the role of the teacher in the post-war society. On the one hand, it will highlight the concrete measures taken by the state to motivate as many women as possible to opt for the teaching job. On the other hand, they will point out the many problems faced by many teachers whose professional and professional qualities, in assessing the quality of their work, are not so infrequently subordinated to their ?moral characteristics?.

Kosovo: The International Community's European Project

2012 ◽  
Vol 20 (1) ◽  
pp. 10-22 ◽  
Author(s):  
Anita McKinna
Keyword(s):  
International Community ◽  
The Other ◽  
Eu Accession ◽  
Eu Integration ◽  
Ethnic Integration ◽  
The People ◽  
Ethnic Division ◽  
European Standards ◽  
Post War ◽  
The One

This article is about the post-war governance of Kosovo and the contradiction posed by the focus on multi-ethnicity on the one hand, and the development of a new Kosovar identity that transcends ethnicity on the other. Post-war Kosovo represents a bold experiment by the international community to create a society that adheres to European standards. The international administration has based its post-war reconstruction and governance of Kosovo on standards aimed at EU accession. To this end, since 1999 the international administration in Kosovo has pursued multi-ethnicity as a panacea. Far from creating the conditions conducive to greater inter-ethnic integration, the policies enacted supposedly in the name of multi-ethnicity have resulted in the further entrenchment of ethnic division. At the same time, the international administration has promoted a new Kosovo identity that transcends ethnicity and that fits with European standards. This article questions the international administration's approach in governing post-war Kosovo with the ultimate goal of EU accession. It argues that this approach has failed both in creating a more multi-ethnic society and in creating a new identity that is embraced by the people of Kosovo. This situation in turn raises questions as to whether there is a genuine will from the people of Kosovo to fulfil such standards, and therefore whether the goal of EU integration for Kosovo is a realistic one.

The Libertarian, Fictionalist, and Compatibilist Responses to Hard Determinism

2020 ◽  
pp. 265-312
Author(s):  
Michael S. Moore
Keyword(s):  
Free Will ◽  
The Other ◽  
Human Choice ◽  
Hard Determinism ◽  
The Face ◽  
Responsible Action ◽  
The Many ◽  
The One

This chapter surveys the various responses to hard determinism, all of which seek to salvage responsibility in the face of the thought that all of our actions and choices are caused by factors over which we have no control. Those responses are grouped into three large categories: libertarianisms, fictionalisms, and compatibilisms. Libertarians believe that we do possess contra-causal free will, at least some of the time. Fictionalists believe that we must fictionalize responsibility so that we can construct it so as to be compatible with the determination of human choice by factors themselves unchosen. Compatibilists believe that there is no contradiction between free and responsible action, on the one hand, and determination of human choice, on the other. Various subcategories of each of these groupings are explored, and a case is made to subscribe to one of the forms of compatibilism, classical compatibilism. Ten amendments are offered to classical compatibilism aimed at eliminating the many problems that have been raised for classical compatibilism these past sixty years.

scholarly journals Paradoxes of Historical Memory in A. Tvardovsky’s Post-War Poems

2021 ◽  
Vol 26 (2) ◽  
pp. 188-197
Author(s):  
Ilya B. Nichiporov
Keyword(s):  
Historical Memory ◽  
A Priori ◽  
Main Idea ◽  
Historical Thinking ◽  
The Other ◽  
The Road ◽  
The People ◽  
Other World ◽  
Post War ◽  
The One

The article deals with the modern interpretation of four post-war poems by A.T. Tvardovsky: House by the Road, Beyond Distance, Tyorkin in the Other World, By Right of Memory , which were insufficiently studied in the previous research works. The main idea is focused on the artistic embodiment of historical thinking in these works. The main feature of these works is a contradictory combination of utopian consciousness and the dystopian mood of the lyric hero, who is pondering over personal and historical memory. The author concludes that Tvardovskys post-war poems capture the paradoxes of the historical thinking of a personality who, on the one hand, gets out of the influence of the dominant ideology, and on the other hand, demonstrates an apologetic attitude towards the key concepts and mythologems of totalitarian discourse. The hero of Tvardovskys later poems appears as a front-line soldier, an artist, a publicist, an analyst of modern times, a prescient; he wanders the roads of the past and present, at the crossroads of personal and historical memory, gets even to death, goes on believing in the mission of the political leaders, the a priori truth of the Country and the People inspired by dystopian impulses and sees mysteries of history through his destiny.

Óscar Romero and the Politics of Sainthood

2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson
Keyword(s):  
Human Rights ◽  
Civil War ◽  
El Salvador ◽  
The Other ◽  
Post Colonial ◽  
Holy See ◽  
The Poor ◽  
The Face ◽  
Crisis Of Modernity ◽  
The One

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization

AFRICAN WOMEN AND FORBIDDEN GROUNDS: FEMALE SEXUALITY AND SELF-DETERMINATION IN AFRICAN LITERATURE

Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 40-54
Author(s):  
Oyeh O. Otu
Keyword(s):  
Female Sexuality ◽  
Sense Of Self ◽  
African Literature ◽  
The Other ◽  
Self Determination ◽  
African Women ◽  
The Core ◽  
The Many ◽  
The One ◽  
Sexual Repression

This article examines how female conditioning and sexual repression affect the woman’s sense of self, womanhood, identity and her place in society. It argues that the woman’s body is at the core of the many sites of gender struggles/ politics. Accordingly, the woman’s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-determination. On the other hand, it underscores the need to give women sexual freedom that must be respected and enforced by law for the overall good of society.

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

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